null two trees with

    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds a worn cardboard sign reading ‘We Come in Peace,’ which contrasts sharply with the ominous atmosphere. The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    A old photograph captures a beautiful woman with long, straight dark hair seated behind a large wooden ship's steering wheel on a traditional sailing vessel. She is wearing a light-colored blouse with short sleeves and a delicate patterned neckline, paired with patterned pants. The woman has a calm and content expression with a subtle smile, looking directly at the camera. Her right hand grips the steering wheel while her left hand rests on its smooth, polished surface. Small, round buttons are visible on the wheel's spokes, and the wood shows signs of wear. In the midground, two white lifebuoys with dark stripes are suspended from the ship's rigging on either side of the woman, connected to thick ropes and chains. The background features a brick wall along the dockside. Trees are visible beyond the wall, and a multi-story urban building with numerous windows and horizontal ridges can be seen in the distance, providing a stark contrast between the natural and urban environments. The lighting is natural and evenly distributed, creating a balanced exposure with high contrast between the subject and the background elements. The composition centers the woman, emphasizing the nautical setting and creating a nostalgic, timeless atmosphere. The ship's deck is visible with various nautical equipment and ropes adding to the maritime ambiance.
    Two Great Depression era lovely women hoboes, dressed in loose wool trousers, unbuttoned cloth work shirts, and newsboy caps. They are picking apples from a tree in apple tree field, the smaller, 18yo, hobo being fed a bite of apple by the larger, 35yo hobo. The larger hobo has her hand on the rump of the younger hobo, dominant, smiling lovingly. The younger hobo is pleased.
    The image portrays a haunting gothic landscape, dominated by a towering, spire-laden castle perched ominously on a hill. Its windows glow with an eerie light that contrasts sharply against the murky, fog-filled surroundings. The silhouettes of three figures stand in the foreground—two wearing cloaks and wide-brimmed hats, and one with a bicycle—adding a sense of mystery. Dead, skeletal trees frame the scene, while a misty river winds its way along the foot of the hill. The background fades into an ethereal haze, with the suggestion of more towering structures in the distance, enhancing the sense of foreboding and isolation.
    Two castles on either side of a ravine, one is light and bright with colourful flags and white walls set in green fields with blue skies, while the other is dark and foreboding with black walls in a blasted and desolate landscape with rock and dead trees with a dark, ominous sky. The two sides blend into each other but are starkly different and the bright and hopeful side is made more beautiful in contrast with the dark and desolate side.
    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    ArsMovieStill, movie still from a 1930s technicolor movie, an image featuring two women and two men standing in the foreground, their backs are turned to us. The first woman is a dressed in a short khaki dress and holds a crossbow, with a scabbard on her belt. The second woman is dressed in a black cloak and wears a witch hat, with an ornate sword in her hand. The first man wears a padded jumpsuit and holds a staff with a ruby. The second man is dressed in white robes and has 6 swords strapped to his back. He is bald. In the background is a tall stone tower in the middle of a snowfield. There are a few trees scattered around in the distance and the sky is clear and blue. The tower and the trees are miniatures, the sky and the distant background are painted backdrops.
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    An ultra-realistic portrait image featuring a cybernetic fairy-like woman in the foreground, with elegant features and long, wavy hair. Her skin has a marbled tone with black and white patterns reminiscent of the texture of trees. The woman's clothing consists of a form-fitting, semi-transparent suit with black and white stripes and red accents, which harmoniously combine with her large, elegant cybernetic wings, decorated with mechanical parts and glowing elements. The woman stands on the surface of a calm lake, reflecting the pink and orange hues of the sunset. Around her, two trees with curved trunks grow, partially submerged in the water, their branches reaching towards the sky, creating a contrast with her futuristic appearance. The leaves of the trees have a metallic sheen, which adds to the surrealism of the scene. In the background, a landscape with soft transitions of colors from pink to purple is visible, creating an atmosphere of calm and mystery. The sky is dotted with stars that twinkle as they reflect in the water. There are glowing spheres floating around the woman, adding a magical aura to the entire scene. The woman's expression is striking, her eyes are arresting and look into the distance, as if she is seeing something beyond the visible world. Her pose is graceful and elegant, with a slight tilt of her head and slightly raised wings, giving her the appearance of being ready to fly. Maximum detail and photorealism.
    "Hyper-realistic depiction of an intense Pokémon battle between a Pikachu and a Squirtle. The two Pokémon face off in a dramatic, dynamic pose, with Pikachu unleashing a burst of electricity from its cheeks in a thunder attack. The electricity crackles and arcs through the air, illuminating the surrounding environment with a brilliant, blue-white light. Meanwhile, Squirtle retaliates with a powerful water blast attack, unleashing a high-pressure jet of water that strikes Pikachu with incredible force. The water blast creates a massive splash, sending droplets flying in all directions and creating a misty veil that rises into the air. The background is a blurred, chaotic mess of rocks and trees, with the two Pokémon standing out in sharp, hyper-realistic detail. Style: extremely detailed, hyper-realistic, and cinematic, with a focus on capturing the dynamic energy and motion of the battle."
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    A wide image showing a fantasy battlefield triage in a dense jungle with high trees and thick undergrowth. The whole image is framed with an ornamented frame containing scalpels.And a plague reading: "The last Light - First Triage" The scene is chaotic yet controlled, filled with wounded adventures and two main characters walking in front. .Geneva Scala: Olive-colored skin, brown hair, in bloodied, loose clothing, looks tired but focused, holding white armbands for triage.Okasha: Pale white skin, left side injured and sagging, but determined, walking with Geneva.Geneva and Okasha walk down a line of wounded mercenaries, performing triage. A large, makeshift medical tent is on the left, while on the right, wounded mercenaries wait for treatment, showing various injuries. The lighting is soft, with dappled shadows from the jungle canopy, with a slightly golden hue indicating late afternoon. The viewpoint is slightly elevated, capturing the urgency and care in the scene. The whole image is framed with an ornamented frame containing scalpels.And a plague reading: "The last Light - First Triage"
    A high-quality digital image capturing a breathtaking landscape, viewed from the top of a hill. The scene is dominated by a wide, clear river winding through a dense primeval forest, stretching towards the horizon. The forest, lush and vibrant, is teeming with ancient trees, their canopies dense and green. along both banks of the river many trees have been cut down and a small towns spread into the forest, in the right foreground a large 18th century industrial city has replaced the forest. On the horizon a range of majestic tall, rugged peaks, their summits touching the sky. The sky is a bright blue, dotted with a few fluffy white clouds, while the entire scene is bathed in the brilliant midday sunshine, casting a warm, natural light over the landscape. The horizon is positioned two-thirds of the way up the image, emphasizing the vastness of the sky and the distant mountains
    <lora:CPA:0.5> <lora:FLUX-daubrez-DB4RZ-v2:0.3> <lora:ck-shadow-circuit:0.35> in the style of cksc, <lora:수묵화_No2:0.3> "A tabby cat with visible sharp teeth and a pink tongue is held up by two hands wearing a blue and white striped shirt. The cat's eyes are squinted, and it appears to be meowing or hissing. The background is a bright blue sky with blossoming pink and white flowers on tree branches."
