maxmorrison
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    At a massive political rally in Alabama, Donald Trump stands confidently on a raised stage under bright spotlights, addressing an enthusiastic crowd. Standing beside him is ALF, the furry, brown alien from the ’80s TV show, wearing a red, white, and blue scarf. ALF enthusiastically waves to the crowd with one hand while munching on a snack in the other. Above the stage, a giant sign reads ‘BUZZ 4 AMERICA’ in bold red, white, and blue letters, framed with stars. The packed crowd is a sea of red ‘MAGA’ hats and American flags, with several people holding up signs that also say ‘BUZZ 4 AMERICA. ’ ALF’s playful antics draw laughs as he stumbles over a stack of campaign flyers, sending them fluttering into the air. Behind Trump, a giant screen projects his image alongside a shot of ALF waving. The scene is set against a classic Alabama backdrop, with towering pine trees and the golden evening sun casting long shadows. The atmosphere is a mix of excitement and humor, as ALF brings a lighthearted energy to the high- stakes rally

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    More prompts from maxmorrison

    “A portrait of a scared girl with long orange hair, styled in a messy bun, kneeling on the ground. She has striking green eyes, one of which is closed, with mascara running down her face from crying. Her expression is a mix of fear and anger as she gazes directly at the viewer. She wears a yellow shirt and a brown skirt, accessorized with earrings and lipstick. Her wet hair is disheveled, adding to the intense emotional impact. The background is a plain white, emphasizing the girl’s perfect eye details, capturing her raw emotion in a powerful and expressive solo scene.”
    “A majestic Bengal cat with a small, slightly tilted golden crown, wearing a sleek gymnast suit in vibrant colors, running on a treadmill. Beside the treadmill is a worn, rotten cardboard sign that reads ‘GIVE ME BUZZ PPL’ in crude, hand-drawn letters. The scene is captured with a Panavision 105mm lens, emphasizing high resolution and cinematic details. The gym background is softly blurred, with rich lighting and deep shadows accentuating the cat’s fur texture, the worn look of the cardboard sign, and the vivid colors of the suit. The overall mood is a blend of regality and humor, captured in realistic, high-contrast lighting and deep, cinematic colors.”
    “A large, detailed wasp with a tiny golden crown, dressed in a fitted gymnast suit in vibrant colors, running on a treadmill. Beside the treadmill is a worn, rotten cardboard sign that reads ‘GIVE ME BUZZ PPL’ in rough, hand-drawn letters. Shot with a Panavision 105mm lens to capture a cinematic, high-resolution close-up, emphasizing the wasp’s intricate wing structure, the textures on its exoskeleton, and the suit fabric. The background shows a softly blurred gym environment, with moody, high-contrast lighting and deep colors highlighting each detail on the wasp, the cardboard sign, and the treadmill, creating a whimsical yet dramatic scene.”
    “A realistic, detailed chicken standing confidently in front of a KFC restaurant. The chicken has bright feathers, a sharp gaze, and a proud stance as if aware of its surroundings. The KFC logo is visible in the background, slightly blurred for depth. The scene is captured in a cinematic style with balanced lighting, slightly warm tones, and a shallow depth of field. Overlay bold white text with a black outline in meme style at the top: ‘BUZZ OR FRY’.”
    a bronze rubik's cube by picasso. upper line of the cube says "MAD". middle line of the cube says "ARE". bottom line of the cube says "XxX".
    “A muscular, raging burgundy-colored bull, with defined muscles and an intense posture, is head-to-head with a clumsy camel wearing an Emirates cap. The camel, casually munching as usual, is slightly off-balance, contrasting with the bull’s powerful stance. In the background, there’s an oil extraction factory with towering chimneys and large industrial structures, releasing faint plumes of smoke into the sky. Above the scene, an Etihad Airways Airbus soars through the sky, adding to the industrial atmosphere. To the side, a rotten cardboard with faded, torn edges reads ‘CAIRO JUVENTINO VENDI AL BEDUINO!’ adding a touch of surrealism and intrigue to the gritty landscape. In the other side, another rotten cardboard 'BUZZ 4 BUY TORINO FC'"
    Imagine a dystopian future where humanity has pushed the Earth to the edge of collapse. Set in iconic Italy, the once-beautiful landmarks are now in ruins. The Colosseum is crumbling, overgrown with vines, and the canals of Venice are dried up, leaving abandoned gondolas stranded in the cracked, barren earth. The streets of Rome are deserted, filled with the decaying remains of cars, while the leaning tower of Pisa lies broken, half-buried in the ground. The skies above are thick with ash and smoke, casting an eerie orange glow over the remnants of history. Nature reclaims the cities, with ivy creeping up the walls of Florence’s Duomo and trees growing through the shattered windows of ancient cathedrals. The world seems beyond saving—Italy, like the rest of the planet, needs a reset to heal.
