null from the floor

A massive, weathered statue stands in the center of a vast, desolate landscape. The figure is half man, half woman, with a striking duality of masculine and feminine features, their body torn and rattling from the pain of a broken soul. They wear an elaborate 1700s costume, detailed with fine embroidery and lace, now tattered and worn, as if eroded by time. Long, flowing hair cascades down their shoulders, wild and unkempt, adding to the sense of internal turmoil. Their feet are chained to the ground, locked to the floor of stone, preventing any movement, symbolizing imprisonment.
The statue’s expression is one of deep suffering, their eyes filled with sorrow, as if trapped between worlds. A large, worn cardboard sign rests against the base of the statue, reading in bold letters: ‘di vizi ricco e di virtù, do lode alla ragion, ma corro ove al cor piace: morte sol mi darà fama e riposo.’ The wind blows softly, causing the cardboard to flutter slightly, adding a feeling of fragility and despair to the scene. The landscape around is barren and bleak, reflecting the inner desolation of the figure, as they await a release that only death can bring

In a moonlit forest clearing, two young women in their early twenties stand in striking contrast. The first girl, with silver-white hair and a ghostly pale complexion, wears a white blouse stained with dark red splatters. Her blouse, which stretches over her prominent bust, accentuates her figure. A simple black five-pointed star on her chest is highlighted by her faintly glowing crimson eyes, adding an eerie calm to her presence.
The second girl contrasts sharply with jet-black hair and deep tan skin. Her dark blouse, also blood-stained, fits snugly around her voluptuous form. Her nearly invisible black star and intense crimson eyes shine with a piercing alertness.
The girls hold a single worn cardboard sign that reads ‘We Come in Peace,’ scrawled in crude black marker. The sign stands out starkly against the dark, eerie forest floor, illuminated by the moonlight, which casts long, shifting shadows and enhances the haunting quality of the scene.

slender classy fashionable rich woman, soiree foil dress, lace trim silk stockings and glossy high heels, black glossy slime filled hole, possessed, groped, embraced by ghost tentacles from the floor hole, fog from the floor hole, surrounded by glossy high heel shoes and weird mirrors , alien harem , spaceship, space, high-tech, steel, horror, fetish, foil, foil pillows, foil sheets, excited, orgasm face, 1950's science fiction movie, translucent slime veil curtains, weird dimension portal to another galaxy in the celling, ultra thin waist, tall, long hair, collar

“Captured with Panavision Prime Cine optics: a minimalist studio scene featuring a pastel white dome-shaped wall curving seamlessly into the floor, softly illuminated with diffused cinematic lighting. Cube-shaped shadows, cast by a front-facing window grid, add depth and visual interest to the composition. At the exact middle height of the wall, an oversized, acid-green banana is boldly displayed, secured with an extra-wide strip of vibrant yellow duct tape. Beside the banana, a prominent, jagged scar disrupts the wall’s smooth surface, adding a raw, contrasting imperfection to the pristine aesthetic. The premium optics emphasize every detail, from the textures of the wall and shadows to the vivid tones of the banana and tape.”

offcentered framing, authentic, Japanese school setting from the corner of the room view, blackboard with drawn occult, only one blackboard, pentagram and lines that form different creepy but detailed pictures, the room filled with flying dust, symbols on it and drawn face of scary creepy monster with chalk, the room is a mess, on the wooden floor there are destroyed and moved school desks on a destroyed the floor itself is damaged and scratched with the claws, there is a crack in the slightly opened door the claws are coming through that crack behind the door window you can barely see the silhouette of a creepy creature with very long tongue, the lights on the ceiling are broken leaving room in an earie dark state, extremely detailed photo, UHD, ultra high resolution,

In a sunlit forest clearing, a young woman in her early twenties stands eerily still. Her silver-white hair and pale, almost translucent skin are stark against her white blouse, which is stained with dark red splatters. A simple black five-pointed star on her chest adds an unsettling graphic element. Despite the bright day, her eyes glow with a faint but disturbing crimson light, cutting through the sunlight with an eerie intensity.
Encircling her are twelve wild animals in a surreal formation. A sleek black panther, its fur catching the sunlight in a glistening manner, crouches nearby, its eyes reflecting an unnerving red. Two owls, perched on sunlit branches, blink their glowing crimson eyes slowly, surveying the scene with an unsettling calm. A large snake, with iridescent blue-black scales, coils around a sunlit branch, its gaze menacing.
The focal point of the scene is the cardboard sign the young woman holds. It reads, ‘We Come in Peace,’ scrawled in crude, black marker. The sign, though worn and out of place, stands out starkly against the surreal, eerie backdrop. The forest floor is dappled with sunlight, but the shifting shadows and the stark contrast between the bright day and the unsettling presence of the girl and her animal entourage enhance the scene’s eerie, unsettling quality.