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds a worn cardboard sign reading ‘We Come in Peace,’ which contrasts sharply with the ominous atmosphere. The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    JNANX,luminous white silhouette,cyan glow,emerald highlights,flickering outline,dreamlike movement,rippling colors,drifting embers,infinite black background,psychedelic colors,ethereal,futuristic surrealism,gw,glowing,night,night sky,trippy, "A tabby cat with visible sharp teeth and a pink tongue is held up by two hands wearing a blue and white striped shirt. The cat's eyes are squinted, and it appears to be meowing or hissing. The background is a bright blue sky with blossoming pink and white flowers on tree branches."
    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    19th century Victorian oil painting. In it, a young woman is reclining in a hammock, engrossed in a book. She has long, wavy brown hair cascading over her shoulders and wears a light, flowing white summer dress. The hammock is made of soft, woven fabric with subtle patterns. It is suspended between two large, lush trees in a serene, sunlit tropical jungle. The background features soft green foliage and vibrant flowers on display, with dappled sunlight filtering through the canopy. The lighting creates a warm, golden glow on her face and hands, highlighting the texture of the book and the hammock. Gentle shadows from the trees add depth to the peaceful scene.
    A whimsical little house with rounded corners, painted in creamy colors, featuring two stories, several windows, and a porch. In front of the house, there is a bench and a flowerbed filled with vibrant blooms, alongside a large apple tree. In the background, a modern city skyline is visible, all bathed in warm sunlight, creating a realistic and enchanting scene
    A hand-drawn, black and white sketch illustration in a dynamic comic style. The scene shows a Mazda 323 GTR rally car bursting through a muddy water crossing during an enduro competition. The car is covered in splashes of mud and water, creating chaotic and energetic motion lines around the wheels and underbody. Its headlights are on, and the front grill and bumper are partially obscured by debris. Inside the car, two cartoonish, simplified driver figures with helmets and visors are gripping the wheel and navigating the terrain with intense focus. The windshield has diagonal lines indicating speed and vibration. "MAZDA" and "GTR" decals are visible on the body, as well as a few sponsor stickers like "Shell" and "NGK", all loosely rendered. In the background, stylized trees and faint outlines of spectators blur into the distance. The overall style is exaggerated and full of motion, with bold ink lines, splash effects, and strong contrasts, reminiscent of a linocut print or a motorsports-themed zine comic. The drawing should evoke a sense of speed, chaos, and vintage rally charm from the 80s and 90s.
    Vertical 9:16 cinematic anime scene, ultra-detailed 4K, watercolor-inspired cel shading, vibrant autumn palette with rich oranges, golds, and deep purples. Foreground: stone pathway lined with glowing paper lanterns, scattered fallen maple leaves in bright red and amber; a cat curled up on a carved wooden bench. Mid-foreground: two friends in light jackets walking side by side, laughing quietly; one holding a warm drink, the other pointing toward the horizon. Midground: gently flowing river reflecting autumn lights, lined by trees in full color; floating leaf boats lit with tiny candles drifting on the water. Background: softly glowing town on a hillside, warm window lights twinkling; silhouette of a temple on a distant ridge. Sky: deep twilight transitioning to starry night, crescent moon rising behind drifting clouds, sky brushed in watercolor gradients. Floating dust and faint golden particles in the air, soft lens bloom, vivid but soft tones — scene layered front to back for depth and emotional motion.
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection. Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure. Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials. On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly. (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    "Create an anime-style image of a massive, nightmarish scene: a giant skull with its mouth agape sits atop a hill, but the hill is actually a gargantuan hand, with fingers curled around the base of the skull like a fist. A swarm of ghostly bats erupts from the skull's mouth, flying in all directions and filling the air with their ethereal forms. The skull's eyes are two blazing red orbs, with black spirals swirling inward like whirlpools. The hand-hill is cracked and weathered, with ancient, gnarled trees sprouting from its surface. The sky above is a deep, foreboding purple, with lightning bolts illuminating the clouds. The image should be rendered in a dynamic, high-energy style, with bold lines, vibrant colors, and a sense of chaotic, supernatural energy. Think 'Berserk' meets 'Hellsing'."
    tree ladies, two sultry slender norvegian ladies in a whorish black lace camisole kissing and touching from left and right young 1950s blonde secretary , wearing glossy high heels, entangled in long tentacles, reclined in weird red foil pillows, covered with giant ultrathin transparent slime veils, giant portal to outer space, fog from the floor, giant purple alien carnivorous flower with glossy spiked petals at background, weird alien hive slime walls and fleshy floor, horror, reminiscent of H.R. Giger, Zdzisław Beksinski, and Ash Thorp's dark, sleek styles, with close-up glamour photography, glossy satin and silver heels glistening, fleshy slime dripping, and dark shadows.
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection. Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure. Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials. On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly. (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    "Create a serene landscape where one-third of the scene is occupied by a calm, reflective water surface. The remaining two-thirds should be filled with a dense, lush forest. The water should mirror the trees and sky, with clear reflections. The forest is vibrant with greenery, and there should be a natural transition between the water and the trees. The sky above is bright, with soft clouds scattered across it. The perspective is from the edge of the water, looking out across the forest and sky, with no waterfall visible."<lora:MoriiMee_Gothic_Niji_Style_FLUX:0.3500000000000001> <lora:AsirAsianPhotographyflux:0.7000000000000002>
    An otherworldly lake completely transformed into a sea of luminous, glowing berries, each one emitting a soft, magical light. The berries—ranging from vivid neon blues, radiant pinks, and deep purples—float like stars on the lake's surface, creating an ethereal, glowing mosaic. The water beneath shimmers with a bioluminescent glow, as though the lake itself is alive. In the background, surreal trees with twisting, glowing vines and oversized leaves stretch toward a twilight sky, where two moons hang low, casting an otherworldly light over the scene. The air sparkles with tiny, floating orbs, adding a mystical, dreamlike quality to the landscape
    A breathtaking, romantic scene without human figures—two intertwining cherry blossom trees under a glowing full moon, their branches gently touching as if embracing. A soft mist surrounds the tranquil lake beneath them, reflecting the moonlight and delicate petals drifting in the air. Fireflies glow like tiny stars, adding warmth and magic. The atmosphere is serene, dreamy, and filled with love. Cinematic lighting, hyper-detailed textures, ethereal glow, painterly aesthetics, ultra-HD, romantic fantasy ambiance.
