null B

    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Full body, standing, close-up,  a masterpiece of the highest quality (realistic: 1.2), HDR, UHD, 8K, laura:, cinnamon: 1. > Create an illustrated oil portrait of a woman with expressive, mesmerizing eyes and long black hair. She is dressed in a historical dress consisting of bright red and white tones, which emphasizes her elegance. It also features sophisticated jewelry such as bracelets and necklaces that add sparkle and luxury to her look. The background is soft and neutral to draw attention to her and her outfit. The portrait conveys the atmosphere of sophistication and elegance of the Baroque and Rococo styles. Inspired by the works of the Golden Age masters Donatello, Michele Angelo, Leonardo Da Vinci, perfect anatomy, chic and glitz of the Baroque style, refinement and refinement of details, perfect proportions, perfect composition. 8 = 8 ; 5 4 8 B 5 @ 2 @ > < 0 = 5 ; 5 : A 0 = 4 @ 0 N < 0 " " @ 8 < C H : 5 B 5 @ 0 " > ? 8 A K 2 0 5 B A O : 0 : 6 5 = I 8 = 0 = 5 > 1 K G 0 9 = > 9 : @ 0 A > B K 8 > 10 o = 8 o . = 0 1 K ; 0 2 K A > : > 9 8 A B @ > 9 = > 9, A @ > A : > H = K < 8 G 5 @ = K < 8 2 > ; > A 0 < 8 8 ? @ > = 7 8 B 5 ; L = K . Modifiers: Sharp Focus, extremely detailed, crisp, high-quality cinematic post-processed dramatic light by Luis Royo, Ultra - realistic occult optical illusion X . R. Gigera FHI, extremely detailed sharp focus . No cropping, no borders, no captions.
    RAW photo, B&W photo, portrait, woman, detailed face, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO NANE'” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO NANE'” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    Create a fake B-Movie VHS cover art of a movie called (Lord of the Things), the cover features elven Sauron and demonic Morgoth wearing casual clothes of simple tshirt with their own name on it and jeans, Sauron is sitting with the ring in his palm, Sauron to the left is still wearing his iconic spiky helmet from the movies that fully covers his face and Morgoth to the right is wearing his demonic helmet, while one of them is asking the other in a single large speech bubble that has the exact words ("YOU THINK THEY WILL BUY IT!?") written in a fancy English font, both are next to each other in a fantasy thrift shop covered wall-to-wall with magical trinkets and items, dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    tier list of anime waifus. black background, tiers to the right, waifus to the left, with different looks and names. they divided from best to worst starting with "S tier" row at the top then goes "A tier", "B tier" and then at the very bottom is "Shit tier" row with only one waifu entry
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city meeting robo Men   ,1960s adventure b-movie science fiction film, technicolor,
    Seeking Peace From Worldly Endeavors,B&W chiaroscuro, stark black-and-white photography, high contrast, dramatic lighting, deep shadows, strong contrasts, film photography, classic aesthetic, grainy texture, Voigtländer Bessa R2M, 35mm film, moody atmosphere, fine art photography, analog depth, cinematic composition
    Create a highly detailed digital painting of a blue space marine Warhammer standing on top of a junk factory, inspired by Samuel F. B. Morse's style, with a focus on realism and ultra-detailed micro details, incorporating the golden ratio, mandelbrot fractal, and volumetrics. The space marine should have large blue engines and hinged titanium legs, with a sense of crusade and triple six symbolism. The background should be a junk factory with a sense of realism and detail. The painting should be rendered in 8k resolution with an octane render, and have a sense of hypermaximalism, with a focus on character modeling and concept art. The final output should be in HD and HQ, with a sense of realism and lifelike details.
