null with distorted

    “A massive industrial oil extraction pump working tirelessly in a rugged desert landscape. Instead of crude oil, golden frothy beer erupts from the pierced ground, splashing chaotically under the scorching sun. Foamy rivers of beer flow through the cracked earth, reflecting warm amber hues. Nearby, Sideshow Bob, wearing a rugged oil worker’s suit, stands with a smug expression, arms crossed as he watches the beer gushing. His wild red hair contrasts against the industrial scene. The shot is taken with an extreme 12mm fisheye cinema lens, creating a dramatic, distorted perspective—curved horizon, exaggerated depth, and an immersive wide-angle view. Ultra-detailed, hyperreal textures with a painterly touch, deep contrast, and dynamic lighting.”
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“GIMME,” “BUZZ,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“SIP,” “CHUG,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“GIMME,” “BUZZ,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    “A black-and-white abstract dystopian photograph captured with a cinema-grade 12mm fisheye lens, offering a warped, immersive perspective that distorts reality. The close-up portrait of a rugged 50-year-old rural man shows his face fragmented into disjointed rectangular sections, with his eyes, nose, mouth, and skin displaced in chaotic randomness. Within the fractured gaps, oversized cockroaches, with vivid green and orange hues contrasting against the monochrome, crawl and writhe. Their shiny, textured bodies and twitching legs pop against the stark black-and-white, intensifying the grotesque feeling. Scrawled across the scene in decayed, rotten lettering, the phrase ‘FREE PROTEINS’ oozes in a murky, decaying shade of green, further enhancing the unsettling tone. The chiaroscuro lighting casts deep shadows, highlighting the contrasting colors of the cockroaches and the dissonant mood, making the entire composition feel even more surreal and nightmarish.”
    source_8_up, source_7_up, masterpiece, ultra_res, high_res, detailed, cinematic lighting, photorealistic, hyperdetailed, intricate textures, ambient occlusion, glowing highlights, surreal shadows, atmospheric depth, volumetric lighting, sharp focus, depth_of_field, ultra-realistic, high-definition, a tall, imposing woman clad in jagged, blackened armor that seems to shift and shimmer like liquid metal. Her face is hidden beneath a smooth, featureless mask that reflects faint distorted images of the world around her. Long, dark tendrils of hair flow behind her, tipped with glowing embers that flicker like fire. Her right arm is encased in a twisted gauntlet, its sharp edges glowing faintly red as if forged from molten steel. She carries a massive, jagged blade strapped to her back, etched with glowing runes that pulse rhythmically, as though alive. Her footsteps leave behind scorched, cracked earth, and a faint trail of ash follows her movements. Her aura exudes raw, destructive power, and her very presence warps the ground beneath her into unnatural, jagged shapes."
    “Plastic Man morphing into a report, blending human and document features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crumpled, paper-like surface of the report, complete with printed text and digital data flowing through the pages. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background is a chaotic, shifting mix of surreal abstract elements—an urban street corner, glowing neon signs, and floating mechanical parts—creating a random, futuristic landscape. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “A bold and vibrant futuristic book cover for a novel titled A Fish Called Ruanda. The artwork captures the essence of a B-movie thriller with a quirky, girly twist. The scene is viewed through the distortion of a fish-eye 12mm cinema prime lens, emphasizing a surreal, exaggerated perspective. The central focus is a glamorous but eerie young woman with wild, unkempt red hair, set against a neon-soaked, dystopian cityscape. A decrepit, rotting fish floats ominously nearby, symbolizing the novel’s ‘very rotten climax.’ The subtitle is prominently displayed in Polish, adding a unique cultural flair. The design is gritty yet chic, blending retro-futurism with a touch of campy humor, evoking intrigue and trendsetting vibes.”