    "Create a hyper-realistic image of a perfectly sliced apple, revealing a stunning replica of Mount Rushmore within its core. The intricate details of the presidential faces are rendered in precise detail, as if carved into the apple's flesh. The sliced apple is placed on a decorative plate, surrounded by miniature trees and a sign that reads 'Mt. Applecore' in bold letters, held by two tiny posts and chains. The overall effect is one of whimsical wonder and attention to detail, as if the apple has been transformed into a miniature national monument." Octane render, Highest-Quality, 8 k, intricate details, visually stunning, Masterpiece
    An ultra-realistic portrait image featuring a cybernetic fairy-like woman in the foreground, with elegant features and long, wavy hair. Her skin has a marbled tone with black and white patterns reminiscent of the texture of trees. The woman's clothing consists of a form-fitting, semi-transparent suit with black and white stripes and red accents, which harmoniously combine with her large, elegant cybernetic wings, decorated with mechanical parts and glowing elements. The woman stands on the surface of a calm lake, reflecting the pink and orange hues of the sunset. Around her, two trees with curved trunks grow, partially submerged in the water, their branches reaching towards the sky, creating a contrast with her futuristic appearance. The leaves of the trees have a metallic sheen, which adds to the surrealism of the scene. In the background, a landscape with soft transitions of colors from pink to purple is visible, creating an atmosphere of calm and mystery. The sky is dotted with stars that twinkle as they reflect in the water. There are glowing spheres floating around the woman, adding a magical aura to the entire scene. The woman's expression is striking, her eyes are arresting and look into the distance, as if she is seeing something beyond the visible world. Her pose is graceful and elegant, with a slight tilt of her head and slightly raised wings, giving her the appearance of being ready to fly. Maximum detail and photorealism.
    On the bright, sun-dappled jungle floor, a tiny, but clearly recognizable elephant, no taller than a pebble, stands on the soft earth, facing a gigantic ant. The elephant, with its wrinkled grey skin, small tusks, and curved trunk, looks up directly at the towering ant. The giant ant, with legs as tall as small trees, looms over the elephant, its massive body casting a shadow on the ground, but both creatures are bathed in soft, warm sunlight filtering through the thick canopy above. The ant, proud of its enormous size, gazes down at the miniature elephant with a sneer, its antennae slightly twitching as if mocking the tiny creature. Around them, the jungle floor is alive with color: vibrant green ferns, colorful flowers, and patches of sunlight dance across the leaves. Thick roots snake across the rich brown soil, with scattered fallen leaves and tiny mushrooms. The contrast between the huge ant and the small elephant is dramatic and clear, with the two animals locked in an intense, direct gaze, emphasizing the reversal of their traditional roles. The scene is lit by natural, warm light, ensuring a vibrant, colorful atmosphere.
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!” He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. “And, hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
    Searchers after horror haunt strange, far places. For them are the catacombs of Ptolemais, and the carven mausolea of the nightmare countries. They climb to the moonlit towers of ruined Rhine castles, and falter down black cobwebbed steps beneath the scattered stones of forgotten cities in Asia. The haunted wood and the desolate mountain are their shrines, and they linger around the sinister monoliths on uninhabited islands. But the true epicure in the terrible, to whom a new thrill of unutterable ghastliness is the chief end and justification of existence, esteems most of all the ancient, lonely farmhouses of backwoods New England; for there the dark elements of strength, solitude, grotesqueness, and ignorance combine to form the perfection of the hideous. Most horrible of all sights are the little unpainted wooden houses remote from travelled ways, usually squatted upon some damp, grassy slope or leaning against some gigantic outcropping of rock. Two hundred years and more they have leaned or squatted there, while the vines have crawled and the trees have swelled and spread. They are almost hidden now in lawless luxuriances of green and guardian shrouds of shadow; but the small-paned windows still stare shockingly, as if blinking through a lethal stupor which wards off madness by dulling the memory of unutterable things.
    A wide image showing a fantasy battlefield triage in a dense jungle with high trees and thick undergrowth. The scene is chaotic yet controlled, filled with wounded adventures and two main characters walking in front. .Geneva Scala: fenale human, Olive-colored skin, shirt brown hair, in bloodied, loose clothing, looks tired but focused, holding white armbands for triage.Okasha: Pale white skin, female rouge attire, left side injured and sagging, but determined, walking with Geneva. Geneva and Okasha walk down a line of wounded mercenaries, performing triage. A large, makeshift medical tent is on the left, while on the right, wounded mercenaries laying in the ground wait for treatment, showing various injuries. The lighting is soft, with dappled shadows from the jungle canopy. Geneva is highlighted with a beam of light. The viewpoint is slightly elevated, capturing the urgency and care in the scene. The image is set within an ornate golden frame, intricately detailed with bone designs and magical motifs. At the bottom of the frame, there is a name plaque that reads "The last Light - First Triage" in glowing script.
    ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!” He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. “And, hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
    ArsMovieStill, movie still from a 1970s technicolor Sci-Fi movie, an image featuring two women and two men standing in the foreground, their backs are turned to us. The first woman is a dressed in a short khaki dress and holds a crossbow, with a scabbard on her belt. The second woman is dressed in a black cloak and wears a witch hat, with an ornate sword in her hand. The first man wears a padded jumpsuit and holds a staff with a ruby. The second man is dressed in white robes and has 6 swords strapped to his back. He is bald. In the background is a tall stone tower in the middle of a snowfield. There are a few trees scattered around in the distance and the sky is clear and blue. The tower and the trees are miniatures, the sky and the distant background are painted backdrops.
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection. Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure. Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials. On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly. (Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    In a hyper-realistic image, an adorable kitten is re-imagined as a cute little tree. The bottom half of its body is made of bark, forming the sturdy base of the tree, while the top half is a vibrant green and covered in leaves, acting as the lush foliage. The tree cat stands firmly in a cat bed that resembles a miniature orchard, complete with tiny flowers and blades of grass. The bed is designed to look like a garden, with a small wooden fence and a few strategically placed rocks. The top half of the tree cat has branches sticking out, laden with the most delicious-looking apples you've ever seen. The apples are a deep red color and seem to glow with an inner light, as if they're ripe and ready to be picked. The branches are delicate and slender, with tiny leaves and twigs that add to the overall sense of realism. The tree cat's face is still recognizable as a kitten's, with big green eyes and a tiny pink nose. However, its features are subtly blended with the tree, creating a seamless transition between the two forms. The overall effect is one of whimsical wonder, as if the kitten has been transformed into a living, breathing tree. Highest-Quality, 4k, intricate details, visually stunning, Masterpiece
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    A whimsical outdoor scene features two cute chibi-style cartoon characters, a grey bear-like creature and a white cat-like creature with orange spots. They are gathered around a round campfire surrounded by firewood, situated in a colorful field with blooming flowers and a beige wooden house on the right. Mushrooms grow beneath the moss-covered terrain, and autumn trees dot the background with a sky full of pastel clouds. The overall art style is reminiscent of soft, rounded, pastel illustrations. high quality, best aethestic, best composition
    [A haunting and surreal scene depicting two legs sticking straight up out of a still, dark lake. The water is shrouded in mist, creating an eerie and unsettling atmosphere. The sky is overcast and gloomy, adding to the sense of foreboding. A dark tree silhouette is visible on the right side of the frame.] [Surrealist photography, dark and moody] [Inspired by the works of Gregory Crewdson or similar photographers known for creating cinematic and unsettling scenes] [Monochromatic color palette with a focus on blues and grays. The lighting is soft and diffused, creating a sense of mystery and ambiguity. The composition is simple but striking, drawing the viewer's attention to the legs and the surrounding environment. The overall mood is unsettling and mysterious, leaving the viewer to wonder what happened to the rest of the person.]