    Zilcova1,
(Anton Corbin photography style), (gritty, high contrast, slow shutter speed, grainy), (film grain:1.5), (black and white, greyscale, B&W), film border, vignette, 
1woman, (thighs up photo, solo:1.15, (masterpiece), 1 woman, solo:1.15, 21 years old:1.1, tall, skinny, (flat chested), skinny hips, skinny legs, dynamic posing:1.35, humans on hip, hips tilted, bangs, ponytail, long hair, red hair, blue eyes, seductive eyes, pink eyeshadow, pink lower eyeshadow, full pouty lips, lips parted, seductive smile, blush, dynamic angle:1.3 tight White tank top:1.5, no bra,  covered nipples, standing, bangs:1.2, long wavy hair pulled back into twin buns:1.5, detailed light  eyes, she is wearing a tight tank-top, short pleated black skirt, fishnets, 
She is in an abandoned factory, urban decay, gritty, rusty old machinery, large windows, broken dirty windows, floor littered with old tools,  light rays shining through broken windows,  rim lighting,
    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, Symmetry, (dramatic ring light), black turtle neck jumper, mid length messy hair, (shot by Helmut newton:1.1),(best quality, high quality, photograph, hyperrealism, masterpiece, 8k:1.3), Movie Still, Film Still, Cinematic, Cinematic Shot, Cinematic Lighting
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO NANE'” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    Monochrome High-Key Minimalism. Achieve stark contrast with a Sony A1 and 90mm f/2.8 G lens. Use three softboxes for shadowless illumination against a white cyclorama. Set f/11, ISO 50, 1/200s. Focus on geometric facial symmetry and bold accessories (e.g., black headscarf). Post-process to pure B&W, amplifying micro-contrast and clipping whites for a sterile, modern aesthetic.
    Wolf vs 7 bioluminescence translucent entities they are,
A Bioluminescence translucent Hydrogen God - H (Atomic number 1)
A Bioluminescence translucent Helium Goddess- He (Atomic number 2)
A Bioluminescence translucent Lithium God - Li (Atomic number 3)
A Bioluminescence translucent Beryllium Goddess- Be (Atomic number 4)
A Bioluminescence translucent Boron elf - B (Atomic number 5)
A Bioluminescence translucent Carbon/humanoid - C (Atomic number 6)
A bioluminescence translucent Nitrogen/demon - N (Atomic number 7)
Oxygen - O (Atomic number 8)
Masterpiece, 32k, 16k, 8k, 
sporadic bursts of volcanic energy.
    A masterpiece 7 bioluminescence translucent entities they are,
A Bioluminescence translucent Hydrogen God - H (Atomic number 1)
A Bioluminescence translucent Helium Goddess- He (Atomic number 2)
A Bioluminescence translucent Lithium God - Li (Atomic number 3)
A Bioluminescence translucent Beryllium Goddess- Be (Atomic number 4)
A Bioluminescence translucent Boron elf - B (Atomic number 5)
A Bioluminescence translucent Carbon/humanoid - C (Atomic number 6)
A bioluminescence translucent Nitrogen/demon - N (Atomic number 7) cinematic art,
Oxygen - O (Atomic number 8)
Masterpiece, 32k, 16k, 8k, 
Create a video showcasing a powerful bioluminescence translucent protozoa/wolf-like creature, formed from obsidian and pink pearl. Its sleek, jet-pearl/black fur glimmers like smooth glass, with fiery embers/hues flickering beneath the surface, creating an eerie, molten glow. The creature moves with primal grace, its molten orange eyes burning with intense fury. As it moves, molten lava flows across its body and leaves scorched marks wherever its claws and paws step. The obsidian claws and fangs gleam with a volcanic neon purple shine, reflecting the flickering neon pearl flames around it. The atmosphere around the creature is dark and heavy, thick with smoke and embers. The ground beneath it cracks, releasing fiery eruptions and sporadic bursts of volcanic energy. 32k,
    Create a fake B-Movie VHS cover art of a movie called (THE TERMINATOR: DON'T COME BACK) with the title written at the top in the famous Terminator font font, the cover features the iconic Terminator chrome skeleton robot with red glowing eye, but he is sitting behind a office desk in a clean minimalistic 70s office and is wearing ugly glasses as he stamps multiple application papers with a giant red stamp that leaves the word "Terminated!" stamped in red on the papers, he has one big speech bubble that says these exact words ("TERMINATED, TERMINATED, TERMINATED"), dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    IMG_02203029.HEIC 2000 8 mp canon PowerShot,  cinematic three women astro-explorers , exploring a vast underground lost scared watermelon temple , lofi corrupted pixels ,bad lighting, direct flash, 1960s adventure b-movie science fiction film, technicolor
