John Carpenters They Live poster black and white sharpie vector illustration

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    Portrait of Thanos in the style of Theodor Kittelsen
    Typical black metal logo in top section, under it a drunk Grim Reaper drinking whiskey shots, several empty glasses surrounded by subtle dust and decay. The scene is lit with a deep green duotone color scheme, casting moody, heavy shadows. The texture is gritty and raw, evoking a dark and psychedelic stoner doom metal atmosphere. The background is dark and minimal, emphasizing the grim reaper, with faint hints of smoke or mist swirling in the air. The lighting is dramatic and harsh, creating a brooding, vintage poster-like aesthetic with a grainy, analog feel.
    Dark art Side view of an cloaked ominous monk from the 70s-style pulp paintings sitting in a pile of beer cans and bottles in a red mystical desert, The sky is red and otherworldy. The monks grinning skeletal face is barely visible. Duotone: Burnt orange and deep plum. Mood: Occult ritual meets 80's crinkled concert poster art style. Grim reaper, doom metal-style, gritty, desert ritual, tales from the crypt
    A raw, gritty, vintage doom metal album cover featuring a heavily textured, photocopied ink illustration of a haunted medieval castle on a jagged hill, surrounded by black fog and dead trees. The artwork is framed inside a square, resembling an old, lo-fi xerox flyer from the late 70s or early 80s. The illustration looks like it has been printed, scanned, and re-printed, with heavy black shadows, rough ink lines, and degraded textures. A deep, blood-red overlay is applied over the black-and-white artwork, using a multiply effect, evoking the look of an old bootleg poster. The background is gritty, with visible paper grain, ink smudges, and a distressed, worn-out appearance. Above or within the frame, bold blackletter typography spells 'FETTE DOOM MMXXV', sharp and ominous, perfectly fitting the occult doom vibe. The overall mood is lo-fi, menacing, and unmistakably DIY, like a forgotten stoner doom record from 1979.
    Dark art depicting a cloaked ominous monk from the 70s-style pulp painting, standing in a psychedelic red desert, holding a microphone while screaming agressively into it with a twisted expression on his skeletal face, his jaw is grotesquely wide open, in his bony hand he holds a half-full whiskey bottle The sky is red and otherworldy. Vultures circling in the sky. Duotone: Burnt orange and deep plum. Mood: Occult ritual meets 80's crinkled concert poster art style. Grim reaper, doom metal-style, gritty, desert ritual, screamo
    A stoner doom metal album cover for the song 'DOOMSKALLE', featuring a gritty, textured look reminiscent of a worn-out tattered poster from 1975. The title is prominently displayed in the center, dripping with blood, amplifying the menacing tone. Behind the title, a ominous wraith looms, shrouded in dark, swirling mist, holding a bong. The overall color scheme combines deep, ominous reds and blacks, enhancing the vintage horror vibe. The composition should include rough textures and distressed elements, creating a haunting and raw atmosphere typical of 70's doom metal aesthetics, with twisted branches and ghostly shadows adding to the eerie depth. #00000006:0.8
    Stylish promo photo for a white 2010 Chevrolet Camaro with black soft top roof, commercial photography, 4k, 80's videogames and Miami vice-style background
    A retro-inspired stoner doom metal album cover where the main focus is the bold, distorted title 'FETTE DOOM' in massive, cracked, stone-like letters. The text appears as if carved from ancient rock, with chipped edges, deep cracks, and moss or grime subtly growing on the surfaces. The letters are uneven and heavy, towering like monolithic slabs under a dark, stormy sky. The entire scene is drenched in a purple and dirty green duotone color palette, evoking an eerie, psychedelic doom vibe. Faint lightning bolts and swirling fog wrap around the text, adding a sense of ominous energy. The background features subtle textures like faded, vintage poster wear and grain. The overall mood is raw, heavy, and hypnotic, with a strong 70s-80s doom/stoner metal aesthetic.
