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    By Saul Leiter. an anthropomorphic evil rabbit in a ragged suit sat in a dark, shabby tailor's shop pointing a vintage Hasselblad camera at the viewer. On his shoulder is a chicken. The rabbit's fur is matted and rough. Its eyes are scary. The rabbit, chicken and the camera are all pointing forward to the viewer. On the floor are vintage cameras, books, picture frames and children's wooden toys.

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    in the style of jon-contino A pop art style mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. ((No text)) A punk stencil photocopy print of a magazine image of a sugar skull with flowers. Print errors, halftone dots. grungy print registration errors. Overlaying this are multiple layers of Mexican imagery, hand-drawn shapes and patterns, bold paint splashes, and chaotic vintage magazine picture cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. Torn vintage holiday postcards of luchadors, cactus and sugar skulls are glued to the layers. These partially hide sections of the images below. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro.
    a single excited cute cat taking a selfie with a group of space aliens who have landed on Earth posing for the photo and a spaceship.
    A pop art style of Butcher Billy mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A distressed photocopy print of a magazine image of Alice in Wonderland in a latex outfit covered in blood. Print errors, halftone dots. grungy print registration errors. Overlaying this are multiple layers of vintage storybook images, hand-drawn shapes and patterns, bold paint splashes. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. Paint splattered and dripping. Torn magazine photos of knives and toadstools glued to the layers. These partially hide sections of the images below. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text: "Why Alice?"
    An analogue artwork of a punk stencil screen print print of a tape cassette. Print errors, halftone dots, Ben Ray dots. grungy print registration errors.
    a vintage photobooth passport photo of a reptilian alien from outer space in a military outfit. analogue, fade photo, creases and scratches, film grain.
    a coloured crosshatch drawing of a bottle of bourbon whiskey and a whiskey glass against a plain black background.
    Surreal and disturbing illustration of an obscenely fat bald man holding up two marionettes of fat children. Mottled skin. Rembrandt Lighting style. Jewel colours.
    painting, portrait of a cat wearing a red tracksuit in the style of Pablo Picasso
    A pop art style mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures and vibrant retro colours. The main image is a grungy retro stencil screenprint of a colourful 1960s toy tin robot with electricity. Print errors, halftone dots. grungy print registration errors, Ben Day dots. Overlaying this are multiple layers of black-and-white Mexican imagery, handwritten letters, bold paint splashes, and chaotic magazine cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. On top of this are 1950s magazine cutouts and clippings of space travel and astronauts, and torn vintage postcards with handwritten messages are glued to the layers. This partially hides sections of the images below. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro onto print.
    ArsMJStyle, HyperDetailed Illustration. A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a friendly tyrannosaurus rex wearing a patterned Hawaiian shirt and lei flower necklace. Print errors, halftone dots. grungy ink marks, and print registration errors. Overlaying this are multiple layers of chaotic magazine picture cutouts and clippings of Moai tiki heads, monstera leaves and lei necklaces and hand-drawn shapes and patterns, bold paint splashes. On top of this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of hula girls glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text "❤️"
    By Saul Leiter. an anthropomorphic evil rabbit in a ragged suit sat in a dark, shabby tailor's shop pointing a vintage Hasselblad camera at the viewer. On his shoulder is a chicken. The rabbit's fur is matted and rough. Its eyes are scary. The rabbit, chicken and the camera are all pointing forward to the viewer. On the floor are vintage cameras, books, picture frames and children's wooden toys.
    A mid-50s scary woman, British housewife with multi-coloured hair, in a dark night time dive rock bar. Heavy gothic smeared makeup, looking at the viewer. She's at the bar. Sad and drunk. She is drinking whiskey, wearing a revealling Christmas costume with a Santa Christmas hat. Fairy lights and Christmas tree. Low key lighting. Dark shadows. Cinematic style cyan and orange. Rembrandt Lighting style, partially covered in shadow. soft vignette, Mechanical vignetting, horror scene, dark rooms, girl, gore
    a coloured crosshatch drawing of a bottle of bourbon whiskey against a plain black background.
    A high-quality realistic three-quarter view photo fernandobotero1 painting of an anthropomorphic plump black hen dressed in a white, cotton, crewneck t-shirt, untucked over 50s-style workwear jeans and a colourful 40s-style headscarf. Posed face on to the viewer in front of a brick wall. Hips to head visible.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a giant fish head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker.
    Dark cathedral. A young woman with long wavy red hair and red lips dressed in richly coloured scarves draped around her. large cleavage. She is looking at the viewer. Her expression is of religious ecstasy. Mouth light open. An ornate crucifix hangs on a rosary around her neck. Surrounding her head is a radiant halo.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassette. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
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