A regal, enigmatic Norwegian queen with porcelain skin, dressed in a tailored white satin trouser suit, adorned with elegant silver high heels, and veiled in a thin, mysterious black mesh, sits provocatively with knees spread apart on a colossal, inverted transparent jellyfish, its slimy, translucent body glowing with an ethereal light, surrounded by coiled, bioluminescent tentacles that seem to bind and protect her, as she's encased in a powerful, pulsating light beam emanating from above, with a elegant steel collar and delicate, yet imposing handcuffs clinging to her slender wrists, her face aglow with an unapologetic, wicked grin, looking at camera, her piercing emerald green eyes gleaming with malevolence, contrasting with the sleek, dark, polished black stone floor beneath, a shiny, obsidian slime pool swirling nearby, exhaling wispy veils of fog that cling to the air, her feminine, long, dark locks cascading down her back like a waterfall of night, slick with styling products, and painted with bold, daring strokes of makeup, including a deep, blood- red lip, against the eerie, luminous backdrop of the Earth and Moon suspended in the darkness, in the style of Simon Stalenhag's atmospheric, retro- sci- fi and Zdzisław Beksiński's dark, surreal visions, infused with the hyper- realistic, cinematic essence of Ash Thorp's futuristic, high- tech aesthetic