null black text outline

    Graffiti mural on a large urban wall, with bold, vibrant spray-painted text reading ‘L’IGNORANZA NON CI STANCA - ORZO BIMBO & FERNET BRANCA’ in a mix of playful and gritty fonts. The wall is weathered, covered with artistic flourishes, paint splatters, and abstract shapes, giving it a raw, street-art vibe. Surround the text with vivid, dynamic colors—splashes of orange, blue, and pink. The letters are outlined in thick black strokes, with some 3D effects, shadows, and highlights to make them pop from the brick surface. The background features rough brick and concrete textures, along with faded posters, stickers, and smaller tags from other graffiti artists, adding authenticity to the scene. A few subtle details like plants or urban decay elements, such as cracks in the wall, can be visible to enhance the atmosphere of a lively urban street corner. The overall look feels spontaneous, rebellious, and energetic, capturing the spirit of street art.
    Graffiti mural on a large urban wall, with bold, vibrant spray-painted text reading ‘L’IGNORANZA NON CI STANCA - ORZO BIMBO & FERNET BRANCA’ in a mix of playful and gritty fonts. The wall is weathered, covered with artistic flourishes, paint splatters, and abstract shapes, giving it a raw, street-art vibe. Surround the text with vivid, dynamic colors—splashes of orange, blue, and pink. The letters are outlined in thick black strokes, with some 3D effects, shadows, and highlights to make them pop from the brick surface. The background features rough brick and concrete textures, along with faded posters, stickers, and smaller tags from other graffiti artists, adding authenticity to the scene. A few subtle details like plants or urban decay elements, such as cracks in the wall, can be visible to enhance the atmosphere of a lively urban street corner. The overall look feels spontaneous, rebellious, and energetic, capturing the spirit of street art.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a sinister horror movie tattered teddy bear with a broken eye and stuffing falling out. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    a painted cartoonish awareness poster for social anxiety and agoraphobia, a single frail small person is under a bright spotlight in the center of the image, sweating from discomfort, tears forming at the eyes, having strong anxiety being surrounded by a crowd watching their every move, hardly looking up as to avoid eye contact, the person say in a tiny tiny voice in a small text bubble that reads "help me". the person is brightly lit but rest of the image is pitch black in contrast, in the inky smoky blackness around the person we see the faint white outline of a huge crowd, we cannot tell if they are people or monsters, but we see eyes, thousands of eyes, white orange glittering eyes looking at the person, all those eyes glaring menacingly at the person, with the eyes there are some menacing smiles where all we can see are pointy teeth and smirk lines, in the darkness we can feel many pointed fingers at the person, pointing in mockery or pointed in accusation. The title is at the bottom of the image, it reads "social anxiety" in a scary font
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of 1920s American travelling carnival clown. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Text "G", black text outline
    A bold, stylized graffiti-style vector logo featuring the large capital letters “WR” in a dynamic, hand-drawn cartoon font. The letters are filled with clean white, framed by thick black outlines with jagged, expressive brushwork.A high-contrast vector logo design for a vape brand, featuring the bold capital letters “WR” in a graffiti-inspired cartoon font. The letters are large, rounded, and white with thick, black comic-style outlines and soft irregular edges. Behind and around the text, massive stylized clouds of vapor billow outward in dramatic shapes — swirling, curling, and overlapping like exhaled vape plumes. The smoke clouds are not static: they express movement and density, evoking the act of vaping in mid-exhale. Hidden among the vapor shapes are subtle icons: droplets of e-liquid, a sleek vape pod silhouette, and fluid streamlines suggesting airflow. The composition is symmetric and centralized, optimized for packaging or sticker use. Designed for Civitai LoRA testing and generation. Style → Flat vector illustration, graffiti-meets-vape aesthetic, clean comic contours, black-and-white vapor stylization, dynamic motion. No gradients or textures. Emphasis on bold lettering and energetic vapor forms. Ideal for LoRA style training and label generation within civitai.com using flux1-dev-compatible models.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a high-heeled shoe. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn skulls and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a punk stencil photocopy print of a magazine image of a cigarette packet and ashtray. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A graphic Jean-Michel Basquiat street art illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘BUZZ OR FRY’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. The image should have high detail in the feathers and a slightly humorous undertone, emphasizing the irony of the setting. Overlay text in bold white font with black outline at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    courtroom sketch of an attorney raising his hand pointing a finger and screaming "Objection!". With text "objection!". The man's pose exudes power and is similar to that of characters of the videogame series phoenix wright. The sketch reminds of the styles of Butch Krieger or Gary Myrick, with a grey paper, quick precise black outlines and oil pastel crayons.
