null distorted as the

    Marvel icons, Captain America and Venom, are caught in a surreal, high-energy selfie in front of the Leaning Tower of Pisa, with a dark, ominous atmosphere creeping into the scene. Captain America, his shield glinting under a fading sun, holds a vintage Kodak MC3 camera, trying to capture the moment. Venom, grinning wildly, strikes a chaotic pose, his black tendrils coiling unnervingly around Cap, almost too tight, as if blurring the line between playful and sinister. Behind them, a massive Sion army marches forward, their eyes glowing an eerie, unnatural red through their shadowy, insect-like helmets. The sky is a strange, bruised purple, casting unsettling hues across the landscape. The Leaning Tower of Pisa leans dangerously, its shadow long and twisted, as if the world itself is warping. In the foreground, a creepy neon cardboard sign reads ‘OPEN TO MERAVIGLIA,’ but the letters flicker erratically, as though malfunctioning, with some symbols distorting into unfamiliar, unsettling shapes. Holographic accents pulse in and out, distorting reality. Dust and fog swirl ominously around the scene, as if the world is caught between dimensions, adding to the eerie, haunted feel of this strange and thrilling moment
    “A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. The text flickers with RGB distortion, appearing both futuristic and rotten, as if time itself is breaking apart.”
    “A black-and-white abstract dystopian photograph captured with a cinema-grade 12mm fisheye lens, offering a warped, immersive perspective that distorts reality. The close-up portrait of a rugged 50-year-old rural man shows his face fragmented into disjointed rectangular sections, with his eyes, nose, mouth, and skin displaced in chaotic randomness. Within the fractured gaps, oversized cockroaches, with vivid green and orange hues contrasting against the monochrome, crawl and writhe. Their shiny, textured bodies and twitching legs pop against the stark black-and-white, intensifying the grotesque feeling. Scrawled across the scene in decayed, rotten lettering, the phrase ‘FREE PROTEINS’ oozes in a murky, decaying shade of green, further enhancing the unsettling tone. The chiaroscuro lighting casts deep shadows, highlighting the contrasting colors of the cockroaches and the dissonant mood, making the entire composition feel even more surreal and nightmarish.”
    source_8_up, source_7_up, masterpiece, ultra_res, high_res, detailed, cinematic lighting, photorealistic, hyperdetailed, intricate textures, ambient occlusion, glowing highlights, surreal shadows, atmospheric depth, volumetric lighting, sharp focus, depth_of_field, ultra-realistic, high-definition, a tall, imposing woman clad in jagged, blackened armor that seems to shift and shimmer like liquid metal. Her face is hidden beneath a smooth, featureless mask that reflects faint distorted images of the world around her. Long, dark tendrils of hair flow behind her, tipped with glowing embers that flicker like fire. Her right arm is encased in a twisted gauntlet, its sharp edges glowing faintly red as if forged from molten steel. She carries a massive, jagged blade strapped to her back, etched with glowing runes that pulse rhythmically, as though alive. Her footsteps leave behind scorched, cracked earth, and a faint trail of ash follows her movements. Her aura exudes raw, destructive power, and her very presence warps the ground beneath her into unnatural, jagged shapes."
    “Plastic Man morphing into a report, blending human and document features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crumpled, paper-like surface of the report, complete with printed text and digital data flowing through the pages. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background is a chaotic, shifting mix of surreal abstract elements—an urban street corner, glowing neon signs, and floating mechanical parts—creating a random, futuristic landscape. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of dollars and bitcoins, blending human and financial features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crisp bills of currency and glowing bitcoin symbols, with digital codes flowing through the notes. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background is a chaotic, shifting mix of surreal abstract elements—an urban street corner, glowing neon signs, and floating mechanical parts—creating a random, futuristic landscape. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “A dramatic and humorous cinematic shot of a paratrooper falling from the sky wearing a Santa Claus costume, captured with a 12mm fisheye lens effect for a distorted, wide-angle perspective. The scene has cold, icy color tones to evoke a winter setting. The background shows a cloudy, stormy sky with faint snowflakes falling. The paratrooper’s parachute is partially open, and the outfit is tattered from the high-altitude descent. A very rotten and decayed banner is trailing from the parachute with the writing ‘Reindeers Fault’ in distressed, grungy lettering. Additionally, the paratrooper is holding a cardboard sign with the handwritten message ‘Give me buzz pls,’ adding a quirky and desperate comedic element. The mood is darkly humorous yet cinematic, with attention to texture and detail.”
    A highly detailed, photorealistic depiction of a bizarre, genetically mutated creature resembling Siamese twin dogs. The creatures have skinny, flesh-bound bodies with patchy, dull fur resembling a Dobermann, with an oversized tail, grotesquely large ears, and unnaturally short legs. One of them is grinning with wide, distorted eyes, its fur now an eerie blend of dark purple and gray. It wears a once-elegant, now weathered Italian hat. Biotech implants pulse with a sickly green glow, blending with swollen, cancerous carcinomas protruding from their flesh. They battle a large, shadowy rabbit, hiding in a hole within the torn, grimy fabric of a giant yellow circus tent. The scene is drenched in creepy, low light, casting long, distorted shadows and bathing everything in a haunting, cold blue and sickly yellow hue. The circus is filled with flickering, broken carnival lights, creating an unsettling, nightmarish atmosphere. Hovering above the scene is a tattered, high-tech cardboard sign labeled ‘BUZZ 4 DNA,’ glowing with ominous, toxic neon colors. The entire setting feels unsettling and surreal, with a sinister edge.
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    "Cthulhu rising" conjures a terrifying image of the ancient cosmic entity emerging from its slumber beneath the ocean in the sunken city of R'lyeh. As Cthulhu rises, the world is engulfed in chaos and madness. The seas would roil and churn as the titanic being ascends from the depths, its massive form towering over the waves. The sky might darken as Cthulhu's presence distorts reality itself, driving those who witness it to the brink of insanity. The sight of Cthulhu, with its grotesque mix of octopus-like tentacles, dragon-like wings, and a towering, humanoid form, would be a nightmare made real. Its mere presence would send ripples of terror through the minds of all who perceive it, as the boundaries between dreams and reality blur. The idea of Cthulhu rising is not just about physical destruction but also symbolizes the overwhelming dread of the unknown and the insignificance of humanity in the face of such an incomprehensible force. It represents the ultimate horror—an ancient, god-like being whose very existence challenges the sanity of those who encounter it by Minjae Lee, Carne Griffiths, Emily Kell, Steve McCurry, Geoffroy Thoorens, Aaron Horkey, Jordan Grimmer, Greg Rutkowski, amazing depth, double exposure, surreal, geometric patterns, intricately detailed, bokeh, perfect balanced, deep fine borders, artistic photorealism , smooth, great masterwork by head of prompt engineering, Hyperdetailed, Omnipresent, Beautiful, Sinister overtones
    abstract fruit, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted fruit shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented fruit, brutal edges, primal aesthetic, exaggerated forms, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    Hyper-realistic digital art of a man wearing an expressionless porcelain mask, completely void of eyes and mouth, adorned with intricate dot-and-line patterns. His lower body is Chromecore, featuring silver metallic skin that seamlessly blends into vibrant gradient tones of blue, black, and chrome. Behind him, the Italian countryside stretches out, but the background is blurred with a heavy, dramatic bokeh effect—intensely distorted, creating a surreal, almost dreamlike feel, where the rolling hills, cypress trees, and rustic farmhouses dissolve into abstract shapes. The scene is enhanced by cinematic lighting and shot through Panavision anamorphic 35mm optics, offering wide dynamic range and lens flares. He’s dressed in oversized, distressed avant-garde fashion, complemented by chunky sneakers, embodying the fusion of streetwear and high-fashion. Over his clothing, chrome waist chains, necklaces, and bangles gleam brightly, adding a futuristic touch. The vntblk dark tones of his outfit stand out sharply against the chaotic, blurred countryside, making him a bold, iconic figure in both music and fashion. Style: NIjiV1_FLUX, ne0nfant4sy.