    An anthropomorphic brown Dobermann dog with soft, long, natural ears and a blonde bobcut with long hair in the back, wearing a black trenchcoat, depicted in profile, side view. The dog is holding a cardboard box labeled ‘Parfum for Dogs’ in a surreal and avant-garde fashion illustration style. The scene features a turquoise silver grunge aesthetic against a gradient magenta and teal background. The setting includes vivid colors, filigree details, and photorealistic rendering. The lighting is moody chiaroscuro, enhanced by the visual distortion of fisheye cinema prime lenses (9mm) and noir film-style color correction
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    "Cthulhu rising" conjures a terrifying image of the ancient cosmic entity emerging from its slumber beneath the ocean in the sunken city of R'lyeh. As Cthulhu rises, the world is engulfed in chaos and madness. The seas would roil and churn as the titanic being ascends from the depths, its massive form towering over the waves. The sky might darken as Cthulhu's presence distorts reality itself, driving those who witness it to the brink of insanity. The sight of Cthulhu, with its grotesque mix of octopus-like tentacles, dragon-like wings, and a towering, humanoid form, would be a nightmare made real. Its mere presence would send ripples of terror through the minds of all who perceive it, as the boundaries between dreams and reality blur. The idea of Cthulhu rising is not just about physical destruction but also symbolizes the overwhelming dread of the unknown and the insignificance of humanity in the face of such an incomprehensible force. It represents the ultimate horror—an ancient, god-like being whose very existence challenges the sanity of those who encounter it by Minjae Lee, Carne Griffiths, Emily Kell, Steve McCurry, Geoffroy Thoorens, Aaron Horkey, Jordan Grimmer, Greg Rutkowski, amazing depth, double exposure, surreal, geometric patterns, intricately detailed, bokeh, perfect balanced, deep fine borders, artistic photorealism , smooth, great masterwork by head of prompt engineering, Hyperdetailed, Omnipresent, Beautiful, Sinister overtones
    Marvel icons, Captain America and Venom, are caught in a surreal, high-energy selfie in front of the towering Mole Antonelliana, with an ominous atmosphere creeping into the scene. Captain America, his shield reflecting the eerie light of a dying sun, holds a vintage Kodak MC3 camera, attempting to capture the strange moment. Venom, grinning wickedly, strikes a chaotic pose, his dark tendrils wrapping around Cap, almost too tightly, creating a sinister tension. Behind them, the massive Sion army marches closer, their eyes glowing an unsettling red beneath shadowy, insect-like helmets, as if they are from another world. The Mole Antonelliana rises in the background, but its iconic spire appears distorted, stretching unnaturally into the stormy, purple-tinged sky. The shadows it casts are long and twisted, making the architecture feel otherworldly and warped. In the foreground, a flickering neon cardboard sign reads ‘OPEN TO MERAVIGLIA,’ with some of the letters glitching into cryptic symbols, as if reality itself is decaying. Holographic accents flicker erratically, and strange dust swirls through the air, as if the scene is caught between dimensions. The unsettling blend of familiar landmarks, heroes, and encroaching danger creates a dark, cinematic snapshot of a world on the edge
    Ryan Gosling stands alone on a dimly lit, rainy street at dusk. He wears an autumnal jacket, its earthy tones contrasting with the neon hues of the city's billboards and signs. A worn, cardboard sign clutched in his hand reads "I'm not gay but 20 buzz is 20 buzz" in bold letters. The air is thick with mist and fog, casting a mystical veil over the scene. In the distance, towering skyscrapers seem to loom, their reflections distorted on wet pavement. Gosling's pose exudes a mix of desperation and resignation as he stands at the intersection of human struggle and technological advancement, a nod to the futuristic world of Blade Runner.
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    A highly detailed, photorealistic depiction of a bizarre, genetically mutated creature resembling Siamese twin dogs. The creatures have skinny, flesh-bound bodies with fuzzy, discolored fur, resembling a Dobermann with an oversized tail, giant ears, and extremely short legs. One of them is grinning wildly, with wide, exaggerated eyes, striped black and white fur, and is wearing an elegant, fancy Italian hat. Biotech implants are visible on their body, with grotesque, swollen carcinomas blending with their mutated forms. They are battling a large, elusive rabbit that’s hiding in a hole within a giant yellow circus tent wall, surrounded by vibrant, distorted carnival lights. The chaotic, surreal scene unfolds inside a twisted, high-energy circus, with colorful banners and freak-show props scattered around. Hovering above the scene is a fancy, high-tech, colorful cardboard sign labeled ‘BUZZ 4 DNA,’ glowing with vibrant, nasty neon hues, adding to the bizarre atmosphere
    A gorgeous woman with a luminous digital aura lighting up the darkness, the ethereal figure of a digital painting evocative of a distorted human figure with vibrant neon eyes, (glowing eyes:1.1), heart shaped face, macabre appearance and a cunning smile. Vibrant hair. This stunning image is a digital painting, meticulously created with vibrant colors and striking details. Her sleek, futuristic design exudes a sense of otherworldly beauty, with glowing neon accents that seem to pulse with energy. Every pixel is carefully rendered, capturing the character's mysterious and alluring presence in exquisite detail. This mesmerizing image invites viewers to get lost in a dreamlike realm of imagination and technology. ((glowing neon lipstick)), masterpiece, highly detailed, harmonious colors, ((half body angle:1.5))
