Jasieboy
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    Frankenstein’s Monster wearing a Santa hat and holding a Christmas present in front of decorated Christmas trees. Looking at viewer

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    animanflux. Facing the viewer. A high-quality realistic photo of a cute and friendly-looking anthropomorphic Easter Bunny dressed in an untucked plain white, cotton, crewneck t-shirt. It holds a thicker basket full of coloured eggs. Luscious green spring countryside in the background.
    a vintage photobooth passport photo of a reptilian alien from outer space in a military outfit. analogue, fade photo, creases and scratches, film grain.
    a single excited cute cat taking a selfie with a group of space aliens who have landed on Earth posing for the photo and a spaceship.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text "13"
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker.
    YFG-Durer engraving. Religious portrait in intense black ink of a beautiful young woman with long wavy hair and luscious lips praying. She wears flowing robes covering her body and clutches an ornate crucifix between her hands. Her face shows religious ecstasy as he eyes look towards heaven. Mouth slightly open. Surrounding her hair is a radiant halo against a black background.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A vintage sepia photograph of a Mexican day of the dead spirit risen again. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers of repetition of brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines roughly redrawn in black. The overall effect is manic and anarchic with an urgent sense of energy.
    an anthropomorphic hipster cat wearing a Christmas sweater, thick-rimmed glasses and bow tie poses in an English pub decorated for Christmas.
    A boldly coloured mixed-media collage of vintage amateur film porn photographs. Urgent sense of chaos and energy. blending of fragmented styles, layers and textures. A vintage oil painting of an Elizabethan Korean woman with very large breasts faking an orgasm in an Elizabethan gown. She makes direct eyecontact looking at viewer. Her mouth is slightly open. water trickles from her mouth, down her chin onto her large cleavage. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters, handwritten scrawled text messages, torn photographs and broken distorted pornographic images filling the canvas. Stars and glitter. Layers of repetition of brightly coloured dots in Yayoi Kusama style.
    Storybook Illustration art style illustration of a blue-footed booby.
    style of Butcher Billy. A pop art style mixed media collage artwork. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. ((No text)) A punk stencil photocopy print of a magazine image of a sugar skull with flowers. Print errors, halftone dots. grungy print registration errors. Overlaying this are multiple layers of Mexican imagery, hand-drawn shapes and patterns, bold paint splashes, and chaotic vintage magazine picture cutouts and clippings. Partially covering this, these break up the outline. Next are layered sections of repetitive brightly coloured dots are spraypainted in Yayoi Kusama style - smears and spray. Torn vintage holiday postcards of luchadors, cactus and sugar skulls are glued to the layers. These partially hide sections of the images below. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    ​A studio shot hyper-realistic portrait of chewbacca. He is sat in a dark tweed country jacket, white shirt and tartan tie against a dark blue backdrop. He looks directly toward the camera. Professional studio portrait photography with classic portrait lighting and shallow depth of field against a seamless backdrop.
    Storybook Illustration art style illustration of a blue-footed booby.
    A pop art mixed media collage artwork style of Butcher Billy. Deconstructed, provocative, surreal, intense and chaotic composition. Street art textures, overlapping layers and vibrant retro colours. A punk stencil photocopy print of a magazine image of a the deep ociean with a giant squid kraken sea monster. Print errors, halftone dots. grungy ink marks, print registration errors. Overlaying this are multiple layers of hand-drawn shapes and patterns, bold paint splashes, and chaotic magazine picture cutouts and clippings of body parts and death masks. Overlaying this and partially covering it are layered sections of repetitive randomly coloured dots spraypainted in Yayoi Kusama style - smears and spray. Torn vintage photos of human bones, skull-and-crossbones, and the number "13" glued to the layers. These, along with layers of paint splattered and dripping break up the outline. On the top layer are rough hand-drawn shapes, abstract patterns and love hearts scrawled heavy-handedly in blue biro and Sharpie marker. Text "13"
    A Kourtney Roy photograph of a single excited cute black and white cat wearing a Christmas jumper taking a selfie with a group of partying flamingos who are all wearing Santa hats. English pub decorated for Christmas
    [Retro-futuristic alchemy, cinematic chiaroscuro, Renaissance alchemist, muted tones, sci-fi philosopher] A surreal, dark, vintage fairground with Gaudí-style organic shapes with brutalist grandeur. The focus if the image is on a Victorian wooden steampunk vending machine selling potions, spells and skulls. The vending machine has signs written in vintage Carnival style.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A punk stencil photocopy print of a magazine image of a tape cassettes. Print errors, halftone dots. grungy print registration errors. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
    Outsider art. A surreal and deconstructed mixed-media collage in the style of Jacques Prévert with an urgent sense of chaos and energy. An analogue collage artwork blending fragmented styles, layers and textures. A Jean-Michel Basquiat street art illustration of a giant fish head. Layered over this obscuring the image are multiple fragmented and overlapping layers of chaotic thick paint, splatters of paint, palette knife oil paint, handwritten scrawled text messages, torn photographs and broken distorted vintage photographs filling the canvas. Layers sections of repetitive brightly coloured dots in Yayoi Kusama style. Fragmented scribbles and abstract graffiti images in Jean-Michel Basquiat style over the top. This hides sections of the image below. Outlines are roughly redrawn in black ink and thick oil paint. The overall effect is manic and anarchic with an urgent sense of energy.
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