    Ryan Gosling stands alone on a dimly lit, rainy street at dusk. He wears an autumnal jacket, its earthy tones contrasting with the neon hues of the city's billboards and signs. A worn, cardboard sign clutched in his hand reads "I'm not gay but 20 buzz is 20 buzz" in bold letters. The air is thick with mist and fog, casting a mystical veil over the scene. In the distance, towering skyscrapers seem to loom, their reflections distorted on wet pavement. Gosling's pose exudes a mix of desperation and resignation as he stands at the intersection of human struggle and technological advancement, a nod to the futuristic world of Blade Runner.
    0ccu1t, creepy photo, old photo, distorted, a photo of masked, pointy hooded cultists in a forest, deep dark shadow, evil, sinister
    In a dark, ancient forest, a massive torii gate looms—its structure a grotesque fusion of bone and sinew, as if the earth itself birthed it. This gate marks the entrance to a twisted temple, where stone merges with living flesh, walls pulsing with dark, rhythmic energy. Above, the sky is an ominous swirl of purples, molten oranges, and electric blues, casting a sickly light as a battle rages unseen. At the gate, warriors stand in eerie silence, encased in biomechanical armor that fuses with their bodies, their faces hidden behind skeletal masks, eyes glowing with cold, inhuman resolve. Drawn by the promise of an ancient, living artifact, they grip weapons that pulse as if alive, extensions of their very flesh. The air is thick and suffocating, as though the forest itself is a sentient being, watching through countless unseen eyes. A nearby pool of dark liquid reflects the distorted sky and the flickering lights of the distant conflict. The crescent moon, sharp and metallic, casts jagged, creeping shadows that slither across the ground. The warriors exchange silent, knowing glances. With a final nod, they advance, their steps synchronized and mechanical. They march toward the temple’s maw, prepared to face the nightmarish, biomechanical horrors within, their resolve as unyielding as the twisted world around them.
    In the heart of a vast, ancient forest, a colossal torii gate stands, its wood fused with twisted, sinewy tendrils, more organic than crafted. This gate marks the entrance to a hidden temple, its structure a grotesque blend of stone and living tissue, as if the forest itself has consumed it. Above, the sky churns in unnatural hues of deep purple, searing orange, and electric blue, illuminated by the violent energy of a battle raging beyond. Gathered at the gate are warriors clad in armor resembling biomechanical exoskeletons, their faces obscured by shadowed visors, eyes cold and alien. Drawn by whispers of an ancient, pulsing artifact, they stand ready, their weapons extensions of their very bodies. The air is thick with a palpable tension, as though the forest is a sentient entity, watching, waiting. Nearby, a pond of dark, viscous liquid reflects the distorted sky and the flickering lights of distant combat. A crescent moon, sharp as a blade, casts jagged, shifting shadows across the twisted landscape. The warriors exchange silent, synchronized glances, their purpose unified. With a final nod, they advance toward the gate, their movements precise, mechanical, and unwavering. They march into the unknown, prepared to face the biomechanical horrors that await, their resolve as unyielding as the twisted, surreal world that surrounds them.
    A highly detailed, photorealistic depiction of a bizarre, genetically mutated creature resembling Siamese twin dogs. The creatures have skinny, flesh-bound bodies with fuzzy, discolored fur, resembling a Dobermann with an oversized tail, giant ears, and extremely short legs. One of them is grinning wildly, with wide, exaggerated eyes, striped black and white fur, and is wearing an elegant, fancy Italian hat. Biotech implants are visible on their body, with grotesque, swollen carcinomas blending with their mutated forms. They are battling a large, elusive rabbit that’s hiding in a hole within a giant yellow circus tent wall, surrounded by vibrant, distorted carnival lights. The chaotic, surreal scene unfolds inside a twisted, high-energy circus, with colorful banners and freak-show props scattered around. Hovering above the scene is a fancy, high-tech, colorful cardboard sign labeled ‘BUZZ 4 DNA,’ glowing with vibrant, nasty neon hues, adding to the bizarre atmosphere
    “A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. The text flickers with RGB distortion, appearing both futuristic and rotten, as if time itself is breaking apart.”
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    “Plastic Man morphing into a combination of a blender and bitcoins, blending human and appliance features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the sleek, metallic surfaces of a blender, while glowing bitcoin symbols and digital codes flow through the blades and base. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    streamer girls meet up, group of women, casual clothing, modern tech gear, chatting and laughing, colorful gaming headsets, sleek laptops, RGB lights, stylish decor, cozy cafe, playful atmosphere, photorealism, live streaming setup, microphones, gaming logos, dynamic lighting, vibrant personalities, high-energy, social media influencers, fun and friendship, group selfie moment, (detailed expressions:1.5), warm lighting, (highres:1.5), celebratory mood, trendy aesthetics, tech-savvy vibe, (blurry:-1.4), (ugly:-1.3), (lowres:-1.5), (flat colors:-1.4), (cartoon:-1.3), (sketch:-1.2), (distorted faces:-1.4), (overexposed lighting:-1.4), (muted tones:-1.4), (text:-1.5), (watermark:-1.6), (awkward poses:-1.3), (old-fashioned tech:-1.4)
    A ritualistic figure standing in a fog-covered battlefield, surreal landscape photography meets expressionist figuration, constructed environments with raw, distorted human elements, hyperreal nature infused with bold linework and visceral emotion, manipulated scale and perspective, stark contrast between artificial beauty and human brutality, expressive textures in staged settings, psychological symbolism, modernist grotesque forms set within photographic landscapes, architectural fragments and surreal models clashing with abstract figures, ambiguous spatial narratives, visual tension between control and chaos, hybrid of photographic realism and neo-expressionist intensity
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing the figure in her iconic armor, holding a sword and shield. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    A cosmic traveler standing on an alien landscape, surreal landscape photography meets expressionist figuration, constructed environments with raw, distorted human elements, hyperreal nature infused with bold linework and visceral emotion, manipulated scale and perspective, stark contrast between artificial beauty and human brutality, expressive textures in staged settings, psychological symbolism, modernist grotesque forms set within photographic landscapes, architectural fragments and surreal models clashing with abstract figures, ambiguous spatial narratives, visual tension between control and chaos, hybrid of photographic realism and neo-expressionist intensity
    A liminal space within the Fire Temple from The Legend of Zelda: Ocarina of Time—a vast, ancient structure buried deep within the earth, where heat distorts the air and time feels like it has melted away. The towering stone walls are cracked and scorched, glowing faintly with an ember-red hue. Fissures in the ground pulse with molten lava, casting flickering shadows that seem to move on their own. The silence is oppressive, broken only by the low, distant rumble of shifting rock and the occasional hiss of steam escaping unseen vents. Stone bridges stretch across vast pits of fire, suspended over an abyss that feels endless. The corridors, lined with intricate but worn-down carvings, spiral into darkness, their paths unclear—almost as if the temple itself is shifting, alive in its slumber. Despite the suffocating heat, the air feels eerily still, untouched by wind or movement. The temple is empty, yet the sensation of being observed lingers, as if something ancient is buried within its depths, waiting. The Fire Temple exists in a space outside of time—a forgotten furnace, still burning, long after its purpose has been lost.