    Cinematic, Beauty, Realism, Light and Shadow, Cinematography, Film Stills, A surreal and eerie scene featuring a man with a television as his head, displaying a sinister red smiley face dripping with digital distortion. The figure is dressed in a sharp, dark suit, standing in a dimly lit, dystopian environment. Thick, black cables emerge from the back of the TV head, intertwining with the background's chaotic mess of wires and broken screens, all bathed in an ominous red glow. The hands are clasped together, giving off a menacing yet composed demeanor, as if he is in control of this chaotic digital landscape. The atmosphere is dark, unsettling, and charged with a sense of looming danger. Highest-Quality, 4k, intricate details, visually stunning, Masterpiece
    Ultra-detailed, dark fantasy horror scene set in an eerie, circular room, its decaying walls painted in distressed, mold-covered green, dripping with rot. The camera is positioned at a low angle, facing the ominous black-and-white checkered floor, with a jagged, gaping hole in the center that descends into a swirling abyss. Three doors stand along the walls, each uniquely unsettling: one covered in intricate, ancient carvings that seem to move, another plain but pulsing with a faint, sinister glow, and the third with an arched top, appearing to breathe. A blood-red velvet curtain drapes half-open to the left, hiding part of the carved door. A small, decrepit round table sits to the right, its surface covered in dark stains. Above, a grand golden chandelier hangs crookedly from the cracked ceiling, its dim light flickering, casting long, distorted shadows across the room. The air is thick with tension, as if something unseen waits just beyond the doors, ready to emerge from the void below. The overall palette is dominated by sickly greens, blood reds, and deep blacks, evoking an overwhelming sense of dread and decaying beauty.
    lone roguish female figure, walking away, narrow alleyway, towering concrete jungle, distant horizon of wild untamed mountains, mysterious landscape, candid, captured moment, (purposeful movement:1.2), cinematic, vast scenery, (detailed background:1.3), natural light, dramatic lighting, depth of field, (photorealism:1.4), 8k UHD, (blurry:-1.3), (lowres:-1.5), (ugly:-1.2), (mutated:-1.4), (worst quality:-1.4), (bad anatomy:-1.3), (cartoon:-1.1), (sketch:-1.1), (distorted proportions:-1.3), (extra limbs:-1.5), (cgi:-1.4)
    lone roguish female figure, walking away, narrow alleyway, towering concrete jungle, distant horizon of wild untamed mountains, mysterious landscape, candid, captured moment, (purposeful movement:1.2), cinematic, vast scenery, (detailed background:1.3), natural light, dramatic lighting, depth of field, (photorealism:1.4), 8k UHD, (blurry:-1.3), (lowres:-1.5), (ugly:-1.2), (mutated:-1.4), (worst quality:-1.4), (bad anatomy:-1.3), (cartoon:-1.1), (sketch:-1.1), (distorted proportions:-1.3), (extra limbs:-1.5), (cgi:-1.4)
    lone roguish female figure, kneeling or sitting, edge of a small body of water, beside a tree, surrounded by nature, partial profile view, introspection, quiet reflective moment, candid, vulnerable, contemplative posture, cinematic, (captured naturally:1.2), distant gaze, intimate, timeless moment, (detailed background:1.3), natural light, dramatic lighting, depth of field, (photorealism:1.4), 8k UHD, (blurry:-1.3), (lowres:-1.5), (ugly:-1.2), (mutated:-1.4), (worst quality:-1.4), (bad anatomy:-1.3), (cartoon:-1.1), (sketch:-1.1), (distorted proportions:-1.3), (extra limbs:-1.5), (cgi:-1.4)
    “A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. The text flickers with RGB distortion, appearing both futuristic and rotten, as if time itself is breaking apart.”
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    The images feature four separate professional graphic designs constructed solely from geometric forms and shapes, inspired by Anton Stankowski's 1970s work, hanging next to each other. Each graphic is framed in a light wooden frame. The top left graphic shows a swirl in red and white duotone colors. The top right graphic shows a distorted pattern in green and white duotone colors. The bottom left graphic shows wavy curves in yellow and white duotone colors. The bottom right graphic shows a slightly morphing checker pattern in dark blue and white duotone colors. All graphics are purely duotone without gradients. The space between the frames and the border of the image is perfectly even.
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), woman sitting casually among the plants, (smoking a joint:1.3), peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (relaxed expression:1.3), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask adorned with intricate sugar skull patterns. His lower body is Chromecore, with silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind is blurred, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with bold patches, a fitted black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is visible in the background. Dominating the foreground is a massive road sign reading ‘MOTO PARKING ONLY,’ engulfed in roaring hellish flames. The sign appears weathered, with rusted edges and deep scratches, but the bold lettering is clear amidst the fire. Flames shoot up high, licking the sky, swirling with fiery embers and dark smoke, casting flickering orange-red light. The burning sign radiates a menacing glow, giving the scene an intense, infernal vibe. The flames feel alive, as if from the depths of hell, adding a wild, rebellious energy to the Halloween setting. Vintage Halloween characters blur into the cinematic, dreamlike haze in the background.
