A norvegian arrogant femme fatale adorned in a black transparent robe, revealing a fitted, long- sleeved, high- necked black bodysuit, sits elegantly on a black glossy throne, her glossy black cloak draped dramatically around her. Her legs are crossed, showcasing glossy black high heels. Dark armor- clad ODST troopers, armed to the teeth, stand at attention in the background, casting a formidable presence. The scene unfolds in a dimly lit, dark spaceship hangar, with misty fog wafting through the air, illuminated by the soft glow of nearby stars, planets, and moon visible through the large windows, capturing a sense of cosmic grandeur. The atmosphere is thick with tension, the femme fatale's alluring presence commanding attention, in a style reminiscent of Syd Mead's industrial futurism, Zdzisław Beksiński's dark surrealism, and Andrew Jones' high- contrast, cinematic lighting