    a painted hand drawn awareness poster for social anxiety and agoraphobia, a single frail small person is under a bright spotlight in the center of the image, sweating from discomfort, hyperaware, eyes wide open in fear, tears forming at the eyes, having strong anxiety being surrounded by a menacing crowd, looking up at the viewer, the person say in a tiny tiny voice in a small text bubble that reads "help me". the person is wearing black trousers and a black top. The person is brightly lit but rest of the image is pitch black in contrast. In the inky smoky blackness around the person we see the faint white outline of a huge crowd, we cannot tell if they are people or monsters, but we see eyes, thousands of eyes, white orange glittering eyes looking at the person, all those eyes glaring menacingly at the person, with the eyes there are some menacing smiles where all we can see are pointy teeth and smirk lines, in the darkness we can feel many pointed fingers at the person, pointing in mockery or pointed in accusation. The title is at the bottom of the image, it reads "SOCIAL ANXIETY" in a scary font. The title is in bold white letters
    An abstract retro punk collage combining torn paper, stencils photocopies, torn magazines, hand written text and spraypaint layered on top of each other. The main stencil image is of tape cassettes a lipstick. In the background is a coloured retro photograph torn out from a 1970s porn magazine of a plump British amateur housewife. The grainy photograph, likely taken in the 1970s, is of a woman with very large breasts faking orgasm. looking at viewer, mouth slightly open. vintage photography. Polaroid camera. stars and skulls drawn over nipples and pubic hair. Over this are layers of coloured dots and stars spraypainted on. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. Rough hand-drawn blue biro skulls and love hearts added to print. Print errors, halftone dots. grungy block print registration errors.
    a funny pic of a dog, 1dog, solo, golden retriever, lying on floor, looking bored, head on floor, super cute dog, big dark eyes, close up, viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect, perfect angle, white big thought bubble above with black outlines and text: ("... so boring without chasing cats ...":1.4), text wrap, text fits perfect,
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassette. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Graffiti mural on a large urban wall, with bold, vibrant spray-painted text reading ‘L’IGNORANZA NON CI STANCA - ORZO BIMBO & FERNET BRANCA’ in a mix of playful and gritty fonts. The wall is weathered, covered with artistic flourishes, paint splatters, and abstract shapes, giving it a raw, street-art vibe. Surround the text with vivid, dynamic colors—splashes of orange, blue, and pink. The letters are outlined in thick black strokes, with some 3D effects, shadows, and highlights to make them pop from the brick surface. The background features rough brick and concrete textures, along with faded posters, stickers, and smaller tags from other graffiti artists, adding authenticity to the scene. A few subtle details like plants or urban decay elements, such as cracks in the wall, can be visible to enhance the atmosphere of a lively urban street corner. The overall look feels spontaneous, rebellious, and energetic, capturing the spirit of street art.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A graphic Jean-Michel Basquiat street art illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    a painted hand drawn awareness poster for social anxiety and agoraphobia, The title is at the bottom of the image, it reads "SOCIAL ANXIETY" in a white scary font. a single frail small person is under a bright spotlight in the center of the image, sweating from discomfort, hyperaware, eyes wide open in fear, tears forming at the eyes, having strong anxiety being surrounded by a menacing crowd, looking up at the viewer, the person say in a tiny tiny voice in a small text bubble that reads "help me". the person is wearing black trousers and a black top. The person is brightly lit but rest of the image is pitch black in contrast. In the inky smoky blackness around the person we see the faint white outline of a huge crowd, we cannot tell if they are people or monsters, but we see eyes, thousands of eyes, white orange glittering eyes looking at the person, all those eyes glaring menacingly at the person, with the eyes there are some menacing smiles where all we can see are pointy teeth and smirk lines, in the darkness we can feel many pointed fingers at the person, pointing in mockery or pointed in accusation.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    a funny pic of a dog, 1dog, solo, lying on floor, looking bored, head on floor, super cute dog, close up, white thought bubble above with black outlines and text "... so boring without chasing cats ...", viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect,
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a 1970s magazine advert for canned beer torn from the magazine. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a punk stencil photocopy print of a magazine image of a cigarette packet and ashtray. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a man wearing a mask of dead people's skin. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a man wearing a mask of dead people's skin. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow, blurred stripes background,
    a funny pic of a dog, 1dog, solo, lying on floor, looking bored, head on floor, super cute dog, big dark eyes, close up, viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect, perfect angle, white big thought bubble above with black outlines and text: ("... so boring without chasing cats ...":1.4), text wrap, text fits perfect,
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a sinister horror movie tattered teddy bear with a broken eye and stuffing falling out. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘BUZZ OR FRY’.”
