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    Ich sage euch: man mu﷿ noch Chaos in sich haben, um einen tanzenden Stern gebären zu können. Ich sage euch: ihr habt noch Chaos in euch.

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    Werd‘ ich zum Augenblicke sagen: Verweile doch! du bist so schön! Dann magst du mich in Fesseln schlagen, Dann will ich gern zugrunde gehn!
    a ferret in front of a mural of a mouse with the text "Flux needs a lot of training yet" in a handwriting font
    the liquid time of shut summer afternoon, through the window shades sunbeams trickle into the room, illuminating the lazy dust partcles in the air, so they seem like miniscule fireflies. the shadow of the ceiling ventilator makes its way slowly along the floor and the walls. on the table is a near empty bottle of whisky. a hand holds a full glass of it with a big melting icecube.
    Where now the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing? Where is the hand on the harpstring, and the red fire glowing? Where is the spring and the harvest and the tall corn growing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. Who shall gather the smoke of the dead wood burning, Or behold the flowing years from the Sea returning?
    an exploding head revealing all the dark and sinister and lustful thoughts that were buried inside
    The young woman has short, curly auburn hair that frames her face in soft ringlets, catching the sunlight and revealing subtle highlights of copper and gold. Her flower crown, made of delicate purple and yellow wildflowers, rests gracefully atop her head, complementing her hair color and adding a whimsical touch to her appearance. Her facial features are soft and feminine, with a smooth, fair complexion that appears to glow in the natural light. She has expressive, almond-shaped eyes that gaze directly at the camera, conveying a sense of serenity and confidence. Her nose is small and slightly upturned, while her lips are full and curved into a gentle, closed-mouth smile, hinting at her peaceful demeanor. The young woman's neck is slender and elongated, exposed by the scoop neckline of her white dress. Her shoulders are bare, with the short, puffed sleeves of the dress resting just below them, revealing her toned upper arms. The dress cinches at her waist, accentuating her feminine silhouette before flowing loosely over her hips and ending at mid-thigh, leaving her lean, shapely legs visible. Her hands are delicate, with one resting gently against the rough bark of the tree trunk, showcasing her connection to nature. The other hand is not clearly visible in the image. Overall, the young woman's appearance is a harmonious blend of natural beauty, grace, and an ethereal quality that perfectly complements the idyllic outdoor setting.
    an undead monster made from human an animal body parts
    a portrait photo of an ethereal beauty, a cyberpunk girl bathing in neon light, her eyes are black as obsidian and a cruel smile plays on her lips, slightly exposing her pointy fangs, as she is searching for her victim, her hairs are very short on one side, but kong on the other, she wears black leather clothing
    an undead monster stitched together from human an animal body parts
    extremely detailed, absurdres, raw photo, best quality, a mouthwatering perfect photo of a otoro fatty tuna nigiri, served on an artsysqure black plate with a knob of freshly grated wasabi. the ray skin grater and the wasabi root are neatly arranged on a wooden board together with tiny bowl of soy sauce
    So will ich ihnen vom Verächtlichsten sprechen: das aber ist der letzte Mensch.« Und also sprach Zarathustra zum Volke: Es ist an der Zeit, da﷿ der Mensch sich sein Ziel stecke. Es ist an der Zeit, da﷿ der Mensch den Keim seiner höchsten Hoffnung pflanze. Noch ist sein Boden dazu reich genug. Aber dieser Boden wird einst arm und zahm sein, und kein hoher Baum wird mehr aus ihm wachsen können.[ Wehe! Es kommt die Zeit, wo der Mensch nicht sehr den Pfeil seiner Sehnsucht über den Menschen hinaus wirft, und die Sehne seines Bogens verlernt hat, zu schwirren! Ich sage euch: man mu﷿ noch Chaos in sich haben, um einen tanzenden Stern gebären zu können. Ich sage euch: ihr habt noch Chaos in euch. Wehe! Es kommt die Zeit, wo der Mensch keinen Stern mehr gebären wird. Wehe! Es kommt die Zeit des verächtlichsten Menschen, der sich selber nicht mehr verachten kann. Seht! Ich zeige euch den letzten Menschen.
    the liquid time of shut summer afternoon, through the window shades sunbeams trickle into the room, illuminating the lazy dust partcles in the air, so they seem like miniscule fireflies. the shadow of the ceiling ventilator makes its way slowly along the floor and the walls. on the table is a near empty bottle of whisky. a hand holds a full glass of it with a big melting icecube. the hand belongs to a woman with ash blonde hair and empty eyes. she is past her prime but still retains a shimmer of her former beauty. her lips are curled in a self deprecating smile as she reminisces the crossroads of her life choices and where she thinks she lost her way. woman, drinking,
    japanese shrine maiden, dancing alone, dusk, lanterns, dramatic lighting, dreamy atmosphere, shinto shrine, best quality, intricate details,
    Tag meines Lebens! die Sonne sinkt. Schon steht die glatte Fluth vergüldet. Warm athmet der Fels: schlief wohl zu Mittag das Glück auf ihm seinen Mittagsschlaf? In grünen Lichtern spielt Glück noch der braune Abgrund herauf. Tag meines Lebens! gen Abend gehts! Schon glüht dein Auge halbgebrochen, schon quillt deines Thaus Thränengeträufel, schon läuft still über weisse Meere deiner Liebe Purpur, deine letzte zögernde Seligkeit ...
    a kunoichi in the sengoku period, hiding in the shadows in a japanese castle courtyard at night, her mission is to gather intel about the lord of the castle, not eliminate him, the air is tense an she is putting her life on the line
    best quality, detailed realistic photo, realistic, hyperrealistic, a female master of the temple in the city of pyramids bayond the abyss.
    a beautiful landscape with wrong and bizarre angles through which primordial and eldritch beings force their way into the world, summoned and conjured by a girl, the demon queen,
    best quality, detailed realistic photo, realistic, hyperrealistic, 2 women exude their hatred and loathing for each other in a visible fog forming vivid phantasms
    extremely detailed, absurdres, raw photo, best quality, a mouthwatering perfect photo of a otoro fatty tuna nigiri, served on an artsysqure black plate with a knob of freshly grated wasabi. the ray skin grater and the wasabi root are neatly arranged on a wooden board together with tiny bowl of soy sauce
    So will ich ihnen vom Verächtlichsten sprechen: das aber ist der letzte Mensch.« Und also sprach Zarathustra zum Volke: Es ist an der Zeit, da﷿ der Mensch sich sein Ziel stecke. Es ist an der Zeit, da﷿ der Mensch den Keim seiner höchsten Hoffnung pflanze. Noch ist sein Boden dazu reich genug. Aber dieser Boden wird einst arm und zahm sein, und kein hoher Baum wird mehr aus ihm wachsen können.[ Wehe! Es kommt die Zeit, wo der Mensch nicht sehr den Pfeil seiner Sehnsucht über den Menschen hinaus wirft, und die Sehne seines Bogens verlernt hat, zu schwirren! Ich sage euch: man mu﷿ noch Chaos in sich haben, um einen tanzenden Stern gebären zu können. Ich sage euch: ihr habt noch Chaos in euch. Wehe! Es kommt die Zeit, wo der Mensch keinen Stern mehr gebären wird. Wehe! Es kommt die Zeit des verächtlichsten Menschen, der sich selber nicht mehr verachten kann. Seht! Ich zeige euch den letzten Menschen.
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