$photorealism, high resolution, (polished:-1.3), broken hull with interlocking polygonal patterns, (bad composition:-1.3), sharp and jagged metal, scattered debris across the terrain, vibrant oil pastel hues of rust and decay, chaotic geometry in the ship’s frame, (disjointed anatomy:-1.3), saturated tones of green, sculptural and chaotic forms, (emphasis on chaotic geometric shipwreck forms:1.6), (blurry:-1.2), glowing light from the sun piercing through water, (low quality:-1.2), flowing yet sharp surfaces, unsettling, (overly ornate:-1.5), dystopian vibe, intricate and uneven fractal patterns in the wreckage, and blue, (noisy:-1.1), fragmented and twisted geometric structure, warped shadows cast by broken beams, (ugly:-1.3), (cartoonish:-1.1),abandoned shipwreck, orange, intersecting planes of broken metal and sand, minimal organic details, recursive fractures in the metalwork, brutal and irregular structure, fractured ocean floor, rusted angular edges, (smooth surfaces:-1.4)$

black cat with a white neck and white feet is sits on a cluttered metal riveted desk next to a maneki neko statue and small bronze buddha, the cat is looking out to a floor to ceiling window that looks out over a futuristic cyberpunk Tokyo skyline with skyscrapers and futuristic airships covered with lights and advertisements in Japanese, a tall thin beautiful young woman, 22 years old, is standing next to the cat looking out at the city through the window, The woman is dressed in an ornate short japanese style bath robe, exposing her long legs. The woman's hair is messy from just waking up. Artistic cyberpunk, dynamic perspective,

In a moonlit forest clearing, two young women in their early twenties stand in eerie contrast. One girl, with silver-white hair and a ghostly pale complexion, wears a white blouse stained with dark red splotches. A simple black five-pointed star adorns her chest, and her eyes glow with a faint but unsettling crimson light, adding an otherworldly calm to her presence.
The second girl contrasts sharply: she has jet-black hair and deep tan skin, her dark blouse also blood-stained but blending with the shadows. Her black star is barely visible, and her intense crimson eyes shine with a piercing alertness.
Encircling them are twelve wild animals, enhancing the surreal atmosphere. A black panther, almost invisible in the darkness, watches with glowing red eyes. Two owls, perched on shadowy branches, blink their crimson eyes slowly. A large snake, with shimmering blue-black scales, coils around a gnarled branch, its gaze menacing.
Both girls hold worn cardboard signs that read, ‘We Come in Peace,’ scrawled in crude black marker. The signs, stark against the night, create a jarring contrast. Moonlight casts long, shifting shadows on the forest floor, amplifying the haunting and surreal quality of the scene

the liquid time of shut summer afternoon, through the window shades sunbeams trickle into the room, illuminating the lazy dust partcles in the air, so they seem like miniscule fireflies. the shadow of the ceiling ventilator makes its way slowly along the floor and the walls. on the table is a near empty bottle of whisky. a hand holds a full glass of it with a big melting icecube.

Create an image of a large statue of a mythical animal that embodies the strength and spirit of a wild creature. The statue is made of translucent stone, giving it a mysterious and majestic appearance. It is placed in a spacious museum hall, where soft lighting highlights its details and creates a play of light and shadow. In some areas, the statue appears translucent, adding to its mystique. Surrounding the statue, you can see elements of the museum's interior, such as marble floors and high ceilings, which emphasize its grandeur

“A surreal and detailed mural of Diego Armando Maradona painted on a large urban brick wall, featuring multiple iconic moments of his career in a collage style. Maradona’s central figure is depicted with expressive eyes, his legendary long hair, and a radiant golden aura around his head symbolizing his legacy. From the nostrils of one prominent portrait, a 3D child slide emerges, winding down dramatically and covered in white powder, symbolically gathering in a pile on the floor. Around him, smaller depictions of his ‘Hand of God’ goal, his joyful celebrations, and a young Maradona playing in the streets of Buenos Aires are painted. The setting includes vivid graffiti tags and urban decay, creating a powerful mix of nostalgia and raw urban energy, with vibrant colors and symbolic contrasts highlighting his complex story.”

photo-realistic digital image of a magnificent steampunk casino gaming machine, it's display shows three jack'o lantern pumpkins, the transparent cover reveals intricate cogs and gears, a stream of silver and gold tokens pour from a chute onto a dark wood floor, clouds of coloured steam issues from a small pipe organ on top, bright lights, vivid colours, face on view

high-society elegant slender norvegian rich innocent young bride posind in front of whorish red glossy bed. She is ensnared by a towering, gray human-like alien, draped in a long, glossy black cloak, its eyes gleaming red with an otherworldly intensity. Encased in light beam from the alien breeding chamber celling/ Surrounded by strict ladies wearing glossy satin dominatrix attire and glossy high heels, holding whips. weird wet-look black slime walls and floor, colossus observation blister to outer space full of stars, bright red moon, vintage-inspired makeup, long hairs, ultra thin waist, evil grin, porcelain skin, lipstick, red nails, in the style of a haunting, retro-futuristic 1950s sci-fi nightmare, horror, alien space base,,

