More prompts from Silmas

    A gaunt, masked figure cloaked in tattered opera velvet emerges from gilded shadows of a decaying Baroque theater, elongated claws refracting sickly amber footlights. Low-angle framing magnifies his towering presence over a cowering silhouette reflected infinitely in shattered mirror shards beneath the stage. Gustave Doré’s chiaroscuro meets Beksinski’s surreal decay: cracked marble columns drip blood-crimson resin into pooling fog that whispers with ghostly libretto fragments. Luminescent moth-swarm halos clash with indigo voids, his porcelain mask half-melted to reveal smoldering marionette strings beneath. Velvet drapes billow as if breathing, their folds swallowing the victim’s fading scream.
    An alluring necromancer commands a soul-rending ritual in a cathedral of shattered obsidian, low-angle perspective amplifying her towering presence amid floating bone shards. Gold-and-black Art Nouveau filigree robes cling to her form, her porcelain-pale face framed by cascading raven hair, eyes blazing with violet necrotic fire—living yet inhumanly perfect. Influenced by Brom’s dark fantasy dynamism and Klimt’s gilded opulence: spectral amber backlighting carves jagged shadows, casting her as both deity and destroyer. Swirling void-smoke merges with glowing crimson runes above her palms. Molten gold bleeds into cracks beneath her feet; a skeletal hand offers a wilted rose at her boots. Hyper-detailed textures: alabaster skin traced with luminous necrotic veins, tarnished silver embroidery, iridescent ectoplasmic mist. Chiaroscuro intensifies opulent decay.
    Painterly dark fantasy illustration, style of Brom and Zdzisław Beksiński. Low-angle close-up: Ancient stone gargoyle's head tilts upward, baleful phosphorescent green eyes glowing intensely from deep sockets. Weathered, pitted stone covered in grime and faint moss, rendered with visible, textured brushstrokes. Dramatic moonlight carves sharp highlights against abyssal shadows. Swirling nocturnal mist clings to the cathedral spire perch. Atmosphere of brooding menace, ancient sentience awakened. Hints of distant, blurred medieval city lights far below.
    Ink art, watercolour washes, charcoal shadows: Intimate close-up of a wisened elder, deeply etched smile, delicately cradling a warm gingerbread cookie. Arthur Rackham's expressive lines, Rembrandt's poignant lighting. Sepia, ochre, desaturated blue palette. Soft window light casts gentle chiaroscuro on papery skin, crumbly cookie. Dust-moted sunbeam illuminates antique lace, worn wood. Focus: knowing eyes, gentle hands, central cookie. Atmosphere of nostalgic tenderness, quiet contemplation; implied baking spices, wisp of steam.
    abstract photo on the theme: makes you larger
,mother gives you,Alice,ten feet tall, chasing rabbits,
    Ink art, watercolour sketch: Extreme low-angle, scruffy ink-stained terrier yearning upward. Hopeful cerulean blue eyes, focal point, gaze into parchment-textured void, subtle watercolour washes. Arthur Rackham's intricate ink, Egon Schiele's expressive contours; delicate cross-hatching, bleeding washes. Monochromatic sepia, charcoal. Subtle chiaroscuro on rough fibrous paper. Poignant longing; faint ink splatters, abstract watercolour wisps hint at unseen sky.
    A solitary figure kneels in a barren meadow, fingertips grazing a fragile sapling emerging from cracked earth—minimalist composition with a centered focal point, stark foreground-background contrast under soft, diffused light. Styled after Zao Wou-Ki’s abstract fluidity fused with Agnes Martin’s geometric restraint: milky celadon and ash gradients clash with abrupt charcoal lines, textures shifting between gossamer petals and parched soil. Dawn’s cold blue haze envelops the scene, pierced by a single amber ray illuminating the sapling’s translucent leaves. Tactile contrasts—smooth youth against jagged decay—evoke quiet resilience, balancing desolation with spring’s nascent hope.
    A lone figure in a 1940s tailored suit stands silhouetted against a fractured metropolis, angular buildings tilting like expressionist shadows. Cinematic noir meets emotional abstraction: Fritz Lang’s chiaroscuro clashes with Edvard Munch’s brushwork, drenching the scene in slate blues and burnt umber pierced by neon crimson. Foreground textures—rough brushstrokes on a frayed trenchcoat, a cracked pocket watch—contrast midground geometric shards. A fractured mirror reflects splintered selves, lit by a solitary streetlamp casting long, distorted shadows. Stylized vintage glamour dissolves into chaos through layered, color-blocked despair.
    Sin City comic style, Frank Miller influence. High contrast stark black and white, dramatic chiaroscuro lighting casting harsh shadows. Close-up shot: a man's head snaps up, intense wide-eyed gaze locking onto the viewer with sudden, focused awareness. Rain-slicked, gritty urban twilight backdrop, softly blurred. Tense, mysterious atmosphere evoked through sharp focus on his piercing eyes versus deep shadow. Gritty ink textures define the scene.
    A gaunt, masked figure cloaked in tattered opera velvet emerges from gilded shadows of a decaying Baroque theater, elongated claws refracting sickly amber footlights. Low-angle framing magnifies his towering presence over a cowering silhouette reflected infinitely in shattered mirror shards beneath the stage. Gustave Doré’s chiaroscuro meets Beksinski’s surreal decay: cracked marble columns drip blood-crimson resin into pooling fog that whispers with ghostly libretto fragments. Luminescent moth-swarm halos clash with indigo voids, his porcelain mask half-melted to reveal smoldering marionette strings beneath. Velvet drapes billow as if breathing, their folds swallowing the victim’s fading scream.
    Figurative Close up portrait, surreal, Oil painting.