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask adorned with intricate sugar skull patterns. His lower body is Chromecore, with silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind is blurred, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with bold patches, a fitted black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is visible in the background. Dominating the foreground is a massive road sign reading ‘MOTO PARKING ONLY,’ engulfed in roaring hellish flames. The sign appears weathered, with rusted edges and deep scratches, but the bold lettering is clear amidst the fire. Flames shoot up high, licking the sky, swirling with fiery embers and dark smoke, casting flickering orange-red light. The burning sign radiates a menacing glow, giving the scene an intense, infernal vibe. The flames feel alive, as if from the depths of hell, adding a wild, rebellious energy to the Halloween setting. Vintage Halloween characters blur into the cinematic, dreamlike haze in the background.
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    "Hyper-realistic depiction of a Pokéball in mid-air, its shell bursting open with a burst of light and energy. The capture effect is in full swing, with a swirling vortex of colors and lights enveloping a nearby Pokémon. The Pokémon, a Pikachu, is suspended in mid-air, its body glowing with a soft, ethereal light as it is drawn into the Pokéball. The ball's interior is visible, with a complex network of glowing, pulsing lines and circuits that seem to be absorbing the Pokémon's energy. The surrounding air is distorted by the capture effect, with ripples and waves of energy radiating outward from the Pokéball. Style: extremely detailed, hyper-realistic, and cinematic, with a focus on capturing the dynamic energy and light effects of the capture process."
    (stylish woman:1.2), modern outfit, (yellow jacket:1.3), (blue jeans:1.2), belt with chain detail, casual fashion, (brick wall background:1.1), standing pose, (confident expression:1.2), photorealism, cinematic lighting, subtle shadows, (detailed fabric texture:1.3), urban setting, soft focus, (natural light:1.2), realistic proportions, (relaxed posture:1.1), (high-quality details), (natural skin texture:1.2), slightly tousled hair, (mutated fingers:-1.4), (distorted anatomy:-1.3), (blurry:-1.2), (unnatural joints:-1.2), (overexposed lighting:-1.1), (floating limbs:-1.3), (low detail:-1.2), (flat fabric texture:-1.1), (low-quality proportions:-1.3), (unrealistic face structure:-1.2)
    (stylish woman:1.2), modern outfit, (yellow jacket:1.3), (blue jeans:1.2), belt with chain detail, casual fashion, (brick wall background:1.1), standing pose, (confident expression:1.2), photorealism, cinematic lighting, subtle shadows, (detailed fabric texture:1.3), urban setting, soft focus, (natural light:1.2), realistic proportions, (relaxed posture:1.1), (high-quality details), (natural skin texture:1.2), slightly tousled hair, (mutated fingers:-1.4), (distorted anatomy:-1.3), (blurry:-1.2), (unnatural joints:-1.2), (overexposed lighting:-1.1), (floating limbs:-1.3), (low detail:-1.2), (flat fabric texture:-1.1), (low-quality proportions:-1.3), (unrealistic face structure:-1.2)
    (stylish woman:1.2), modern outfit, (yellow jacket:1.3), (blue jeans:1.2), belt with chain detail, casual fashion, (brick wall background:1.1), standing pose, (confident expression:1.2), photorealism, cinematic lighting, subtle shadows, (detailed fabric texture:1.3), urban setting, soft focus, (natural light:1.2), realistic proportions, (relaxed posture:1.1), (high-quality details), (natural skin texture:1.2), slightly tousled hair, (mutated fingers:-1.4), (distorted anatomy:-1.3), (blurry:-1.2), (unnatural joints:-1.2), (overexposed lighting:-1.1), (floating limbs:-1.3), (low detail:-1.2), (flat fabric texture:-1.1), (low-quality proportions:-1.3), (unrealistic face structure:-1.2)
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography). Steampunk, fictional, Victorian age. Amid the crumbling, shadow-filled temple, two figures confront a lurking terror. Emerging from the darkness, the creature is a hideous amalgamation of human and monstrous forms, with elongated limbs, twisted features, and glowing eyes full of malice. It stalks forward with smooth, unnatural movements, the dim light casting eerie shadows across its distorted body. The older figure, a seasoned individual hardened by battles with the supernatural, steps forward, weapon in hand, but the oppressive atmosphere weighs on their resolve. The younger figure, less experienced, stands frozen, sensing an unseen danger closing in. The mutant’s psychic presence grows, warping reality and sending waves of mental torment that assault their minds. Darkness tightens, trapping them in an arena ruled by fear. As the elder clutches their head in pain, the atmosphere becomes suffocating, with flickering lights highlighting the grotesque form. Epic cinematic lighting accentuates the horror as the creature inches closer, poised to strike.
