maxmorrison
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    Hyper- realistic digital art of a man wearing a porcelain mask resembling a ‘cara de muerto, ’ intricately adorned with sugar skull patterns—swirls, flowers, and bold lines. His lower body is Chromecore, featuring silver metallic skin that seamlessly blends into vibrant gradient tones of blue, black, and chrome. The scene is set on Halloween night, October 31, 1974, with eerie lighting casting long shadows. The Italian countryside behind him is blurred with a chaotic bokeh effect, distorting Halloween decorations—jack- o’- lanterns, skeletons, and flickering candles—into surreal shapes. The man dons a Hell’s Angels- inspired biker look, featuring a rugged, black leather vest with bold patches and insignia. Underneath, he wears a fitted black t- shirt, distressed jeans, and heavy- duty biker boots. Accessories include chrome waist chains, chunky rings, and leather bracelets, glinting in the pale moonlight. A Harley- Davidson motorcycle with ape hanger handlebars is parked prominently in the background, enhancing the rebellious vibe. Vintage 1970s Halloween characters—kids dressed as vampires, witches, and mummies—are faintly visible, their forms blurring into the dreamlike haze. The scene is shot through Panavision anamorphic 35mm optics, adding a cinematic texture with lens flares and film grain. His ‘cara de muerto’ mask adds a festive yet haunting touch, making him a striking, iconic figure embodying the spirit of rebellion and the Halloween vibe. Style: NIjiV1_FLUX, ne0nfant4sy

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    More prompts from maxmorrison

    cat from wonderland on a chessboard, horror ambience,italian mood, magnana por la magnana, italian sign, no work from me today, mafia pizza mandolino
    a bronze rubik's cube by picasso. upper line of the cube says "MAD". middle line of the cube says "ARE". bottom line of the cube says "XxX".
    “Captured with Panavision Prime Cine optics: a minimalist studio scene featuring a pastel white dome-shaped wall curving seamlessly into the floor, softly illuminated with diffused cinematic lighting. Cube-shaped shadows, cast by a front-facing window grid, add depth and visual interest to the composition. At the exact middle height of the wall, a bold object stands, secured with an extra-wide strip of vibrant yellow duct tape. Beside it, a prominent, jagged scar disrupts the wall’s smooth surface, adding a raw, contrasting imperfection to the pristine aesthetic. The premium optics emphasize every detail, from the textures of the wall and shadows to the vivid tones of the object and tape.”
    “A portrait of a terrified girl with long orange hair, styled in a messy bun, kneeling on the ground. She has striking green eyes, one of which is closed, with mascara running down her face from crying. Her expression is a terrifying mix of fear and anger as she gazes directly at the viewer. Her skin appears almost transparent, enhancing the haunting quality of the image. She wears a yellow shirt and a brown skirt, accessorized with earrings and lipstick. Her wet hair is disheveled, and the scene is set against a backdrop of high-tech furniture, blending the futuristic with the emotional intensity. Captured using Panavision cine prime optics 8mm, the image has a soft, cinematic look, emphasizing the girl’s perfect eye details and raw emotion.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    “A whimsical, humanized bull, with a fairytale charm, holding a sign that says ‘Buzz Please!’ in playful, handwritten text. The shot is captured with a Panavision Prime Cine Optics 12mm fisheye lens, giving the image a dramatic, wide-angle distortion with the bull appearing larger in the center and the magical, dreamy background curving around it.”
    A mischievously cute but tough-looking kitten captured through a fisheye cinema prime lens. The kitten is dressed as a U.S. Marine during the Vietnam War, wearing an olive-green military uniform and a flak jacket. Its slightly oversized helmet, tilted askew, boldly displays the hand-painted words “BORN TO BUZZ..” along with a buzzing bee symbol. The background showcases McDonald’s first restaurant, featuring its retro architecture, large golden arches, and a bustling 1950s atmosphere. In the kitten’s wide, expressive eyes, the reflections of bright annular lights create a striking, otherworldly glow, adding a modern and surreal touch to the vintage and gritty aesthetic. Hyper-realistic fur textures, vivid colors, and dramatic cinematic lighting enhance the scene, blending humor and visual intensity seamlessly.