A slender, elegant Norwegian woman with porcelain skin, adorned in a sultry silver silk and lace nuisette, high heels, and vintage-inspired makeup, including bold red lipstick and nails, lies languidly in a bed of eerie, red glossy slime, her long hair cascading around her. She is ensnared by a towering, gray human-like alien, draped in a long, glossy black cloak, its eyes gleaming red with an otherworldly intensity. The scene is bathed in an unearthly glow emanating from a light beam that pierces the ceiling of the alien breeding chamber, casting an eerie radiance on the wet-look black slime walls and floor. A colossal observation porthole looms in the background, offering a glimpse into the star-studded vastness of outer space, with a bright red moon hanging like a lantern in the darkness. The atmosphere is heavy with foreboding, evoking the haunting, retro-futuristic nightmares of 1950s sci-fi horror, in the style of Syd Mead, H.R. Giger, and Zdzisław Beksiński.

Create an image of a large statue of a mythical creature resembling a horse with horns, symbolizing the wildness and fury of the elements and nature. The statue is made of translucent stone, which gives it a mysterious and majestic appearance. It is housed in a spacious museum hall, where soft lighting highlights its intricate details and creates a play of light and shadow. In some places, the statue appears translucent, which enhances its airiness. Around the statue, you can see the interior elements of the museum, such as marble floors and high ceilings, which emphasize its grandeur.

Nurse Chapel, Star Trek style, science fiction, spaceship,
realistic, photorealistic, highest quality, science fiction, on spaceship:0.8, looking out very large window into space, soft diffused lighting,
1 woman, 3/4 body, (Jess Bush:0.8), bleach blonde hair dark roots, messy chin length bob, pale white skin, round face, freckles, full pouty lips, naturally dark red lips, biting lip, blue eyes, large round breasts:0.8, slender body, wide hips:0.9, firm defined butt, tight white jumpsuit that is unzipped to show slight cleavage:0.9, dark bedroom on spaceship:0.8, standing next to spaceship window looking out into space, (you can see her reflection in the window), one hand resting on window, she is facing the window, viewed from the side, in a spaceship, looking out floor to ceiling picture window, floating in space is a large a large cobalt blue neon sign that reads “BUZZ PLEASE”, she is lit by the glow of the sign,

sheet metal floor tile overhead view, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead, flat 2D minimalist style, black and white monochrome

realistic lighting, photo, photorealistic, cinematic still, emotional, harmonious, vignette, 4k epic detailed, shot on kodak, 35mm photo, sharp focus, high budget, cinemascope, moody, epic, gorgeous, film grain, grainy, full body, portrait of a cute adorable deep sea creature in the dark depths of the ocean floor, two large eyes, blob-like body, many pastel colors, tiny spikes, cute tongue sticking out of its wide mouth, many small tentacle arms and legs, shiny, bioluminescent, scurrying on the sandy ocean bottom surrounded by tiny pebbles corals and anemone, points of light from microscopic bioluminescent organisms in the surrounding water light the scene with an ethereal glow,

"A woman with blonde hair, wearing a light beige t-shirt and short black leather skirt, stands in the center of a dimly lit, industrial-style warehouse. Large, feathery, translucent, golden-brown angel wings extend from her back, illuminated to appear almost ethereal.her face is beautiful yet gaunt and ghostly, The wings are intricately detailed, showing individual feathers. The warehouse is dark, with visible machinery, metal structures, and some sparse greenery in the background. The lighting is focused on the woman and her wings, leaving the surroundings in shadow. The floor appears to be concrete. A partially visible creature stands in the shadow to the right, creating a sense of mystery or confrontation. The overall mood is mystical, suspenseful, and slightly dark.", , (intricate details, masterpiece, best quality:1.4), (skin pores), ring light , looking at viewer, dynamic pose, wide angle view, atmospheric haze, Film grain, cinematic film still, highly detailed, high budget, cinemascope, moody, epic, OverallDetail, gorgeous, 2000s vintage RAW photo, photorealistic, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, ((skin pores)), imperfections, natural, shallow dof,evil smirk, telephoto lens, closeup,

The infamous Headless Horseman gallops through a dark, mist-filled forest on a black horse, holding a glowing, carved pumpkin in place of his head. The horse's hooves thud loudly on the forest floor as leaves swirl in its wake. Bare branches reach out like skeletal hands, and the fog twists and curls around the horse and rider. The faint glow from the pumpkin’s eerie face casts long shadows, illuminating the rider's imposing, dark figure.

slender classy fashionable rich baroness, strappado,, hanged, soiree sheer dress, lace trim silk stockings and glossy high heels, standing in black glossy slime filled hole, wrapped by lustfu tentacles from the floor, fog from the floor hole, surrounded by foil heels and weird stasis tubes, alien harem , spaceship, space, high-tech, steel, mirrors, horror, fetish, foil, foil pillows, foil sheets, excited, orgasm face, 1950's science fiction movie, weird dimension portal to another galaxy in the celling, ultra thin waist, tall, long hair,