    Text "G", black text outline
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a giant fish head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. The image should have high detail in the feathers and a slightly humorous undertone, emphasizing the irony of the setting. Overlay text in bold white font with black outline at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A graphic Jean-Michel Basquiat street art illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow, blurred stripes background,
    Text "G", black text outline
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a 1970s magazine advert for canned beer torn from the magazine. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a sad man with plants growing out of his skull. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of 1920s American travelling carnival clown. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of Ed Gein wearing a leatherface skin mask. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of Ed Gein wearing a leatherface skin mask. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Generate an image in the style of 1970s psychedelic poster art, characterized by bold, vibrant colors, thick black outlines, and surreal, thought-provoking imagery, utilize a color palette of neon pink, electric blue, sunshine yellow, and deep orange, with contrasting black and white elements for text and outlines, the linework should be clean and prominent, defining flat areas of color with minimal shading or gradients, incorporate a slightly grainy texture to evoke the vintage print aesthetic, the composition should be centered and impactful, aim for a retro, inspirational mood, reminiscent of vintage motivational posters and album art from the psychedelic era, avoid photorealism or subtle blending, instead prioritize sharp lines, flat colors, and a strong graphic design sensibility to capture the essence of 70s psychedelic poster art. Depict a group of six young black men posing dynamically in an urban outdoor setting, emphasize textures and raw details, the men are dressed in contemporary streetwear and are making hand gestures, some towards the camera, capturing a candid and energetic moment, the background includes elements of an urban landscape such as a parked car, a chain-link fence, and glimpses of trees in the distance, stark contrasts and dramatic shadows, and focus on capturing the attitude and atmosphere of urban youth culture.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian pot doll's head with a missing eye. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘BUZZ OR FRY’.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian china pot doll's head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian china pot doll's head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘BUZZ OR FRY’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. The image should have high detail in the feathers and a slightly humorous undertone, emphasizing the irony of the setting. Overlay text in bold white font with black outline at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a high-heeled shoe. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn skulls and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a high-heeled shoe. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn skulls and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a high-heeled shoe. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn skulls and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian pot doll's head with a missing eye. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    An abstract retro punk collage combining torn paper, stencils photocopies, torn magazines, hand written text and spraypaint layered on top of each other. The main stencil image is of tape cassettes a lipstick. In the background is a coloured retro photograph torn out from a 1970s porn magazine of a plump British amateur housewife. The grainy photograph, likely taken in the 1970s, is of a woman with very large breasts faking orgasm. looking at viewer, mouth slightly open. vintage photography. Polaroid camera. stars and skulls drawn over nipples and pubic hair. Over this are layers of coloured dots and stars spraypainted on. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. Rough hand-drawn blue biro skulls and love hearts added to print. Print errors, halftone dots. grungy block print registration errors.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a man wearing a mask of dead people's skin. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a Mexican Day of the Dead Alebrije. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of 1920s American travelling carnival clown. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian china pot doll's head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian pot doll's head with a missing eye. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. The image should have high detail in the feathers and a slightly humorous undertone, emphasizing the irony of the setting. Overlay text in bold white font with black outline at the top: ‘QUANDO SEI DAVVERO CORAGGIOSO’.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of Ed Gein wearing a leatherface skin mask. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a broken Victorian pot doll's head with a missing eye. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Graffiti mural on a large urban wall, with bold, vibrant spray-painted text reading ‘L’IGNORANZA NON CI STANCA - ORZO BIMBO & FERNET BRANCA’ in a mix of playful and gritty fonts. The wall is weathered, covered with artistic flourishes, paint splatters, and abstract shapes, giving it a raw, street-art vibe. Surround the text with vivid, dynamic colors—splashes of orange, blue, and pink. The letters are outlined in thick black strokes, with some 3D effects, shadows, and highlights to make them pop from the brick surface. The background features rough brick and concrete textures, along with faded posters, stickers, and smaller tags from other graffiti artists, adding authenticity to the scene. A few subtle details like plants or urban decay elements, such as cracks in the wall, can be visible to enhance the atmosphere of a lively urban street corner. The overall look feels spontaneous, rebellious, and energetic, capturing the spirit of street art.
    courtroom sketch of an attorney raising his hand pointing a finger and screaming "Objection!". With text "objection!". The man's pose exudes power and is similar to that of characters of the videogame series phoenix wright. The sketch reminds of the styles of Butch Krieger or Gary Myrick, with a grey paper, quick precise black outlines and oil pastel crayons.
    a funny pic of a dog, 1dog, solo, lying on floor, looking bored, head on floor, super cute dog, big dark eyes, close up, viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect, perfect angle, white big thought bubble above with black outlines and text: ("... so boring without chasing cats ...":1.4), text wrap, text fits perfect,
    Text "G", black text outline
    Text "G", black text outline
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a sad man with plants growing out of his skull. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    a funny pic of a dog, 1dog, solo, golden retriever, lying on floor, looking bored, head on floor between paws, super cute dog, big dark eyes, close up, viewed from below, bright scene, warm and happy colors, focus on dog, bokeh effect, perfect angle, white big thought bubble above with black outlines and text: ("... so boring without chasing cats ...":1.4), text wrap, text fits perfect inside bubble,
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a man wearing a mask of dead people's skin. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassette. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a giant fish head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a sad man with plants growing out of his skull. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a punk stencil photocopy print of a magazine image of a cigarette packet and ashtray. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Text "G", black text outline
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a giant fish head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow, blurred stripes background,
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow, blurred stripes background,
    Text "G", black text outline

      FLUX

    • Schnell - flux_schnell.sft