    Create a highly detailed digital painting of a blue space marine Warhammer standing on top of a junk factory, inspired by Samuel F. B. Morse's style, with a focus on realism and ultra-detailed micro details, incorporating the golden ratio, mandelbrot fractal, and volumetrics. The space marine should have large blue engines and hinged titanium legs, with a sense of crusade and triple six symbolism. The background should be a junk factory with a sense of realism and detail. The painting should be rendered in 8k resolution with an octane render, and have a sense of hypermaximalism, with a focus on character modeling and concept art. The final output should be in HD and HQ, with a sense of realism and lifelike details.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    35mm photography in b&w of Dirk Bogarde casually watching an old Moroccan snake charmer play his flute to a python in a basket
    brigette b
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO GEMINI ONE” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    b@rl0w3, A highly detailed fantastical picture of demon in traveling skins wandering the wastelands of hell. Walking with a large hell creature covered in gear. High winds causing sand and debris to kick up against them
    RAW photo, B&W photo, woman, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Create a fake B-Movie VHS cover art of a movie called (The Pac-Man Returned), the cover features a Batman parody dressed in a yellow outift themed around the videogame character Pac-Man, his cowl is yellow and has smiley face on it, his chest symbol is a Pac-man, he has a fistful of large pills in his fist, he is seen chugging one in his mouth while shouting in a shout bubble (DARN GHOSTS ATE MY PARENTS, NOW I WILL EAT THEM!), He is in a dark alley surrounded by hungry evil cartoon ghosts from all directions while striking a heroic pose with dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    L’Hôtel Sans Fin
Le hall d’entrée est… trop grand. Beaucoup trop grand. Son plafond disparaît dans une obscurité floue, où de faibles lampes projettent une lumière jaunâtre et insuffisante. Le comptoir d’accueil est vide. Il a peut-être toujours été vide. Derrière, un panneau lumineux clignote lentement : "BIENVENUE". Mais il n’y a pas de nom d’hôtel. Juste ce mot, en boucle.
Le tapis sous tes pieds est épais, mais poussiéreux, comme si personne n’avait marché ici depuis une éternité. L’air sent le renfermé, mêlé à un parfum indéfinissable qui flotte sans source visible.
À ta gauche, un ascenseur. L’écran digital affiche des étages qui n’ont aucun sens : -3, 0, 2, 14, 99, B… Il monte et descend au hasard. Les portes s’ouvrent une fraction de seconde, révélant un intérieur sombre et étrangement profond, puis se referment brusquement.
Un couloir s’étire devant toi. Ses murs sont couverts de papier peint à motifs floraux défraîchis. Les lumières, espacées irrégulièrement, laissent des zones entières plongées dans l’ombre. Les numéros des chambres sont aléatoires : 104, 617, 3, A, puis plus rien. Certaines portes sont entrouvertes, laissant entrevoir des chambres identiques… ou presque.
Un lit défait, une télévision allumée sur une chaîne qui n’existe pas, diffusant un écran de neige ponctué de murmures incompréhensibles.
Puis, un bruit. Un raclement, loin derrière toi. Comme si quelque chose venait d’ouvrir une porte.
Une chose est sûre : tu es seul.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    RAW photo, B&W photo, woman, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple ,1960s adventure b-movie science fiction film, technicolor,
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple , lofi corrupted pixels ,bad lighting, direct flash, 1960s adventure b-movie science fiction film, technicolor, viewmaster 3-d
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple ,1960s adventure b-movie science fiction film, technicolor,
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple ,1960s adventure b-movie science fiction film, technicolor,
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple , lofi corrupted pixels ,bad lighting, direct flash, 1960s adventure b-movie science fiction film, technicolor, viewmaster 3-d
    Viewmaster 3d  cinematic photograph, three women astro-explorers , exploring a vast underground lost scared watermelon temple ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers meeting the leaders of Planet Zebulon  ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers explore a mysterious city meeting Green Gorilla Aliens   ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers exploring a cave  discover lost city  ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city meeting robo Men   ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers explore a mysterious city meeting Green Gorilla Aliens   ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of John Berkey
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of Angus McKie
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of schuiten-peeters
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of schuiten-peeters
    Monochrome High-Key Minimalism. Achieve stark contrast with a Sony A1 and 90mm f/2.8 G lens. Use three softboxes for shadowless illumination against a white cyclorama. Set f/11, ISO 50, 1/200s. Focus on geometric facial symmetry and bold accessories (e.g., black headscarf). Post-process to pure B&W, amplifying micro-contrast and clipping whites for a sterile, modern aesthetic.