    A liminal space within the Fire Temple from The Legend of Zelda: Ocarina of Time—a vast, ancient structure buried deep within the earth, where heat distorts the air and time feels like it has melted away. The towering stone walls are cracked and scorched, glowing faintly with an ember-red hue. Fissures in the ground pulse with molten lava, casting flickering shadows that seem to move on their own. The silence is oppressive, broken only by the low, distant rumble of shifting rock and the occasional hiss of steam escaping unseen vents. Stone bridges stretch across vast pits of fire, suspended over an abyss that feels endless. The corridors, lined with intricate but worn-down carvings, spiral into darkness, their paths unclear—almost as if the temple itself is shifting, alive in its slumber. Despite the suffocating heat, the air feels eerily still, untouched by wind or movement. The temple is empty, yet the sensation of being observed lingers, as if something ancient is buried within its depths, waiting. The Fire Temple exists in a space outside of time—a forgotten furnace, still burning, long after its purpose has been lost.
    A painted mouse peers through a keyhole in a real brick wall, behind which a fantasy city is sketched in chalk, conceptual street art meets whimsical illustration, poetic minimalism, surreal visual metaphors, expressive linework, narrative humor, subtle melancholy, anthropomorphic figures, imaginative urban interventions, hand-drawn textures, clever social commentary, childlike spontaneity, delicate ink illustration, playful distortion, quiet surrealism, minimal color palette, dreamlike simplicity, emotional storytelling through small gestures, visual puns and irony
    A dimly lit underground lair, the stone walls of Orochimaru’s domain are damp and covered in a layer of black mold. The air is thick, heavy with the scent of decay, stale blood, and something metallic, like rusted iron. The flickering overhead lights cast an eerie glow, distorting the dark, cold hallway ahead. Along the walls, there are faded and cracked inscriptions in a dark, almost illegible script, marking the boundaries of forbidden experiments. Cold steel doors line the corridor, some slightly ajar, revealing dark rooms beyond—each filled with the chilling remnants of unspeakable acts. Large glass tanks, distorted by grime and condensation, hold grotesque, malformed humanoid creatures—skeletal, serpentine, with flesh that seems to bubble unnaturally, as if still struggling to exist. The creatures’ eyes, empty and soulless, gaze into nothingness. The floors are slick with a combination of water and something darker, something that clings to the shoes like tar. You can’t quite tell if it’s just dirt, or if it’s blood that has long since soaked into the stone, staining it permanently. At the far end of the corridor, a room opens into a massive, sterile lab, starkly lit by harsh fluorescent lights that make the white tiles gleam uncomfortably. Tables are cluttered with surgical instruments—some clean, some stained. Papers filled with incomprehensible jutsu are scattered about, half burned or left in disarray.
    Industrial Light and Form , conceptual street art meets whimsical illustration, poetic minimalism, surreal visual metaphors, expressive linework, narrative humor, subtle melancholy, anthropomorphic figures, imaginative urban interventions, hand-drawn textures, clever social commentary, childlike spontaneity, delicate ink illustration, playful distortion, quiet surrealism, minimal color palette, dreamlike simplicity, emotional storytelling through small gestures, visual puns and irony
    An ethereal regal woman in a dramatic, cinematic realism, expressive abstraction, emotional portraiture, narrative intimacy, romantic melancholy, painterly distortion, textured brushwork, fragmented figures, soft chiaroscuro, vintage fashion, blurred edges, atmospheric mood, contemporary figurative art, subdued color palette, sensual vulnerability, visual storytelling, gestural marks, longing and memory, dreamlike decay, noir elegance
    Industrial Light and Form , conceptual street art meets whimsical illustration, poetic minimalism, surreal visual metaphors, expressive linework, narrative humor, subtle melancholy, anthropomorphic figures, imaginative urban interventions, hand-drawn textures, clever social commentary, childlike spontaneity, delicate ink illustration, playful distortion, quiet surrealism, minimal color palette, dreamlike simplicity, emotional storytelling through small gestures, visual puns and irony
    vibrant cannabis field, (lush green leaves:1.4), (sunset glow:1.2) casting warm light over the plants, (detailed textures:1.5), smoke swirling softly in the air, (cannabis buds:1.3) glistening with trichomes, peaceful and serene atmosphere, (natural light:1.4), wide field stretching into the distance, (colorful sky:1.2) with shades of pink and orange, (high-definition:1.6), (ultra-realistic textures:1.5), close-up details of cannabis plants, (soft focus in the background:1.2), modern, laid-back aesthetic, perfect for a cannabis culture feature, chill and relaxed vibe, (overexposed:-1.4), (unnatural colors:-1.5), (blurry:-1.6), (low-resolution:-1.7), (harsh lighting:-1.5), (distorted textures:-1.6)
    “A whimsical, humanized bull, with a fairytale charm, holding a sign that says ‘Cairo Vattene’ in playful, handwritten text. The shot is captured with a Panavision Prime Cine Optics 12mm fisheye lens, giving the image a dramatic, wide-angle distortion with the bull appearing larger in the center and the magical, dreamy background curving around it. A Red Bull logo is subtly integrated into the design, perhaps on the bull’s clothing or in the background.”
    “A giraffe jogging on the wing of an Airbus, its impossibly long legs flexing against the rush of the wind, while it stares directly at the viewer through the cabin window. Its face is twisted into a creepy clown smile, with ruffled fur adding to its unsettling presence. A cheap GoPro camera captures the bizarre scene using a hyper fisheye lens, distorting the wide-angle view as the plane cruises above the clouds. Sunlight glints off the Airbus’s metallic surface, while passengers visible through the window react in sheer terror. Clutched in one of the giraffe’s legs is a rotten, tattered cardboard sign that reads ‘BUZZ 4 PLANE TiCKET,’ with letters scrawled haphazardly and barely holding together in the wind. In the background, an F-35 fighter jet drifts ominously among the clouds, its sleek form juxtaposed against the absurd chaos unfolding on the Airbus wing. The entire scene teeters between surreal comedy and unsettling horror, amplified by the eerie smile of the giraffe and the decayed sign fluttering in the gale.”
    A dancer moves across a stage of perfectly arranged color blocks, and their graceful motions reveal a secret face hidden within the shifting composition., expressive portraiture, painterly abstraction, emotional realism, fauvist color palette, gestural brushwork, rural symbolism, psychological atmosphere, simplified forms, muted and vibrant tones, introspective figures, spontaneous composition, contemporary expressionism, pastoral themes, intuitive linework, minimal background detail, spiritual undertones, dreamlike distortion, narrative ambiguity, human vulnerability, poetic emotion
    A portrait of a woman whose face is both serene and mournful, blending into abstract countryside forms in earthy reds and melancholic purples., expressive portraiture, painterly abstraction, emotional realism, fauvist color palette, gestural brushwork, rural symbolism, psychological atmosphere, simplified forms, muted and vibrant tones, introspective figures, spontaneous composition, contemporary expressionism, pastoral themes, intuitive linework, minimal background detail, spiritual undertones, dreamlike distortion, narrative ambiguity, human vulnerability, poetic emotion
    “A figure with striking, albino features jogging on the wing of an Airbus, their movements graceful despite the wind, looking directly at the viewer through the plane’s window. The scene is captured with a cheap GoPro camera using a hyper fisheye lens, creating a distorted, wide-angle view. The plane is cruising high above the clouds, sunlight reflecting off its metal surface. Inside the cabin, passengers are visible through the window, clearly startled by the sight. The figure has an unsettling, eerie smile, adding a surreal and slightly creepy atmosphere. In the background, an F-35 fighter jet floats among the clouds, further enhancing the bizarre, dreamlike quality of the scene.”