    terri poch
    A cinematic Halloween scene for 2024, captured with stunning depth using Panavision Prime lenses. The title, ‘How to Enjoy Halloween 2024,’ curves at the top in a spooky, chilling font. Set at dusk beneath a full moon, the scene features a decaying Victorian mansion with cobwebs stretching across twisted trees and flickering jack-o’-lanterns that seem to glow with a supernatural light. Dramatic lighting adds rich contrasts, with shadows from the moon and bonfire creating a perfect blend of warmth and eerie coldness. Children and adults in hyper-realistic costumes—witches with eerie features, hollow-eyed skeletons, and iconic horror figures—gather around a large bonfire. Their detailed costumes and subtle facial expressions are brought to life through the sharp, cinematic quality of the Panavision lenses, which capture every nuance. The bonfire’s flickering light reflects in their eyes, while darkened figures in the background linger mysteriously, hinting at something unseen. The gothic mansion looms ominously, its windows barely visible through the mist, and the surrounding cemetery holds crumbling tombstones and creeping shadows. Bats flutter across the night sky, casting fleeting shadows. Every detail, from the texture of the mansion to the shimmering cobwebs, is highlighted by the precise focus, making this Halloween scene both visually stunning and deeply unsettling.
    Create a breathtaking fantasy landscape where a majestic, ancient castle floats above a serene, crystal-clear lake surrounded by lush, enchanted forests. The scene is bathed in the golden light of a setting sun, casting long, dramatic shadows and highlighting the intricate details of the castle’s architecture. In the foreground, a gentle, misty fog drifts across the lake, and mystical, glowing creatures flutter around. The sky is a gradient of vibrant colors, transitioning from warm oranges and pinks to deep purples and blues, with a few twinkling stars beginning to emerge. The overall mood should be magical and ethereal, with a high level of detail and a sense of wonder.
    Posaman, played by Italian actor and comedian Lillo, is seated at a table on a lively TV commercial set, sporting his humorous superhero costume. The outfit features vibrant reds, blues, and yellows, with a large, eye-catching ‘P’ prominently displayed on his chest. His ensemble includes a flowing cape, clunky boots, and oversized gloves, enhancing the comedic appeal of his low-budget superhero persona. In front of Lillo, a stylish sign reads ‘Buzz 4 Posaman!’ in bold, playful lettering, illuminated with bright colors and possibly flashing lights to draw attention. The sign adds to the light-hearted, energetic atmosphere of the commercial shoot. Lillo leans forward at the table, engaging with the audience, his expression a mix of heroic intensity and comedic charm as he gestures animatedly. The set is bustling with activity: studio lights illuminate the scene, crew members adjust equipment, and green screens and props fill the background. This environment contrasts with the whimsicality of Posaman, grounding him in a relatable, everyday setting while still showcasing the absurdity of his character. The combination of the table, the vibrant sign, and Lillo’s larger-than-life performance creates an engaging and humorous scene for the commercial.
    An anthropomorphic Snoop Dogg, radiating smooth charisma, sits confidently in the driver’s seat of a quirky, vintage Fiat 500. He’s decked out in his usual pimp regalia—deep purple velvet suit, wide-brimmed hat adorned with a feather, gold chains, and flashy rings—gripping the steering wheel with cool authority, his stylish cane resting against the dashboard. In the cramped passenger seat, a mischievous Minion lounges next to him, its wide eyes peeking out from behind oversized goggles. Dressed in its classic blue overalls, the Minion holds a crumpled, slightly torn letter in its small hands. The edges of the letter are singed and stained, and the messy handwriting reads: "YO, ONLY BUZZ CAN MAKE THIS TINY RIDE FLY. TIME’S RUNNING OUT—GET YOUR HEAD STRAIGHT OR LOSE IT. -THE BOSS." Inside the Fiat, the interior is worn but still exudes retro charm with cracked leather seats and vintage details. Outside, a neon-lit Miami backdrop of swaying palm trees and gritty, shadowy streets contrasts sharply with the quirky little car. The scene is hyperrealistic, blending Snoop’s laid-back, larger-than-life presence with the Minion’s playful mischief and the car’s eccentric appeal, creating a vibrant, highly detailed tableau full of energy, humor, and surreal flair.
