null 1970s

    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    chris foss hard sci-fi spaceship 1970s
    Create a vintage-style Italian horror-comedy poster for La Botte dei Morti Viventi (The Cask of the Living Dead), a playful sequel to The Enorcist. Set in a spooky 1970s Italian countryside, the poster should show the now-possessed little girl carrying her inseparable wine cask, joyfully sharing wine with a group of delighted zombies. These undead characters should have a humorous twist, with goofy smiles and wine glasses in hand, eagerly waiting for a pour. The design should echo classic horror posters with bold, dramatic colors, dark shadows, and eerie lighting but with a satirical undertone. Include Italian text for authenticity, using retro 70s typography. Show the girl pouring wine from the cask with a ghostly glow or red wine-colored mist emanating from it. Add small, fun details like wine bottles scattered around, some broken, and happy zombie faces with purple wine-stained lips. For extra effect, age the poster with tears, faded colors, and a slightly rotten, crumpled paper look, as if it has been plastered on a wall since the 70s.
    Avant-garde , gold and chrome , retro futurism 1970s
    avant-garde , gold and chrome, 1970s, lofi japan
    Avant-garde , 1970s futurism, chrome and gold
    Syd mead , 1970s retrofuturism, chrome and Magenta
    The images feature four separate professional graphic designs constructed solely from geometric forms and shapes, inspired by Anton Stankowski's 1970s work, hanging next to each other. Each graphic is framed in a light wooden frame. The top left graphic shows a swirl in red and white duotone colors. The top right graphic shows a distorted pattern in green and white duotone colors. The bottom left graphic shows wavy curves in yellow and white duotone colors. The bottom right graphic shows a slightly morphing checker pattern in dark blue and white duotone colors. All graphics are purely duotone without gradients. The space between the frames and the border of the image is perfectly even.
    avant-garde hyper realistic woman made from molten gold , steel and chrome pencil skirt and suit, 1970s , gold trim
    art-deco , gold and chrome, 1970s, lofi
    chris foss hard sci-fi spaceship 1970s
    A realistic photo in the style of grainy 1970s movies, The Black Knight from Monty Python stands in the middle of a narrow forest trail, he's resting his hands on the pomel of a two-handed long-sword planted in the ground, blocking the path. He is stoic and unmoving. A speech bubble above the knight reads "None. Shall. Pass.". A speech bubble below the knight reads "None! Shall! Pass!" On the trail facing the Knight is Gandalf, an old wizard with long gray hair and a long gray beard wearing battered gray robes and and a weathered gray wizard hat, he's holding a twisted and gnarled wooden staff as tall as he is. Above gandalf's head is a speech bubble that reads "YOU shall not pass!" Below him is a speech bubble that reads "You shall not PASS!"
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    avant-garde woman 1970s retro-futurism , alabaster and marble , gold and chrome
    avant-garde hyper realistic woman made from molten gold , steel and chrome pencil skirt and suit, 1970s , gold trim
    chris foss hard sci-fi spaceship 1970s
    avant-garde , gold and chrome, 1970s, lofi
    art deco woman 1970s retro-futurism , alabaster and marble , gold and chrome , flowing robes
    Create a detailed scene of an American radio studio from 1974 with a funky, R&B vibe. The studio features vintage equipment, including large analog mixing boards, turntables, and reel-to-reel tape machines. The room is adorned with glittering disco balls, colorful neon lights, and posters of popular R&B artists from the era. The walls have vibrant, patterned wallpaper with a retro feel, and there’s a groovy atmosphere with people wearing bell-bottoms, wide-collared shirts, and platform shoes. Prominently displayed in the background is a retro sign that reads “RADIO GEMINI ONE” in bold, glowing letters, capturing the essence of the 1970s funk and R&B culture.
    Avant-garde , gold and chrome , retro futurism 1970s
    avant-garde woman 1970s retro-futurism , alabaster and marble , gold and chrome
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    A ghostly figure standing at the edge of a vast, windswept cliff, their face unreadable, gritty urban pulp meets animated counterculture, 1970s underground comics aesthetic, bold linework, exaggerated expressions, graphic novel realism, chaotic composition, politically charged narrative, saturated retro color palette, noir lighting, expressive character design, anti-hero archetypes, sexual tension, dense dialogue energy, collage-like panels, experimental visual rhythm, vintage futurism, subversive satire, raw street-level storytelling
    chris foss hard scfi 1970s
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism
    Avant-garde , 1970s futurism, chrome and gold
    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , Robert T techno style ,1970s retro futurism , chrome and Gold
    “Create an image of a beautiful smiling blonde lady, her features softly blending with a female bee. The scene takes place in a rundown Italian hotel room from the 1970s, with the woman and bee lounging together on a worn red leather sofa. The room exudes a sense of decay with faded wallpaper, cracked tiles, and cobwebs in the corners. A piece of rotten cardboard on the floor reads ‘buzz buzz’ in worn-out, faded letters. The atmosphere should feel nostalgic yet eerie, capturing a mix of beauty and decay.”