    A self-portrait where realism fades into abstraction, expressive portraiture, painterly abstraction, emotional realism, fauvist color palette, gestural brushwork, rural symbolism, psychological atmosphere, simplified forms, muted and vibrant tones, introspective figures, spontaneous composition, contemporary expressionism, pastoral themes, intuitive linework, minimal background detail, spiritual undertones, dreamlike distortion, narrative ambiguity, human vulnerability, poetic emotion
    eerie forest, glowing teal light, shadow creatures, glowing eyes, living tree spirit, dark fantasy, surreal atmosphere, misty water, haunted woods, whimsical horror, folklore inspired, dreamlike environment, fantasy illustration, mysterious ambiance, otherworldly beings, moody, spatial distortion, lush greens,Vibrant world of creativity,Mesmerizing distortion, fantastical inversion, ornate armor, rich textures, shallow depth of field,Captivating narrative
    A dimly lit supermarket parking lot at night, silent and empty. The flickering neon lights cast long, distorted shadows on the cracked asphalt. In the farthest corner, a figure stands in the darkness. It is tall, unnaturally thin, its elongated limbs barely distinguishable from the shadows. Its glowing white eyes pierce through the dark, locked onto you. A wide, jagged grin stretches across its face, too large, too sharp—unnatural. It doesn’t move. Yet every time you blink, it feels closer. It is watching. It is waiting. And no matter where you go, it will always be there.
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle. Then, in the background, something is there. Watching. Waiting. Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave. The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier. You shouldn’t be here. But now… he knows you are.
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing Joan in her iconic armor, holding a sword and shield, but with a gentle, subtle smile on her face, softening the heroic pose. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    A liminal space within the Belly of Jabu-Jabu from The Legend of Zelda: Ocarina of Time—a vast, organic cavern suspended between the living and the inanimate. The fleshy walls pulse faintly, their slick, wet surfaces illuminated by an eerie bioluminescent glow. The air is thick and humid, filled with the distant, rhythmic sound of something deep within, breathing. A translucent, membranous floor stretches ahead, shifting slightly underfoot, as if the temple itself is aware of your presence. Veins of glowing blue and red branch across the walls, pulsating in a slow, hypnotic rhythm. The corridors curve unnaturally, leading into deeper chambers where echoes distort, making it unclear if the sound is coming from ahead or behind. A strange silence lingers, not of emptiness, but of something waiting. Though no creatures stir, the feeling of being inside something vast and alive is undeniable. The space feels endless yet claustrophobic, an otherworldly sanctuary neither hostile nor safe. Here, in this forgotten, organic labyrinth, time and reality feel distant—as if swallowed by something greater than oneself.
    A liminal space within the Belly of Jabu-Jabu from The Legend of Zelda: Ocarina of Time—a vast, organic cavern suspended between the living and the inanimate. The fleshy walls pulse faintly, their slick, wet surfaces illuminated by an eerie bioluminescent glow. The air is thick and humid, filled with the distant, rhythmic sound of something deep within, breathing. A translucent, membranous floor stretches ahead, shifting slightly underfoot, as if the temple itself is aware of your presence. Veins of glowing blue and red branch across the walls, pulsating in a slow, hypnotic rhythm. The corridors curve unnaturally, leading into deeper chambers where echoes distort, making it unclear if the sound is coming from ahead or behind. A strange silence lingers, not of emptiness, but of something waiting. Though no creatures stir, the feeling of being inside something vast and alive is undeniable. The space feels endless yet claustrophobic, an otherworldly sanctuary neither hostile nor safe. Here, in this forgotten, organic labyrinth, time and reality feel distant—as if swallowed by something greater than oneself.
    A liminal space within the Water Temple from The Legend of Zelda: Ocarina of Time—a vast, submerged labyrinth where time and space feel distorted. The walls, made of smooth, ancient stone, are bathed in a cold, blue glow, their surfaces warped by the shifting reflections of the water. Silence dominates, broken only by the muffled sound of distant, unseen currents. The water level is unnatural—too still, too perfect, as if frozen in time. Endless hallways stretch in all directions, their depths obscured by a soft, misty blue haze. Staircases disappear into the water below, leading to unseen chambers where gravity seems meaningless. The liquid surface reflects the surroundings too crisply, almost like a mirror, creating an eerie sense of being trapped between two worlds. No creatures stir, yet the feeling of being watched is unshakable. The temple feels abandoned, yet undeniably alive, its endless corridors shifting with the movement of the water. There is no beginning, no end—just the sensation of being lost in an infinite, drowned dream, forever suspended in a quiet, forgotten abyss.
    A liminal space within the Water Temple from The Legend of Zelda: Ocarina of Time—a vast, submerged labyrinth where time and space feel distorted. The walls, made of smooth, ancient stone, are bathed in a cold, blue glow, their surfaces warped by the shifting reflections of the water. Silence dominates, broken only by the muffled sound of distant, unseen currents. The water level is unnatural—too still, too perfect, as if frozen in time. Endless hallways stretch in all directions, their depths obscured by a soft, misty blue haze. Staircases disappear into the water below, leading to unseen chambers where gravity seems meaningless. The liquid surface reflects the surroundings too crisply, almost like a mirror, creating an eerie sense of being trapped between two worlds. No creatures stir, yet the feeling of being watched is unshakable. The temple feels abandoned, yet undeniably alive, its endless corridors shifting with the movement of the water. There is no beginning, no end—just the sensation of being lost in an infinite, drowned dream, forever suspended in a quiet, forgotten abyss.
    A painted mouse peers through a keyhole in a real brick wall, behind which a fantasy city is sketched in chalk, conceptual street art meets whimsical illustration, poetic minimalism, surreal visual metaphors, expressive linework, narrative humor, subtle melancholy, anthropomorphic figures, imaginative urban interventions, hand-drawn textures, clever social commentary, childlike spontaneity, delicate ink illustration, playful distortion, quiet surrealism, minimal color palette, dreamlike simplicity, emotional storytelling through small gestures, visual puns and irony
    surreal scene, broken lighthouse, warship wreck, humanoid sculpture, sharks in shallow water, umbrellas, distorted reality, (dreamlike:1.3), detailed sky, ocean waves, rusted metal, decayed environment, dramatic lighting, high resolution, photorealism, artistic composition, (eerie atmosphere:1.2), intricate details, (blurry:-1.1), (ugly:-1.3), (cartoonish:-1.1), (low quality:-1.1), (lowres:-1.1), (bad anatomy:-1.1), (poorly rendered:-1.1), (overexposed:-1.1), (flat colors:-1.1), (noisy:-1.1), (disjointed elements:-1.1), (bad composition:-1.3), (unbalanced:-1.1)
    Abstract drawing, the woman's silhouette barely perceptible, soft ghostly outline dissolving into the background, a stunning explosion of colors—vivid oranges, azure blues, hot pinks, neon purples, and electric greens swirl and flow like liquid, merging in chaotic yet harmonious waves. Futuristic elements emerge—floating geometric shards, neon circuitry spiraling in and out of focus, holographic patterns shifting, glowing abstract symbols flickering. The silhouette hints at a figure, abstract lines suggesting arms and a face, but it’s fragmented, almost dissolving. Neon streaks of light burst from the silhouette, merging into a fractal network of wires and glitching data streams. Fragmented cityscapes and neon billboards peek through the chaos, distorted and bending like reflections in a rippling surface. Floating orbs, futuristic drones, and holographic dragon shapes twist through the vibrant scene, dissolving into waves of energy. Psychedelic layers pulse with brightness, creating depth. The entire scene radiates energy, dreamlike and disorienting, an abstract fusion of digital beauty and chaos.
