maxmorrison
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    “Captured with Panavision Prime Cine optics: a minimalist studio scene featuring a pastel white dome-shaped wall curving seamlessly into the floor, softly illuminated with diffused cinematic lighting. Cube-shaped shadows, cast by a front-facing window grid, add depth and visual interest to the composition. At the exact middle height of the wall, an oversized, acid-green banana is boldly displayed, secured with an extra-wide strip of vibrant yellow duct tape. Beside the banana, a prominent, jagged scar disrupts the wall’s smooth surface, adding a raw, contrasting imperfection to the pristine aesthetic. The premium optics emphasize every detail, from the textures of the wall and shadows to the vivid tones of the banana and tape.”

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    More prompts from maxmorrison

    terri poch
    "A hyper-realistic, surreal portrait of a peacock in a vibrant, techno-infused natural setting. The peacock’s tail is a mesmerizing fusion of nature and artificiality, made entirely of pizza slices with glowing, neon edges. The eyespots on the tail feathers are represented by holographic salami slices that pulse with digital light patterns, giving off a futuristic vibe. The peacock’s feathers have metallic sheens and circuitry patterns subtly integrated into the design, blurring the line between organic and synthetic. In the background, a cardboard sign hangs from a nearby branch with the words 'Buzz 4 Pizza!' scrawled in bold, graffiti-style text. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural and technological elements."
    Posaman, played by Italian actor and comedian Lillo, is seated at a table on a lively TV commercial set, sporting his humorous superhero costume. The outfit features vibrant reds, blues, and yellows, with a large, eye-catching ‘P’ prominently displayed on his chest. His ensemble includes a flowing cape, clunky boots, and oversized gloves, enhancing the comedic appeal of his low-budget superhero persona. In front of Lillo, a stylish sign reads ‘Buzz 4 Posaman!’ in bold, playful lettering, illuminated with bright colors and possibly flashing lights to draw attention. The sign adds to the light-hearted, energetic atmosphere of the commercial shoot. Lillo leans forward at the table, engaging with the audience, his expression a mix of heroic intensity and comedic charm as he gestures animatedly. The set is bustling with activity: studio lights illuminate the scene, crew members adjust equipment, and green screens and props fill the background. This environment contrasts with the whimsicality of Posaman, grounding him in a relatable, everyday setting while still showcasing the absurdity of his character. The combination of the table, the vibrant sign, and Lillo’s larger-than-life performance creates an engaging and humorous scene for the commercial.
    The central text spirals around a dark, poetic theme: ‘Sesso, cocaina, dopamina, adrenalina, cotechina, paraffina, sopraffina, sertralina, paroxetina, fluoxetina, Franco’ echoing endlessly. The text stretches, bends, and repeats, forming intricate, sprawling shapes that collide into a mesmerizing visual. The image is a close-up of a captivating gothic girl with an intense, almost ethereal beauty. She wears futuristic steampunk goggles, her dark eyes piercing through. This conceptual artwork blends surrealism and text-based artistry, where her silhouette and surrounding environment are intricately carved out of words, forming a dense, chaotic collage of gothic and industrial themes. The oversized letters, meticulously shaped into abstract figures, pulse with energy, embodying the essence of dark romance, rebellion, and existential longing. The chaotic beauty of the letters, each dripping with emotion, weaves together in an artistic symphony of text and form, creating a visually striking, high-contrast composition that feels both mechanical and poetic
    “Plastic Man morphing into an orange, blending human and fruit features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the vibrant, textured orange peel. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A fierce black Doberman with cropped ears, eyes sharp and intimidating, commands the driver’s seat of a flashy 80s red Ferrari, gripping the wheel with a deadly focus. Beside him, Snoop Dogg, decked out in full pimp style, lounges with effortless swagger. He’s rocking a purple velvet suit with gold trim, a wide-brimmed hat adorned with a feather, oversized gold chains, and flashy rings on every finger. His cane rests across his lap, and he casually holds a crumpled letter with bold, graffiti-style text that reads: "NEED BUZZ TO DRIVE." The Ferrari’s interior is lined with slick, black leather and aggressive red stitching, radiating luxury. Outside, a neon-lit Miami backdrop with swaying palm trees and gritty streets contrasts the car's polished exterior. The entire scene oozes photorealistic detail, dripping with a mix of high-end style, street cool, and edgy attitude.
