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    hi resolution, photorealistic, 24mm wide-angle lens. a vast grassy plain, bisected by a clear, blue river, spreads into the distance. In the foreground a tall black crystal monolith stands alone in the grass, from its surface mysterious and arcane symbols can be seen swirling within the crystal. In the back ground on the horizon, tall jagged mountain peaks rise against an inky blue, star studded sky with magenta streaks, in which a bright moon shines illuminating this momentous scene
    hi resolution, photorealistic, 24mm wide-angle lens. a vast grassy plain, bisected by a clear, blue river, spreads into the distance. In the foreground a tall black crystal monolith stands alone in the grass, from its surface mysterious and arcane symbols can be seen swirling within the crystal. In the back ground on the horizon, tall jagged mountain peaks rise against an inky blue sky in which a majestic spiral galaxy can be seen
    hi resolution, photorealistic, 24mm wide-angle lens. a vast grassy plain, bisected by a clear, blue river, spreads into the distance. In the foreground a tall black crystal monolith stands alone in the grass, from its surface mysterious and arcane symbols can be seen swirling within the crystal. In the back ground on the horizon, tall jagged mountain peaks rise against an inky blue sky in which a majestic spiral galaxy can be seen
    Ultra-realistic depiction of a scenic autumn path, where vibrant orange and red maple leaves cover the ground, amidst towering trees that frame the forest trail. A wide-angle lens captures the vastness, as bright afternoon sunlight casts long shadows across the rustling foliage. A single, perfectly preserved maple leaf lies at the center of the composition, inviting the viewer's eye to rest upon its intricate details.
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“GIMME,” “BUZZ,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“SIP,” “CHUG,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    Captured with a cinema-grade 12mm fisheye lens, the surreal scene unfolds around the towering “BUZZ MONOLITH”, curving into the clouds. Its neon buttons—“GIMME,” “BUZZ,” and “OVERLOAD”—bulge outward, glowing intensely as crackling lightning arcs illuminate the moody dusk sky. The lens’s distortion emphasizes the machine’s absurd, larger-than-life scale. At its base, a llama with sweat-matted fur struggles to push a tractor-tire-sized coin toward the oversized slot. Its determined expression, bulging eyes, and trembling legs are captured in vivid detail. Around it, a chaotic crowd of humans and anthropomorphic animals cheer wildly, their signs—“LLAMA POWER!” and “BUZZ OR BUST!”—warping with the lens’s curvature. Nearby, a penguin DJ spins on a metallic turntable, neon lights reflecting off its glossy surface. Above, a sly tabby cat in a cyberpunk trench coat and glowing VR goggles scales the monolith, a grappling hook in tow. Its neon-lit goggles glow sharply as it approaches the flickering sign “FEED ME YOUR BUZZ,” warped into an ominous curve by the lens. The fisheye’s distortion adds drama, exaggerating the scale of the machine and the chaos of the crowd. From the rain-slicked ground to the vibrant neon reflections, every detail pops in this cinematic snapshot of determination and mischief.
    “A black-and-white abstract dystopian photograph captured with a cinema-grade 12mm fisheye lens, offering a warped, immersive perspective that distorts reality. The close-up portrait of a rugged 50-year-old rural man shows his face fragmented into disjointed rectangular sections, with his eyes, nose, mouth, and skin displaced in chaotic randomness. Within the fractured gaps, oversized cockroaches, with vivid green and orange hues contrasting against the monochrome, crawl and writhe. Their shiny, textured bodies and twitching legs pop against the stark black-and-white, intensifying the grotesque feeling. Scrawled across the scene in decayed, rotten lettering, the phrase ‘FREE PROTEINS’ oozes in a murky, decaying shade of green, further enhancing the unsettling tone. The chiaroscuro lighting casts deep shadows, highlighting the contrasting colors of the cockroaches and the dissonant mood, making the entire composition feel even more surreal and nightmarish.”
    “Plastic Man morphing into a report, blending human and document features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crumpled, paper-like surface of the report, complete with printed text and digital data flowing through the pages. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background is a chaotic, shifting mix of surreal abstract elements—an urban street corner, glowing neon signs, and floating mechanical parts—creating a random, futuristic landscape. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A heartwarming interactive street art mural in a grand epic scene: an ethereal, mystical figure bathed in epic lens glow lighting. Massive scale, heroic elements, direct harsh shadows, surreal compositions, delicate details, soft textures, layered elements, celestial motifs, and nature-inspired themes.
    A modern future grand epic scene in surreal infrared tones, intense dramatic weather, amazing lens glow lighting, depicting a heroic figure with otherworldly appearance, stormy skies, and high tension.
    A simple uncluttered high-fashion photo of a 30yo 7' tall, broad-shouldered, muscular scruffy rugged extremely-attractive bearded burly dangerous-looking criminal Italian-man mob-boss sexy male-model with dark-hair wearing a black suit. His gaze is intense, his blue eyes well-lit. lens-flare, vibrant, highest-quality, iridescent, street-photo, urban, red, white and blue color-scheme, light-art, in-motion, dynamic
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing Joan in her iconic armor, holding a sword and shield, but with a gentle, subtle smile on her face, softening the heroic pose. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    Beautiful supermodel asian woman posing for a photo in a city, natural, 3/4 body view, beautiful eyes, just a little evil, crazy ex-girlfriend, crazy hair, fire in her eyes, perfect teeth, tight crop top, holding a knife, [imperfections], 100mm f/2.8 macro lens, film grain, candid camera, color graded cinematic, 1960s vintage RAW photo, eye catchlights, catchlights in eyes, dramatic lighting, atmospheric lighting, rembrandt lighting, realistic, theater in background, (theater marquee reads text "CRAZY EX-GIRLFRIEND")
    Beautiful supermodel asian woman posing for a photo in a city, natural, 3/4 body view, beautiful eyes, just a little evil, crazy ex-girlfriend, crazy hair, fire in her eyes, perfect teeth, tight crop top, holding a knife, [imperfections], 100mm f/2.8 macro lens, film grain, candid camera, color graded cinematic, 1960s vintage RAW photo, eye catchlights, catchlights in eyes, dramatic lighting, atmospheric lighting, rembrandt lighting, realistic, theater in background, (theater marquee reads text "CRAZY EX-GIRLFRIEND")
    High-Fashion Editorial. Shoot a bold, minimalist portrait with Phase One XF IQ4 and 80mm f/2.8 lens. Use a ring light for even illumination and a honeycomb grid to highlight angular features. Set f/8 for full-face sharpness, ISO 50, 1/125s. Style with metallic makeup and avant-garde headpieces. Freeze motion with a burst of confetti (1/1000s). Post-process with hyper-realistic clarity, boosting saturation on red accents against a matte-black background.