    A fisherman reels in a glowing moon, its reflection rippling into golden waves across the night sky., emotional abstraction, color field painting, digital surrealism, glitch textures, soft-edged rectangles, luminous distortion, cyberpunk decay, fragmented reality, moody color palette, contemplative chaos, expressive minimalism, neon interference, painterly texture, existential atmosphere, layered noise, visual static, dreamlike breakdown, spiritual ambiguity, immersive digital decay, ambient dissonance
    A liminal space frozen in the dead of night—a vast, empty supermarket parking lot, dimly illuminated by flickering neon lights. The air is thick with silence, broken only by the distant hum of a buzzing lamp. Rows of abandoned shopping carts stand still, as if waiting for someone who will never return. The asphalt is cracked, damp from a recent rain, reflecting the artificial glow in eerie distortions. At first, it seems like you’re alone. But then… you feel it. In the farthest corner, where the light fails to reach, a silhouette emerges from the shadows. It stands unnaturally still, its form barely distinguishable—except for its eyes. Piercing, glowing in the darkness, locked onto yours. And then comes the smile—a wide, impossible grin stretching beyond human limits, gleaming with something inhuman. You look away for a second. When you look back… it’s closer. No matter where you move, no matter how much distance you put between yourself and the figure, the eyes remain. The grin never fades. It is watching. And it will never stop.
    A tiny black-and-white figure stands at the edge of a vast watercolor ocean, watching as vibrant waves of blue and gold spill into the air like liquid dreams., cinematic romanticism, cubist abstraction, fragmented figures, stylized realism, geometric forms, vintage fashion, sculptural composition, narrative deconstruction, bold silhouettes, emotional ambiguity, flattened perspective, sharp contours, dramatic lighting, noir atmosphere, muted color palette, modernist expression, spatial distortion, narrative surrealism, 20th-century elegance, expressive geometry
    The Silent Observer in the Rain , a figure gazing through a rainy glass surface, distorted reflections blending into abstract color fields, expressive soft brushstrokes merging warm and cool hues, a haunting yet beautiful presence, inematic romanticism, painterly realism, dramatic lighting, narrative intimacy, expressive body language, vintage fashion, sensual atmosphere, passionate poses, choreographed elegance, soft textures, emotional realism, timeless glamour, warm muted palette, intimate storytelling, dance-inspired composition, shadow and light contrast, poised sensuality, classic romantic themes, stylized figures, evocative environments
    A legendary anime-style hero holding a glowing katana, their silhouette framed in thick black outlines with gold geometric detailing, surreal landscape photography meets expressionist figuration, constructed environments with raw, distorted human elements, hyperreal nature infused with bold linework and visceral emotion, manipulated scale and perspective, stark contrast between artificial beauty and human brutality, expressive textures in staged settings, psychological symbolism, modernist grotesque forms set within photographic landscapes, architectural fragments and surreal models clashing with abstract figures, ambiguous spatial narratives, visual tension between control and chaos, hybrid of photographic realism and neo-expressionist intensity
    “A goat jogging on the wing of an Airbus, with its hooves kicking up the wind, looking directly at the viewer through the window of the plane. The scene is captured with a cheap GoPro camera using a hyper fisheye lens, creating a distorted, wide-angle view. The plane is high above the clouds, with sunlight reflecting off its metal surface. Inside the cabin, passengers are visible through the small window, clearly surprised by the sight. The goat’s fur is tousled by the wind, and its expression is playful yet determined. In the background, an F-35 fighter jet floats among the clouds, adding an extra layer of surrealism and absurdity to the scene.”
    A liminal space frozen in the dead of night—a vast, empty supermarket parking lot, dimly illuminated by flickering neon lights. The air is thick with silence, broken only by the distant hum of a buzzing lamp. Rows of abandoned shopping carts stand still, as if waiting for someone who will never return. The asphalt is cracked, damp from a recent rain, reflecting the artificial glow in eerie distortions. At first, it seems like you’re alone. But then… you feel it. In the farthest corner, where the light fails to reach, a silhouette emerges from the shadows. It stands unnaturally still, its form barely distinguishable—except for its eyes. Piercing, glowing in the darkness, locked onto yours. And then comes the smile—a wide, impossible grin stretching beyond human limits, gleaming with something inhuman. You look away for a second. When you look back… it’s closer. No matter where you move, no matter how much distance you put between yourself and the figure, the eyes remain. The grin never fades. It is watching. And it will never stop.
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle. Then, in the background, something is there. Watching. Waiting. Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave. The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier. You shouldn’t be here. But now… he knows you are.
    A mysterious hooded photographer stands in the heart of a neon-lit city at night, his face completely obscured by the large camera lens aimed directly at the viewer. The hood casts deep shadows over his face, making the glowing reflections in the lens the only visible a€œeyes.a€ The background is an explosion of vibrant bokeh lightsa€”soft, blurred circles of electric blues, neon pinks, fiery oranges, and deep purples from the bustling urban streets. Raindrops glisten on his jacket, catching the city lights. His gloved hands grip the camera firmly, the lens reflecting distorted images of the chaotic metropolis behind him. The scene is cinematic, evoking mystery, intrigue, and the feeling of being watched yet unseen.
    A liminal space within the Water Temple from The Legend of Zelda: Ocarina of Time—a vast, submerged labyrinth where time and space feel distorted. The walls, made of smooth, ancient stone, are bathed in a cold, blue glow, their surfaces warped by the shifting reflections of the water. Silence dominates, broken only by the muffled sound of distant, unseen currents. The water level is unnatural—too still, too perfect, as if frozen in time. Endless hallways stretch in all directions, their depths obscured by a soft, misty blue haze. Staircases disappear into the water below, leading to unseen chambers where gravity seems meaningless. The liquid surface reflects the surroundings too crisply, almost like a mirror, creating an eerie sense of being trapped between two worlds. No creatures stir, yet the feeling of being watched is unshakable. The temple feels abandoned, yet undeniably alive, its endless corridors shifting with the movement of the water. There is no beginning, no end—just the sensation of being lost in an infinite, drowned dream, forever suspended in a quiet, forgotten abyss.
    "Create a semi-realistic digital artwork in the style of H.R. Giger, depicting a high-tech server room in disarray during a chaotic maintenance scenario. The room should be enveloped in dense, swirling smoke with a color palette dominated by dark gray and black. The servers are melting and misshapen, distorting into pools of glowing molten metal with eerie orange and red reflections. The walls and floor should feature intricate biomechanical patterns with metallic textures, enhancing the surreal and dystopian feel. In the foreground, a man in a work uniform holds a toolbox, scratching his head with his other hand, conveying a sense of confusion. Add a cute, unthreatening little robot at the mans feet looking up with a smile,l also holding a little toolbox, ooking out of place but adding a touch of charm to the scene. Above the scene, integrate the text 'MAINTENANCE MODE' in a LED-lit digital binary typeface as part of the room's system interface. Use harsh, unnatural lighting to accentuate the molten metal and create deep, dramatic shadows for a more intense atmosphere."