    “A bold and vibrant futuristic book cover for a novel titled A Fish Called Ruanda. The artwork captures the essence of a B-movie thriller with a quirky, girly twist. The scene is viewed through the distortion of a fish-eye 12mm cinema prime lens, emphasizing a surreal, exaggerated perspective. The central focus is a glamorous but eerie young woman with wild, unkempt red hair, set against a neon-soaked, dystopian cityscape. A decrepit, rotting fish floats ominously nearby, symbolizing the novel’s ‘very rotten climax.’ The subtitle is prominently displayed in Polish, adding a unique cultural flair. The design is gritty yet chic, blending retro-futurism with a touch of campy humor, evoking intrigue and trendsetting vibes.”
    RAW photo, B&W photo, woman, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits on a window seat inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    cinematic photograph, three women astro-explorers exploring a cave  discover lost city  ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers exploring a cave  discover lost city  ,1960s adventure b-movie science fiction film, technicolor,
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of Ed Emshwiller
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of Mel Hunter
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO GEMINI ONE” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, Symmetry, (dramatic ring light), black turtle neck jumper, mid length messy hair, (shot by Helmut newton:1.1),(best quality, high quality, photograph, hyperrealism, masterpiece, 8k:1.3), Movie Still, Film Still, Cinematic, Cinematic Shot, Cinematic Lighting
    L’Hôtel Sans Fin
Le hall d’entrée est… trop grand. Beaucoup trop grand. Son plafond disparaît dans une obscurité floue, où de faibles lampes projettent une lumière jaunâtre et insuffisante. Le comptoir d’accueil est vide. Il a peut-être toujours été vide. Derrière, un panneau lumineux clignote lentement : "BIENVENUE". Mais il n’y a pas de nom d’hôtel. Juste ce mot, en boucle.
Le tapis sous tes pieds est épais, mais poussiéreux, comme si personne n’avait marché ici depuis une éternité. L’air sent le renfermé, mêlé à un parfum indéfinissable qui flotte sans source visible.
À ta gauche, un ascenseur. L’écran digital affiche des étages qui n’ont aucun sens : -3, 0, 2, 14, 99, B… Il monte et descend au hasard. Les portes s’ouvrent une fraction de seconde, révélant un intérieur sombre et étrangement profond, puis se referment brusquement.
Un couloir s’étire devant toi. Ses murs sont couverts de papier peint à motifs floraux défraîchis. Les lumières, espacées irrégulièrement, laissent des zones entières plongées dans l’ombre. Les numéros des chambres sont aléatoires : 104, 617, 3, A, puis plus rien. Certaines portes sont entrouvertes, laissant entrevoir des chambres identiques… ou presque.
Un lit défait, une télévision allumée sur une chaîne qui n’existe pas, diffusant un écran de neige ponctué de murmures incompréhensibles.
Puis, un bruit. Un raclement, loin derrière toi. Comme si quelque chose venait d’ouvrir une porte.
Une chose est sûre : tu es seul.
    score_9, score_8_up, score_7_up, score_6_up, YXNGH,  detailed drawing, 1girl, solo, breasts, short hair, dress, bare shoulders, medium breasts, bottom an upper body, white hair, hairband, sleeveless, mole, blurry, black dress, lips, wet, depth of field, blurry background, turtleneck, black hairband, wet clothes, mole under mouth, facing viewer, rain, water drop, blindfold, wet hair, covered eyes, black blindfold, yorha no. 2 type b. A stunning, hyper-realistic full body captures the face and body of a beautiful woman. The sharp, delicate features of her face are framed by long, sleek white hair, slightly tousled, with strands falling over one eye, adding to her mysterious allure. Her expression is a mesmerizing mix of determination and fragility, almost otherworldly beauty. Soft beads of sweat cling to her flawless, pale skin, subtly glowing in the dramatic side lighting that enhances every detail.