    Streaks of electrified lightning illuminate a stunning 1girl form,blonde longhair ,emerging from the depths of a turbulent stormy sky. Her features are rendered in exquisite detail: a symmetrical face with delicate skin and striking eyes, her wear white robe,naturally gigantic boobs,slender fingers and legs, and hands that seem to be sculpted from light itself. The camera's wide-angle lens creates an eerie sense of depth, as jagged lightning lines define her contours, casting an otherworldly glow on the surrounding clouds. creating glowing flowers spelling out the words "flux", glowing blue light, dynamic color, there is flowers scattered around her, depth of field, dynamic angle
    a woman with a caption saying can we leave the light on tonight? i want to be able to watch you sleep, pinterest style, creeper, intense lens flare, trollface, pure evil, hand on the doorknob, weasel, clocks, photo of the girl, insane face, patent, attention, the average redditor
    (from behind), a woman in a white metallic full Sci-fi outfit, ((with intricate cybernetic details with small blue lights and black parts)), wide hips, short torso, black hair, walking, ((inside a white environment)), focussed composition, 4k, fine details, (soft contrast), shot with a Zeiss Otus 55 mm lens F/1.4
    (Title in bold white letters arranged at the top: GIVE Buzz!), 18years old, (best quality),(masterpiece),(ultra detailed) raw lighting, harsh flash,score_9, score_8_up, score_7_up, score_6_up,masterpiece, ultra-realistic 8k, (best quality), highly detail, sharp,detailed,higher resolution textures, 4k graphic resolution,1girl, solo,asian beautiful girl,upper body,perfect eyes, goth girl,black eyes,shiny skin,bob cut, Red eyeshadow,ultra long eyelashes , upturned eyes ,looking at after,lens flare,beautiful color, detailed, raw lighting, harsh flash,detailed, amazing quality ,hoodcoat,open jacket,turtleneck sweater,Red eyeshadow, ultra long eyelashes , upturned eyes,(((holding a Writing in the board that says,"help me"in green)))
    “A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. The text flickers with RGB distortion, appearing both futuristic and rotten, as if time itself is breaking apart.”
    A full-body view of a roided-out oiled orc with prominent lower canines and rippling muscles intensely looking off to the side with out-of-focus orcs of different skin tones in the background, warpaint, and facial and body piercings, with the sun highlighting individual fine sparse facial hairs and light bloom and lens flare. He is exhaling a fine spray of condensation and spit in the cold morning air.
    Elegant young adult lady cosplay Sakura Haruno of Naruto in detailed Sakura Haruno ninja outfit, pink hair, headband, healing jutsu stance, focused expression, Konoha village backdrop, serene and mystical atmosphere, high-end cosplay portrait style, soft ethereal lighting with green healing glow, pastel color scheme with pops of cherry blossom pink, Canon EOS R5 for high resolution detail, 85mm lens for beautiful bokeh,
    “High-resolution, cinematic photograph shot with a Panavision 105mm Panopticum Prime lens, capturing a sleek drone hovering above a beautiful woman on an Italian beach, inspired by Mondello. The scene has a grounded, dramatic tone with natural, moody lighting and a slightly desaturated color palette, evoking the style of Christopher Nolan. In the foreground, a weathered, rotten wooden sign is attached to a pole dug into the sand, reading ‘It is forbidden to use a drone.’ The sign is damp and cracked, with faded paint and rusty nails, emphasizing its age and prohibition message. The woman reclines on a towel on soft sand, framed by turquoise water and rocky cliffs in the distance. The composition merges detailed realism with an intense, cinematic atmosphere, combining serene beauty with a subtle edge of restriction.”
    A rich person with a monocle, a moustache and a top hat, is staning on a space station. 1950s style. The person has a hologram watch, wich he is taking a phone call with. He is not wearing glasses. He wars only a moncole, wich are glasses with only one lens.
    A rich person with a monocle, a moustache and a top hat, is staning on a space station. 1950s style. The person has a hologram watch, wich he is taking a phone call with. He is not wearing glasses. He wars only a moncole, wich are glasses with only one lens.
    Selfie, fisheye lens, photorealistic girl traveller screaming and running : in the background, angry bear, jungle
    A portrait of a blonde female soldier with a subtle smile, wearing a military cap and sporting a ponytail. Two wisps of hair frame her face as she gazes directly into the lens. The shot is captured at a straight camera angle, rendering the subject in photorealistic detail.