    “Plastic Man morphing into a woman, blending human features with intricate high-technology details. His body gradually shifts, the masculine structure transforming into soft, fluid lines, while maintaining a mix of both identities. Glossy, translucent plastic textures merge seamlessly with the delicate features of the woman, from her curves to her facial features. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A piece of cardboard in the foreground is burning, with flames licking the edges as it crumples and chars, while bold, messy handwriting that reads: ‘SAVE ME’ remains partially visible through the smoke. In the background, fuzzy logic algorithms manifest as glowing, abstract patterns, like digital fractals, floating above the room, symbolizing complex decision-making processes. The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    Marvel icons, Captain America and Venom, are caught in a surreal, high-energy selfie in front of the towering Mole Antonelliana, with an ominous atmosphere creeping into the scene. Captain America, his shield reflecting the eerie light of a dying sun, holds a vintage Kodak MC3 camera, attempting to capture the strange moment. Venom, grinning wickedly, strikes a chaotic pose, his dark tendrils wrapping around Cap, almost too tightly, creating a sinister tension. Behind them, the massive Sion army marches closer, their eyes glowing an unsettling red beneath shadowy, insect-like helmets, as if they are from another world. The Mole Antonelliana rises in the background, but its iconic spire appears distorted, stretching unnaturally into the stormy, purple-tinged sky. The shadows it casts are long and twisted, making the architecture feel otherworldly and warped. In the foreground, a flickering neon cardboard sign reads ‘OPEN TO MERAVIGLIA,’ with some of the letters glitching into cryptic symbols, as if reality itself is decaying. Holographic accents flicker erratically, and strange dust swirls through the air, as if the scene is caught between dimensions. The unsettling blend of familiar landmarks, heroes, and encroaching danger creates a dark, cinematic snapshot of a world on the edge
    Time Traveler’s Car: A car with its outer shell composed of clock gears, dials, and glowing hourglasses. The headlights are antique pocket watches, and the interior dashboard has shifting timelines. The car warps through different historical settings, from ancient ruins to futuristic cities, creating a visual distortion as it travels.
    “Plastic Man morphing into a combination of dollars and bitcoins, blending human and financial features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crisp bills of currency and glowing bitcoin symbols, with digital codes flowing through the notes. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background shifts to a cosmic, starry sky filled with swirling galaxies and neon-colored energy fields, while the illumination source comes from a flickering, glowing orb suspended above, casting dramatic shadows and a soft, surreal glow. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of dollars and bitcoins, blending human and financial features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the crisp bills of currency and glowing bitcoin symbols, with digital codes flowing through the notes. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The background shifts to a cosmic, starry sky filled with swirling galaxies and neon-colored energy fields, while the illumination source comes from a flickering, glowing orb suspended above, casting dramatic shadows and a soft, surreal glow. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A liminal space within the Water Temple from The Legend of Zelda: Ocarina of Time—a vast, submerged labyrinth where time and space feel distorted. The walls, made of smooth, ancient stone, are bathed in a cold, blue glow, their surfaces warped by the shifting reflections of the water. Silence dominates, broken only by the muffled sound of distant, unseen currents. The water level is unnatural—too still, too perfect, as if frozen in time. Endless hallways stretch in all directions, their depths obscured by a soft, misty blue haze. Staircases disappear into the water below, leading to unseen chambers where gravity seems meaningless. The liquid surface reflects the surroundings too crisply, almost like a mirror, creating an eerie sense of being trapped between two worlds. No creatures stir, yet the feeling of being watched is unshakable. The temple feels abandoned, yet undeniably alive, its endless corridors shifting with the movement of the water. There is no beginning, no end—just the sensation of being lost in an infinite, drowned dream, forever suspended in a quiet, forgotten abyss.
    cinematic film still "reflected in the Uncanny valley eye something familiar, but not quite right. Unsettling, liminal, distorted, eerie, surreal, strange, fantasycore, 32k resolution, alcohol-ink and oils masterpiece by DeviantArt, Wadim, Kashin, Tim Burton, Thomas Kinkade" +white fluff+botanicalart white drybrush, French, fractal, sketch, poisonous tones, detailed drawing, Karl Gerard style, hyperoctane <lora:ImageUpgraderV2:0.4> detailmaximizer <lora:FluxMythP0rtr4itStyle:0.3> mythp0rt . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy. <lora:Aura_Flux:0.85>, <lora:FluxMythP0rtr4itStyle:0.75> mythp0rt, <lora:bokeh_flux_ntc:0.4>, <lora:detailed_flux_ntc:0.6>, <lora:Dever_Flux_Enhancer:0.6> , <lora:detailer_flux_v1:0.6> detailerlora
    A dimly lit supermarket parking lot at night, silent and empty. The flickering neon lights cast long, distorted shadows on the cracked asphalt. In the farthest corner, a figure stands in the darkness. It is tall, unnaturally thin, its elongated limbs barely distinguishable from the shadows. Its glowing white eyes pierce through the dark, locked onto you. A wide, jagged grin stretches across its face, too large, too sharp—unnatural. It doesn’t move. Yet every time you blink, it feels closer. It is watching. It is waiting. And no matter where you go, it will always be there.
