**“A captivating and surreal movie poster for A... -

**“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**

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More prompts from maxmorrison

A photorealistic image of a bowl of happy lgbtq+ cereal with tiny, comically fierce faces on each piece, as a spoon looms over them like a horror movie villain. The cereal pieces are "running" away in panic, spilling milk everywhere. Photography, humorous, hyper-realistic, dramatic lighting, shallow depth of field.

Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes.
Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background.
Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.

"A majestic Bengal cat with a coat of striking golden marbled fur and vivid black rosettes sits imperiously on a grand, throne-like perch made of intricately carved stone, faintly glowing with mystical symbols. Its eyes are sharp and gleaming with an otherworldly intelligence. The Bengal cat holds an imposing, larger-than-life Xenomorph alien from the movie *Alien* delicately in its mouth. The Xenomorph, with its glossy black exoskeleton, menacing elongated head, and sprawling tail, dangles with a mix of defiance and vulnerability.
Around the cat’s neck hangs a fancy, futuristic cardboard sign that reads ‘Fight 4 Buzz’ in bold, glowing neon letters. The sign is adorned with intricate, holographic designs that pulse rhythmically, adding a high-tech flair. The backdrop features a surreal blend of an eerie, futuristic space station interior merging with a cosmic vista of swirling galaxies and nebulae, creating an atmosphere of grandeur and otherworldly drama."

dobermann with real human teeth smiling sad

“Create a vibrant Lego scene of a mountain sky station named ‘Roccaraso’ set high in the mountains. A road sign with ‘Roccaraso’ clearly visible should be placed near the entrance, while the name ‘Roccaraso’ should appear subtly integrated into various elements of the scene, like on banners, benches, and road markings. The sky station itself features Lego buildings with quirky angles, using decentered architectural optics to create an impression of unusual perspectives and tilts. Several Lego influencers, decked out in trendy outfits, are scattered throughout the scene, photographing other Lego travelers, capturing selfies, and striking poses. Among the crowd, there are Lego characters representing Palestinian people, and a Palestinian flag is prominently displayed, waving in the breeze near the entrance. In one corner, a hidden Lego graffiti tag says ‘maxmorrison was here,’ blending into the surroundings. The atmosphere is lively and surreal, with unexpected pops of color and details like Lego trees, luggage, and cameras adding to the playful chaos. The scene should feel dynamic, with a sense of fun and eccentricity, all captured in a world made of Lego bricks.”

buzz machine, a cardboard box, little ruined, with anarchy symbols on sides, having written "MISTERY BUZZ BOX DO NOT OPEN", second cardboar WITH "25 buzz to open" (in red) , full moon in background illuminate the scene, few long blades of acid green grass

A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.

"A hyper-realistic, surreal portrait of a peacock in a vibrant, techno-infused natural setting. The peacock’s tail is a mesmerizing fusion of nature and artificiality, made entirely of pizza slices with glowing, neon edges. The eyespots on the tail feathers are represented by holographic salami slices that pulse with digital light patterns, giving off a futuristic vibe. The peacock’s feathers have metallic sheens and circuitry patterns subtly integrated into the design, blurring the line between organic and synthetic. In the background, a cardboard sign hangs from a nearby branch with the words 'Buzz 4 Pizza!' scrawled in bold, graffiti-style text. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural and technological elements."

“A majestic Bengal cat with a small, slightly tilted golden crown, wearing a sleek gymnast suit in vibrant colors, running on a treadmill. Beside the treadmill is a worn, rotten cardboard sign that reads ‘GIVE ME BUZZ PPL’ in crude, hand-drawn letters. The scene is captured with a Panavision 105mm lens, emphasizing high resolution and cinematic details. The gym background is softly blurred, with rich lighting and deep shadows accentuating the cat’s fur texture, the worn look of the cardboard sign, and the vivid colors of the suit. The overall mood is a blend of regality and humor, captured in realistic, high-contrast lighting and deep, cinematic colors.”

“Create a 16:9 cinematic scene where a player sits at a desk, immersed in a game, the room dimly lit by the glow of the screen. On the screen, a male AI operator with long brown hair and green and yellow reading glasses appears as a semi-transparent hologram. His glasses have a sleek, futuristic frame, reflecting the soft light of the screen, giving him an intellectual, high-tech appearance.
The player asks the operator for tips on improving aim and reaction time. The AI operator calmly advises on crosshair placement, recommending keeping it at head level for quicker shots. He also suggests reaction drills and the importance of consistent practice. Floating text or icons highlight key points like ‘Crosshair Placement’ and ‘Reaction Drills.’
The scene alternates between close-ups of the player’s focused face and the operator’s glowing form. His green and yellow glasses subtly catch the light, adding a touch of style to his digital form. The operator’s calming tone and confident demeanor inspire the player, who nods, feeling more prepared and confident to improve their skills.”

Two cockroaches locked in an intense MMA-style fight inside a brightly lit octagon ring. The high-resolution scene captures the intricate details of their glossy exoskeletons, segmented limbs, and determined stances. Surrounding the octagon, a packed crowd of enthusiastic spectators cheers wildly, amplifying the tension and excitement. Large digital displays above the audience flash the bold slogan, ‘Give Buzz to Fight!’ in dynamic typography. The scene is masterfully shot using Panavision Prime optics, delivering stunning sharpness, vibrant colors, and cinematic depth that emphasize every detail of the cockroaches, the stage, and the charged atmosphere

**Prompt:** A highly detailed and dramatic portrait of the Statue of Liberty, focusing on her face in a macro close-up. The Statue of Liberty is unwrapping a large, non-surgical face mask, revealing the intricate and realistic facial muscle structure beneath. The mask is partially peeled away, exposing tendons, muscles, and sinews in high detail. Around her neck, a luxurious and ornate cardboard sign hangs with the text "Buzz 4 Skin" elegantly embossed in gold lettering. The cardboard is richly decorated with intricate patterns and gilded edges, giving it an unexpectedly opulent appearance. The scene is lit with dramatic studio lighting, casting deep shadows and emphasizing the contrast between the statue's iconic metal surface and the raw, exposed anatomy. The overall atmosphere is dark and unsettling, with a creepy, almost dystopian vibe that contrasts sharply with the rich, decorative sign.

“A portrait of a scared girl with long orange hair, styled in a messy bun, kneeling on the ground. She has striking green eyes, one of which is closed, with mascara running down her face from crying. Her expression is a mix of fear and anger as she gazes directly at the viewer. She wears a yellow shirt and a brown skirt, accessorized with earrings and lipstick. Her wet hair is disheveled, adding to the intense emotional impact. The background is a plain white, emphasizing the girl’s perfect eye details, capturing her raw emotion in a powerful and expressive solo scene.”

“A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. Below it, a second flickering sign, barely holding together, reads ‘Gimme Buzz or Likes’, glitching with RGB distortion and digital noise, as if time itself is breaking apart.”

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