    A medieval castle high on a lonely hill, lit dimly by hundreds of jack-o'-lanterns scattered across the grounds and walls. The sky above is dark and filled with thick clouds, with brief openings showing a full moon. The distant village below is barely visible through the thick fog, adding an eerie, isolated atmosphere. Created Using: dreamy fog effects, high-contrast lighting, rustic aesthetics, wide aperture lens, surreal glow, inspired by gothic photography, moody shadows, hd quality, natural look
    A Cityscape, against a white background, in the style of cinema lens, cinematic scene, spotlight, high contrast, surrealism, fauvism, digital photography
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    The reflective surfaces of her earrings and outfit create a dynamic interplay with the environment, emphasizing her sleek presence. The minimalist background allows the viewer to focus on her eye-catching fashion and makeup. Captured with a Sony A7R IV camera and a 50mm f/1.2 G Master lens for a beauty editorial shoot, this composition highlights her fashion-forward aesthetic. Inspired by avant-garde fashion photography from Sølve Sundsbø, this image blends contemporary fashion and minimalist elegance, embodying mythp0rt and niji_flux styles for a sleek, high-fashion vision. ((glow_skin, iridescent skin, oily skin, portrait))
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    “Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask, adorned with intricate sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into gradient tones of blue, black, and chrome. The scene takes place on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind him distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man wears a Hell’s Angels-inspired biker outfit: a black leather vest with patches, a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Chrome accessories glint in the moonlight: waist chains, rings, and leather bracelets. A Harley-Davidson motorcycle with ape hanger handlebars stands prominently in the background, adding to the rebellious vibe. Vintage Halloween characters—kids dressed as vampires, witches, and mummies—are blurred into a dreamlike haze. The cinematic look is achieved through Panavision anamorphic optics with lens flares and film grain, capturing the spirit of rebellion and the Halloween vibe. A sign beside him reads ‘MOTO PARKING ONLY.’”
    model, medium boobs, perfect eyes, light makeup, freckles, short messy blonde bob, freckles, serious expression, winking, holding a large fisheye clear glass ball in front of her mouth that refracts her face, dressed in a light pink blouse with a large bow. Her messy bun contrasts against a plain pink background, evoking a playful, whimsical mood. lens effects, film effects
    An image of a fierce, cyberpunk girl, clad in intricate battle armor, emerges from the shadows in a dramatic, low-angle, cinematic shot. She stands in the heart of a sprawling, industrial ruined city, firing her massive, glowing rifle at a towering, demonic entity that roars in defiance. Blast effects from the rifle's muzzle flash create a mesmerizing pattern, illuminating the metallic casing debris that spirals around her. The girl's determined face, outlined in an expressive ink, is adorned with barely-contained rage, her eyes reflecting her inner fire and resilience. This vibrant, stylized scene, dominated by the raw, dynamic energy of machinery and ancient magic in conflict, whispers tales of survival fought on the edge of reality itself, wrapped in a mesmerizing blend of flat colors against the backdrop of a fisheye lens that distorts the world around them, pulling the viewer into the intricate dance of technology and destiny. DB4RZ
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    Gargoyle perched on the broken parapet of an ancient fortress, its stone body covered in cracks and moss, eyes glowing with an eerie red light as it watches over the desolate landscape below, the wind howling through the ruins, the distant sound of a tolling bell echoes through the valley, signaling the approach of something dark and terrible., in the style of live action dark fantasy, retro, 80s Panavision look and feel, high contrast, lens flares, film grain, retro aesthetic, soft focus, deep shadows, vibrant saturation, authentic 1980s vibe, nostalgic, dreamcore , autumn dreamcore, samhain,
    “A cinematic, high-tech scene with the Algiz rune and a glowing orange marble monolith set in a misty, Italian-inspired forest, captured with a Sony prime lens for vivid detail. The metallic, neon-blue rune stands beside the polished monolith, casting bold reflections across the forest floor. Two neon-green, floating aliens orbit the rune, radiating a spectral green glow. At the top, styled in classic hard rock fashion, the band name ‘GEODESIC CANNIBALS’ appears in rugged, cracked chrome text with sharp edges, evoking heavy-metal album covers, while the album title ‘REGURGITATE ALLEMANOS’ is scrawled beneath it in intense, blood-red letters, resembling spray paint or dripping ink. This raw, edgy aesthetic amplifies the scene’s mysticism and futuristic grit, blending supernatural elements with high-voltage rock energy.”
    “A cinematic, high-tech vision of the Algiz rune in an Italian-inspired forest scene, captured with a Sony prime lens for intense clarity and depth. The metallic, neon-blue Algiz symbol stands alongside a striking orange marble monolith—its surface smooth, polished, and glowing warmly under soft, diffused lights. The monolith reflects the rune’s LED lines, casting vibrant orange and blue highlights across the misty forest floor and surrounding cypress trees, reminiscent of Italian garden design. Each groove in the marble catches and amplifies the surrounding lights, creating intricate patterns that shift with the mist. Warm lighting from below accentuates the marbled texture, blending with advanced holographic panels floating nearby, which project glowing, ancient symbols in a delicate balance of history and innovation. The interplay of colors and lights enhances an immersive atmosphere, merging the elegance of Italian aesthetics with a futuristic edge.”
    “A cinematic, high-tech reinterpretation of the Algiz rune set within an Italian-inspired forest scene, captured with a Sony prime lens for sharp clarity and rich tonal contrast. The Algiz symbol is now an ultra-modern, metallic structure, glowing in sleek, neon blue and white LED lines that pulse with a soft hum. It stands amidst carefully manicured cypress trees and polished stone pathways, reminiscent of Italian landscape design. The symbol’s reflective surface mirrors the surrounding lights, casting a web of intricate, high-tech patterns across the ground and nearby trees. Warm, sophisticated lighting illuminates the scene from below, reminiscent of Italian architectural lighting that highlights each curve and line of the structure with precision. Floating holographic panels and glowing symbols hover in the air, lending an advanced, almost futuristic Italian flair. Mist rolls softly through, blending classic Italian elegance with cutting-edge technology, resulting in an atmosphere that feels both mystical and avant-garde, alive with layers of refined light.”