    “A muscular, raging burgundy-colored bull, with defined muscles and an intense posture, is head-to-head with a clumsy camel wearing an Emirates cap. The camel, casually munching as usual, is slightly off-balance, contrasting with the bull’s powerful stance. In the background, there’s an oil extraction factory with towering chimneys and large industrial structures, releasing faint plumes of smoke into the sky. Above the scene, an Etihad Airways Airbus soars through the sky, adding to the industrial atmosphere. To the side, a rotten cardboard with faded, torn edges reads ‘CAIRO JUVENTINO VENDI AL BEDUINO!’ adding a touch of surrealism and intrigue to the gritty landscape. In the other side, another rotten cardboard 'BUZZ 4 BUY TORINO FC'"
    **Prompt:** A highly detailed and dramatic portrait of the Statue of Liberty, focusing on her face in a macro close-up. The Statue of Liberty is unwrapping a large, non-surgical face mask, revealing the intricate and realistic facial muscle structure beneath. The mask is partially peeled away, exposing tendons, muscles, and sinews in high detail. Around her neck, a luxurious and ornate cardboard sign hangs with the text "Buzz 4 Skin" elegantly embossed in gold lettering. The cardboard is richly decorated with intricate patterns and gilded edges, giving it an unexpectedly opulent appearance. The scene is lit with dramatic studio lighting, casting deep shadows and emphasizing the contrast between the statue's iconic metal surface and the raw, exposed anatomy. The overall atmosphere is dark and unsettling, with a creepy, almost dystopian vibe that contrasts sharply with the rich, decorative sign.
    “A whimsical, humanized bull, with a fairytale charm, holding a sign that says ‘Buzz Please!’ in playful, handwritten text. The shot is captured with a Panavision Prime Cine Optics 12mm fisheye lens, giving the image a dramatic, wide-angle distortion with the bull appearing larger in the center and the magical, dreamy background curving around it.”
    “A unique portrait of a cute young dancing woman with golden horns, face close-up, in a festive Christmas-themed living room. The scene includes a glamorous yet rotten and nasty cardboard cutout with bold, edgy text saying, ‘You should give me buzz…’. The atmosphere is vibrant and contrasting, blending the coziness of Christmas decorations with the edgy, unconventional glamour of the cardboard. Lights twinkle, and the room has a mix of warm and surreal aesthetics.”
    "A majestic Bengal cat with a coat of striking golden marbled fur and vivid black rosettes sits imperiously on a grand, throne-like perch made of intricately carved stone, faintly glowing with mystical symbols. Its eyes are sharp and gleaming with an otherworldly intelligence. The Bengal cat holds an imposing, larger-than-life Xenomorph alien from the movie *Alien* delicately in its mouth. The Xenomorph, with its glossy black exoskeleton, menacing elongated head, and sprawling tail, dangles with a mix of defiance and vulnerability. Around the cat’s neck hangs a fancy, futuristic cardboard sign that reads ‘Fight 4 Buzz’ in bold, glowing neon letters. The sign is adorned with intricate, holographic designs that pulse rhythmically, adding a high-tech flair. The backdrop features a surreal blend of an eerie, futuristic space station interior merging with a cosmic vista of swirling galaxies and nebulae, creating an atmosphere of grandeur and otherworldly drama."
    Two adorable yet fierce kittens engaged in an intense MMA-style fight inside an octagon ring. The stage is brightly lit, with high-resolution details showcasing their fur, sharp claws, and playful yet competitive expressions. Surrounding the octagon, a packed crowd of excited spectators cheers loudly, adding a sense of realism and energy to the scene. Large digital displays above the crowd flash the slogan, ‘Give Buzz to Fight!’ in bold, dynamic typography. The scene is captured using Panavision Prime optics, offering unparalleled sharpness, vibrant colors, and cinematic depth, emphasizing every intricate detail of the fur, the stage, and the electrified atmosphere
    A hauntingly beautiful, hungry, and dirty homeless female punk stands in a fog-filled alley, illuminated by the eerie glow of moonlight. Her sharp animal ears give her a werewolf-like look, and she is half-human, half-cyborg, with patches of metal glinting under her pale skin. Her short, curly red ringlets are tangled with cobwebs, catching the moonlight as it flickers above. She wears a torn knit sweater that barely covers her, exposing a bit of decayed cleavage, with the fabric stained with dirt and traces of dried blood. In her trembling hands, she clutches a worn Amazon box, its corners frayed and the tape peeling away, as if it has been discarded and repurposed for her own needs. Next to her, leaning against the wall, is a humorous cardboard sign written in acid orange, reading “DPI2 - fmorimas - buzz pls,” the bright color clashing with the dark surroundings and adding a bizarre splash of energy to the scene, as if it were a failed attempt at a marketing campaign or an inside joke only the moonlight could understand. Her oversized, cracked round glasses reflect the dim glow of flickering jack-o’-lanterns nearby. The moonlight casts eerie shadows along the alley walls, enhancing the chilling aura of her already unsettling presence, while the combination of the Amazon box and the quirky, vibrant sign adds an unexpected layer of absurdity to the haunting scene
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "Buzz or Apple?" in a mix of futuristic and handwritten fonts. The sign also features the ancient multicolor Apple logo in one corner, adding a nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    A mischievously cute but tough-looking kitten captured through a fisheye cinema prime lens. The kitten is dressed as a U.S. Marine during the Vietnam War, wearing an olive-green military uniform and a flak jacket. Its slightly oversized helmet, tilted askew, boldly displays the hand-painted words “BORN TO BUZZ..” along with a buzzing bee symbol. The background showcases McDonald’s first restaurant, featuring its retro architecture, large golden arches, and a bustling 1950s atmosphere. In the kitten’s wide, expressive eyes, the reflections of bright annular lights create a striking, otherworldly glow, adding a modern and surreal touch to the vintage and gritty aesthetic. Hyper-realistic fur textures, vivid colors, and dramatic cinematic lighting enhance the scene, blending humor and visual intensity seamlessly.