Subject: Cherubic, red haired woman, alabaster skin.

Palette: crushed lavender blush, powdered sugar highlights, inky voids.
Makoto Fujimura-inspired nihonga marbling meets Klimt-esque gilt textures. Diffused light fractures through airborne ink droplets—innocence laced with liquid chaos.
    CLAMP’s hyper-stylized dynamism—jagged, angular linework, theatrical negative space, and exaggerated perspective distortions (Dutch tilt as emotional amplifier)—with Kuvshinov Ilya’s hauntingly tender realism, seen in iridescent skin textures and gradient-soaked halos that blur the line between digital painting and dreamscape. CLAMP’s influence manifests in Rukia’s razor-sharp silhouette and the fractured terrain’s graphic intensity, while Kuvshinov’s touch softens edges with chromatic aberration glows and molten light that caresses her frost-pale skin. The clash of CLAMP’s “visual noise” (lava cracks as ink-splatter violence) against Kuvshinov’s serene, almost AI-smooth gradients creates tension—a stylistic war mirroring her internal conflict, rendered in high-contrast chiaroscuro.
    Ink art, watercolour, charcoal, realistic style. Petulant ingénue, sultry pout, teasing gaze directly challenging viewer. Intimate extreme close-up on expressive eyes, lips. Smudged charcoal background. Artistry evokes Egon Schiele's raw linework, Arthur Rackham's delicate watercolour washes. Soft directional light creates subtle chiaroscuro. Desaturated earth tones, stark black ink, muted crimson lips. Velvety charcoal smudges, translucent watercolour bleeds, matte paper. Playful defiance, intimate provocation: wisps of stray hair, knowing glint in her eyes.
    Ink art, watercolour sketch: Extreme low-angle, scruffy ink-stained terrier yearning upward. Hopeful cerulean blue eyes, focal point, gaze into parchment-textured void, subtle watercolour washes. Arthur Rackham's intricate ink, Egon Schiele's expressive contours; delicate cross-hatching, bleeding washes. Monochromatic sepia, charcoal. Subtle chiaroscuro on rough fibrous paper. Poignant longing; faint ink splatters, abstract watercolour wisps hint at unseen sky.
    A tension-charged duo floats in a liquid-dim void, their torsos warped like Dali’s melting clocks, faces half-dissolved into Hilma af Klint’s geometric spirals. Extreme close-up from a skewed worm’s-eye view amplifies emotional claustrophobia: his hand—cracked terracotta glowing with inner magma—reaches toward her mercury-silver lips, frozen mid-syllable. Chiaroscuro lighting carves their forms in midnight blue and burnt umber, shadows pooling like spilled ink. Iridescent mist swirls where words fail, each particle humming with unvoiced desire. Critical details: his iris reflects miniature collapsing staircases; her breath crystallizes as Cyrillic question marks. Textures clash—glossy vs. corroded—as a fractured hourglass leaks cobalt sand between them.
    abstract photo on the theme: makes you larger
,mother gives you,Alice,ten feet tall, chasing rabbits,
    Ink art, watercolour washes, charcoal shadows: Intimate close-up of a wisened elder, deeply etched smile, delicately cradling a warm gingerbread cookie. Arthur Rackham's expressive lines, Rembrandt's poignant lighting. Sepia, ochre, desaturated blue palette. Soft window light casts gentle chiaroscuro on papery skin, crumbly cookie. Dust-moted sunbeam illuminates antique lace, worn wood. Focus: knowing eyes, gentle hands, central cookie. Atmosphere of nostalgic tenderness, quiet contemplation; implied baking spices, wisp of steam.
    Low-angle perspective frames Rukia Kuchiki mid-leap above a twilight Senkaimon-scarred cityscape, her Sode no Shirayuki trailing crystalline frost that fractures like shattered quartz. Stylized in Koyama Akira’s razor-etched linework blended with Art Nouveau fluidity, her shihakusho shimmers in indigo and mercury silver, kinetic folds echoing her motion. Cold moonlight bathes the scene in arctic cyan, casting sharp, geometric shadows that interlock with neon glyphs below. Serenity clashes with latent violence: cherry blossoms, edges frosted, swirl around her, while her blade’s hilt reveals a faint crack—a whisper of vulnerability. Textured ink washes bleed into matte metallic finishes, amplifying the duality of elegance and rupture.
    Ink art, watercolour, charcoal, realistic style. Petulant ingénue, sultry pout, teasing gaze directly challenging viewer. Intimate extreme close-up on expressive eyes, lips. Smudged charcoal background. Artistry evokes Egon Schiele's raw linework, Arthur Rackham's delicate watercolour washes. Soft directional light creates subtle chiaroscuro. Desaturated earth tones, stark black ink, muted crimson lips. Velvety charcoal smudges, translucent watercolour bleeds, matte paper. Playful defiance, intimate provocation: wisps of stray hair, knowing glint in her eyes.
    Low-angle perspective gazing down a Parisian cobblestone alley, rain-slicked stones shimmering like liquid obsidian under a pearlescent sky. The Eiffel Tower fractures into liquid gold within a foreground puddle, flanked by a mosaic of umbrellas—crimson velvets, cobalt linens, saffron silks—casting soft glows on wet cheeks. Cinematic chiaroscuro à la Jeunet blends with Turner’s luminous haze; slate grays melt into champagne highlights, raindrops etching diamond trails on wool coats. A stray rose petal clings to the puddle’s edge, echoing distant patisserie lights blurred through mist. Wistful serenity pulses with the rhythm of tapping heels and whispered French, every element interlaced with rain’s alchemy.
    View more from Silmas