    A high-society ski lodge scene, but the snowy peaks and chalet are painted in jagged, exaggerated strokes, expressive portraiture, painterly abstraction, emotional realism, fauvist color palette, gestural brushwork, rural symbolism, psychological atmosphere, simplified forms, muted and vibrant tones, introspective figures, spontaneous composition, contemporary expressionism, pastoral themes, intuitive linework, minimal background detail, spiritual undertones, dreamlike distortion, narrative ambiguity, human vulnerability, poetic emotion
    cinematic film still "reflected in the Uncanny valley eye something familiar, but not quite right. Unsettling, liminal, distorted, eerie, surreal, strange, fantasycore, 32k resolution, alcohol-ink and oils masterpiece by DeviantArt, Wadim, Kashin, Tim Burton, Thomas Kinkade" +white fluff+botanicalart white drybrush, French, fractal, sketch, poisonous tones, detailed drawing, Karl Gerard style, hyperoctane <lora:ImageUpgraderV2:0.4> detailmaximizer <lora:FluxMythP0rtr4itStyle:0.3> mythp0rt . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy. <lora:Aura_Flux:0.85>, <lora:FluxMythP0rtr4itStyle:0.75> mythp0rt, <lora:bokeh_flux_ntc:0.4>, <lora:detailed_flux_ntc:0.6>, <lora:Dever_Flux_Enhancer:0.6> , <lora:detailer_flux_v1:0.6> detailerlora
    A gargantuan, ghostly spirit spider looms over a city, its ethereal form undulating with an otherworldly energy. The spider's enormous body, a twisted mass of ghostly, translucent flesh, seems to pulse with a malevolent life force. Eight glowing, spectral eyes fixate on you, their gaze piercing and unblinking. The city below is completely entombed in a labyrinthine network of sticky, glistening webbing, every building, every street, and every window ensnared in the spider's suffocating grasp. Not a single inch of the cityscape is free from the spider's web, as if the very fabric of reality has been warped and distorted by its presence. The air is heavy with the scent of decay and death, and the atmosphere is thick with an aura of creeping, existential dread. highest-Quality, intricate details, visually stunning, Masterpiece
    giant full moon, moonlit river, night landscape, tall reeds, reflective water, starry sky, serene atmosphere, glowing moonlight, natural scenery, tranquil setting, dreamy night, hyper-realistic style, peaceful outdoor scene, moon reflection, dark blue tones, expressive brushwork, hard light hard shadows, rich textures, cinematic depth, layers of meaning, distorted figures, bold brushstrokes, magical, heart-pounding scenario,Captivating and emotive artwork
    giant full moon, moonlit river, night landscape, tall reeds, reflective water, starry sky, serene atmosphere, glowing moonlight, natural scenery, tranquil setting, dreamy night, hyper-realistic style, peaceful outdoor scene, moon reflection, dark blue tones, expressive brushwork, hard light hard shadows, rich textures, cinematic depth, layers of meaning, distorted figures, bold brushstrokes, magical, heart-pounding scenario,Captivating and emotive artwork
    A caravan in a fake forest clearing, flanked by stylized expressionist eyes scrawled across the clouds in charcoal-like smears, surreal landscape photography meets expressionist figuration, constructed environments with raw, distorted human elements, hyperreal nature infused with bold linework and visceral emotion, manipulated scale and perspective, stark contrast between artificial beauty and human brutality, expressive textures in staged settings, psychological symbolism, modernist grotesque forms set within photographic landscapes, architectural fragments and surreal models clashing with abstract figures, ambiguous spatial narratives, visual tension between control and chaos, hybrid of photographic realism and neo-expressionist intensity
    A liminal space frozen in the dead of night—a vast, empty supermarket parking lot, dimly illuminated by flickering neon lights. The air is thick with silence, broken only by the distant hum of a buzzing lamp. Rows of abandoned shopping carts stand still, as if waiting for someone who will never return. The asphalt is cracked, damp from a recent rain, reflecting the artificial glow in eerie distortions. At first, it seems like you’re alone. But then… you feel it. In the farthest corner, where the light fails to reach, a silhouette emerges from the shadows. It stands unnaturally still, its form barely distinguishable—except for its eyes. Piercing, glowing in the darkness, locked onto yours. And then comes the smile—a wide, impossible grin stretching beyond human limits, gleaming with something inhuman. You look away for a second. When you look back… it’s closer. No matter where you move, no matter how much distance you put between yourself and the figure, the eyes remain. The grin never fades. It is watching. And it will never stop.
    A dimly lit supermarket parking lot at night, silent and empty. The flickering neon lights cast long, distorted shadows on the cracked asphalt. In the farthest corner, a figure stands in the darkness. It is tall, unnaturally thin, its elongated limbs barely distinguishable from the shadows. Its glowing white eyes pierce through the dark, locked onto you. A wide, jagged grin stretches across its face, too large, too sharp—unnatural. It doesn’t move. Yet every time you blink, it feels closer. It is watching. It is waiting. And no matter where you go, it will always be there.
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle. Then, in the background, something is there. Watching. Waiting. Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave. The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier. You shouldn’t be here. But now… he knows you are.
    A creepy liminal space in front of Peach’s Castle from Super Mario 64, where the once familiar world has become unsettling and oppressive. The castle stands towering in the distance, its bright colors faded and dulled, casting a dark, suffocating shadow over the empty, abandoned lawn. The lush green grass is now eerily still, almost lifeless, and the sky above is a bleak, unnatural shade of purple—no clouds, no movement, just a quiet that feels suffocating. The once inviting pathways are cracked, uneven, and barely visible through the overgrown, dead grass. The bridges that once seemed playful now look decayed and broken, standing still as if forgotten. The trees lining the path are twisted, their branches reaching out like gnarled, skeletal fingers, casting long shadows that seem to move on their own. A thick fog lingers over the ground, seeping toward the castle’s base, distorting the view as if the structure itself is slowly fading away. The world around you feels frozen in time, a lonely, abandoned place with no sound, no life—just the oppressive sensation of being completely alone. The world of Super Mario 64, once vibrant and alive, is now empty and hostile, a void where the silence is unbearably heavy, and a sense of dread creeps through every corner. The isolation is suffocating, and the feeling that something is watching from the darkness just beyond the fog lingers in every moment.
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A surreal photograph of a person standing barefoot on a sandy dune, facing the camera. The person is tightly wrapped in a large, flowing, semi-transparent fabric that clings to their form, creating a mysterious, almost otherworldly silhouette. The fabric, with a gradient effect, shifts from deep, dark tones at the top to warm amber hues in the middle, fading into lighter tones at the bottom. The fabric envelops the person completely, obscuring their identity while the wind subtly shapes the fabric around their body. They are standing on a dune, with more dunes visible in the background, creating a vast, rolling landscape. The background is slightly distorted, enhancing the surreal nature of the scene. The lighting is soft and natural, with warm tones from the setting sun casting dramatic shadows on the sand and the fabric. The atmosphere is dreamlike, focusing on the interplay between the wrapped fabric, the human form, and the expansive, surreal landscape
    A gargantuan, ghostly spirit spider looms over a city, its ethereal form undulating with an otherworldly energy. The spider's enormous body, a twisted mass of ghostly, translucent flesh, seems to pulse with a malevolent life force. Eight glowing, spectral eyes fixate on you, their gaze piercing and unblinking. The city below is completely entombed in a labyrinthine network of sticky, glistening webbing, every building, every street, and every window ensnared in the spider's suffocating grasp. Not a single inch of the cityscape is free from the spider's web, as if the very fabric of reality has been warped and distorted by its presence. The air is heavy with the scent of decay and death, and the atmosphere is thick with an aura of creeping, existential dread. highest-Quality, intricate details, visually stunning, Masterpiece
    A gargantuan, ghostly spirit spider looms over a city, its ethereal form undulating with an otherworldly energy. The spider's enormous body, a twisted mass of ghostly, translucent flesh, seems to pulse with a malevolent life force. Eight glowing, spectral eyes fixate on you, their gaze piercing and unblinking. The city below is completely entombed in a labyrinthine network of sticky, glistening webbing, every building, every street, and every window ensnared in the spider's suffocating grasp. Not a single inch of the cityscape is free from the spider's web, as if the very fabric of reality has been warped and distorted by its presence. The air is heavy with the scent of decay and death, and the atmosphere is thick with an aura of creeping, existential dread. highest-Quality, intricate details, visually stunning, Masterpiece
    cinematic film still "reflected in the Uncanny valley eye something familiar, but not quite right. Unsettling, liminal, distorted, eerie, surreal, strange, fantasycore, 32k resolution, alcohol-ink and oils masterpiece by DeviantArt, Wadim, Kashin, Tim Burton, Thomas Kinkade" +white fluff+botanicalart white drybrush, French, fractal, sketch, poisonous tones, detailed drawing, Karl Gerard style, hyperoctane <lora:ImageUpgraderV2:0.4> detailmaximizer <lora:FluxMythP0rtr4itStyle:0.3> mythp0rt . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy. <lora:Aura_Flux:0.85>, <lora:FluxMythP0rtr4itStyle:0.75> mythp0rt, <lora:bokeh_flux_ntc:0.4>, <lora:detailed_flux_ntc:0.6>, <lora:Dever_Flux_Enhancer:0.6> , <lora:detailer_flux_v1:0.6> detailerlora
    “Create an image of a statue of Giovanna d’Arco (Joan of Arc) displayed in a museum setting, shot using a Hasselblad camera with 12mm fisheye optics. The statue should have a classic, realistic style, capturing Joan in her iconic armor, holding a sword and shield, but with a gentle, subtle smile on her face, softening the heroic pose. The setting is an elegant, spacious museum with marble floors and soft lighting highlighting the statue. Near the base of the statue, there should be an extinguisher (extintor) subtly placed in the scene, offering a contrast between the historical figure and the modern, functional object. In the foreground, include a small panel with the text ‘Better safe than sorry!’ in bold, plastic extruded characters, with a 3D glossy plastic finish. The fisheye lens should distort the perspective slightly, creating a dynamic, wide-angle view that enhances the contrast between the ancient statue and the modern safety feature, adding a surreal and playful touch to the composition.”