    Dark art of an cloaked ominous monk from the 70s-style pulp paintings, seated in a psychedelic desert, lifts a blood-dripping goblet toward a blood-red sun with his bony fingers. The sky ripples like heatwaves. The monks grinning skeletal face is barely visible. Duotone: Burnt orange and deep plum. Mood: Occult ritual meets 80's crinkled poster art style. Grim reaper, doom metal-style, gritty, desert ritual, tales from the crypt
    A retro-inspired stoner doom metal album cover where the main focus is the bold, distorted title 'FETTE DOOM' in massive, cracked, stone-like letters. The text appears as if carved from ancient rock, with chipped edges, deep cracks, and moss or grime subtly growing on the surfaces. The letters are uneven and heavy, towering like monolithic slabs under a dark, stormy sky. The entire scene is drenched in a purple and dirty green duotone color palette, evoking an eerie, psychedelic doom vibe. Faint lightning bolts and swirling fog wrap around the text, adding a sense of ominous energy. The background features subtle textures like faded, vintage poster wear and grain. The overall mood is raw, heavy, and hypnotic, with a strong 70s-80s doom/stoner metal aesthetic.
    Template of a american looking roll-up banner for a Veteran muscle car / Amcar club
    Closeup of a demons hand shredding a electric guitar. The scene is lit with a deep yellow duotone color scheme, casting moody, heavy shadows. The texture is gritty and raw, evoking a dark and psychedelic stoner doom metal atmosphere. The background is dark and minimal, emphasizing the hand riffing on the strings. The lighting is dramatic and harsh, creating a brooding, vintage horror movie aesthetic with a grainy, analog feel. Ghastly and ominous, heavy metal art
    Photograph of a grotesque rotting zombie who is in the middle of chalking up a math problem on a blackboard, horror movie still, special effects, horror sfx, grindcore
    A professional 3d poker logo on a grey background saying "BRENDAN SCHAUB'S NEW GRIFT" on the first line, then big red bold stylized letters under spelling "TEGGSUS HOL'EM" and on the third line in small letters it says "POKER TOUR, Logo in poker style with four different playing cards, sport vibe
    Album cover of realistic Dark art full body view of a zombie woman from the 70s-style pulp paintings holding her hand near her face and licking the fingers with her snake-like tounge between the fingers implying oral sex, lying in bed in a eerie red hotel room, The vibe is red and otherworldy. The zombie womans rotting face is looking very passionate. Duotone: Burnt orange and deep plum. Mood: Occult ritual meets 80's crinkled concert poster art style, movie still, gore, sexy pose, flirty, licking
    Black and white sharpie sketch of the zombies from John Carpenters "They live"
    Dark art of an cloaked ominous monk from the 70s-style pulp paintings in the middle of doing a split jump, his bony legs showing while he uses his hands to hold down his robe skirt as not to show his genitals, The sky is red and otherworldy. The monks grinning skeletal face is barely visible. Duotone: Burnt orange and deep plum. Mood: Occult ritual meets 80's crinkled concertposter art style. Grim reaper, doom metal-style, gritty, desert ritual, tales from the crypt
    Movie still featuring a rotting zombie smiling peacefully while watching the sunset in a norwegian fjord with an amazing vista, 4k, special fx, cgi, walking dead
    Portrait of Thanos in the style of Theodor Kittelsen
    Typical black metal logo spelling DOOMSKALLE in top section, under it is The Grim Reaper drinking a tropical cocktail drink, surrounded by subtle dust and decay. The scene is lit with a deep purple duotone color scheme, casting moody, heavy shadows. The texture is gritty and raw, evoking a dark and psychedelic stoner doom metal atmosphere. The background is dark and minimal, emphasizing the skull and table, with faint hints of smoke or mist swirling in the air. The lighting is dramatic and harsh, creating a brooding, vintage poster-like aesthetic with a grainy, analog feel.
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