    “A hyper-realistic, cinematic depiction of the Algiz rune in a haunting, fog-laden ancient forest, shot with a Sony prime lens for rich depth and sharp detail. The Algiz symbol looms large, carved from twisted, bone-like branches that glow with an eerie, electric-blue hue, illuminating the mist in dramatic high contrast. This glow casts intricate shadows across the forest floor, capturing every texture of the damp moss and gnarled roots. Surrounding it are spectral animals—a raven perched on a branch with razor-sharp focus, a ghostly elk with glowing antlers standing in mid-distance, and wolf-like shadows further back, half-concealed by fog. Using a shallow depth of field, the foreground details pop in hyper clarity while the background recedes into a moody, mysterious blur, layered with deep blues, purples, and greens. Each leaf and wisp of mist is sharp, highlighting the texture and contrast of the scene for an immersive, supernatural atmosphere that feels like a ritual frozen in time.”
    “A hyper-realistic, cinematic depiction of the Algiz rune in a haunting, fog-laden ancient forest, shot with a Sony prime lens for rich depth and sharp detail. The Algiz symbol looms large, carved from twisted, bone-like branches that glow with an eerie, electric-blue hue, illuminating the mist in dramatic high contrast. This glow casts intricate shadows across the forest floor, capturing every texture of the damp moss and gnarled roots. Surrounding it are spectral animals—a raven perched on a branch with razor-sharp focus, a ghostly elk with glowing antlers standing in mid-distance, and wolf-like shadows further back, half-concealed by fog. Using a shallow depth of field, the foreground details pop in hyper clarity while the background recedes into a moody, mysterious blur, layered with deep blues, purples, and greens. Each leaf and wisp of mist is sharp, highlighting the texture and contrast of the scene for an immersive, supernatural atmosphere that feels like a ritual frozen in time.”
    “A cinematic, high-tech scene featuring the Algiz rune and a glowing orange marble monolith in a misty Italian-inspired forest, captured with a Sony prime lens for vivid clarity and depth. The metallic, neon-blue rune stands beside the polished orange monolith, casting bold reflections on the mossy forest floor. Two neon-green, floating aliens circle the rune, radiating an eerie green glow that mingles with the lights. At the top, styled as a hard rock album poster, bold, jagged chrome text reads: ‘GEODESIC CANNIBALS,’ with the album title ‘REGURGITATE ALLEMANOS’ below in intense neon red. This striking, futuristic scene combines elements of mysticism, alien energy, and hard rock aesthetic, giving a raw, surreal edge.”
    “A cinematic, high-tech scene featuring the Algiz rune and a glowing orange marble monolith in a misty Italian-inspired forest, captured with a Sony prime lens for vivid clarity and depth. The metallic, neon-blue rune stands beside the polished orange monolith, casting bold reflections on the mossy forest floor. Two neon-green, floating aliens circle the rune, radiating an eerie green glow that mingles with the lights. At the top, styled as a hard rock album poster, bold, jagged chrome text reads: ‘GEODESIC CANNIBALS,’ with the album title ‘REGURGITATE ALLEMANOS’ below in intense neon red. This striking, futuristic scene combines elements of mysticism, alien energy, and hard rock aesthetic, giving a raw, surreal edge.”
    “A cinematic, high-tech scene featuring the Algiz rune and a glowing orange marble monolith in a misty Italian-inspired forest, captured with a Sony prime lens for vivid clarity and depth. The metallic, neon-blue rune stands beside the polished orange monolith, casting bold reflections on the mossy forest floor. Two neon-green, floating aliens circle the rune, radiating an eerie green glow that mingles with the lights. At the top, styled as a hard rock album poster, bold, jagged chrome text reads: ‘GEODESIC CANNIBALS,’ with the album title ‘REGURGITATE ALLEMANOS’ below in intense neon red. This striking, futuristic scene combines elements of mysticism, alien energy, and hard rock aesthetic, giving a raw, surreal edge.”
    “A whimsical, humanized bull, with a fairytale charm, holding a sign that says ‘Cairo Vattene’ in playful, handwritten text. The shot is captured with a Panavision Prime Cine Optics 12mm fisheye lens, giving the image a dramatic, wide-angle distortion with the bull appearing larger in the center and the magical, dreamy background curving around it. A Red Bull logo is subtly integrated into the design, perhaps on the bull’s clothing or in the background.”
    Selfie, fisheye lens, photorealistic girl traveler kissing angry bear and running : in the background, angry bear, jungle
    kodak medium format film grainy soft focus Selfie, fisheye lens, photorealistic girl sexy dripping covered in honey traveler hugging angry bear and running : in the background, angry bear, jungle, bokeh
    high-fashion fairytale fantasy dark-romance mid-length shot of a blonde gorgeous busty Cinderella at a masquerade ball, wearing an elegant intricate blue ballgown, 18yo showing lots of skin, (highly detailed masterpiece Realistic extremely hyper aesthetic) Digital Watercolor Style, Ethereal fluidity painting art style of uses fluid and flowing brushstrokes, creates a sense of movement and lightness, dynamic and abstract composition, professional-grade execution, captures the beauty of fluid dynamics, evokes a sense of calm and serenity, The Cinderveil envisioned in a Fashion illustration style, The high-contrast, elegant linework and sweeping forms lend the scene a spectral grandeur, where beauty and transience exist in perfect tension, light-art, lens-flare, magical, spiritual, professional-quality design, dark, chiaroscuro, low-key
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing Joan in her iconic armor, holding a sword and shield, but with a gentle, subtle smile on her face, softening the heroic pose. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    an anthropomorphic mouse that is on top a cliff, he is wearing a cape, and a giant bronze rusted roundshield in one hand at his hip, in the other hand he is raising a sword into the sky in victory. he is wearing a green hooded cloak that is down so his ears are exposed, he is also wearing oversized boots with leather pants and a complex leather vest with many straps, the sky can be seen behind him from the perspective. the sword glistens in the sky with a subtle lens flare, embody the mouse as a hero. pixar style, fantasy, hd, 4k
    Epic dark fantasy vibrantly colored hyperdetailed ink art depicting a legendary warrior in defiance against impossible odds. Strong top lighting effect. Bioluminescent glowing armor and weapon accessories. Volumetric lighting. Chiaroscuro oil painting by Caravaggio. Deep glow effect, cinematic light bloom, cinematic lens flare. Grimdark, gritty, intense, volatile. Hypermaximalism. Motion blur. Full-frame fisheye lens. 32K cinematic hyperrealistic fantasy ultradetailed masterpiece.