The lighting casts intricate shadows across her face, highlighting the contours of her high cheekbones and the softness of her lips, which tremble slightly with tension. There’s a moody, atmospheric glow surrounding her, blending the ethereal elements of a fantasy world with the timeless elegance of modern fashion, as if contemplating both the battle before her and the weight of her existence. creating a hauntingly beautiful, cinematic moment, Long white hair, Neck belt accessoires, low cut corset (black)
    Wolf vs 7 bioluminescence translucent entities they are,
A Bioluminescence translucent Hydrogen God - H (Atomic number 1)
A Bioluminescence translucent Helium Goddess- He (Atomic number 2)
A Bioluminescence translucent Lithium God - Li (Atomic number 3)
A Bioluminescence translucent Beryllium Goddess- Be (Atomic number 4)
A Bioluminescence translucent Boron elf - B (Atomic number 5)
A Bioluminescence translucent Carbon/humanoid - C (Atomic number 6)
A bioluminescence translucent Nitrogen/demon - N (Atomic number 7)
Oxygen - O (Atomic number 8)
Masterpiece, 32k, 16k, 8k, 
sporadic bursts of volcanic energy.
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of John Berkey
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of Ed Emshwiller
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of John Berkey
    cinematic photograph, three women astro-explorers explore a mysterious psychedelic city of Fruitopia  ,1960s adventure b-movie science fiction film, technicolor , in the style of Angus McKie
    Create a fake B-Movie VHS cover art of a movie called (DUNE SLAYER), the cover features features the iconic Doom Slayer character from the DOOM games in his green bulky military body armor and helmet on the desert planet from Dune books and movies, planet Arrakis, Doom Slayer is riding on top of faceless gigantic sandworm that looks like a huge Sea lamprey, while he is firing multiple rockets at flying Harkonnen ornithopter with dramatic explosions in the background, the camera angle is from a low angle to emphasize the epic and metal nature of the scene, dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    IMG_02203029.HEIC 2000 8 mp canon PowerShot,  cinematic three women astro-explorers , exploring a vast underground lost scared watermelon temple , lofi corrupted pixels ,bad lighting, direct flash, 1960s adventure b-movie science fiction film, technicolor
    Create a fake B-Movie VHS cover art of a movie called (CONAN THE BARBER) with the title written at the top in iconic Conan font, the cover features features the iconic Conan, Conan the Barbarian is seen holding comically oversized scissors and saying in a single speech bubble ("HEAD OR NECK!?"), Conan is seen standing behind and towering over a barber chair facing the camera with a client sotting in the chair waiting to get their hair cut, the client is a dark skinned pudgy worried man with long black hair wearing purple evil wizard robes, the expression on Conans face is extreme anger and the extremely dramatic lighting of the scene is directly coming from above him, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    RAW photo, B&W photo, portrait, woman looking directly at viewer, subtle smile, slim, petite, mid length pixie cut hair, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Create a highly detailed digital painting of a blue space marine Warhammer standing on top of a junk factory, inspired by Samuel F. B. Morse's style, with a focus on realism and ultra-detailed micro details, incorporating the golden ratio, mandelbrot fractal, and volumetrics. The space marine should have large blue engines and hinged titanium legs, with a sense of crusade and triple six symbolism. The background should be a junk factory with a sense of realism and detail. The painting should be rendered in 8k resolution with an octane render, and have a sense of hypermaximalism, with a focus on character modeling and concept art. The final output should be in HD and HQ, with a sense of realism and lifelike details.
    Create an ultra-high-definition, 3D-rendered image of an anthropomorphic ninja character, dressed in a shako and firefighting gear, with a dipstick tail and neurochip, holding an epee. The character should be posed in a dynamic, full-body action stance within an underwater deep-sea laboratory setting. Incorporate symmetrical composition and a shallow depth of field to emphasize the subject. The image should be inspired by the art style of David B. Mattingly and rendered using Unreal Engine 5.
