maxgoncharenko934
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    slender classy fashionable rich dominatrix, radiating mirror foil halter short opulent dress, nylon stockings and glossy high heels, standing in black glossy slime filled hole, fog from the floor hole, lustful alien harem, surrounded by giant ring glossy foil lush bed, alien tentacle monsters at background, spaceship, space, high- tech, steel, mirrors, horror, fetish, foil, silver foil pillows, foil sheets, excited, orgasm face, 1950's science fiction movie, weird dimension portal to another galaxy in the celling, ultra thin waist, tall, long hair, veil curtains

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    More prompts from maxgoncharenko934

    alluring slender arrogant Hollywood lady laying in giant stiletto shoe, foil pillows, red lips, long opera gloves, transparent nightgown, slave collar,nylon stockings, high heels, long veil, mirrors, 1950s , fog, mysterious spaceship, alien abducted, horror, foil, sci-fi, Ultra narrow waist. Sharp cheekbones., Cinematic Hollywood Film Style., surrounded by alien monsters
    arrogant slender noble lady tied at foil pillows, surrounded by pretty Ostin Powers fembots, mysterious , weird, horror, 1940 fashion, black nylon stockings, see-through mini dress negligee, elbow gloves, high stiletto heels, long hair, green eyes, sharp cheekbones, slutty, sexy, charming, alluring, seductive, erotic, enchanting, mirrors, fog, sci-fi, mysterious spaceship, space empire, alien harem, femdom
    30 years old dominatrix in small black satin dresse, fingering young innocent lady in weird golden jewelery and harem outfit, layered on back at foil pillows, (spreading her legs), covering her mouth with glove, slave choker, stockings, high stiletto heels, long hair, green eyes, sharp cheekbones, slutty, sexy, charming, alluring, seductive, erotic, enchanting, pretty girls dressed in latex body and encased in stasis tubes at background, fog alien empire harem, alien palace, sci-fi, red candles, lush round bed,
    Two ladies, an evil powerful mature slender supermodel lady in a whorish red glossy satin camisole and a innocent weak young blonde bride in a silver foil fitted camisole, passionately kiss, entangled in long tentacles, on a glossy slime-covered giant heart-shaped bed, covered with giant ultrathin transparent slime veil, weird alien hive slime walls and fleshy floor, giant portal to outer space at background, fog from the floor, reminiscent of H.R. Giger, Zdzisław Beksiński, and Ash Thorp's dark, sleek styles, with close-up glamour photography, glossy satin and silver heels glistening, fleshy slime dripping, and dark shadows.
    Beautiful lady pulled by alien long tentacles emerged from the portal, holding her wirsts, from her bedroom bed toward portal in the wall, opened to alien spacesip chamber by alien tentacles, struggling to break free. Fog streaming from the portal. Macabre space aliens looking to her. Rich satin nightgown, elegant high heels, weird foil pillows,
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    2girls, Two glamorous femme fatales, adorned in fitted, curve-hugging tango dance dresses and stiletto heels, standing in a bright lit afternoon town square, as they forcefully place a 18yo young man entrapped in black fishnet into the trunk of a sleek, vintage black sedan, while shocked citizens look on in horror, their faces a mixture of fear and confusion, cinematografic
    alluring arrogant slender dominatrix laying in giant crystal shoe bed, foil pillows, surrounded by stasis tubes, 1980s, black nylon stockings, glossy satin nightgown, high slit, elbow gloves, high stiletto heels, long hair, green eyes, slutty, sexy, charming, alluring, seductive, erotic, enchanting, seductive, mirrors, spaceship, poison flowers, robots, fog, sci-fi, tall, slender, sharp cheekbones, cinematic Hollywood Film Style, slime pool, aliens, tentacles
    slender arrogant cold femme fatal russian princess wearing rich full skirt glossy silver foil high slit gown, small size opulent glossy red high heels, jewels, lace top stockings, elegant small light saber in her right hand, red rose in her left hand, her lifted long skirts are waiving, covered with ultrathin slime long veils, posing standing, view from below, evil grin, green eyes, lipstick, giant portal to outer space, fog from the floor, empire spaceship hangar, surrounded by halo odst troopers, TIE spaceships at the background, fashion look, hollywood, vogue makeup, porcelain skin, long haired, ultrathin waisym reminiscent of Lucas, Spielberg styles, with close-up glamour photography and dramatic lighting view from below,
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin trouser suit and stiletto heels, stands ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Elegant secretary, slender and poised, kneeling at round jelly pillow in the center of flying saucer cargo bay steel floor, covered by giant black fishnet, surrounded by elegant evil space aliens. The aliens loom over her, their eyes glowing with an otherworldly energy as they captuing her in a giant, glossy transparent slime pod that glimmers like wet glass. She wears a fitted, high-collared chiffon blouse, a tight black pencil skirt that hugs her curves, and a pair of high heels that seem incongruous with the terror that surrounds her. Her long, dark hair cascades down her back like a waterfall of night, and her glasses glint with a faint, desperate light. Giant portholes. Space. Stars. Planets. The atmosphere is heavy with tension and foreboding, the lighting cinematic and dramatic, with deep shadows and pools of golden light that evoke the grand tradition of 35mm film. Inspired by the works of H.R. Giger, Zdzisław Beksiński, and Ash Thorp, with a dash of Guillermo del Toro's flair for the dark and fantastical. Film grain and vignette add a sense of gritty realism, while the color grading and post-processing evoke the moody, atmospheric feel of a big-budget horror epic.