    (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography). Steampunk, fictional, Victorian age. Amid the crumbling, shadow-filled temple, two figures confront a lurking terror. Emerging from the darkness, the creature is a hideous amalgamation of human and monstrous forms, with elongated limbs, twisted features, and glowing eyes full of malice. It stalks forward with smooth, unnatural movements, the dim light casting eerie shadows across its distorted body. The older figure, a seasoned individual hardened by battles with the supernatural, steps forward, weapon in hand, but the oppressive atmosphere weighs on their resolve. The younger figure, less experienced, stands frozen, sensing an unseen danger closing in. The mutant’s psychic presence grows, warping reality and sending waves of mental torment that assault their minds. Darkness tightens, trapping them in an arena ruled by fear. As the elder clutches their head in pain, the atmosphere becomes suffocating, with flickering lights highlighting the grotesque form. Epic cinematic lighting accentuates the horror as the creature inches closer, poised to strike.
    (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography). Steampunk, fictional, Victorian age. Amid the crumbling, shadow-filled temple, two figures confront a lurking terror. Emerging from the darkness, the creature is a hideous amalgamation of human and monstrous forms, with elongated limbs, twisted features, and glowing eyes full of malice. It stalks forward with smooth, unnatural movements, the dim light casting eerie shadows across its distorted body. The older figure, a seasoned individual hardened by battles with the supernatural, steps forward, weapon in hand, but the oppressive atmosphere weighs on their resolve. The younger figure, less experienced, stands frozen, sensing an unseen danger closing in. The mutant’s psychic presence grows, warping reality and sending waves of mental torment that assault their minds. Darkness tightens, trapping them in an arena ruled by fear. As the elder clutches their head in pain, the atmosphere becomes suffocating, with flickering lights highlighting the grotesque form. Epic cinematic lighting accentuates the horror as the creature inches closer, poised to strike.
    A hyper-stylized anime-style Halloween ghost, surrounded by a vibrant, pop art landscape of colorful pumpkins and twisted, surrealist graveyard scenery. The ghost, a cute, bedsheet-clad figure with a sweet, anime-style face, is distorted and elongated, with a melting, Dalí-esque quality to its edges. The pumpkins, a riot of bright, poppy colors and bold, graphic patterns, seem to float and swirl around the ghost, as if they're being blown by an invisible wind. The graveyard scenery is a twisted, surrealist dreamscape of melting headstones, distorted mausoleums, and other bizarre, nightmarish imagery. The ghost's eyes glow with a bright, shining light, adding a touch of magical, supernatural energy to the image. The overall effect is one of vibrant, eye-popping energy, as if the viewer is gazing into a kaleidoscope of colors and patterns. highest-Quality, intricate details, visually stunning, Masterpiece
    lone roguish female figure, walking away, glancing over shoulder, distant cityscape, transitioning from forest to urban environment, golden light of early morning or late afternoon, cinematic, journey progression, emotional warmth, subtle glance, candid, moment of doubt or hesitation, reflection on the journey, (forest in the background:1.2), city on the horizon, inviting introspection, natural light, dramatic lighting, depth of field, (captured naturally:1.2), (detailed background:1.3), (photorealism:1.4), 8k UHD, (blurry:-1.3), (lowres:-1.5), (ugly:-1.2), (mutated:-1.4), (worst quality:-1.4), (bad anatomy:-1.3), (cartoon:-1.1), (sketch:-1.1), (distorted proportions:-1.3), (extra limbs:-1.5), (cgi:-1.4), (extra characters:-1.5), (savanna:-1.4)
    lone roguish female figure, walking away, glancing over shoulder, distant cityscape, transitioning from forest to urban environment, golden light of early morning or late afternoon, cinematic, journey progression, emotional warmth, subtle glance, candid, moment of doubt or hesitation, reflection on the journey, (forest in the background:1.2), city on the horizon, inviting introspection, natural light, dramatic lighting, depth of field, (captured naturally:1.2), (detailed background:1.3), (photorealism:1.4), 8k UHD, (blurry:-1.3), (lowres:-1.5), (ugly:-1.2), (mutated:-1.4), (worst quality:-1.4), (bad anatomy:-1.3), (cartoon:-1.1), (sketch:-1.1), (distorted proportions:-1.3), (extra limbs:-1.5), (cgi:-1.4), (extra characters:-1.5), (savanna:-1.4)
    “A whimsical, humanized bull, with a fairytale charm, holding a sign that says ‘Cairo Vattene’ in playful, handwritten text. The shot is captured with a Panavision Prime Cine Optics 12mm fisheye lens, giving the image a dramatic, wide-angle distortion with the bull appearing larger in the center and the magical, dreamy background curving around it. A Red Bull logo is subtly integrated into the design, perhaps on the bull’s clothing or in the background.”