    Posaman, played by Italian actor and comedian Lillo, is seated at a table on a lively TV commercial set, sporting his humorous superhero costume. The outfit features vibrant reds, blues, and yellows, with a large, eye-catching ‘P’ prominently displayed on his chest. His ensemble includes a flowing cape, clunky boots, and oversized gloves, enhancing the comedic appeal of his low-budget superhero persona. In front of Lillo, a stylish sign reads ‘Buzz 4 Posaman!’ in bold, playful lettering, illuminated with bright colors and possibly flashing lights to draw attention. The sign adds to the light-hearted, energetic atmosphere of the commercial shoot. Lillo leans forward at the table, engaging with the audience, his expression a mix of heroic intensity and comedic charm as he gestures animatedly. The set is bustling with activity: studio lights illuminate the scene, crew members adjust equipment, and green screens and props fill the background. This environment contrasts with the whimsicality of Posaman, grounding him in a relatable, everyday setting while still showcasing the absurdity of his character. The combination of the table, the vibrant sign, and Lillo’s larger-than-life performance creates an engaging and humorous scene for the commercial.
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "Buzz or Apple?" in a mix of futuristic and handwritten fonts. The sign also features the ancient multicolor Apple logo in one corner, adding a nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    An anthropomorphic Snoop Dogg, radiating smooth charisma, sits confidently in the driver’s seat of a quirky, vintage Fiat 500. He’s decked out in his usual pimp regalia—deep purple velvet suit, wide-brimmed hat adorned with a feather, gold chains, and flashy rings—gripping the steering wheel with cool authority, his stylish cane resting against the dashboard. In the cramped passenger seat, a mischievous Minion lounges next to him, its wide eyes peeking out from behind oversized goggles. Dressed in its classic blue overalls, the Minion holds a crumpled, slightly torn letter in its small hands. The edges of the letter are singed and stained, and the messy handwriting reads: "YO, ONLY BUZZ CAN MAKE THIS TINY RIDE FLY. TIME’S RUNNING OUT—GET YOUR HEAD STRAIGHT OR LOSE IT. -THE BOSS." Inside the Fiat, the interior is worn but still exudes retro charm with cracked leather seats and vintage details. Outside, a neon-lit Miami backdrop of swaying palm trees and gritty, shadowy streets contrasts sharply with the quirky little car. The scene is hyperrealistic, blending Snoop’s laid-back, larger-than-life presence with the Minion’s playful mischief and the car’s eccentric appeal, creating a vibrant, highly detailed tableau full of energy, humor, and surreal flair.
    The central text spirals around a dark, poetic theme: ‘Sesso, cocaina, dopamina, adrenalina, cotechina, paraffina, sopraffina, sertralina, paroxetina, fluoxetina, Franco’ echoing endlessly. The text stretches, bends, and repeats, forming intricate, sprawling shapes that collide into a mesmerizing visual. The image is a close-up of a captivating gothic girl with an intense, almost ethereal beauty. She wears futuristic steampunk goggles, her dark eyes piercing through. This conceptual artwork blends surrealism and text-based artistry, where her silhouette and surrounding environment are intricately carved out of words, forming a dense, chaotic collage of gothic and industrial themes. The oversized letters, meticulously shaped into abstract figures, pulse with energy, embodying the essence of dark romance, rebellion, and existential longing. The chaotic beauty of the letters, each dripping with emotion, weaves together in an artistic symphony of text and form, creating a visually striking, high-contrast composition that feels both mechanical and poetic
    "A majestic Bengal cat with a coat of striking golden marbled fur and vivid black rosettes sits imperiously on a grand, throne-like perch made of intricately carved stone, faintly glowing with mystical symbols. Its eyes are sharp and gleaming with an otherworldly intelligence. The Bengal cat holds an imposing, larger-than-life Xenomorph alien from the movie *Alien* delicately in its mouth. The Xenomorph, with its glossy black exoskeleton, menacing elongated head, and sprawling tail, dangles with a mix of defiance and vulnerability. Around the cat’s neck hangs a fancy, futuristic cardboard sign that reads ‘Fight 4 Buzz’ in bold, glowing neon letters. The sign is adorned with intricate, holographic designs that pulse rhythmically, adding a high-tech flair. The backdrop features a surreal blend of an eerie, futuristic space station interior merging with a cosmic vista of swirling galaxies and nebulae, creating an atmosphere of grandeur and otherworldly drama."
    “A giraffe jogging on the wing of an Airbus, its impossibly long legs flexing against the rush of the wind, while it stares directly at the viewer through the cabin window. Its face is twisted into a creepy clown smile, with ruffled fur adding to its unsettling presence. A cheap GoPro camera captures the bizarre scene using a hyper fisheye lens, distorting the wide-angle view as the plane cruises above the clouds. Sunlight glints off the Airbus’s metallic surface, while passengers visible through the window react in sheer terror. Clutched in one of the giraffe’s legs is a rotten, tattered cardboard sign that reads ‘BUZZ 4 PLANE TiCKET,’ with letters scrawled haphazardly and barely holding together in the wind. In the background, an F-35 fighter jet drifts ominously among the clouds, its sleek form juxtaposed against the absurd chaos unfolding on the Airbus wing. The entire scene teeters between surreal comedy and unsettling horror, amplified by the eerie smile of the giraffe and the decayed sign fluttering in the gale.”