The clock's cover, adorned with glowing runes and vines, contrasts with the obsidian floor below. A crescent moon casts an ethereal glow, lighting the dreamlike scene, while stars twinkle above. In the distance, a steaming river winds through a burned forest, with towering mountains in the background, their peaks reaching toward the celestial bodies. The sense of adventure is palpable, as if the viewer is peering into a vortex, beckoning them into this fantastical realm. A lone figure, a young woman with porcelain skin and raven-black hair, dressed in a flowing white robe, stands at the portal's threshold, one hand reaching out to touch the mystical aether. Her bright, sapphire-like eyes shine with curiosity as she gazes upon the breathtaking vista. The scene is bathed in warm, golden ligh

slender classy fashionable rich dominatrix, glossy metallic halter short dress, lace trim silk stockings and glossy high heels, standing in black glossy slime filled hole, fog from the floor hole, lustful alien harem, surrounded by giant ring foil bed, alien tentacle monsters at background, spaceship, space, high-tech, steel, mirrors, horror, fetish, foil, foil pillows, foil sheets, excited, orgasm face, 1950's science fiction movie, weird dimension portal to another galaxy in the celling, ultra thin waist, tall, long hair,

In a moonlit forest clearing, two young women in their early twenties stand in stark contrast. The first, with silver-white hair and a ghostly pale complexion, wears a white blouse stained with dark red splatters. A black five-pointed star on her chest is illuminated by her faintly glowing crimson eyes, which add an eerie calm.
The second girl contrasts sharply with jet-black hair and deep tan skin. Her dark blouse is also blood-stained but blends with the shadows. Her black star is almost invisible, and her intense crimson eyes shine with a piercing alertness.
Surrounding them are twelve wild African animals, intensifying the surreal atmosphere. A powerful lion, its mane catching the moonlight, stares with glowing red eyes. Nearby, a pair of elephants stand silently, their large forms blending into the night. A sleek cheetah crouches low, its eyes reflecting an unsettling red. A venomous bush viper, iridescent in the moonlight, coils around a branch, while a pair of hyenas with sinister red eyes roam the clearing.
Both girls hold worn cardboard signs reading ‘We Come in Peace,’ scrawled in crude black marker. The signs contrast starkly with the eerie scene. Moonlight casts long, shifting shadows on the forest floor, enhancing the haunting, surreal quality of the setting

high-society elegant slender norvegian rich innocent young bride kneeling at whorish red glossy foil pillow from behind. She is ensnared by a towering, gray human-like alien, draped in a long, glossy black slime cloak, its eyes gleaming red with an otherworldly intensity. its hands fastens steel slave collar on her. Surrounded by strict ladies wearing glossy satin dominatrix attire and glossy high heels, holding candles. weird wet-look black slime walls and floor, colossus observation blister to outer space full of stars, bright red moon, vintage-inspired makeup, long hairs, ultra thin waist, evil grin, porcelain skin, lipstick, red nails, in the style of a haunting, retro-futuristic 1950s sci-fi nightmare, horror, alien space base,,

“Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing the figure in her iconic armor, holding a sword and shield. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”

$In the depths of an ancient, mist-shrouded forest, a pale girl with long, flowing silver-white hair stands alone, her blood-streaked white dress stark against the darkness. On her chest, a simple five-pointed star is prominently displayed, its black outline sharp and distinct. Her eyes, glowing with a deep crimson light, stare unblinkingly at the viewer, radiating an eerie, haunting intensity. Surrounding her in a protective formation are twelve wild creatures, each one fierce and ethereal. A sleek black panther prowls silently, its eyes glowing like burning coals. Above her, two ghostly owls hover, their wings barely disturbing the thick mist, their red eyes glowing eerily. A sinuous snake coils around a nearby branch, its blue-black scales catching the light as it fixes its glowing gaze on the intruder. Further back, a spectral stag stands tall and proud, its antlers branching high into the mist, while two lynxes, sleek and agile, move with predatory grace at her sides. Directly in front of her, a large white wolf stands as her closest protector, its intense red eyes reflecting her own. In the girl’s pale hands, she holds a worn cardboard sign with the words ‘We Come in Peace’ scrawled in black marker, a stark contrast to the ominous scene around her. The swampy forest floor, bathed in dim, refracted light, adds to the surreal and unsettling atmosphere, casting long shadows that twist and shift in the fog.$

A rubber hose-style animation scene, tightly framed in a close-up shot of a civil engineer father, captured in a moment of quiet focus. His round, expressive eyes peer over a rolled-up blueprint he holds in one hand, while the other rests on his chin in deep thought. His slightly oversized hard hat sits tilted atop his head, bouncing slightly with his subtle movements. His mustache twitches as he hums to himself, lost in calculations only he understands.

His suspenders stretch over a crisp button-up shirt, slightly wrinkled from a long day’s work. A pencil is tucked behind his ear, and a coffee mug dangles precariously from his other hand, steam curling lazily into the air. The exaggerated rubbery lines of his arms bend naturally, emphasizing his thoughtful posture. His boots tap absentmindedly on the wooden floor, sending gentle ripples through a cup of water on his desk.