    Vertical 9:16 cinematic anime scene, ultra-detailed 4K, soft cel-shading with watercolor textures. Two high school students standing back-to-back on a grassy hill during a vibrant sunset. – Girl: long black hair flowing gently in the wind, wearing a white short-sleeved blouse, red ribbon tie, pleated navy skirt, and knee-high socks; eyes closed, expression calm but emotional. – Boy: tousled dark brown hair, school blazer draped over shoulder, white shirt slightly wrinkled, black trousers; looking to the horizon with a wistful gaze. A small white cat curled up at the girl's feet, eyes half-closed, tail flicking slowly. Wispy, pastel-tinted clouds stretch across the sky with soft volumetric depth, casting long shadows over the hill. Tall grass swaying gently, glowing city lights far below, streaks of shooting stars in a dreamy pink-orange sky, subtle lens flare, fireflies dancing around them, deep sense of emotion and distance. Inspired by Makoto Shinkai, CoMix Wave Films, "Your Name", "Weathering With You".
    Dramatic, action-themed image featuring a majestic sailing ship with multiple white sails, navigating through a rough, storm tossed, moonlit sea. The ship is battling the waves which threaten to drive her onto the deadly cliffs. The scene is bathed in light from the full moon, which is illuminating the spray as the waves break. In the foreground, waves break on a rocky shore. In the background jagged islands rise majestically from the sea. high resolution, photorealistic, 24mm wide-angle lens.
    A portrait of a blonde female soldier with a subtle smile, wearing a military cap and sporting a ponytail. Two wisps of hair frame her face as she gazes directly into the lens. The shot is captured at a straight camera angle, rendering the subject in photorealistic detail.
    “A goat jogging on the wing of an Airbus, with its hooves kicking up the wind, looking directly at the viewer through the window of the plane. The scene is captured with a cheap GoPro camera using a hyper fisheye lens, creating a distorted, wide-angle view. The plane is high above the clouds, with sunlight reflecting off its metal surface. Inside the cabin, passengers are visible through the small window, clearly surprised by the sight. The goat’s fur is tousled by the wind, and its expression is playful yet determined. In the background, an F-35 fighter jet floats among the clouds, adding an extra layer of surrealism and absurdity to the scene.”
    “Create a highly detailed, realistic photographic image captured with an aspherical Panavision 105mm lens effect. The scene features a big, heavyset rapper with a bold hip-hop style, inspired by Snoop Dogg and 50 Cent, riding a small, colorful young boy’s bicycle. The rapper wears large gold chains with diamond accents, oversized sunglasses, and a fitted cap turned slightly to the side. His outfit includes a baggy hoodie, jeans, and classic sneakers, with visible tattoos on his forearms. His expression is cool and confident, capturing classic hip-hop swagger. Nearby, a man sits on the sidewalk, casually smoking crack, adding to the gritty atmosphere of the scene. A cardboard sign on the wall reads, ‘Please BUZZ me 4 dope,’ enhancing the urban vibe. In the background, set in the Bronx, is a gritty urban environment with graffiti-covered walls and a hint of street activity, including someone discreetly smuggling a small, suspicious package. The scene combines realism with a dramatic urban vibe, highlighting hip-hop culture and the street’s raw atmosphere.”
    “Plastic Man morphing into a woman, blending human features with intricate high-technology details. His body gradually shifts, the masculine structure transforming into soft, fluid lines, while maintaining a mix of both identities. Glossy, translucent plastic textures merge seamlessly with the delicate features of the woman, from her curves to her facial features. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A piece of cardboard in the foreground is burning, with flames licking the edges as it crumples and chars, while bold, messy handwriting that reads: ‘SAVE ME’ remains partially visible through the smoke. In the background, fuzzy logic algorithms manifest as glowing, abstract patterns, like digital fractals, floating above the room, symbolizing complex decision-making processes. The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of dollars and bitcoins, blending human and financial features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crisp bills of currency and glowing bitcoin symbols, with digital codes flowing through the notes. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background shifts to a cosmic, starry sky filled with swirling galaxies and neon-colored energy fields, while the illumination source comes from a flickering, glowing orb suspended above, casting dramatic shadows and a soft, surreal glow. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    The reflective surfaces of her earrings and outfit create a dynamic interplay with the environment, emphasizing her sleek presence. The minimalist background allows the viewer to focus on her eye-catching fashion and makeup. Captured with a Sony A7R IV camera and a 50mm f/1.2 G Master lens for a beauty editorial shoot, this composition highlights her fashion-forward aesthetic. Inspired by avant-garde fashion photography from Sølve Sundsbø, this image blends contemporary fashion and minimalist elegance, embodying mythp0rt and niji_flux styles for a sleek, high-fashion vision. ((glow_skin, iridescent skin, oily skin, portrait))
    masterpiece, best quality, 8k, highly detailed, Portrait of a woman through a vintage telescope lens, surrounded by circular mechanical elements of the telescope, stars and nebulae in background, steampunk aesthetic
