Jasieboy
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    A pop art style mixed media collage artwork. Deconstructed, provocative, erotic, surreal, intense and chaotic composition. Street art textures and vibrant retro colours. Torn clippings of a worn newspaper photo of a Jean- Michel Basquiat illustration of a Mexican Day of the Dead Alebrije. Overlaying this are multiple layers of black- and- white Mexican imagery, handwritten letters, bold paint splashes, and chaotic magazine cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. On top of this are 1950s magazine cutouts and clippings of Mexican luchador wrestlers, and torn vintage holiday postcards with handwritten messages are glued to the layers. This partially hides sections of the images below. On the top layer are rough hand- drawn letters and love hearts scrawled heavy- handedly in blue biro onto print

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    hariren. An anthropomorphic evil rabbit in a ragged suit sat in a dark, shabby tailor's shop pointing a vintage Hasselblad camera at the viewer. On his shoulder is a chicken. The rabbit's fur is matted and rough. Its eyes are scary. The rabbit, chicken and the camera are all pointing forward to the viewer. On the floor are vintage cameras, books, picture frames and paintbrushes. The brushwork is kept minimal, using bold, unshaded forms, rough-edged shapes, and grainy textures for a powerful, rebellious aesthetic. The entire scene is rendered in a bold, minimalist aesthetic, using stark contrasts of white, black and red.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker.
    Soviet poster, soviet style. an anthropomorphic evil rabbit in a ragged suit sat on a children's tricycle, pointing a vintage Hasselblad camera at the viewer. On his shoulder is a chicken. The rabbit's head is disproportionately big for the body. The rabbit's fur is matted and rough. Its eyes are scary. The rabbit, chicken and the camera are all pointing forward to the viewer. On the floor are vintage cameras, books, picture frames and paintbrushes.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text "13"
    Dark cathedral. A young woman with long wavy red hair and red lips dressed in richly coloured scarves draped around her. large cleavage. She is looking at the viewer. Her expression is of religious ecstasy. Mouth light open. An ornate crucifix hangs on a rosary around her neck. Surrounding her head is a radiant halo.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a giant squid kraken sea monster waiting at the bottom of a deep ocean. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this and partially covering it are layered sections of repetitive brightly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker.
    w1z_7r1ppy_d33t5,. extremely detailed and trippy. A fat, ill-looking, middle-aged bald man with blotchy, mottled skin. Unhealthy. Heavily lined face. He is holding two fat children dressed as fast-food restaurant mascots.
    andywarhol1 illustration. A pop art style analogue mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A distressed photocopy image of a Japanese MILF woman with huge breasts dressed in a lowcut latex nun outfit - large cleavage. Looks up mouth slightly open. Moist lips Religious ecstasy. Print errors, halftone dots. grungy print registration errors. Overlaying this are multiple layers of vintage religious images, hand-drawn shapes and patterns, bold paint splashes. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. Paint splattered and dripping. Torn magazine photos of crucifixes and lipsticks glued to the layers. These partially hide sections of the images below. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. TEXT: "Jesus Loves", "Sexy"
    An analogue artwork of a punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a sad man with plants growing out of his skull. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    a vintage photobooth passport photo of a feline alien from outer space in a military outfit. analogue, faded photo, creases and scratches, film grain. Fuji C100 shooting、Fuji C200 shooting、Kodak 400 shooting、Kodak gold 200 shooting、Nolan 5219 shooting, Polaroid, film photography, film grain, film particles, grainy, flash photography, analog photography
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    Gemma Correll Style illustration of a plump brown, female hen drinking a brightly coloured cocktail with a straw and fruit decorations in it. Looking very happy, big false eyelashes. Plain background.
    a coloured crosshatch drawing of a bottle of bourbon whiskey against a plain black background.
    style of Butcher Billy. A pop art style mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. ((No text)) A punk stencil photocopy print of a magazine image of a sugar skull with flowers. Print errors, halftone dots. grungy print registration errors. Overlaying this are multiple layers of Mexican imagery, hand-drawn shapes and patterns, bold paint splashes, and chaotic vintage magazine picture cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. Torn vintage holiday postcards of luchadors, cactus and sugar skulls are glued to the layers. These partially hide sections of the images below. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro.
    [Retro-futuristic alchemy, cinematic chiaroscuro, Renaissance alchemist, muted tones, sci-fi philosopher] A surreal, dark, vintage fairground with Gaudí-style organic shapes with brutalist grandeur. The focus if the image is on a Victorian wooden steampunk vending machine selling potions, spells and skulls. The vending machine has signs written in vintage Carnival style.
    In REME's Mid-Century Modern Illustration Style, syncopated Jazz rectangles..
    A high-quality fernandobotero1 painting of an anthropomorphic plump brown female hen dressed in a white, cotton, crewneck t-shirt, untucked over 50s-style workwear jeans and a colourful 40s-style headscarf. Posed face on to the viewer.
    animanflux. Facing the viewer. A high-quality realistic photo of a cute and friendly-looking anthropomorphic Easter Bunny dressed in an untucked plain white, cotton, crewneck t-shirt. It holds a thicker basket full of coloured eggs. Luscious green spring countryside in the background.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat illustration of a sad man with plants growing out of his skull. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
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