    "Illustrate a vibrant, hyper-realistic image of a tree with Jeff the Killer's face, as if the infamous creepypasta icon has merged with the natural world. The tree's trunk is transformed into Jeff's pale skin, with a twisted, inhuman grin stretching across its surface. The eyes are two creepy, realistic eyes that seem to follow the viewer, adding to the overall sense of unease and dread. The leaves are a sickly, yellowish-green, with delicate, lacy textures that seem to quiver with an otherworldly energy. The overall effect is one of creeping, skin-crawling horror, as if Jeff the Killer has come to life and is now watching the viewer from the depths of the forest." highest-Quality, intricate details, visually stunning, Masterpiece
    A high-quality digital image capturing a breathtaking landscape, viewed from the top of a hill by a woman dressed in ragged animal skins, her long hair ragged. The scene is dominated by a wide, clear river winding through a dense primeval forest, stretching towards the horizon. The forest, lush and vibrant, is teeming with ancient trees, their canopies dense and green. in the foreground The horizon is framed by a majestic range of tall, rugged peaks, their summits touching the sky. The sky is a bright blue, dotted with a few fluffy white clouds, while the entire scene is bathed in the brilliant midday sunshine, casting a warm, natural light over the landscape. The horizon is positioned two-thirds of the way up the image, emphasizing the vastness of the sky and the distant mountains
    on the New Year's Eve dinner table with a plate with rosebuds consisting of petals made of thinly sliced meat, a bottle of champagne and two filled glasses, a Christmas tree with garlands in the background
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    A high-quality digital image capturing a breathtaking landscape, viewed from the top of a hill. The scene is dominated by a wide, clear river winding through a dense primeval forest, stretching towards the horizon. The forest, lush and vibrant, is teeming with ancient trees, their canopies dense and green. along both banks of the river the trees have been cut down and a small medieval towns spread into the forest. On the horizon a range of majestic tall, rugged peaks, their summits touching the sky. The sky is a bright blue, dotted with a few fluffy white clouds, while the entire scene is bathed in the brilliant midday sunshine, casting a warm, natural light over the landscape. The horizon is positioned two-thirds of the way up the image, emphasizing the vastness of the sky and the distant mountains
    A old photograph captures a beautiful woman with long, straight dark hair seated behind a large wooden ship's steering wheel on a traditional sailing vessel. She is wearing a light-colored blouse with short sleeves and a delicate patterned neckline, paired with patterned pants. The woman has a calm and content expression with a subtle smile, looking directly at the camera. Her right hand grips the steering wheel while her left hand rests on its smooth, polished surface. Small, round buttons are visible on the wheel's spokes, and the wood shows signs of wear. In the midground, two white lifebuoys with dark stripes are suspended from the ship's rigging on either side of the woman, connected to thick ropes and chains. The background features a brick wall along the dockside. Trees are visible beyond the wall, and a multi-story urban building with numerous windows and horizontal ridges can be seen in the distance, providing a stark contrast between the natural and urban environments. The lighting is natural and evenly distributed, creating a balanced exposure with high contrast between the subject and the background elements. The composition centers the woman, emphasizing the nautical setting and creating a nostalgic, timeless atmosphere. The ship's deck is visible with various nautical equipment and ropes adding to the maritime ambiance.
    A high-quality digital image capturing a breathtaking landscape, viewed from the top of a hill by a stocky proto human dressed in animal skin, his hair and beard ragged. The scene is dominated by a wide, clear river winding through a dense primeval forest, stretching towards the horizon. The forest, lush and vibrant, is teeming with ancient trees, their canopies dense and green. in the foreground The horizon is framed by a majestic range of tall, rugged peaks, their summits touching the sky. The sky is a bright blue, dotted with a few fluffy white clouds, while the entire scene is bathed in the brilliant midday sunshine, casting a warm, natural light over the landscape. The horizon is positioned two-thirds of the way up the image, emphasizing the vastness of the sky and the distant mountains
    Vertical 9:16 cinematic anime scene, ultra-detailed 4K, watercolor-inspired cel shading, vibrant autumn palette with rich oranges, golds, and deep purples. Foreground: stone pathway lined with glowing paper lanterns, scattered fallen maple leaves in bright red and amber; a cat curled up on a carved wooden bench. Mid-foreground: two friends in light jackets walking side by side, laughing quietly; one holding a warm drink, the other pointing toward the horizon. Midground: gently flowing river reflecting autumn lights, lined by trees in full color; floating leaf boats lit with tiny candles drifting on the water. Background: softly glowing town on a hillside, warm window lights twinkling; silhouette of a temple on a distant ridge. Sky: deep twilight transitioning to starry night, crescent moon rising behind drifting clouds, sky brushed in watercolor gradients. Floating dust and faint golden particles in the air, soft lens bloom, vivid but soft tones — scene layered front to back for depth and emotional motion.
    A whimsical little house with rounded corners, painted in creamy colors, featuring two stories, several windows, and a porch. In front of the house, there is a bench and a flowerbed filled with vibrant blooms, alongside a large apple tree. In the background, a modern city skyline is visible, all bathed in warm sunlight, creating a realistic and enchanting scene
    Two Great Depression era lovely women hoboes, dressed in loose wool trousers, unbuttoned cloth work shirts, and newsboy caps. They are picking apples from a tree in apple tree field, the smaller, 18yo, hobo being fed a bite of apple by the larger, 35yo hobo. The larger hobo has her hand on the rump of the younger hobo, dominant, smiling lovingly. The younger hobo is pleased.
    Marvel's Spider-Man taking a nap in a hammock made of web. The word "buzzzzzzz..." comes out of the hero's head as if it were a snore. The hammock is hanging between two trees. New York's Central Park in the background.
    A beautifully rendered cinematic Studio Ghibli anime styled outdoors scene. From slightly above in a majestic outdoor setting, with grass, trees, flowers, and sakura blossoms. she is a pretty somewhat chibi little girl standing outdoors, She is wearing a purple dress, orange sleeves, blue leggings with green dots, orange socks and purple sneakers. her blonde hair is tied up in two pigtails with purple bows. she has a cutesy smile on her face with her hands on her hips. Her pretty eyes are large and expressive, with a striking blue hue and they sparkle like sapphires.