    majestic Tian Shan Mountain Range, captured in a breathtaking landscape photography style, dramatic lighting, snow-capped peaks, lush green valleys, vibrant skies, ultra-wide lens, high-resolution detail, high detail. highly detailed and hyper realistic photo, by Alena Aenami , by Archibald Thorburn , by Daniele Afferni , in the style of monochromatic silhouette reflection, limited dark palette, unusual dark colors, faded colors, atmospheric haze, highly dramatic cinematic lighting, motion blur, film grain, professional, excellent composition, finest details, maximized details, ultimate detail level, masterpiece, best quality
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    majestic Tian Shan Mountain Range, captured in a breathtaking landscape photography style, dramatic lighting, snow-capped peaks, lush green valleys, vibrant skies, ultra-wide lens, high-resolution detail, high detail. highly detailed and hyper realistic photo, by Alena Aenami , by Archibald Thorburn , by Daniele Afferni , in the style of monochromatic silhouette reflection, limited dark palette, unusual dark colors, faded colors, atmospheric haze, highly dramatic cinematic lighting, motion blur, film grain, professional, excellent composition, finest details, maximized details, ultimate detail level, masterpiece, best quality
    majestic Tian Shan Mountain Range, captured in a breathtaking landscape photography style, dramatic lighting, snow-capped peaks, lush green valleys, vibrant skies, ultra-wide lens, high-resolution detail, high detail. highly detailed and hyper realistic photo, by Alena Aenami , by Archibald Thorburn , by Daniele Afferni , in the style of monochromatic silhouette reflection, limited dark palette, unusual dark colors, faded colors, atmospheric haze, highly dramatic cinematic lighting, motion blur, film grain, professional, excellent composition, finest details, maximized details, ultimate detail level, masterpiece, best quality
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    This remarkable realistic photograph features a woman in a red coat walking down a street lined with autumn trees and fallen leaves. She is posing for a photo, holding an umbrella in the wind, with her hand resting behind her jacket. The shot is taken using a Helios-40 vintage lens, creating a beautiful swirly bokeh and a shallow depth of field, with a focal length of 85mm and an aperture of f/1.5. The woman, who has short brown hair and brown eyes, looks directly at the viewer. She is wearing black lace lingerie under the coat, with black garter stockings, and high-heeled shoes. Her outfit is complemented by jewelry, including a necklace, and she stands confidently amidst the blurred backdrop of trees and falling leaves, making for a stunning autumn scene
    kodak medium format film grainy soft focus Selfie, fisheye lens, photorealistic girl traveler kissing angry bear and running : in the background, angry bear, jungle
    three quarter body shot photography of a beautiful and voluptuous shapely and chubby grizzly bear wearing a torn and worn red summer mini dress, he is sad scared and crying grabbing the bars inside of a prison cell 8k, professional photography, masterpiece, sharp focus, perfect composition, rule of thirds composition, highly detailed, intricate detailed, perfect body anatomy, wide angle lens, ambience lighting, cinematic, eye level camera, taken with 30MP DSLR, photo realism, award winning photography, best quality
    Create a highly detailed, lifelike image of Comics Hero Legend Arthur in a superhero pose, with a dormant volcano background. The image should be inspired by the styles of Nara Yoshitomo, Artgerm, Greg Rutkowski, and Alphonse Mucha. The technical specifications are: 8k resolution, cinematic, full width, no watermark signature, and a golden ratio composition. The subject should have a fair complexion, with a focus on fine details and intricate shading. The style should be a blend of sci-fi and cyberpunk elements, with a sense of elegance and refinement. The image should be created with a Canon 2.0 mm lens and inspired by the works of Nam June Paik.
    Image is a high-fashion stylish dark gritty textured portrait image with a dark, mystical style. The layout features a central figure, a gorgeous stunning 18yo fresh-faced woman with light skin and pouty-lips facing away, her back exposed, a side profile of her delicate face. A single black snake is coiled around her, its head resting on her shoulder, reminiscent of when Satan tempted Eve to sin. Surrounding her are vibrant red flowers and green foliage, creating a lush, natural backdrop. The overall design conveys a sense of intrigue and fantasy. visible skin texture,freckles, pores,imperfections,flaws,individual hairs & eyelashes shown,high-contrast,award-winning professional image,Canon EOS R camera with a 50mm f/1.8 lens,f/2.2 aperture,shutter speed 1/200s,ISO 100
    A mysterious hooded photographer stands in the heart of a neon-lit city at night, his face completely obscured by the large camera lens aimed directly at the viewer. The hood casts deep shadows over his face, making the glowing reflections in the lens the only visible a€œeyes.a€ The background is an explosion of vibrant bokeh lightsa€”soft, blurred circles of electric blues, neon pinks, fiery oranges, and deep purples from the bustling urban streets. Raindrops glisten on his jacket, catching the city lights. His gloved hands grip the camera firmly, the lens reflecting distorted images of the chaotic metropolis behind him. The scene is cinematic, evoking mystery, intrigue, and the feeling of being watched yet unseen.
    “A hyper-realistic scene of a pale blue mantis dancing gracefully with a greenish mouse, surrounded by four pitbulls barking hysterically with intense expressions. Captured with optics broadcast cinema anamorphic lenses, the composition includes soft edge blurs and subtle lens flares, giving a polished, cinematic quality. Studio lighting brings out the intricate textures of the mantis’s delicate limbs, the mouse’s fur, and the pitbulls’ muscular builds, balancing surreal elegance with intense realism. In the slightly blurred background, two rotten wooden signs read ‘Ultimate Fight’ and ‘Beg 4 Action’ in faded, weathered letters, adding a gritty, underground edge. Neon hues and swirling fog enhance the eerie, dreamlike setting.”