Behind him, an old drafting table is cluttered with measuring tools, blueprints, and half-finished sketches of towering buildings. A large window casts soft afternoon light into the room, creating long, stretched-out shadows that add warmth and depth to the scene. The moment feels like a timeless slice of life—simple, endearing, and full of personality.

rubber hose animation style, civil engineer, father figure, close-up shot, expressive pose, vintage aesthetics, exaggerated movements, thoughtful expression, warm lighting, architectural sketches, everyday life, nostalgic charm.

A grumpy looking cat on the floor in a kitchen, his front paws are in an empty cat dish.

The cat dish is black and has "Buzz" written on it in bright yellow text with a lightning bolt on to the right.

The shot is angled from above to clearly show the cat and the entire inside of the dish.

A dimly lit underground lair, the stone walls of Orochimaru’s domain are damp and covered in a layer of black mold. The air is thick, heavy with the scent of decay, stale blood, and something metallic, like rusted iron. The flickering overhead lights cast an eerie glow, distorting the dark, cold hallway ahead.
Along the walls, there are faded and cracked inscriptions in a dark, almost illegible script, marking the boundaries of forbidden experiments. Cold steel doors line the corridor, some slightly ajar, revealing dark rooms beyond—each filled with the chilling remnants of unspeakable acts. Large glass tanks, distorted by grime and condensation, hold grotesque, malformed humanoid creatures—skeletal, serpentine, with flesh that seems to bubble unnaturally, as if still struggling to exist. The creatures’ eyes, empty and soulless, gaze into nothingness.
The floors are slick with a combination of water and something darker, something that clings to the shoes like tar. You can’t quite tell if it’s just dirt, or if it’s blood that has long since soaked into the stone, staining it permanently.
At the far end of the corridor, a room opens into a massive, sterile lab, starkly lit by harsh fluorescent lights that make the white tiles gleam uncomfortably. Tables are cluttered with surgical instruments—some clean, some stained. Papers filled with incomprehensible jutsu are scattered about, half burned or left in disarray.

fantasy courtyard, glowing solar eclipse, celestial event, golden radiant light, mystical atmosphere, red-leaved trees, golden tree trunks, ornate pedestals, cosmic architecture, night sky with stars, marble floor with golden patterns, magical sacred space, fantasy environment, surreal lighting, enchanted realm, dramatic Baroque realism meets photorealistic Americana, strong chiaroscuro lighting, rich yet muted color palette, meticulously detailed textures, cinematic composition, expressive yet restrained figures, everyday modern scenes imbued with historical grandeur, dynamic yet subtle storytelling, classical poses in contemporary settings, interplay of shadow and natural light, emotional intensity blended with quiet realism, fusion of Renaissance drama and hyperreal suburban stillness

“A cinematic, high-tech scene with the Algiz rune and a glowing orange marble monolith set in a misty, Italian-inspired forest, captured with a Sony prime lens for vivid detail. The metallic, neon-blue rune stands beside the polished monolith, casting bold reflections across the forest floor. Two neon-green, floating aliens orbit the rune, radiating a spectral green glow. At the top, styled in classic hard rock fashion, the band name ‘GEODESIC CANNIBALS’ appears in rugged, cracked chrome text with sharp edges, evoking heavy-metal album covers, while the album title ‘REGURGITATE ALLEMANOS’ is scrawled beneath it in intense, blood-red letters, resembling spray paint or dripping ink. This raw, edgy aesthetic amplifies the scene’s mysticism and futuristic grit, blending supernatural elements with high-voltage rock energy.”

In a darkly whimsical, hyper-realistic image, a group of adorable little animals, including a rabbit, a squirrel, and a hedgehog, stand around a mysterious altar, clad in tiny, dark hooded robes that seem to swallow their tiny bodies. The altar itself bears the ominous inscription "Sacrificial Donation" on its front, in bold, gothic letters. Atop the altar, a large, glowing thunderbolt sticker seems to pulsate with an otherworldly energy, casting an eerie glow over the surrounding animals. The animals' eyes gleam with an unsettling intensity as they gaze up at the sticker, their tiny paws clasped together in a gesture of dark devotion. Behind the altar, a large stone plaque is embedded into the wall, bearing the ominous inscription "All Hail Cinnadust" in bold, gothic letters. The plaque seems to loom over the animals, casting a long, ominous shadow that stretches across the floor. The overall effect is one of eerie, cult-like devotion, as if the animals are engaged in a dark and sinister ritual. Highest-Quality, 4k, intricate details, visually stunning, Masterpiece

a solid black american shorthair cat sitting on a hardwood floor, next to a food bowl that is empty and a small sign that says "Buzz Is Better Than Tuna"

tower that is hanging from the skies, rainy, great reflections, stop motiuon, hanging from a ceiling tower by chains, digital art that is drawn by the award winning painter, chains are totally covered the tower, detailed beautiful calming, from the very below of a huge tower under the busy circular sky and clouds that encircling the tower, the tower itself is very detailed but covered by mist, every floor has windows and balconies that varies from each other. there is a huge clock on the tower, there are crows circling around in the distance, the skies are very detailed, ultra detailed clouds, clouds even at the lower stages of the tower, between the clouds reveals some windows, the painting shows the scale of the tower in full epic majesty, you can barely see the top of the tower because of the stormy clouds, the sunrays trying to pierce the busy skies, storm is brewing. masterpiece art.