    Here’s the enhanced prompt with the addition of a detailed and stylish cardboard sign: "A 50-year-old person, dressed in casual yet stylish clothing, stands nervously at the entrance of a modern school building. Their expression is a mix of excitement and apprehension, holding a backpack slung over one shoulder. In their hand, they carry a large, colorful cardboard sign that reads 'Buzz 4 School' in bold, playful lettering with intricate patterns and stylish details. The sign features bright neon colors, with 3D elements like stars and school-themed icons such as books, pencils, and apples, giving it a modern, trendy feel. The school has other students, mostly younger, bustling in the background, some looking curious, while others are busy with their routine. The setting is bright and lively, with fall leaves on the ground and a warm, welcoming atmosphere. The older student stands out with a confident yet slightly hesitant body language, holding the artistic cardboard proudly, ready to embrace this new chapter in life." This version adds the stylish, detailed cardboard sign to create a fun, standout element.
    Buzz Daddy is a larger-than-life character with a Harley biker edge. His chubby, bulky build contrasts with his rugged style—dressed in a leather-studded corporate tracksuit with psychedelic accents, and a standout orange piece reading “The Road to Torino.” A buzz coin-shaped yogurt buckle and long, straight white hair complete his look. His thick, bushy Harley-style mustache and beard add a tough, custom flair, while his Ray-Ban Wayfarer goggles reflect the electric glow of neon signs. Buzz Daddy mischievously tosses stacks of Buzz coins, embracing his rebellious energy. In this Harley custom scene, Buzz Daddy sits atop a roaring, custom Harley motorcycle, with the open road around him. The gritty alleyway setting is bathed in neon lights, adding to the vibe of freedom and adventure. His name, “Buzz Daddy,” is emblazoned in bold cinematic lettering on the side of his bike or a nearby glowing billboard, blending digital art with biker culture. The composition is surreal and playful, reflecting Buzz Daddy’s meme-driven persona, amplified by artistic influences from aidmafluxpro1.1, aidmaMJ6.1, and aidmahyperrealism, creating an unforgettable visual of his larger-than-life presence.
    An anthropomorphic Snoop Dogg, radiating smooth charisma, sits confidently in the driver’s seat of a quirky, vintage Fiat 500. He’s decked out in his usual pimp regalia—deep purple velvet suit, wide-brimmed hat adorned with a feather, gold chains, and flashy rings—gripping the steering wheel with cool authority, his stylish cane resting against the dashboard. In the cramped passenger seat, a mischievous Minion lounges next to him, its wide eyes peeking out from behind oversized goggles. Dressed in its classic blue overalls, the Minion holds a crumpled, slightly torn letter in its small hands. The edges of the letter are singed and stained, and the messy handwriting reads: "YO, ONLY BUZZ CAN MAKE THIS TINY RIDE FLY. TIME’S RUNNING OUT—GET YOUR HEAD STRAIGHT OR LOSE IT. -THE BOSS." Inside the Fiat, the interior is worn but still exudes retro charm with cracked leather seats and vintage details. Outside, a neon-lit Miami backdrop of swaying palm trees and gritty, shadowy streets contrasts sharply with the quirky little car. The scene is hyperrealistic, blending Snoop’s laid-back, larger-than-life presence with the Minion’s playful mischief and the car’s eccentric appeal, creating a vibrant, highly detailed tableau full of energy, humor, and surreal flair.
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    “A surreal and detailed mural of Diego Armando Maradona painted on a large urban brick wall, featuring multiple iconic moments of his career in a collage style. Maradona’s central figure is depicted with expressive eyes, his legendary long hair, and a radiant golden aura around his head symbolizing his legacy. From the nostrils of one prominent portrait, a 3D child slide emerges, winding down dramatically and covered in white powder, symbolically gathering in a pile on the floor. Around him, smaller depictions of his ‘Hand of God’ goal, his joyful celebrations, and a young Maradona playing in the streets of Buenos Aires are painted. The setting includes vivid graffiti tags and urban decay, with a large, tattered banner reading ‘Rotten: Buzz 4 Detox’ hanging prominently in the background. The banner appears worn and weathered, adding to the gritty, urban aesthetic of the scene.”
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