    “A hyper-realistic scene of a pale blue mantis dancing gracefully with a greenish mouse, surrounded by four pitbulls barking hysterically, their expressions intense and exaggerated. The setting is captured with optics broadcast cinema anamorphic lenses, adding subtle lens flares and a slight edge blur for a filmic effect. Studio lighting highlights the intricate textures on the mantis’s limbs, the mouse’s soft fur, and the muscular build of the pitbulls, creating a surreal yet lifelike atmosphere. In the slightly blurred background, a rotten wooden sign reads ‘Ultimate Fight’ in faded letters, adding a gritty, underground feel to the scene. Neon hues and fog soften the surroundings, amplifying the eerie, dreamlike ambiance.”
    (ANTIQUE, NOSTALGIC, VINTAGE, RETRO THEMED DECOR), (Captured with a Hasselblad medium-format camera with a 80mm Zeiss lens at f/1.8), Sharp Focus. (Dynamic Random Angled Shot), Layered Foreground, (Fluorescent Lighting) with (Stark Contrasting Shadows), (cluttered detailed home office), [Smokey Windows], Retro Desk, (weathered leather desk chair, retro sofa), hoarded vintage technology all over, (richly painted bright textured walls, dark embossed ceiling), (Creative Light Source), [[Extremely Subtle Glowing Light]].
    In this captivating dark fantasy portrait, a mysterious veiled queen stands proudly, exuding an aura of power and silent command. Her face, partially obscured by an enigmatic veil, is shrouded in shadow and intrigue. The queen's ornate crown, adorned with striking crimson details, contrasts against the deep teal and black color palette. The low-key lighting creates a dramatic atmosphere, with shadows adding depth to the exquisite textures of her regal attire. The background is dark and mysterious, heightening the sense of secrecy and allure. The cinematic style, achieved through a shallow depth of field and high ISO for grain, combined with a 85mm lens, captures the queen's regal presence in a realistic yet dreamlike manner., dark fantasy, anime
    In this captivating dark fantasy portrait, a mysterious veiled queen stands proudly, exuding an aura of power and silent command. Her face, partially obscured by an enigmatic veil, is shrouded in shadow and intrigue. The queen's ornate crown, adorned with striking crimson details, contrasts against the deep teal and black color palette. The low-key lighting creates a dramatic atmosphere, with shadows adding depth to the exquisite textures of her regal attire. The background is dark and mysterious, heightening the sense of secrecy and allure. The cinematic style, achieved through a shallow depth of field and high ISO for grain, combined with a 85mm lens, captures the queen's regal presence in a realistic yet dreamlike manner., dark fantasy, anime
    “A cinematic, high-tech vision of the Algiz rune in an Italian-inspired forest scene, captured with a Sony prime lens for intense clarity and depth. The metallic, neon-blue Algiz symbol stands alongside a striking orange marble monolith—its surface smooth, polished, and glowing warmly under soft, diffused lights. The monolith reflects the rune’s LED lines, casting vibrant orange and blue highlights across the misty forest floor and surrounding cypress trees, reminiscent of Italian garden design. Each groove in the marble catches and amplifies the surrounding lights, creating intricate patterns that shift with the mist. Warm lighting from below accentuates the marbled texture, blending with advanced holographic panels floating nearby, which project glowing, ancient symbols in a delicate balance of history and innovation. The interplay of colors and lights enhances an immersive atmosphere, merging the elegance of Italian aesthetics with a futuristic edge.”
    comic (rabbit) is (running:1.05) to the viewer whilst Moulting,, (dynamic:1.1), sun rays,, (taken by 7.5mm fisheye lens:1.1) (looking to the right) = With a rainbow nebula background elements . Epic dynamic lighting .(2. Serene Lakeside Sunset) = = ((Vivid, HDR, Canon50, 8K, Hyper Realistic, Dramatic, Epic, Dynamic Contrast, Cinematic Lighting)) (((Zoomed Out, Far away Shot))) = <lora:juggernautXL_version6Rundiffusion:0.8> <lora:crystalClearXL_ccxl:0.8> ((Vivid, Epic, Dynamic contrast)) (((Zoomed out, Far away shot, In frame)), By art germ . graphic illustration, comic art, graphic novel art, vibrant, highly detailed
    A portrait of a blonde female soldier with a subtle smile, wearing a military cap and sporting a ponytail. Two wisps of hair frame her face as she gazes directly into the lens. The shot is captured at a straight camera angle, rendering the subject in photorealistic detail.
    “A whimsical and surreal portrait of a girl with a distorted, comical face, featuring one eye larger than the other, vibrant face paint, and two playful braids in her hair. Half of her face is a real, rotten skull, with detailed, decayed bone structure, exposing cracked and aged bones, and the skull appears lifelike yet worn with time. The other half is covered in exaggerated, colorful face paint. The skull gives off a gritty, almost macabre vibe, blending with the lively and hype atmosphere of the carnival. Captured using a 12mm fisheye cinematic prime lens for an exaggerated perspective. The setting is a lively carnival with neon lights, whimsical decorations, and a dreamy yet unsettling atmosphere. A rotten, old light banner in the background displays the text: ‘Could I receive a Like or Buzz?’ in flickering, uneven letters. The colors and contrasts are enhanced for a surreal effect, combining playful and eerie styles, with a mix of humor and dark visual artistry.”
    Create a high-definition, close-up concept art of a person wearing Full Armor Gravitation, inspired by Omegamon, with a predominantly blue and orange synthwave color scheme, as seen on a Blu-ray cover. Incorporate transmetal and metal skin details, with a focus on micro and lifelike details. Set against an epic, cosmic cloudscape, with a centered headshot and a slight pincushion lens effect. Ensure the image has a cinematic, 8K quality and an ultra-wide angle, zenith view.