    human bodies, raw, unrefined textures, harsh and angular forms, abstract figures, distorted anatomy, minimalist design, geometric shapes, rough edges, primal and industrial aesthetic, concrete-like skin, exaggerated muscles, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on form:1.2), minimal details, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    human bodies, raw, unrefined textures, harsh and angular forms, abstract figures, distorted anatomy, minimalist design, geometric shapes, rough edges, primal and industrial aesthetic, concrete-like skin, exaggerated muscles, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on form:1.2), minimal details, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    brutalist style, human bodies, raw textures, unrefined shapes, abstract figures, distorted anatomy, stark minimalism, geometric forms, rough edges, primal, concrete-like skin, exaggerated muscles, harsh lighting, monochromatic tones, industrial aesthetic, dystopian, sculptural, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on form:1.2), minimal details, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    human bodies, raw, unrefined textures, harsh and angular geometric forms, abstract figures, distorted anatomy, minimalist design, sharp and jagged geometric shapes, interlocking polygons, fragmented limbs, brutal edges, primal and industrial aesthetic, concrete-like skin, exaggerated muscles, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    human bodies, raw, unrefined textures, harsh and angular geometric forms, abstract figures, distorted anatomy, minimalist design, sharp and jagged geometric shapes, interlocking polygons, fragmented limbs, brutal edges, primal and industrial aesthetic, concrete-like skin, exaggerated muscles, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    abstract fruit, raw, unrefined textures, harsh and angular geometric forms, distorted fruit shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented fruit, brutal edges, primal and industrial aesthetic, concrete-like skin on fruit, exaggerated forms, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)
    female subject, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    femme fatale, vibrant, multichromatic colors, transitioning from brutalism to cubism, sharp angular forms, fragmented geometry, distorted body shapes, sneaking spy, dynamic movement, abstract patterns, jagged geometric forms, shifting into futuristic vorticism style, interlocking polygons, fragmented figure, brutal edges blending into sleek futurist lines, primal yet industrial aesthetic, exaggerated seductive features, fractured environment, recursive shapes, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, urban dystopian setting, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), dynamic action, covert, sleek movements, fractured light beams, minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    A digital art piece visualizing the inner world of schizophrenia. Fragmented reality splinters across the canvas, with multiple perspectives and timelines overlapping. Vivid hallucinations materialize: eyes peek from impossible places, whispered words become tangible, floating text. Paranoid delusions manifest as shadowy figures with malevolent grins lurking at the edges. Intense emotions swirl in neon colors - fear, confusion, and fleeting moments of clarity. Everyday objects morph into surreal, threatening forms. A cacophony of voices represented by swirling, chaotic patterns. Time distorts, with clocks melting and numbers scrambling. Central to the image, a fragmented self-portrait struggles for coherence amidst the chaos. Layers of perception peel away, revealing both inner torment and moments of profound insight. Symbols of disconnection - frayed neural pathways, shattered mirrors - contrast with images of hope and resilience. The phrase "Echoes of the Fractured Mind" appears in elegant, yet slightly distorted calligraphy, integrated into the surreal landscape. Hyper-detailed, with a mix of photorealistic and abstract elements. Rich, oversaturated colors blend with areas of stark, clinical whiteness.
    Abstract drawing, the woman's silhouette barely perceptible, soft ghostly outline dissolving into the background, a stunning explosion of colors—vivid oranges, azure blues, hot pinks, neon purples, and electric greens swirl and flow like liquid, merging in chaotic yet harmonious waves. Futuristic elements emerge—floating geometric shards, neon circuitry spiraling in and out of focus, holographic patterns shifting, glowing abstract symbols flickering. The silhouette hints at a figure, abstract lines suggesting arms and a face, but it’s fragmented, almost dissolving. Neon streaks of light burst from the silhouette, merging into a fractal network of wires and glitching data streams. Fragmented cityscapes and neon billboards peek through the chaos, distorted and bending like reflections in a rippling surface. Floating orbs, futuristic drones, and holographic dragon shapes twist through the vibrant scene, dissolving into waves of energy. Psychedelic layers pulse with brightness, creating depth. The entire scene radiates energy, dreamlike and disorienting, an abstract fusion of digital beauty and chaos.