    Two castles on either side of a ravine, one is light and bright with colourful flags and white walls set in green fields with blue skies, while the other is dark and foreboding with black walls in a blasted and desolate landscape with rock and dead trees with a dark, ominous sky. The two sides blend subtly into each other but are starkly different and the bright and hopeful side is made more beautiful in contrast with the dark and desolate side.
    Two medieval castles at dawn, positioned on either side of a river winding through a vast countryside. On the left, a gray stone castle stands atop a green hill, surrounded by a village with thatched-roof houses. Fields of golden wheat and vineyards stretch out around it. On the other side of the river, a reddish-walled castle rises on a rocky bluff, its towers catching the first light of dawn. Nearby fields are alive with farmers tending to crops and sheep grazing lazily. The river flows calmly in the middle, reflecting both castles and the pink-orange sky of dawn, while willow trees bend their branches towards the water. A wooden bridge crosses the river, symbolizing peace and trade between the two realms. The landscape is a mosaic of cultivated fields, dirt paths, small woodlands, and stone chapels. The atmosphere is serene, with a gentle morning mist wrapping the scene and the first sunlight illuminating the castle walls and fields, giving everything an enchanted and timeless appearance
    In a hyper-realistic image, an adorable kitten is re-imagined as a cute little tree. The bottom half of its body is made of bark, forming the sturdy base of the tree, while the top half is a vibrant green and covered in leaves, acting as the lush foliage. The tree cat stands firmly in a cat bed that resembles a miniature orchard, complete with tiny flowers and blades of grass. The bed is designed to look like a garden, with a small wooden fence and a few strategically placed rocks. The top half of the tree cat has branches sticking out, laden with the most delicious-looking apples you've ever seen. The apples are a deep red color and seem to glow with an inner light, as if they're ripe and ready to be picked. The branches are delicate and slender, with tiny leaves and twigs that add to the overall sense of realism. The tree cat's face is still recognizable as a kitten's, with big green eyes and a tiny pink nose. However, its features are subtly blended with the tree, creating a seamless transition between the two forms. The overall effect is one of whimsical wonder, as if the kitten has been transformed into a living, breathing tree. Highest-Quality, 4k, intricate details, visually stunning, Masterpiece
    A whimsical little house with rounded corners, painted in creamy colors, featuring two stories, several windows, and a porch. In front of the house, there is a bench and a flowerbed filled with vibrant blooms, alongside a large apple tree. In the background, a modern city skyline is visible, all bathed in warm sunlight, creating a realistic and enchanting scene
    A wide image showing a fantasy battlefield triage in a dense jungle with high trees and thick undergrowth. The scene is chaotic yet controlled, filled with wounded adventures and two main characters walking in front. .Geneva Scala: fenale human, Olive-colored skin, shirt brown hair, in bloodied, loose clothing, looks tired but focused, holding white armbands for triage.Okasha: Pale white skin, female rouge attire, left side injured and sagging, but determined, walking with Geneva. Geneva and Okasha walk down a line of wounded mercenaries, performing triage. A large, makeshift medical tent is on the left, while on the right, wounded mercenaries laying in the ground wait for treatment, showing various injuries. The lighting is soft, with dappled shadows from the jungle canopy. Geneva is highlighted with a beam of light. The viewpoint is slightly elevated, capturing the urgency and care in the scene. The image is set within an ornate golden frame, intricately detailed with bone designs and magical motifs. At the bottom of the frame, there is a name plaque that reads "The last Light - First Triage" in glowing script.
    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    <lora:CPA:0.5> <lora:FLUX-daubrez-DB4RZ-v2:0.3> <lora:ck-shadow-circuit:0.35> in the style of cksc, <lora:수묵화_No2:0.3> "A tabby cat with visible sharp teeth and a pink tongue is held up by two hands wearing a blue and white striped shirt. The cat's eyes are squinted, and it appears to be meowing or hissing. The background is a bright blue sky with blossoming pink and white flowers on tree branches."
    ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!” He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. “And, hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds cardboard sign reading "We Come in Peace". The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    In a mist-filled forest, a pale girl with silver-white hair stands hauntingly still. Her white blouse, splattered with dark red stains, contrasts starkly with her ghostly skin. A simple black five-pointed star is visible on her chest, adding an unsettling graphic element. Her eyes glow with an intense crimson light, piercing through the dimness. Around her, twelve wild animals create a tense, surreal circle. A black panther crouches nearby, its fur blending with the darkness, while its eyes reflect an eerie red. Two owls perched on branches survey the scene with glowing red eyes. A large snake, with blue-black iridescent scales, coils around a tree branch, its gaze menacing. In the background, a majestic stag stands with antlers silhouetted against the fog. Two lynxes, their fur patterned with shadows, move quietly, and a white wolf stands in the foreground, its eyes mirroring the girl’s glow. The girl holds a worn pinkyellow cardboard sign reading "We Come in Peace" which contrasts sharply with the ominous atmosphere. The swampy ground is covered in mist, with refracted light casting shifting shadows, adding to the eerie, realistic quality of the scene
    detailxl Photograph Taken on Nikon D750, Alphonse Mucha, 8K, athletic figure, Hyperdetailed, hyperrealism, Attractive, A heartfelt, intimate photo of two people walking hand in hand down a quiet path during the golden hour, just before sunset. The sky is painted with soft pink, orange, and purple hues, casting a warm glow on the scene. The path is surrounded by tall trees with leaves slightly blowing in the breeze, giving a sense of calm and peacefulness. One person is gently leading the other, their hands tightly clasped, symbolizing support and trust. The atmosphere feels serene and reflective, with long shadows stretching out behind them. The photo’s focus is on the connection between the two, emphasizing the feeling of guidance, comfort, and companionship through life’s journey.
    Create a profound Chinese landscape painting, showing the misty mountains, a natural stone bridge formed by huge rocks is like a fairyland. Below the stone bridge are lush trees and clear streams, and the whole picture is shrouded in light and misty clouds. In the center of the picture, the four sons of Nanzhou are painted, playing the piano, painting, brewing tea and reciting poems; an old servant stands respectfully, two boys are playing chess, and a leisurely woodcutter lies on the tree. All the characters are dressed in Tang Dynasty costumes, reflecting the characteristics of the times. The picture conveys a peaceful and peaceful atmosphere. People near the stone bridge are drinking tea and discussing, showing the elegance of literati. Dotted with natural elements such as flowers, birds, insects and fish, add vitality. Using traditional ink painting techniques, mainly freehand, using sparse and dense brushstrokes and elegant and soft colors, highlighting the fairyland feeling of smoke, showing the harmonious unity of man and nature, as well as the elegant life of traditional Chinese literati and their reverence for nature.