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin that seamlessly blends into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look, featuring a rugged, black leather vest with bold patches and insignia. Underneath, he wears a fitted black t-shirt, distressed jeans, and heavy-duty biker boots. Accessories include chrome waist chains, chunky rings, and leather bracelets, glinting in the pale moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background, enhancing the rebellious vibe. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. The scene is shot through Panavision anamorphic 35mm optics, adding a cinematic texture with lens flares and film grain. His ‘cara de muerto’ mask adds a festive yet haunting touch, making him a striking, iconic figure embodying the spirit of rebellion and the Halloween vibe. Style: NIjiV1_FLUX, ne0nfant4sy.
    Avant-garde , 1970s futurism, chrome and gold
    avant-garde, retro futurism , gold and chrome, daylight, california desert, 1970s, robert T, techno style
    avant-garde hyper realistic woman made from molten gold , steel and chrome pencil skirt and suit, 1970s , gold trim
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    Avant-garde , Robert T techno style , retro futurism , 1970s
    avant-garde hyper realistic woman made from molten gold , steel and chrome pencil skirt and suit, 1970s , gold trim
    avant-garde woman made from metal , steel and chrome, 1970s , gold trim
    avant-garde , gold and chrome, 1970s, lofi
    A grainy photo in the style of 1970s movies, a panoramic profile shot from the side of two figures facing each other. they are staring at each other from opposite sides of a long flat footbridge over a placid forest stream that runs toward the viewer, splitting the frame. In the mid ground of the image: On the left of the bridge the first figure is the Black Knight from Monty Python. He stands tall in the middle of a narrow forest trail, a red medieval dragon is painted on his black chestplate, (helmet is a simple black cylinder and is flat on top). he is resting his hands on the pomel of a two-handed long-sword planted in the ground in front of him. He is stoic and unmoving. A speech bubble above the knight contains the text " NONE SHALL PASS ". . On the right side of the bridge: the figure facing the knight is an old wizard with long gray hair and a long gray beard wearing battered gray robes and a weathered gray wizard hat. The wizard is holding a twisted and gnarled wooden staff that is as tall as his hat. The staff is planted on the ground in front of him and the top of the staff has a faint glow. Above the wizard's head is a speech bubble containing the text " YOU SHALL NOT PASS ".
    Avant-garde , 1970s futurism, female,chrome and gold, ultra high tech helmet and weaponry,detailed background, dynamic angle, volumetric lighting, godrays
    Avant-garde , 1970s futurism, chrome and gold, ultra high tech helmet and weaponry,detailed background, dynamic angle, volumetric lighting, godrays
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, gold with polished and glossy white accents, facial half visor, jet pack human female, cowboy shot
    A grainy photo in the style of 1970s movies, a panoramic profile shot looking down on a field split by a small stream that emerges from the edge of a forest. Far from the camera, two figures face each other from opposite sides of a long flat footbridge that spans left to right a placid forest stream that runs toward the viewer, splitting the frame. | On the left of the bridge is the Black Knight from Monty Python. He stands tall, a red medieval dragon is painted on his black chestplate, (helmet is a simple black (cylinder) and is flat on top). he is resting his hands on the pomel of a two-handed long-sword. He is stoic and unmoving. ((A speech bubble above the knight reads "None Shall Pass " )) Facing the knight from the right side of the bridge is an old wizard with long gray hair and a long gray beard wearing battered gray robes and a weathered gray pionty wizard hat. The wizard is holding a twisted and gnarled wooden staff that is as tall as his hat. He is holding the staff upright in front of him, the top of the staff has a faint glow. ((Above the wizard's head is a speech bubble reads " YOU SHALL NOT PASS ".)) Grainy film picture, still frame.
    Syd mead , 1970s retrofuturism, chrome and gold
    Avant-garde , Robert T techno style , 1970s retro futurism
    chris foss hard sci-fi spaceship 1970s
    Avant-garde , Robert T techno style ,1970s retro futurism , chrome and Gold
    Avant-garde , Robert T techno style ,1970s retro futurism , chrome and Gold
    Hyper-realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto,’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. Next to him stands his spouse, a woman wearing a matching ‘cara de muerto’ mask adorned with colorful floral patterns. She’s dressed in a vibrant traditional Mexican dress for Día de los Muertos, featuring intricate embroidery. The man dons a Hell’s Angels-inspired biker look, complete with a rugged black leather vest, fitted black t-shirt, and distressed jeans. A Harley-Davidson motorcycle with ape hanger handlebars is parked prominently in the background. Accessories like chrome waist chains and chunky rings glint in the moonlight. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. Shot through Panavision anamorphic 35mm optics, the scene has a cinematic texture with lens flares. Together, they form a striking couple, embodying rebellion and the Halloween spirit. Style: NIjiV1_FLUX, ne0nfant4sy.