masterpiece, best quality, hyper detailed, ultra detailed, UHD,
low-key,( dark:0.8), chiaroscuro,, vibrant colors,
columns, palace, malachite columns, marble floor, golden ornaments, murk, volumetric light, bathhouse

immaculately detailed realistic ultra quality image of a beautiful elegant female dancer is dancing on a futuristic stage micro-LED lighted, the dancer is the focus of the image, every detail of her dress and body are fully visible, the height of the image, behind the dancer on the stage is an enormous seamless and futuristic wall to wall and floor to ceiling window that looks out at a the planet's surface covered with the lights of enormous buildings and cities, An enormous deco starship with futuristic lighting and an enormous space station are visible in the background among the stars, Artistic art deco, dynamic perspective, (((overall architectural aesthetic is Art Deco Cyberpunk))). Epic image that elicits a feeling of romanticism, wonder, and awe, the silhouette of the audience can be seen in the foreground that show the enormous scale of the stage and seamless window behind it,

$A fierce and radiant angelic warrior crouches in an opulent hall adorned with gothic arches and glowing golden lights. Her long, flowing auburn hair shines in the warm light, cascading over her bare shoulders. Her body is adorned with gilded armor: intricate, sculpted plates covering her chest, forearms, and legs, each piece gleaming like molten gold. Her wings, large and glass-like, shimmer with golden hues, catching and refracting the light to create a dazzling aura. The floor beneath her is reflective, showcasing the intricate patterns of the marble-like surface. Her posture is dynamic, one hand on the floor, the other ready for action, exuding strength and determination. The grand setting, with its dark embossed walls and golden sconces, enhances the divine and regal atmosphere. Art style: hyper-realistic, rich golden tones, and a balance of action and elegance.$

A gigantic big stones castle-fortress in the mountains on a snowy overcast winter day. Castle dimly illuminated by fire. The castle must be humongous in occupied floor surface, and have at least 7 towers.
The path to the castle must be visible and cleared of snow.
A strange looking figure dressed black is riding a horse towards the castle. Only one man, only one horse.
Sharp focus, studio photo, intricate details, highly detailed, by greg rutkowski

Soviet poster, soviet style. an anthropomorphic evil rabbit in a ragged suit sat on a children's tricycle, pointing a vintage Hasselblad camera at the viewer. On his shoulder is a chicken. The rabbit's head is disproportionately big for the body. The rabbit's fur is matted and rough. Its eyes are scary. The rabbit, chicken and the camera are all pointing forward to the viewer. On the floor are vintage cameras, books, picture frames and paintbrushes.

A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle.
Then, in the background, something is there. Watching. Waiting.
Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave.
The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier.
You shouldn’t be here.
But now… he knows you are.

A liminal space within the Belly of Jabu-Jabu from The Legend of Zelda: Ocarina of Time—a vast, organic cavern suspended between the living and the inanimate. The fleshy walls pulse faintly, their slick, wet surfaces illuminated by an eerie bioluminescent glow. The air is thick and humid, filled with the distant, rhythmic sound of something deep within, breathing.
A translucent, membranous floor stretches ahead, shifting slightly underfoot, as if the temple itself is aware of your presence. Veins of glowing blue and red branch across the walls, pulsating in a slow, hypnotic rhythm. The corridors curve unnaturally, leading into deeper chambers where echoes distort, making it unclear if the sound is coming from ahead or behind.
A strange silence lingers, not of emptiness, but of something waiting. Though no creatures stir, the feeling of being inside something vast and alive is undeniable. The space feels endless yet claustrophobic, an otherworldly sanctuary neither hostile nor safe. Here, in this forgotten, organic labyrinth, time and reality feel distant—as if swallowed by something greater than oneself.

A liminal space within the Forest Temple from The Legend of Zelda: Ocarina of Time—a place lost in time, abandoned yet strangely alive. Towering stone pillars, covered in moss and ivy, stretch into the shadows. A dim, greenish glow filters through cracks in the ceiling, casting soft, eerie light onto the damp stone floor. The air is thick with the scent of earth and ancient decay.
Faint particles of light float, drifting unnaturally. The only sound is the distant echo of dripping water. Twisting corridors lead into the unknown, their walls marked by faded carvings of forgotten legends. Vines creep along the surfaces, slowly reclaiming the temple.
A dense mist lingers in the main chamber, shifting as if it breathes. The temple feels frozen between worlds—neither truly real nor entirely a dream, a forgotten space where time has unraveled. Though no one is here, an unshakable presence lingers, just beyond sight.