    In a sunlit forest clearing, a pale girl with silver-white hair stands quietly. Her white blouse, stained with dark red splotches, contrasts sharply with her ghostly complexion. A simple black five-pointed star adorns her chest, adding an eerie touch to the bright setting. Her eyes, though glowing with a subtle crimson light, are softened by the sun’s glare. Surrounding her in a bizarre, surreal arrangement are twelve wild animals. A sleek black panther lounges nearby, its fur gleaming under the sunlight, its eyes reflecting a curious red hue. Two owls, perched on sunlit branches, blink their glowing red eyes as they survey the scene. A large snake, with iridescent blue-black scales, rests coiled on a tree branch, its gaze both calm and alert. In her hands, the girl holds a weathered cardboard sign reading, ‘We Come in Peace.’ The bright forest floor is dappled with sunlight, casting clear, shifting shadows that create a surreal contrast to the otherwise peaceful, sunny environment
    a young woman is reclining in a hammock, engrossed in a book. She has long, wavy brown hair cascading over her shoulders and wears a light, flowing white summer dress. The hammock is made of soft, woven fabric with subtle patterns. It is suspended between two large, lush trees in a serene, sunlit forest. The background features soft green foliage with dappled sunlight filtering through the leaves. The lighting creates a warm, golden glow on her face and hands, highlighting the texture of the book and the hammock. Gentle shadows from the trees add depth to the peaceful scene. The scene is awash in vibrant, saturated colors that bring every element to life. The lush greenery of the foliage and the bright hues of blooming flowers create a vivid, captivating landscape. The sky is a brilliant shade of blue, with fluffy white clouds adding contrast and depth. The sunlight bathes everything in a warm, golden glow, casting rich, soft shadows that enhance the realism of the scene. The interplay of light and shadow accentuates the textures of the natural elements, from the rough bark of trees to the delicate petals of flowers. The overall effect is a breathtaking, lifelike representation of nature’s beauty, with every detail vividly and strikingly rendered.
    An otherworldly lake completely transformed into a sea of luminous, glowing berries, each one emitting a soft, magical light. The berries—ranging from vivid neon blues, radiant pinks, and deep purples—float like stars on the lake's surface, creating an ethereal, glowing mosaic. The water beneath shimmers with a bioluminescent glow, as though the lake itself is alive. In the background, surreal trees with twisting, glowing vines and oversized leaves stretch toward a twilight sky, where two moons hang low, casting an otherworldly light over the scene. The air sparkles with tiny, floating orbs, adding a mystical, dreamlike quality to the landscape
    "An inviting outdoor space showcasing a spacious balcony overlooking a lush landscape. The balcony, adorned with elegant railings, features a cozy seating area with weather-resistant furniture, perfect for enjoying morning coffee or evening gatherings. Lush green trees surround the area, providing a natural canopy that offers both shade and a sense of tranquility. Potted plants and hanging planters add splashes of color and life, enhancing the tropical atmosphere. A comfortable hammock is suspended between two sturdy trees, inviting relaxation and lazy afternoons spent reading or napping in the gentle breeze. The outdoor flooring, crafted from natural wood or stone, harmonizes with the surrounding environment, while decorative outdoor lights create a warm ambiance for evening use. A small outdoor dining area, with a table and chairs, is perfect for al fresco meals, providing an intimate setting amidst nature. The space is designed to seamlessly blend indoor and outdoor living, allowing for an open flow that encourages appreciation of the lush surroundings, making it an ideal retreat for relaxation and socializing."
    "An inviting outdoor space showcasing a spacious balcony overlooking a lush landscape. The balcony, adorned with elegant railings, features a cozy seating area with weather-resistant furniture, perfect for enjoying morning coffee or evening gatherings. Lush green trees surround the area, providing a natural canopy that offers both shade and a sense of tranquility. Potted plants and hanging planters add splashes of color and life, enhancing the tropical atmosphere. A comfortable hammock is suspended between two sturdy trees, inviting relaxation and lazy afternoons spent reading or napping in the gentle breeze. The outdoor flooring, crafted from natural wood or stone, harmonizes with the surrounding environment, while decorative outdoor lights create a warm ambiance for evening use. A small outdoor dining area, with a table and chairs, is perfect for al fresco meals, providing an intimate setting amidst nature. The space is designed to seamlessly blend indoor and outdoor living, allowing for an open flow that encourages appreciation of the lush surroundings, making it an ideal retreat for relaxation and socializing."
    detailxl Photograph Taken on Nikon D750, Alphonse Mucha, 8K, athletic figure, Hyperdetailed, hyperrealism, Attractive, A heartfelt, intimate photo of two people walking hand in hand down a quiet path during the golden hour, just before sunset. The sky is painted with soft pink, orange, and purple hues, casting a warm glow on the scene. The path is surrounded by tall trees with leaves slightly blowing in the breeze, giving a sense of calm and peacefulness. One person is gently leading the other, their hands tightly clasped, symbolizing support and trust. The atmosphere feels serene and reflective, with long shadows stretching out behind them. The photo’s focus is on the connection between the two, emphasizing the feeling of guidance, comfort, and companionship through life’s journey.