    “A muscular, raging burgundy-colored bull, with defined muscles and an intense posture, is head-to-head with a clumsy camel wearing an Emirates cap. The camel, casually munching as usual, is slightly off-balance, contrasting with the bull’s powerful stance. In the background, there’s an oil extraction factory with towering chimneys and large industrial structures, releasing faint plumes of smoke into the sky. Above the scene, an Etihad Airways Airbus soars through the sky, adding to the industrial atmosphere. To the side, a rotten cardboard with faded, torn edges reads ‘CAIRO JUVENTINO VENDI AL BEDUINO!’ adding a touch of surrealism and intrigue to the gritty landscape. In the other side, another rotten cardboard 'BUZZ 4 BUY TORINO FC'"
    “Create a vibrant Lego scene of a mountain sky station named ‘Roccaraso’ set high in the mountains. A road sign with ‘Roccaraso’ clearly visible should be placed near the entrance, while the name ‘Roccaraso’ should appear subtly integrated into various elements of the scene, like on banners, benches, and road markings. The sky station itself features Lego buildings with quirky angles, using decentered architectural optics to create an impression of unusual perspectives and tilts. Several Lego influencers, decked out in trendy outfits, are scattered throughout the scene, photographing other Lego travelers, capturing selfies, and striking poses. Among the crowd, there are Lego characters representing Palestinian people, and a Palestinian flag is prominently displayed, waving in the breeze near the entrance. In one corner, a hidden Lego graffiti tag says ‘maxmorrison was here,’ blending into the surroundings. The atmosphere is lively and surreal, with unexpected pops of color and details like Lego trees, luggage, and cameras adding to the playful chaos. The scene should feel dynamic, with a sense of fun and eccentricity, all captured in a world made of Lego bricks.”
    “A portrait of a scared girl with long orange hair, styled in a messy bun, kneeling on the ground. She has striking green eyes, one of which is closed, with mascara running down her face from crying. Her expression is a mix of fear and anger as she gazes directly at the viewer. She wears a yellow shirt and a brown skirt, accessorized with earrings and lipstick. Her wet hair is disheveled, adding to the intense emotional impact. The background is a plain white, emphasizing the girl’s perfect eye details, capturing her raw emotion in a powerful and expressive solo scene.”
    A minion from Despicable Me transformed into a Chewbacca-inspired creature, covered head to toe in thick, shaggy fur, blending the iconic features of a Wookie with the playful charm of a minion. Wearing a rugged ammo belt across its chest, the character strikes a powerful stance, mid-roar, exuding fierce energy. Next to this Wookiee minion stands a minion styled as Princess Leia, complete with her signature buns and white robes, adding a whimsical twist to her regal look. In the background, a dramatic sign reads ‘BUZZ WARS’ in a bold, Star Wars-style logo, glowing with a futuristic flair. To complete the scene, Darth Vader appears in all his imposing glory, adding a dark, commanding presence. Set against a pitch-black backdrop, the image shines in cinematic, 4K quality, creating a visual masterpiece that blends epic and whimsical elements with intricate details in texture, expression, and character design.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    A close-up macro shot of a dog skull crafted from opal, resting within the ruins of an ancient Egyptian temple. The skull reflects a mystical iridescence with intricate details, while the setting exudes an eerie atmosphere. The scene is dimly lit by moonlight, partially obscured by thick clouds, casting shadows over the ruins. In the background, a terrifying clown lurks in the shadows, barely visible, with a haunting grin and piercing eyes. Nearby, a stylish, refined cardboard sign stands out with the words ‘Skull Candy Buzz’ written in glowing orange fluorescent letters. The sign has a cool, fancy design, adding a surreal and unsettling contrast to the dark and creepy environment
    “Captured with Panavision Prime Cine optics: a minimalist studio scene featuring a pastel white dome-shaped wall curving seamlessly into the floor, softly illuminated with diffused cinematic lighting. Cube-shaped shadows, cast by a front-facing window grid, add depth and visual interest to the composition. At the exact middle height of the wall, a bold object stands, secured with an extra-wide strip of vibrant yellow duct tape. Beside it, a prominent, jagged scar disrupts the wall’s smooth surface, adding a raw, contrasting imperfection to the pristine aesthetic. The premium optics emphasize every detail, from the textures of the wall and shadows to the vivid tones of the object and tape.”
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
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