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing Joan in her iconic armor, holding a sword and shield, but with a gentle, subtle smile on her face, softening the heroic pose. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    (Soft Lighting Photography by Mimoza Veliu and Mario Giacomelli:1.2), NSFW, a straight-on view of a cat, sitting in a dimly lit room filled with a dozen vintage 90s-style televisions. Her face is partially shadowed, her intense gaze fixed forward, creating a direct connection with the viewer. The screens display large, glowing "?" symbols, while some flicker with glitching static, adding an eerie sense of digital distortion. The scene is bathed in high-contrast colors—neon magenta, electric cyan, and deep black—intensifying the surreal, cyber-vintage atmosphere. The televisions, stacked in chaotic formations, frame the composition with their bulky dials, antennas, and flickering CRT displays, overwhelming the space with their distorted signals. Soft yet glitch-infused lighting casts fragmented reflections on the screens and floor, further warping reality. The background hints at faded, peeling wallpaper and scattered wires, reinforcing the retro-futuristic aesthetic. This composition blends nostalgia with unsettling curiosity, immersing the viewer in a world where analog and digital distortions collide.
    “A goat jogging on the wing of an Airbus, with its hooves kicking up the wind, looking directly at the viewer through the window of the plane. The scene is captured with a cheap GoPro camera using a hyper fisheye lens, creating a distorted, wide-angle view. The plane is high above the clouds, with sunlight reflecting off its metal surface. Inside the cabin, passengers are visible through the small window, clearly surprised by the sight. The goat’s fur is tousled by the wind, and its expression is playful yet determined. In the background, an F-35 fighter jet floats among the clouds, adding an extra layer of surrealism and absurdity to the scene.”
    Classic American diner, 1950s aesthetic. Shot on a Canon R6, high contrast, ISO 800. 50mm f/2 lens. Low-angle shot, neon reflections on chrome surfaces. A dimly lit vintage diner at midnight, bathed in the glow of neon signs. The black-and-white checkered floor gleams under the lights. A jukebox hums softly in the corner, its faded buttons worn from decades of selections. The scent of fresh coffee and sizzling bacon lingers in the air, mingling with the faint aroma of cigarette smoke from a nearby booth. The booths are lined with red vinyl, their chrome edges catching the neon reflections. A waitress in a pastel uniform wipes down the counter, her reflection flickering in the stainless steel surfaces. A half-finished milkshake sits on the counter next to a pack of cigarettes and a folded newspaper with headlines from a bygone era. The dull clatter of a spoon against a ceramic coffee cup fills the silence between occasional bursts of laughter from late-night patrons. Outside, rain-streaked windows blur the neon glow, distorting the bright reds and blues of the flickering signage. A lone figure in a trench coat sits near the window, stirring his coffee absentmindedly. The faint hum of a distant car radio drifts through the open door, playing a muffled doowop tune. A slice of cherry pie, barely touched, rests on a plate beneath a slowly spinning ceiling fan. The entire scene hums with quiet nostalgia, frozen in time like an old photograph.
    “Plastic Man morphing into a woman, blending human features with intricate high-technology details. His body gradually shifts, the masculine structure transforming into soft, fluid lines, while maintaining a mix of both identities. Glossy, translucent plastic textures merge seamlessly with the delicate features of the woman, from her curves to her facial features. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A piece of cardboard in the foreground is burning, with flames licking the edges as it crumples and chars, while bold, messy handwriting that reads: ‘SAVE ME’ remains partially visible through the smoke. In the background, fuzzy logic algorithms manifest as glowing, abstract patterns, like digital fractals, floating above the room, symbolizing complex decision-making processes. The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    Marvel icons, Captain America and Venom, are caught in a surreal, high-energy selfie in front of the towering Mole Antonelliana, with an ominous atmosphere creeping into the scene. Captain America, his shield reflecting the eerie light of a dying sun, holds a vintage Kodak MC3 camera, attempting to capture the strange moment. Venom, grinning wickedly, strikes a chaotic pose, his dark tendrils wrapping around Cap, almost too tightly, creating a sinister tension. Behind them, the massive Sion army marches closer, their eyes glowing an unsettling red beneath shadowy, insect-like helmets, as if they are from another world. The Mole Antonelliana rises in the background, but its iconic spire appears distorted, stretching unnaturally into the stormy, purple-tinged sky. The shadows it casts are long and twisted, making the architecture feel otherworldly and warped. In the foreground, a flickering neon cardboard sign reads ‘OPEN TO MERAVIGLIA,’ with some of the letters glitching into cryptic symbols, as if reality itself is decaying. Holographic accents flicker erratically, and strange dust swirls through the air, as if the scene is caught between dimensions. The unsettling blend of familiar landmarks, heroes, and encroaching danger creates a dark, cinematic snapshot of a world on the edge
    “Plastic Man morphing into a combination of dollars and bitcoins, blending human and financial features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crisp bills of currency and glowing bitcoin symbols, with digital codes flowing through the notes. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background shifts to a cosmic, starry sky filled with swirling galaxies and neon-colored energy fields, while the illumination source comes from a flickering, glowing orb suspended above, casting dramatic shadows and a soft, surreal glow. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a 1970s magazine advert for canned beer torn from the magazine. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. The main image is a 1970s magazine advert for canned beer torn from the magazine. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style. Fragmented skulls and abstract faces in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. On the top layer are rough hand-drawn letters and love hearts scrawled heavy-handedly in blue biro on to print. The overall effect is manic and anarchic with an urgent sense of energy.