    Create a fake B-Movie VHS cover art of a movie called (THE TERMINATOR: DON'T COME BACK) with the title written at the top in the famous Terminator font font, the cover features the iconic Terminator chrome skeleton robot with red glowing eye, but he is sitting behind a office desk in a clean minimalistic 70s office and is wearing ugly glasses as he stamps multiple application papers with a giant red stamp that leaves the word "Terminated!" stamped in red on the papers, the Terminator has one big speech bubble that says these exact words ("TERMINATED, TERMINATED") in Terminator font, dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    A photo-realistic shoot from a bird's eye view about a silver sports car parked in front of a large propeller-driven aircraft on an airport tarmac. the image also shows a vintage silver cobra car with a sleek, streamlined design, positioned in the middle of the image. on the foreground, the car is facing the viewer, with its headlights on, giving a clear view of its sleek, silver body and white stripes. in the background, a large, silver military aircraft with four propellers is parked on the tarmac, with a hazy, overcast sky visible in the distance. the aircraft appears to be a b-25 mitchell bomber, similar to the one in the photo, with distinctive markings and a distinctive nose design.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    RAW photo, B&W photo, portrait, woman, detailed face, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    RAW photo, B&W photo, woman, cute round face, natural face, young, 18 yo, beautiful face, light green eyes, big eyes, choker, freckles, large breasts, wearing stylish black top, sits on a window seat inside a coffee shop, gazing playfully at the viewer through the window, The overall mood is casual and stylish, set against a warm, inviting ambiance
    Create a fake B-Movie VHS cover art of a movie called (God of Wars), the cover features Kratos from God of War series in modern times, he is standing on to of a WW2 tank while wearing a military vest and dog tags on top of his traditional garb and carring two rocket launchers one on esch shoulder and ahooting them in the air, he is shouting in a shout bubble (BOY, WHERE IS MY COVER FIRE!), the nervous eyes of a young man can be seen through a slit in the from of the tank, his tank is surrounded by masive ridiclious explosions and enemy jets and helicopters in the air, dramatic lighting, the cover gives 80s vibes with slightly washed out colors and is despite its silliness very well rendered and extremely detailed.
    Create an ultra-high-definition, 3D-rendered image of an anthropomorphic ninja character, dressed in a shako and firefighting gear, with a dipstick tail and neurochip, holding an epee. The character should be posed in a dynamic, full-body action stance within an underwater deep-sea laboratory setting. Incorporate symmetrical composition and a shallow depth of field to emphasize the subject. The image should be inspired by the art style of David B. Mattingly and rendered using Unreal Engine 5.
    cinematic photograph, three women astro-explorers exploring a cave  discover lost city  ,1960s adventure b-movie science fiction film, technicolor,
    IMG_02203029.HEIC 2000 8 mp canon PowerShot,  cinematic three women astro-explorers , exploring a vast underground lost scared watermelon temple , lofi corrupted pixels ,bad lighting, direct flash, 1960s adventure b-movie science fiction film, technicolor
    [A] “A statuesque female assassin stands poised in an alcove, cloaked in gleaming black latex, her belt bearing the Assassin’s eagle symbol in burnished gold, her hood down to reveal a lightning-blue streak in her hair and a single beauty mark beneath one eye.”
—
[B] “Around her, a forgotten sanctuary: vaulted gothic arches dripping with candlelit shadows; polished obsidian-black stone floors flecked with gold veins; towering carved columns encrusted with flickering lanterns; dust motes dancing through shafts of dying amber light; a tattered Assassin’s banner emblazoned in metallic gold hanging off one column; reflective laminate panels inset in the walls catching every glint of candle flame.”
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    Create a highly detailed digital painting of a blue space marine Warhammer standing on top of a junk factory, inspired by Samuel F. B. Morse's style, with a focus on realism and ultra-detailed micro details, incorporating the golden ratio, mandelbrot fractal, and volumetrics. The space marine should have large blue engines and hinged titanium legs, with a sense of crusade and triple six symbolism. The background should be a junk factory with a sense of realism and detail. The painting should be rendered in 8k resolution with an octane render, and have a sense of hypermaximalism, with a focus on character modeling and concept art. The final output should be in HD and HQ, with a sense of realism and lifelike details.