    Avant-garde , 1970s futurism, chrome and gold
    fall colors 1970s , hard scifi
    Avant-garde , gold and chrome , retro futurism 1970s
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    avant-garde, retro futurism , gold and chrome, daylight, california desert, 1970s, robert T, techno style
    avant-garde, retro futurism , 1970s, robert T, techno style
    avant-garde , gold and chrome, 1970s, lofi
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    Avant-garde , 1970s futurism, chrome , magenta and gold
    Avant-garde , 1970s futurism, chrome , chartreuse and teal
    Avant-garde , 1970s futurism
    Avant-garde , 1970s futurism
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , Robert T techno style , retro futurism , 1970s
    Avant-garde , gold and chrome , retro futurism 1970s
    Hyper-realistic digital art of a man wearing a porcelain mask, now resembling a ‘cara de muerto,’ intricately adorned with detailed sugar skull-like patterns—swirls, flowers, and bold lines, emphasizing the eerie beauty of Day of the Dead art. His lower body remains Chromecore, with silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting and long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting jack-o’-lanterns, skeletons, and flickering candles into abstract shapes. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—move in the background, their forms blending into the dreamlike haze. The scene is shot with Panavision anamorphic 35mm optics, adding a grainy, cinematic texture with lens flares. He’s dressed in oversized, distressed avant-garde fashion, blending futuristic streetwear with spooky high-fashion elements. Chrome waist chains, necklaces, and bangles glint under the pale moonlight, while the ‘cara de muerto’ mask adds a festive, haunting touch. The vntblk dark tones of his outfit stand out against the eerie countryside, making him a striking, otherworldly figure. Style: NIjiV1_FLUX, ne0nfant4sy.
    Avant-garde , 1970s futurism, chrome and gold
    Syd mead , 1970s retrofuturism, chrome and Magenta
    Syd mead , 1970s retrofuturism, chrome and Magenta
    art-deco , gold and chrome, 1970s, lofi
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Hyper-realistic digital art of a man wearing a porcelain ‘cara de muerto’ mask with intricate sugar skull patterns. His lower body is Chromecore, blending silver metallic skin into gradient tones of blue, black, and chrome. Set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The blurred Italian countryside behind distorts Halloween decorations—jack-o’-lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels-inspired biker look: a black leather vest with patches, a black t-shirt, distressed jeans, and heavy-duty boots. Chrome accessories, waist chains, and rings glint in the moonlight. A Harley-Davidson motorcycle with ape hanger handlebars is parked behind him. The real focal point in the foreground is a large, detailed road sign that reads ‘MOTO PARKING ONLY.’ The sign is engulfed in burning flames, casting fiery light and shadows, with its details—gritty texture, worn edges, and bold letters—clearly visible. Flames dance and crackle around it, adding intensity to the rebellious Halloween scene. Vintage 1970s Halloween characters blur into the dreamlike background, enhancing the cinematic feel with lens flares and film grain.
    Hyper-realistic digital art of a man wearing a porcelain mask, now resembling a ‘cara de muerto,’ intricately adorned with detailed sugar skull-like patterns—swirls, flowers, and bold lines, emphasizing the eerie beauty of Day of the Dead art. His lower body remains Chromecore, with silver metallic skin blending into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting and long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting jack-o’-lanterns, skeletons, and flickering candles into abstract shapes. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—move in the background, their forms blending into the dreamlike haze. The scene is shot with Panavision anamorphic 35mm optics, adding a grainy, cinematic texture with lens flares. He’s dressed in oversized, distressed avant-garde fashion, blending futuristic streetwear with spooky high-fashion elements. Chrome waist chains, necklaces, and bangles glint under the pale moonlight, while the ‘cara de muerto’ mask adds a festive, haunting touch. The vntblk dark tones of his outfit stand out against the eerie countryside, making him a striking, otherworldly figure. Style: NIjiV1_FLUX, ne0nfant4sy.
    chris foss hard sci-fi spaceship 1970s
    Syd mead , 1970s retrofuturism, chrome and gold
    Avant-garde , 1970s futurism, chrome and gold
    Avant-garde , Robert T techno style , 1970s retro futurism
    ArsMovieStill, movie still from a 1970s horror movie. The image is of a man in a radio studio. He is leaning against a a wall near a door and holding a gun up. He wears a circular sunglasses, has long brown curly hair, and a green field jacket. The studio is a mess with damaged equipment, overturned tables, broken glass, bullet holes in the walls. Indoors, depth of field, high grain film, male focus, 1 man.
    Avant-garde , 1970s futurism, chrome and gold
    avant-garde, retro futurism , gold and chrome, california desert, 1970s, robert T, techno style
    Avant-garde , 1970s futurism, chrome and gold
    art deco woman 1970s retro-futurism , alabaster and marble , gold and chrome , flowing robes
    Avant-garde , Robert T techno style ,1970s retro futurism , chrome and Gold
    avant-garde, retro futurism , 1970s, robert T, techno style
    avant-garde woman 1970s retro-futurism , alabaster and marble , gold and chrome

      FLUX

    • Schnell - flux_schnell.sft