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    Two cats ride in a red convertible speeding down a desert highway toward a neon-lit Las Vegas skyline. The scene mirrors the iconic ‘Fear and Loathing in Las Vegas’ shot, but with feline travelers. The driver, a scruffy tabby in oversized aviator sunglasses and a Hawaiian shirt, grips the wheel with a wild expression. The passenger, a sleek black cat in a bucket hat and round tinted glasses, leans back with a smug grin, a cigarette dangling from its mouth. The environment is infused with psychedelic energy—distorted road signs melt into the horizon, the sky swirls with surreal colors, and cacti appear to sway and stretch. The desert landscape warps in a heatwave haze, while neon reflections shimmer in the car’s chrome details. The perspective is exaggerated and chaotic, capturing the frenetic, trippy atmosphere of the original scene in a humorous and feline twist.
    A colossal eldritch horror emerging through a crackling dimensional gateway, its writhing mass of tentacles and impossible geometries defying reality. Multiple eyes of varying sizes pulse with ancient knowledge, scattered across its biomechanical form. Chitinous plates and ethereal membranes shift and fold in ways that shouldn't be possible. The creature's central mass features a bone-white skull-like structure with curved horns that spiral in fractal patterns. Tendrils of dark energy seep from the portal's edges, while bioluminescent patterns trace alien symbols across its surface. Dramatic rim lighting emphasizes its otherworldly silhouette, with volumetric fog swirling around the threshold. The portal itself bleeds reality-warping energy, creating distortions in the space around it. Centered composition, sharp focus, dark fantasy art style with cosmic horror elements, hyper-detailed textures.
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    the flower find,surreal pixie horror, narrative weaving,Captivating narrative, epic fantasy, distorted reality, intricate relationships
    Captured with a Canon EOS R5, the scene features soft ambient light diffused through dusty attic windows. An old rocking chair sits among scattered relics—faded postcards, crumpled letters, and stacks of forgotten books. A torn velvet curtain sways with the breeze, filtering light into the space. The air is thick with the scent of aged wood and musty paper. A phonograph stands in the corner, its needle poised above an untouched record, waiting to play a tune from another time. A chipped porcelain teacup sits abandoned on a nearby table, beside a dried-out fountain pen. A wooden trunk, its brass hinges tarnished with time, sits ajar, revealing delicate lace dresses and forgotten love letters tied together with frayed ribbon. Cobwebs cling to the corners of an antique mirror, distorting reflections like ghostly echoes of the past. The floor creaks underfoot, as if whispering forgotten names, while an empty birdcage, its door ajar, hints at something once treasured but now lost to time.
    “A figure with striking, albino features jogging on the wing of an Airbus, their movements graceful despite the wind, looking directly at the viewer through the plane’s window. The scene is captured with a cheap GoPro camera using a hyper fisheye lens, creating a distorted, wide-angle view. The plane is cruising high above the clouds, sunlight reflecting off its metal surface. Inside the cabin, passengers are visible through the window, clearly startled by the sight. The figure has an unsettling, eerie smile, adding a surreal and slightly creepy atmosphere. In the background, an F-35 fighter jet floats among the clouds, further enhancing the bizarre, dreamlike quality of the scene.”
    In large, ominous letters with a modern yet unsettling font, the words ‘give US buzz, please’ loom over the scene. The font appears jagged and distorted, evoking a sense of unease, as if it’s pulsing with hidden energy. The letters seem almost alive, with subtle shadows and a creeping, glitch-like effect that distorts their edges. The overall tone is dark and mysterious, making the request feel more like a demand, drawing viewers in with an eerie, compelling vibe
    Outsider art. A surreal and deconstructed boldly coloured mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A pastel-coloured risograph print of a sinister 1920s American travelling carnival clown. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. The overall effect is manic and anarchic with an urgent sense of energy.

      FLUX

    • Schnell - flux_schnell.sft