two military officers, vintage uniforms, black and white, dramatic lighting, surreal, werewolf shadow, cracked concrete floor, eerie atmosphere, authoritarian aesthetic, hidden identity, 1940s style, high contrast photography, cinematic composition, vintage pin-up realism, glamorous and playful feminine poses, soft luminous skin tones, bright and saturated color palette, mid-century Americana aesthetic, expressive and dynamic composition, flowing dresses and classic 1950s fashion, charming and flirtatious expressions, airbrushed smooth shading, idealized beauty with a nostalgic touch

a (fully clothed:1.4) 26 year old white girl standing in a (messy bedroom:1.4) and looking down at floor while she puts her hair in a pony tail
wearing a long form fitting (black maxi dress:1.4) which accentuates her body
girl is 5'9" tall with a natural thick body and is slightly overweight, with pale skin, dully wavy dark black hair with, small boobs, slim waist, wide hips, thick thighs, naturally big butt
has on black eye shadow, black eye liner, and long fake eyelashes
side angle pov capturing the right side of the girl

A detailed digital illustration of a young woman in high-fashion Easter couture. She has a pale complexion, long wavy black hair, and wears a pastel veil with embroidered flowers and gold-trimmed bunny ears. Her almond eyes glow soft pink, with dramatic eyeliner and rhinestone accents. She wears a black satin corset with baby blue floral embroidery over a sheer white blouse, finished with a pastel ribbon and jeweled egg pendant. Her makeup is whimsicalarosy cheeks, iridescent highlighter, glossy lips. A floor-length pastel coat with gold thread and subtle cross motifs completes the look, blending spring fantasy with sacred style.

A sleek black cat with red collar sits on a cluttered metal riveted desk with transparent top and micro-LED lighted computer components visible inside, On the desk is an ebony and gold maneki neko statue and a classic ornate art deco lamp, the Black Cat is looking out of a seamless and futuristic floor to ceiling window, (((a beautiful woman, 24 years old, is standing in the foreground facing the viewer))), the scene out the window depicts nebulae and starships, the sleek black cat with red collar is sitting on the desk and looking out the window, the woman is dressed in an ornate elegant Art-Deco Chinese style top that displays her toned abdomen and tight leather pants. An enormous art deco inspired starship with futuristic lighting and an enormous space station are visible in the background among the stars, The woman's hair is elegantly tied up with a ribbon. Artistic cyberpunk, dynamic perspective, (((overall architectural aesthetic is Art Deco Cyberpunk))). Epic image that elicits a feeling of wonder and awe, part of the interior is visible,

"Create a semi-realistic digital artwork in the style of H.R. Giger, depicting a high-tech server room in disarray during a chaotic maintenance scenario. The room should be enveloped in dense, swirling smoke with a color palette dominated by dark gray and black. The servers are melting and misshapen, distorting into pools of glowing molten metal with eerie orange and red reflections. The walls and floor should feature intricate biomechanical patterns with metallic textures, enhancing the surreal and dystopian feel. In the foreground, a man in a work uniform holds a toolbox, scratching his head with his other hand, conveying a sense of confusion. Add a cute, unthreatening little robot at the mans feet looking up with a smile,l also holding a little toolbox, ooking out of place but adding a touch of charm to the scene. Above the scene, integrate the text 'MAINTENANCE MODE' in a LED-lit digital binary typeface as part of the room's system interface. Use harsh, unnatural lighting to accentuate the molten metal and create deep, dramatic shadows for a more intense atmosphere."

immaculately detailed realistic ultra quality image of a beautiful elegant female dancer is dancing on a futuristic stage micro-LED lighted, behind the dancer on the stage is an enormous seamless and futuristic wall to wall and floor to ceiling window that looks out at a the planet's surface, the planet is covered with the lights of enormous buildings and cities, An enormous deco starship with futuristic lighting and an enormous space station are visible in the background among the stars, Artistic art deco, dynamic perspective, (((overall architectural aesthetic is Art Deco Cyberpunk))). Epic image that elicits a feeling of romanticism, wonder, and awe, the silhouette of the audience can be seen in the foreground,

a funny pic of a dog, 1dog, solo, golden retriever, lying on floor, looking bored, head on floor, super cute dog, big dark eyes, close up, viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect, perfect angle, white big thought bubble above with black outlines and text: ("... so boring without chasing cats ...":1.4), text wrap, text fits perfect,

$two military officers, vintage uniforms, black and white, dramatic lighting, surreal, werewolf shadow, cracked concrete floor, eerie atmosphere, authoritarian aesthetic, hidden identity, 1940s style, high contrast photography, cinematic composition, monumental sculptures, geometric abstraction, intricate textures, bronze casting, spheres, cubes, fractured forms, eroded surfaces, mechanical interiors, industrial aesthetics, organic decay, order and chaos, futuristic, timeless, bold forms.$

A seductive woman with long dark hair, wearing a red devil costume, including a lace corset, tutu, and thigh-high stockings, stands confidently in a dimly lit room. She holds a red fan, and a red devil mask rests on the floor beside her. The background features ornate wallpaper and warm, dramatic lighting.