    three brides, slender classy fashionable rich blonde baroness, see-through wedding nightgown, garter belt, lace trim silk stockings and glossy high heels, standing in black glossy slime filled hole, wrapped by lustful tentacles from the floor, fog from the floor hole, lustful alien harem, surrounded by foil bed, veil covered, spaceship, space, high-tech, steel, mirrors, horror, fetish, foil, foil pillows, foil sheets, excited, orgasm face, 1950's science fiction movie, weird dimension portal to another galaxy in the celling, ultra thin waist, tall, long hair,
    Beautiful lady pulled by alien long tentacles emerged from the portal, holding her wirsts, from her bedroom bed toward portal in the wall, opened to alien spacesip chamber by alien tentacles, struggling to break free. Fog streaming from the portal. Macabre space aliens looking to her. Rich satin nightgown, elegant high heels, weird foil pillows,
    Sexy, sultry, (Female, 1girl):1.3, (satin highly detailed georgian gown):1.3, (Huge breasts, big boobs, Large breasts), (firm Round perky breasts:1.2), (posturecollar):1.25, (, slim waist:1.35). Hair in large updo. kneeling at gianty purple jelly pillow, surrounded by slimy tentacles, lifted skirt, high heels, fog, horror, giant portal to space at background, mirrors Rembrandt Lighting Style, great lighting. At twilight, in victorian mansion sideview Ultra realistic, 8k, uhd, best quality, best resolution, lifelike, white wig, ent over, on all fours, large breasts, big boobs, huge tits, georgian gown,
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining and ankle strap, totaly covered by giant macabre alien brainwashing machine dome. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    princess , enveloped in a thin, translucent slime hooded cloak, laying in a hole inside silme glossy silme pillow, inside sumptuous, giant transparent wet-look round jelly sphere, filled with a glossy dark red slime and eerie fog, surrounded by beautiful black fermale mannequins wearing black fantasy princess-style wedding gowns, veils, juwels, ambient light, weird alien harem, giant portal to space at background, moon, stars
    Beautiful lady pulled by alien tentacles, from her bedroom bed toward portal in the wall, opened to alien spacesip chamber by alien tentacles, struggling to break free. Fog streaming from the portal. Rich satin nightgown, elegant high heels, weird foil pillows,
    A poised and elegant slender lady, locked in a sleek, floor-length transparent liquid slime weird ball gown, full skirt made of a giant glossy transparent jellyfish, complete with crystal-encrusted high heels, transparent slime cloak, is situated within a spaceship boudoir cabin, surrounded by weird foil purple pillows, fog from the floor, horror, soace, aliens, slime curtains, encased, entrapped Cinematic film still, shot on v-raptor XL, film grain, vignette, color graded, post-processed, cinematic lighting, 35mm film, live-action, best quality, atmospheric, a masterpiece, epic, stunning, dramatic
    noble norvegian femme fatal lady posing standing wearing evening GLOSSY THIN black slime high slit gown, GLOVES and high heels, entrapped in giant long waving ultrathin transparent fisnet veils, surrounded by red and white fog from the floor, captured in light beam from celling, giant slime covered transparent eggs with encased ladies at background, breeding chamber, ultrathin waisT, HORROR, reminiscent of H.R. Giger, Zdzisław Beksinski, and Ash Thorp's dark, sleek styles, with close-up glamour photography, glossy satin and silver heels glistening, fleshy slime dripping, and dark shadows.
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