An abstract retro punk collage combining torn paper, stencils photocopies, torn magazines, hand written text and spraypaint layered on top of each other. The main stencil image is of tape cassettes a lipstick. In the background is a coloured retro photograph torn out from a 1970s porn magazine of a plump British amateur housewife. The grainy photograph, likely taken in the 1970s, is of a woman with very large breasts faking orgasm. looking at viewer, mouth slightly open. vintage photography. Polaroid camera. stars and skulls drawn over nipples and pubic hair. Over this are layers of coloured dots and stars spraypainted on. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. Rough hand-drawn blue biro skulls and love hearts added to print. Print errors, halftone dots. grungy block print registration errors.

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    style of Butcher Billy. A pop art style mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. ((No text))
A punk stencil photocopy print of a magazine image of a sugar skull with flowers. Print errors, halftone dots. grungy print registration errors.
Overlaying this are multiple layers of Mexican imagery, hand-drawn shapes and patterns, bold paint splashes, and chaotic vintage magazine picture cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. 
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A punk stencil photocopy print of a magazine image of a friendly tyrannosaurus rex wearing a patterned Hawaiian shirt and lei flower necklace.
Print errors, halftone dots. grungy ink marks, and print registration errors. 
Overlaying this are multiple layers of chaotic magazine picture cutouts and clippings of Moai tiki heads, monstera leaves and lei necklaces and hand-drawn shapes and patterns, bold paint splashes.
On top of this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of hula girls glued to the layers.
These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text "❤️"
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Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. 
Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
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A vintage sepia photograph of a Mexican day of the dead spirit risen again. 
Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. 
Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
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A punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors. 
Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. 
Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
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Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. 
Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
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