    Full body, standing, close-up,  a masterpiece of the highest quality (realistic: 1.2), HDR, UHD, 8K, laura:, cinnamon: 1. > Create an illustrated oil portrait of a woman with expressive, mesmerizing eyes and long black hair. She is dressed in a historical dress consisting of bright red and white tones, which emphasizes her elegance. It also features sophisticated jewelry such as bracelets and necklaces that add sparkle and luxury to her look. The background is soft and neutral to draw attention to her and her outfit. The portrait conveys the atmosphere of sophistication and elegance of the Baroque and Rococo styles. Inspired by the works of the Golden Age masters Donatello, Michele Angelo, Leonardo Da Vinci, perfect anatomy, chic and glitz of the Baroque style, refinement and refinement of details, perfect proportions, perfect composition. 8 = 8 ; 5 4 8 B 5 @ 2 @ > < 0 = 5 ; 5 : A 0 = 4 @ 0 N < 0 " " @ 8 < C H : 5 B 5 @ 0 " > ? 8 A K 2 0 5 B A O : 0 : 6 5 = I 8 = 0 = 5 > 1 K G 0 9 = > 9 : @ 0 A > B K 8 > 10 o = 8 o . = 0 1 K ; 0 2 K A > : > 9 8 A B @ > 9 = > 9, A @ > A : > H = K < 8 G 5 @ = K < 8 2 > ; > A 0 < 8 8 ? @ > = 7 8 B 5 ; L = K . Modifiers: Sharp Focus, extremely detailed, crisp, high-quality cinematic post-processed dramatic light by Luis Royo, Ultra - realistic occult optical illusion X . R. Gigera FHI, extremely detailed sharp focus . No cropping, no borders, no captions.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’
The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature:
	•	Directed by: Max Morrison
	•	Director of Photography: Diego Dalla Luce
	•	Edited by: JOE “FINAL CUT” Switcho
	•	Main Actress: Katarina Pesceallegro
	•	Co-Starring: JOE FISH
	•	With the Cameo of: STEWEN SEAGULL
The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    Create an ultra-high-definition, 3D-rendered image of an anthropomorphic ninja character, dressed in a shako and firefighting gear, with a dipstick tail and neurochip, holding an epee. The character should be posed in a dynamic, full-body action stance within an underwater deep-sea laboratory setting. Incorporate symmetrical composition and a shallow depth of field to emphasize the subject. The image should be inspired by the art style of David B. Mattingly and rendered using Unreal Engine 5.
    Create an ultra-high-definition, 3D-rendered image of an anthropomorphic ninja character, dressed in a shako and firefighting gear, with a dipstick tail and neurochip, holding an epee. The character should be posed in a dynamic, full-body action stance within an underwater deep-sea laboratory setting. Incorporate symmetrical composition and a shallow depth of field to emphasize the subject. The image should be inspired by the art style of David B. Mattingly and rendered using Unreal Engine 5.
    L’Hôtel Sans Fin
Le hall d’entrée est… trop grand. Beaucoup trop grand. Son plafond disparaît dans une obscurité floue, où de faibles lampes projettent une lumière jaunâtre et insuffisante. Le comptoir d’accueil est vide. Il a peut-être toujours été vide. Derrière, un panneau lumineux clignote lentement : "BIENVENUE". Mais il n’y a pas de nom d’hôtel. Juste ce mot, en boucle.
Le tapis sous tes pieds est épais, mais poussiéreux, comme si personne n’avait marché ici depuis une éternité. L’air sent le renfermé, mêlé à un parfum indéfinissable qui flotte sans source visible.
À ta gauche, un ascenseur. L’écran digital affiche des étages qui n’ont aucun sens : -3, 0, 2, 14, 99, B… Il monte et descend au hasard. Les portes s’ouvrent une fraction de seconde, révélant un intérieur sombre et étrangement profond, puis se referment brusquement.
Un couloir s’étire devant toi. Ses murs sont couverts de papier peint à motifs floraux défraîchis. Les lumières, espacées irrégulièrement, laissent des zones entières plongées dans l’ombre. Les numéros des chambres sont aléatoires : 104, 617, 3, A, puis plus rien. Certaines portes sont entrouvertes, laissant entrevoir des chambres identiques… ou presque.
Un lit défait, une télévision allumée sur une chaîne qui n’existe pas, diffusant un écran de neige ponctué de murmures incompréhensibles.
Puis, un bruit. Un raclement, loin derrière toi. Comme si quelque chose venait d’ouvrir une porte.
Une chose est sûre : tu es seul.
    Desert Sun Documentary. Capture a Berber woman in Morocco with a Leica M11 Monochrom and 75mm f/2.4 APO. Use harsh midday sun to etch sun-weathered skin details—wrinkles, sand-dusted pores. Set f/6.3, ISO 200, 1/4000s. Focus on stark eyelash contrast against amber eyes. Post-process in B&W with split-toning: selenium highlights, coal shadows to amplify skin’s tactile quality.
    Desert Sun Documentary. Capture a Berber woman in Morocco with a Leica M11 Monochrom and 75mm f/2.4 APO. Use harsh midday sun to etch sun-weathered skin details—wrinkles, sand-dusted pores. Set f/6.3, ISO 200, 1/4000s. Focus on stark eyelash contrast against amber eyes. Post-process in B&W with split-toning: selenium highlights, coal shadows to amplify skin’s tactile quality.

      FLUX

    • Schnell - flux_schnell.sft