    "Illustrate a vibrant, hyper-realistic image of a tree with a mouth, sporting a large, joyful smile that seems to split its trunk in two. The tree's mouth is a wide, curved slit, with a lipless grin that stretches from ear to ear, revealing a set of gleaming, wooden teeth. The bark is rough and gnarled, with intricate, swirling patterns that seem to shift and writhe like living wood. The leaves are a vibrant, electric green, with delicate, lacy textures that seem to glow with an inner light. The tree's eyes, two knots in the trunk, twinkle with warmth and kindness, as if the tree is sharing a happy secret with the viewer. The overall effect is one of whimsical, surreal delight, as if the tree has come to life and is now radiating joy and happiness." highest-Quality, intricate details, visually stunning, Masterpiece
    A whimsical little house with rounded corners, painted in creamy colors, featuring two stories, several windows, and a porch. In front of the house, there is a bench and a flowerbed filled with vibrant blooms, alongside a large apple tree. In the background, a modern city skyline is visible, all bathed in warm sunlight, creating a realistic and enchanting scene
    Two medieval castles at dawn, positioned on either side of a river winding through a vast countryside. On the left, a gray stone castle stands atop a green hill, surrounded by a village with thatched-roof houses. Fields of golden wheat and vineyards stretch out around it. On the other side of the river, a reddish-walled castle rises on a rocky bluff, its towers catching the first light of dawn. Nearby fields are alive with farmers tending to crops and sheep grazing lazily. The river flows calmly in the middle, reflecting both castles and the pink-orange sky of dawn, while willow trees bend their branches towards the water. A wooden bridge crosses the river, symbolizing peace and trade between the two realms. The landscape is a mosaic of cultivated fields, dirt paths, small woodlands, and stone chapels. The atmosphere is serene, with a gentle morning mist wrapping the scene and the first sunlight illuminating the castle walls and fields, giving everything an enchanted and timeless appearance
    ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!” He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. “And, hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
    In a brightly lit Christmas living room, a contrasting scene unfolds, blending warmth with an eerie presence. The room is festooned with colorful garlands, twinkling fairy lights, and a large, beautifully decorated tree that glows softly in the background. In the foreground, a dark satanic figure towers ominously, its skin a grotesque mosaic of leathery textures, marred with flaming cracks and erupting blister-like pustules that pulsate with a faint, unsettling glow as if infernal energy courses beneath. The figure’s face is obscured by shadows, yet two glowing red eyes cut through the dimness, fixed intently on a distant object, conveying a sense of both hunger and curiosity. Nearby, a young blonde woman stands, her porcelain skin radiant against the stark lighting of the room. Her expression is one of mingled fear and fascination, framed by cascading dark hair that catches the twinkling lights, giving her an ethereal glow. She wears a cozy red sweater adorned with snowflakes, contrasting sharply with the menacing figure beside her. The pair appears locked in a peculiar standoff; she clutches a glittering ornament in her hands, seemingly offering it to the sinister entity, creating an atmosphere that dances between the mundane joy of Christmas and the thrill of an otherworldly encounter. The cinematography draws influence from Guillermo del Toro's signature visual style, where whimsical elements collide with dark fantasy. The overall lighting is bright yet intentionally harsh, casting long shadows that elongate the figure's monstrous silhouette while illuminating the cheerful decor of the room. A soft, ambient light from the fireplace flickers in the background, casting a golden hue that enhances the warm details of the room, while cool blue tones from the window suggest a crisp winter night outside. The film grain is deliberately heightened to create a textured, almost dreamlike quality, while the color grading leans towards a warm palette for the living room, contrasting sharply with the cooler, unearthly tones emanating from the figure. Mismatched patterns of the Christmas decor create an invitation to explore the juxtaposition within this odd couple's shared moment, capturing an unsettling yet magnetic interaction teetering on the edge of holiday cheer and the unknown.
    "Create a serene landscape where one-third of the scene is occupied by a calm, reflective water surface. The remaining two-thirds should be filled with a dense, lush forest. The water should mirror the trees and sky, with clear reflections. The forest is vibrant with greenery, and there should be a natural transition between the water and the trees. The sky above is bright, with soft clouds scattered across it. The perspective is from the edge of the water, looking out across the forest and sky, with no waterfall visible."<lora:MoriiMee_Gothic_Niji_Style_FLUX:0.3500000000000001> <lora:AsirAsianPhotographyflux:0.7000000000000002>
    A high-quality digital image capturing a breathtaking landscape, viewed from the top of a hill. The scene is dominated by a wide river, along both banks patches of vegetation and a few green trees are spreading into a dry plain. On the horizon a range of majestic tall, rugged peaks, their summits touching the sky. The sky is blue with a gentle sun illuminating the landscape. The horizon is positioned two-thirds of the way up the image, emphasizing the vastness of the sky and the distant mountains
    A photo of two beautiful college girls in love, medium breasts, cleavage, long voluminous hair, one Irish girl has bright ginger hair and the other Dutch girl has blonde hair. they are affectionately sharing one ice cream cone. In a breezy city park on a warm summer day, trees, windy, sunshine, flowers. almost kissing.
    Searchers after horror haunt strange, far places. For them are the catacombs of Ptolemais, and the carven mausolea of the nightmare countries. They climb to the moonlit towers of ruined Rhine castles, and falter down black cobwebbed steps beneath the scattered stones of forgotten cities in Asia. The haunted wood and the desolate mountain are their shrines, and they linger around the sinister monoliths on uninhabited islands. But the true epicure in the terrible, to whom a new thrill of unutterable ghastliness is the chief end and justification of existence, esteems most of all the ancient, lonely farmhouses of backwoods New England; for there the dark elements of strength, solitude, grotesqueness, and ignorance combine to form the perfection of the hideous. Most horrible of all sights are the little unpainted wooden houses remote from travelled ways, usually squatted upon some damp, grassy slope or leaning against some gigantic outcropping of rock. Two hundred years and more they have leaned or squatted there, while the vines have crawled and the trees have swelled and spread. They are almost hidden now in lawless luxuriances of green and guardian shrouds of shadow; but the small-paned windows still stare shockingly, as if blinking through a lethal stupor which wards off madness by dulling the memory of unutterable things.
    Searchers after horror haunt strange, far places. For them are the catacombs of Ptolemais, and the carven mausolea of the nightmare countries. They climb to the moonlit towers of ruined Rhine castles, and falter down black cobwebbed steps beneath the scattered stones of forgotten cities in Asia. The haunted wood and the desolate mountain are their shrines, and they linger around the sinister monoliths on uninhabited islands. But the true epicure in the terrible, to whom a new thrill of unutterable ghastliness is the chief end and justification of existence, esteems most of all the ancient, lonely farmhouses of backwoods New England; for there the dark elements of strength, solitude, grotesqueness, and ignorance combine to form the perfection of the hideous. Most horrible of all sights are the little unpainted wooden houses remote from travelled ways, usually squatted upon some damp, grassy slope or leaning against some gigantic outcropping of rock. Two hundred years and more they have leaned or squatted there, while the vines have crawled and the trees have swelled and spread. They are almost hidden now in lawless luxuriances of green and guardian shrouds of shadow; but the small-paned windows still stare shockingly, as if blinking through a lethal stupor which wards off madness by dulling the memory of unutterable things.
    This artwork features a circular composition beautifully divided into two halves, representing the transition between two seasons. On the left side, a serene winter landscape is depicted, with bare trees, a frozen pond with birds, and a pale blue, icy atmosphere under the soft sunlight. The right side transitions to a vibrant autumn scene, showcasing fiery red and orange trees reflected in a calm stream surrounded by warm, golden hues of fallen leaves and rocks. The harmonious blending of colors and textures in a watercolor style creates a sense of balance and natural beauty.
    ArsMovieStill, movie still from a 1970s technicolor Sci-Fi movie, an image featuring two women and two men standing in the foreground, their backs are turned to us. The first woman is a dressed in a short khaki dress and holds a crossbow, with a scabbard on her belt. The second woman is dressed in a black cloak and wears a witch hat, with an ornate sword in her hand. The first man wears a padded jumpsuit and holds a staff with a ruby. The second man is dressed in white robes and has 6 swords strapped to his back. He is bald. In the background is a tall stone tower in the middle of a snowfield. There are a few trees scattered around in the distance and the sky is clear and blue. The tower and the trees are miniatures, the sky and the distant background are painted backdrops.
    two lovely 25yo women running in the park, wearing running shorts and sports bras. One blonde, one African. close together, maximum effort, sweat, legs stretched out, arms pumping, leaning forward, joy and excitement. fall leaves on trees. close up on heads and torsos.