    femme fatale, vibrant, multichromatic colors, transitioning from brutalism to cubism, sharp angular forms, fragmented geometry, distorted body shapes, sneaking spy, dynamic movement, abstract patterns, jagged geometric forms, shifting into futuristic vorticism style, interlocking polygons, fragmented figure, brutal edges blending into sleek futurist lines, primal yet industrial aesthetic, exaggerated seductive features, fractured environment, recursive shapes, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, urban dystopian setting, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), dynamic action, covert, sleek movements, fractured light beams, minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    fr0stwrld, snow, ice , “Plastic Man morphing into a pig, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the pink, textured skin of a pig, complete with lifelike details such as ears, a snout, and a curly tail. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘Save me, give me buzz!’ The setting is an abstract, high-tech environment, filled with mechanical and organic elements. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    “Plastic Man morphing into a combination of a turtle and bitcoins, blending human and animal features with intricate high-technology details. His body exhibits glossy, translucent plastic textures merging seamlessly with the turtle’s textured shell, while glowing bitcoin symbols and digital codes flow across its surface. Random, glowing, fancy spots illuminate the scene, resembling futuristic bio-luminescence. A rotten piece of cardboard lies in the foreground, damp and crumpled, with bold, messy handwriting that reads: ‘SAVE ME.’ The background shifts to a high-tech room in a domotical house, filled with smart home devices, sleek control panels, glowing LED lights, and walls covered in digital screens showing data and automated systems in action. The illumination source comes from an ambient, soft glow emitted by the walls, casting dynamic reflections and shadows throughout the room. Rendered with cinematic prime lens effects, using a fisheye 12mm perspective for dramatic distortion and dynamic depth, showcasing surrealism with stunning visual clarity.”
    A hyper-realistic young woman with distorted, elongated facial features, her expression showing deep pain and confusion. Emotions like anger, joy, and sadness physically leak out of her eyes, mouth, and body as bright, abstract symbols. The emotions pop with vivid colors, contrasting against the rest of the scene in a black-and-white palette. Her skin has realistic textures of crusted dryness and shimmering sweat. The scene is lit with high-quality, cinematic lighting, ensuring every detail is sharp and well-defined. The shot uses Panavision anamorphic lenses, creating a wide, cinematic view with natural lens flares. In the background, a dark city skyline at night with neon lights subtly distorts around the edges, adding to the oppressive, claustrophobic atmosphere. The overall composition feels intense, capturing the overwhelming weight of the emotional release.
    A gargantuan, ghostly spirit spider looms over a city, its ethereal form undulating with an otherworldly energy. The spider's enormous body, a twisted mass of ghostly, translucent flesh, seems to pulse with a malevolent life force. Eight glowing, spectral eyes fixate on you, their gaze piercing and unblinking. The city below is completely entombed in a labyrinthine network of sticky, glistening webbing, every building, every street, and every window ensnared in the spider's suffocating grasp. Not a single inch of the cityscape is free from the spider's web, as if the very fabric of reality has been warped and distorted by its presence. The air is heavy with the scent of decay and death, and the atmosphere is thick with an aura of creeping, existential dread. highest-Quality, intricate details, visually stunning, Masterpiece
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    A small, round creature with big, innocent eyes and an unsettling smile that stretches too wide. It has soft, pastel-colored fur, making it look cuddly, but its elongated fingers and slightly distorted features give it an eerie vibe. The creature is surrounded by a field of delicate, glowing flowers under a dimly lit moon, with shadows cast in strange angles, making the scene both charming and unnerving. Its large eyes reflect the light, adding an intense, almost hypnotic gaze that mixes sweetness with an underlying sense of dread.
    A mesmerizing kaleidoscope of water droplets cascades down a shimmering glass pane, each bead refracting prismatic light in a hypnotic dance. The scene is bathed in an ethereal, dreamlike glow, with muted colors swirling and blending like watercolors in motion. Ghostly echoes of sound waves ripple through the air, visualized as translucent, undulating ribbons that intertwine with the falling water. In the background, a fantastical cityscape emerges, its buildings warped and fluid as if seen through a watery veil. The architecture seems to pulse and breathe in sync with the rhythm of the falling droplets. At the center, a solitary figure stands transfixed, their silhouette distorted by the liquid lens, appearing both trapped and transcendent. Their outstretched hands seem to conduct the symphony of visual music, fingers trailing streaks of luminescent energy. The entire composition swirls with a sense of synesthesia, where sound and vision merge into a single, overwhelming sensory experience. Tendrils of mist rise from the base, lending an air of mystery and depth to the scene. The overall mood is one of beautiful melancholy, a captivating exploration of the thin boundary between reality and perception.
    abstract fruit, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted fruit shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented fruit, brutal edges, primal aesthetic, exaggerated forms, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    "Create a semi-realistic digital artwork in the style of H.R. Giger, depicting a high-tech server room in disarray during a chaotic maintenance scenario. The room should be enveloped in dense, swirling smoke with a color palette dominated by dark gray and black. The servers are melting and misshapen, distorting into pools of glowing molten metal with eerie orange and red reflections. The walls and floor should feature intricate biomechanical patterns with metallic textures, enhancing the surreal and dystopian feel. In the foreground, a man in a work uniform holds a toolbox, scratching his head with his other hand, conveying a sense of confusion. Add a cute, unthreatening little robot at the mans feet looking up with a smile,looking out of place but adding a touch of charm to the scene. Above the scene, integrate the text 'MAINTENANCE MODE' in a LED-lit digital binary typeface as part of the room's system interface. Use harsh, unnatural lighting to accentuate the molten metal and create deep, dramatic shadows for a more intense atmosphere."
    Mesmerizing abstract distortions in time. Poetic abstractions of conventional architecture. Starlight in a cloudy sky. Smoky.
    In large, ominous letters with a modern yet unsettling font, the words ‘give US buzz, please’ loom over the scene. The font appears jagged and distorted, evoking a sense of unease, as if it’s pulsing with hidden energy. The letters seem almost alive, with subtle shadows and a creeping, glitch-like effect that distorts their edges. The overall tone is dark and mysterious, making the request feel more like a demand, drawing viewers in with an eerie, compelling vibe
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    High-resolution overhead shot of a lone traveler walking towards a surreal horizon. The image features melting clocks, distorted forms, and vivid contrasting colors. The style is surreal and dreamlike, with a professional, commercial quality.
    human bodies, raw, unrefined textures, harsh and angular geometric forms, abstract figures, distorted anatomy, minimalist design, sharp and jagged geometric shapes, interlocking polygons, fragmented limbs, brutal edges, primal and industrial aesthetic, concrete-like skin, exaggerated muscles, stark lighting, monochromatic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (raw materials:1.4), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (vibrant colors:-1.4), (noisy:-1.1), (bad composition:-1.3)

      FLUX

    • Schnell - flux_schnell.sft