    Classic American diner, 1950s aesthetic. Shot on a Canon R6, high contrast, ISO 800. 50mm f/2 lens. Low-angle shot, neon reflections on chrome surfaces. A dimly lit vintage diner at midnight, bathed in the glow of neon signs. The black-and-white checkered floor gleams under the lights. A jukebox hums softly in the corner, its faded buttons worn from decades of selections. The scent of fresh coffee and sizzling bacon lingers in the air, mingling with the faint aroma of cigarette smoke from a nearby booth. The booths are lined with red vinyl, their chrome edges catching the neon reflections. A waitress in a pastel uniform wipes down the counter, her reflection flickering in the stainless steel surfaces. A half-finished milkshake sits on the counter next to a pack of cigarettes and a folded newspaper with headlines from a bygone era. The dull clatter of a spoon against a ceramic coffee cup fills the silence between occasional bursts of laughter from late-night patrons. Outside, rain-streaked windows blur the neon glow, distorting the bright reds and blues of the flickering signage. A lone figure in a trench coat sits near the window, stirring his coffee absentmindedly. The faint hum of a distant car radio drifts through the open door, playing a muffled doowop tune. A slice of cherry pie, barely touched, rests on a plate beneath a slowly spinning ceiling fan. The entire scene hums with quiet nostalgia, frozen in time like an old photograph.
    “A middle-aged man with deeply wrinkled, weathered skin is captured in a close-up using a 50mm Panavision Prime lens, revealing every intricate detail of his face. Dramatic lighting casts heavy shadows, highlighting the sorrow and exhaustion etched into his features. His eyes, full of suffering, speak to years of hardship. In the background, softly blurred, a decaying slum looms with crumbling walls and debris. At the lower part of the image, a cracked wooden panel with rusted nails holds bold, capital letters carved into the wood, reading ‘PLEASE GIVE ME BUZZ.’ The text, in a pastel color, blends with the wood grain, intensifying the gritty, distressed atmosphere, adding an ironic contrast to the somber mood.”
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A vast, abandoned piazza in Italy, captured through the wide, circular distortion of a fisheye 12mm cine prime lens, stretching the ancient Roman architecture into a surreal perspective. The cobblestones are cracked, and overgrown ivy clings to decaying marble fountains, while digital screens embedded in weathered stone walls flicker with eerie red and gold propaganda. The wide lens amplifies the towering silhouette of a distant, futuristic colosseum-like structure, pulsating with neon holograms of surveillance data. The distorted curvature of the lens magnifies the ominous shadows of drones flying overhead, casting harsh beams of light across the crumbling ruins. A lone, cybernetic figure, dressed in a tattered trench coat, appears disproportionately small as they navigate through the warped landscape. The scene feels haunting and melancholic, a fusion of Italy’s glorious past and a stark, oppressive future.
    A vast, abandoned piazza in Italy, captured through the wide, circular distortion of a fisheye 12mm cine prime lens, stretching the ancient Roman architecture into a surreal perspective. The cobblestones are cracked, and overgrown ivy clings to decaying marble fountains, while digital screens embedded in weathered stone walls flicker with eerie red and gold propaganda. The wide lens amplifies the towering silhouette of a distant, futuristic colosseum-like structure, pulsating with neon holograms of surveillance data. The distorted curvature of the lens magnifies the ominous shadows of drones flying overhead, casting harsh beams of light across the crumbling ruins. A lone, cybernetic figure, dressed in a tattered trench coat, appears disproportionately small as they navigate through the warped landscape. The scene feels haunting and melancholic, a fusion of Italy’s glorious past and a stark, oppressive future.
    "Create a hyper-realistic image of a charred and fossilized crow, perched on a dark and smoky background. The crow's feathers should be reduced to a fragile, ashen skeleton, with a texture that resembles cracked, parched earth. The bird's beak should be sharp and pointed, with a subtle curve that gives the impression of a fierce, scavenging creature. The crow should be wearing a pair of round, thick eye goggles, which should be reflecting the image of a burning treeline. The goggles should be dusty and worn, with a cracked and faded lens. The reflected flames should add a sense of drama and intensity to the image, implying a story of survival and catastrophe in a post-apocalyptic world. The overall effect should be one of haunting, eerie beauty, with a focus on the charred and fossilized crow as a testament to the devastating power of fire." highest-Quality, 8 k, intricate details, visually stunning, Masterpiece
    kodak medium format film grainy soft focus Selfie, fisheye lens, photorealistic girl traveler kissing angry bear and running : in the background, angry bear, jungle
    One of the creature's raised hands holds a pulsating, radiant red orb, emitting a blinding glow that casts stark, fragmented shadows across the scene. Surrounding this imposing figure are several smaller, similar entities, their forms swirling and indistinct, as though emerging from the fiery substance. They encircle the central creature in chaotic, dynamic poses, heightening the sense of supernatural turmoil. The backdrop features dense, dark clouds interspersed with fiery bursts of orange and yellow, resembling an infernal storm. Smoky gradients fade unevenly into the fiery abyss, evoking an apocalyptic wasteland. To emulate the look of 90s Japanese amateur photography, incorporate era-specific qualities: visible film grain, slight overexposure in the orb's glow, muted reds and oranges blending subtly into the darker tones, and occasional lens flare artifacts. Ensure the overall mood conveys an eerie, overwhelming sense of chaos and impending doom.
    a cyberpunk robot samurai Anthro wolf woman, sleek exosuit like destiny, robot anthropomorphic wolf face with mirrored face shield, robot joints, body made of metals, cables and wires, she has a pair of ornate pulse pistols holstered at her hip, in sleek cyberpunk futuristic holsters. she has one hand on the handle of one of the pistols, in a cyberpunk city street, walking in a crowd. the viewpoint is from the ground just in front of one foot, as if shot from a 12mm wide angle lens. dim lighting from lots of large overhead neon signs, like drizzle make everything sleek silhouetted in the gloom. Perfect Composition, realistic photographic image, RAW photo highest quality, perfect directional lighting, she is looking out at the people in the street around her as if hunting.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**

      FLUX

    • Schnell - flux_schnell.sft