    Two castles on either side of a ravine, one is light and bright with colourful flags and white walls set in green fields with blue skies, while the other is dark and foreboding with black walls in a blasted and desolate landscape with rock and dead trees with a dark, ominous sky. The two sides blend subtly into each other but are starkly different and the bright and hopeful side is made more beautiful in contrast with the dark and desolate side.
    film stock nature photography, two trees dancing in a forest, their roots and branches resemble limbs, their positions look like that of tango dancers, bodies really close. On top of a mountain in the middle of a prime forest.
    anime image in the style of youjo senki featuring Medusamon, a humanoid with a predominantly pink and black color scheme. She has pink skin, pointy ears,black twintail hair made of snakes, a single red eye and golden mask with with two horns. Each of her snakes has a golden crown on its head. She is wearing a black shirt with detached sleeves and a pendant and fingerless gloves with eyes on the palms.This image is cropped,only showing her upper body. She is holding a sniper rifle and aiming it at the viewer. The background is a dense rainforest with palms and trees, and the image has vivid colors and intricate shading reminiscent of youjo senki
    The image shows two apples hanging from a tree branch. The apples are red and green in color and appear to be ripe and ready to be picked. The branch is covered in green leaves and the background is blurred, but it appears to be an outdoor setting with trees and foliage. The sunlight is shining through the leaves, creating a warm glow on the apples.
    Two castles on either side of a ravine, one is light and bright with colourful flags and white walls set in green fields with blue skies, while the other is dark and foreboding with black walls in a blasted and desolate landscape with rock and dead trees with a dark, ominous sky. The two sides blend subtly into each other but are starkly different and the bright and hopeful side is made more beautiful in contrast with the dark and desolate side.
    "An inviting outdoor space showcasing a spacious balcony overlooking a lush landscape. The balcony, adorned with elegant railings, features a cozy seating area with weather-resistant furniture, perfect for enjoying morning coffee or evening gatherings. Lush green trees surround the area, providing a natural canopy that offers both shade and a sense of tranquility. Potted plants and hanging planters add splashes of color and life, enhancing the tropical atmosphere. A comfortable hammock is suspended between two sturdy trees, inviting relaxation and lazy afternoons spent reading or napping in the gentle breeze. The outdoor flooring, crafted from natural wood or stone, harmonizes with the surrounding environment, while decorative outdoor lights create a warm ambiance for evening use. A small outdoor dining area, with a table and chairs, is perfect for al fresco meals, providing an intimate setting amidst nature. The space is designed to seamlessly blend indoor and outdoor living, allowing for an open flow that encourages appreciation of the lush surroundings, making it an ideal retreat for relaxation and socializing."
    "An inviting outdoor space showcasing a spacious balcony overlooking a lush landscape. The balcony, adorned with elegant railings, features a cozy seating area with weather-resistant furniture, perfect for enjoying morning coffee or evening gatherings. Lush green trees surround the area, providing a natural canopy that offers both shade and a sense of tranquility. Potted plants and hanging planters add splashes of color and life, enhancing the tropical atmosphere. A comfortable hammock is suspended between two sturdy trees, inviting relaxation and lazy afternoons spent reading or napping in the gentle breeze. The outdoor flooring, crafted from natural wood or stone, harmonizes with the surrounding environment, while decorative outdoor lights create a warm ambiance for evening use. A small outdoor dining area, with a table and chairs, is perfect for al fresco meals, providing an intimate setting amidst nature. The space is designed to seamlessly blend indoor and outdoor living, allowing for an open flow that encourages appreciation of the lush surroundings, making it an ideal retreat for relaxation and socializing."
    "An inviting outdoor space showcasing a spacious balcony overlooking a lush landscape. The balcony, adorned with elegant railings, features a cozy seating area with weather-resistant furniture, perfect for enjoying morning coffee or evening gatherings. Lush green trees surround the area, providing a natural canopy that offers both shade and a sense of tranquility. Potted plants and hanging planters add splashes of color and life, enhancing the tropical atmosphere. A comfortable hammock is suspended between two sturdy trees, inviting relaxation and lazy afternoons spent reading or napping in the gentle breeze. The outdoor flooring, crafted from natural wood or stone, harmonizes with the surrounding environment, while decorative outdoor lights create a warm ambiance for evening use. A small outdoor dining area, with a table and chairs, is perfect for al fresco meals, providing an intimate setting amidst nature. The space is designed to seamlessly blend indoor and outdoor living, allowing for an open flow that encourages appreciation of the lush surroundings, making it an ideal retreat for relaxation and socializing."
    Vertical 9:16 cinematic anime scene, ultra-detailed 4K, watercolor-inspired cel shading, vibrant autumn palette with rich oranges, golds, and deep purples. Foreground: stone pathway lined with glowing paper lanterns, scattered fallen maple leaves in bright red and amber; a cat curled up on a carved wooden bench. Mid-foreground: two friends in light jackets walking side by side, laughing quietly; one holding a warm drink, the other pointing toward the horizon. Midground: gently flowing river reflecting autumn lights, lined by trees in full color; floating leaf boats lit with tiny candles drifting on the water. Background: softly glowing town on a hillside, warm window lights twinkling; silhouette of a temple on a distant ridge. Sky: deep twilight transitioning to starry night, crescent moon rising behind drifting clouds, sky brushed in watercolor gradients. Floating dust and faint golden particles in the air, soft lens bloom, vivid but soft tones — scene layered front to back for depth and emotional motion.
    tree ladies, two sultry slender norvegian ladies in a whorish black lace camisole holding from left and right bent knees of a struggling luxurious young bride, wearing glossy high heels, entangled in long tentacles, laying in weird red foil pillows, covered with giant ultrathin transparent slime veils, surrounded by aliens, giant portal to outer space, fog from the floor, giant purple alien carnivorous flower with glossy spiked petals at background, weird alien hive slime walls and fleshy floor, horror, reminiscent of H.R. Giger, Zdzisław Beksinski, and Ash Thorp's dark, sleek styles, with close-up glamour photography, glossy satin and silver heels glistening, fleshy slime dripping, and dark shadows.
    tree ladies, two sultry slender norvegian ladies in a whorish black lace camisole kissing and fingering from left and right struggling luxurious young bride, wearing glossy high heels, entangled in long tentacles, reclined in weird red foil pillows, covered with giant ultrathin transparent slime veils, surrounded by aliens, giant portal to outer space, fog from the floor, giant purple alien carnivorous flower with glossy spiked petals at background, weird alien hive slime walls and fleshy floor, horror, reminiscent of H.R. Giger, Zdzisław Beksinski, and Ash Thorp's dark, sleek styles, with close-up glamour photography, glossy satin and silver heels glistening, fleshy slime dripping, and dark shadows.

      FLUX

    • Schnell - flux_schnell.sft