Elegant secretary, slender and poised, kneeling at round jelly pillow in the center of flying saucer cargo bay steel floor, covered by giant black fishnet, surrounded by elegant evil space aliens. The aliens loom over her, their eyes glowing with an otherworldly energy as they captuing her in a giant, glossy transparent slime pod that glimmers like wet glass. She wears a fitted, high- collared chiffon blouse, a tight black pencil skirt that hugs her curves, and a pair of high heels that seem incongruous with the terror that surrounds her. Her long, dark hair cascades down her back like a waterfall of night, and her glasses glint with a faint, desperate light. Giant portholes. Space. Stars. Planets. The atmosphere is heavy with tension and foreboding, the lighting cinematic and dramatic, with deep shadows and pools of golden light that evoke the grand tradition of 35mm film. Inspired by the works of H. R. Giger, Zdzisław Beksiński, and Ash Thorp, with a dash of Guillermo del Toro's flair for the dark and fantastical. Film grain and vignette add a sense of gritty realism, while the color grading and post- processing evoke the moody, atmospheric feel of a big- budget horror epic