A liminal space inside an empty high school, where the air is thick with an eerie stillness. The fluorescent lights buzz faintly, casting a cold, artificial glow onto the polished linoleum floors. Rows of gray metal lockers stretch endlessly down the hallway, their doors covered in faint scratches and the remnants of long-faded stickers. The smell of old textbooks, industrial cleaning supplies, and distant rain lingers in the air.
The classroom doors are shut, their small windows revealing nothing but darkness. A lonely bulletin board by the principal’s office displays outdated announcements, faded student council posters, and a forgotten flyer for a dance that happened long ago. The cafeteria, visible through an open doorway, is empty—rows of plastic chairs neatly stacked, the serving area abandoned, the faint scent of reheated food still clinging to the air.
A single clock above the lockers ticks softly, though the time no longer seems to matter. Somewhere in the distance, the sound of a dripping faucet echoes through the silence. The school is frozen in time, suspended in an endless after-hours void—familiar, yet unsettling. You’ve been here before, or maybe only in a dream. Either way, you know one thing for sure: you’re alone here.

A liminal space inside Peach’s Castle from Super Mario 64. The large, open entry hall with its checkered floors is silent and still, the bright, colorful walls now faded and worn. The grand staircase, flanked by golden banisters, leads upwards, but the steps feel far too distant, as if the upper floors are unreachable. The tall, arched windows cast long shadows, and the once vibrant paintings on the walls seem to hang lifelessly, their subjects distant and indifferent.
The air is thick and quiet, and the usual echo of footsteps now feels unnaturally loud in the emptiness. The corridors stretch out, but their paths seem endless, as if the space is larger than it should be, with no sense of direction or purpose. The familiar and welcoming atmosphere of the castle now feels abandoned, as if it’s suspended in time, creating an overwhelming sense of solitude and unease. The stillness is oppressive, and it’s impossible to shake the feeling of being alone in an empty, forgotten place.

A liminal space inside Peach’s Castle from Super Mario 64. The grand hall is vast and empty, the walls adorned with faded tapestries and statues that seem to stare blankly into space. The floors are cold, the sound of footsteps echoing unnervingly through the stillness. The once vibrant and lively space feels abandoned, with no people, no sounds, and only the weight of silence hanging in the air. The grand staircase leads up into darkness, and the sense of solitude is overwhelming, as if time has stopped and the castle itself is forgotten.

A liminal space within the Shadow Temple from The Legend of Zelda: Ocarina of Time—a place where darkness is not just an absence of light, but a presence of its own. The stone corridors stretch endlessly, their surfaces cracked and aged, barely illuminated by flickering torches that cast long, shifting shadows. The air is heavy, damp, and filled with the faint scent of decay, as if the temple itself is rotting in silence.
An eerie mist clings to the floor, moving unnaturally, as if drawn toward something unseen. The walls whisper—faint, distant sounds that might be echoes, or something else entirely. Ancient carvings, their meanings long forgotten, seem to change when looked at for too long. Endless staircases descend into darkness, their depths unfathomable, while narrow bridges stretch over voids that should not exist.
The temple is empty—yet the overwhelming feeling of being watched, followed, hunted is impossible to ignore. The further one ventures, the less real the world outside feels. The Shadow Temple is not just a place, but a void, a boundary between the living and the lost—a forgotten nightmare, waiting for those who dare to enter.

haunted hallway, decaying asylum, eerie blue lighting, ghostly figure, hooded reaper, skeletal face, flickering fluorescent lights, misty floor, horror atmosphere, abandoned building, water reflections, supernatural presence, cinematic horror scene, dark and gritty setting, cinematic romanticism, expressive abstraction, sensual brushwork, dramatic lighting, stylized figures, emotional realism, contemporary impressionism, vintage fashion, abstract backgrounds, rich color palette, poised movement, painterly energy, narrative tension, soft and bold contrasts, romantic elegance, visual emotion, textural expression, intimate storytelling, modern figurative art, layered atmosphere

Jiji, the cat from Kiki's Delivery Service sits on a cluttered metal riveted desk with transparent top and rgb led computer components visible inside, On the desk are a maneki neko statue and a lava lamp, Jiji the Black Cat is looking out of a seamless and futuristic floor to ceiling window that looks out at a very high view from an apartment on the 400th floor of a futuristic Tokyo skyscraper, the year is 2250, The city has thousands of enormous wide and tall futuristic skyscrapers and space ships covered with lights in the sky, (((Kiki from Kiki's Delivery Service, 24 years old, is standing next to the cat looking out at the enormous city at night, filled with buildings of many shapes and sizes, some over a mile tall))), Kiki is dressed in an ornate Japanese style bath robe. An enormous deco starship with futuristic lighting and design is visible high above the city, and a space station is visible in the background among the stars, The woman's hair is messy from just waking up and tied up with a ribbon. Artistic cyberpunk, dynamic perspective, The focus is on Jiji and Kiki standing together looking out the window at the view together, (((overall architectural aesthetic is Art Deco Cyberpunk))). Mt Fuji can be seen in the far distance,

FLUX

Schnell - flux_schnell.sft