    “Create a high-energy video of a sleek, modern sports car speeding through the winding, cobbled streets of Rome, filmed using cinema lenses with a prime fisheye 12mm for dramatic, ultra-wide perspectives. The exaggerated curvature of the lens amplifies the dynamic energy of the car’s movements, making the streets appear narrower and the landmarks more towering and immersive. The vibrant red sports car with futuristic lines weaves through iconic locations like the Colosseum, the Trevi Fountain, and Piazza Navona, with the lens capturing the entire scene in bold, distorted glory. The sun sets in the background, casting golden light on the ancient architecture, while the exaggerated wide angles create a surreal, dreamlike quality. As the car roars past, ‘BUZZ 4 WROOOM!’ appears sporadically in a decayed, graffiti-style font, warped to match the lens distortion, as though it’s painted on walls, etched into street signs, or glowing on flickering neon billboards throughout the city. The soundtrack features pulsing beats and the guttural growl of the engine, syncing with the chaotic yet mesmerizing visuals.”
    A mischievously cute but tough-looking kitten captured through a fisheye cinema prime lens. The kitten is dressed as a U.S. Marine during the Vietnam War, wearing an olive-green military uniform and a flak jacket. Its slightly oversized helmet, tilted askew, boldly displays the hand-painted words “BORN TO BUZZ..” along with a buzzing bee symbol. The background showcases McDonald’s first restaurant, featuring its retro architecture, large golden arches, and a bustling 1950s atmosphere. In the kitten’s wide, expressive eyes, the reflections of bright annular lights create a striking, otherworldly glow, adding a modern and surreal touch to the vintage and gritty aesthetic. Hyper-realistic fur textures, vivid colors, and dramatic cinematic lighting enhance the scene, blending humor and visual intensity seamlessly.
    “A surreal cyberpunk cityscape viewed through a dramatic fisheye lens, bathed in dreamy pastel neon. Towering skyscrapers curve and warp, their glowing signs reflecting off rain-slick streets. A lone figure in a high-tech jacket stands at the center, their silhouette outlined by a pink and teal haze. Hovering drones cast soft ambient light, creating a mesmerizing, otherworldly vibe. A decayed, glitching neon banner with torn edges and digital corruption hangs in the foreground, displaying the words ‘Reality Warped. Aesthetic Perfected.’ in a cracked, eroded cyberpunk font. Below it, a second flickering sign, barely holding together, reads ‘Gimme Buzz or Likes’, glitching with RGB distortion and digital noise, as if time itself is breaking apart.”
    "A majestic Bengal cat with a coat of striking golden marbled fur and vivid black rosettes lounges imperiously on an opulent, throne-like perch crafted from shimmering, enchanted stone inscribed with arcane symbols. Its eyes, bright and intelligent, hold an air of regal dominance. The Bengal cat delicately holds a larger-than-life Xenomorph alien from the movie *Alien* in its mouth, the creature’s glossy black exoskeleton, menacingly elongated head, and sprawling tail creating a dramatic contrast against the cat’s elegant fur. Draped around the cat’s neck is a sleek, futuristic cardboard sign that reads ‘Fight 4 Buzz’ in bold, animated neon letters, with pulsing, holographic designs that shimmer and shift colors, adding a high-tech, dynamic element. The scene is set against a mesmerizing backdrop that merges a high-tech, eerie space station interior with a cosmic panorama of swirling galaxies and luminous nebulae, creating an ambiance of epic grandeur and interstellar intrigue."
    Two adorable yet fierce kittens engaged in an intense MMA-style fight inside an octagon ring. The stage is brightly lit, with high-resolution details showcasing their fur, sharp claws, and playful yet competitive expressions. Surrounding the octagon, a packed crowd of excited spectators cheers loudly, adding a sense of realism and energy to the scene. Large digital displays above the crowd flash the slogan, ‘Give Buzz to Fight!’ in bold, dynamic typography. The scene is captured using Panavision Prime optics, offering unparalleled sharpness, vibrant colors, and cinematic depth, emphasizing every intricate detail of the fur, the stage, and the electrified atmosphere
    “Create a vibrant Lego scene of a mountain sky station named ‘Roccaraso’ set high in the mountains. A road sign with ‘Roccaraso’ clearly visible should be placed near the entrance, while the name ‘Roccaraso’ should appear subtly integrated into various elements of the scene, like on banners, benches, and road markings. The sky station itself features Lego buildings with quirky angles, using decentered architectural optics to create an impression of unusual perspectives and tilts. Several Lego influencers, decked out in trendy outfits, are scattered throughout the scene, photographing other Lego travelers, capturing selfies, and striking poses. Among the crowd, there are Lego characters representing Palestinian people, and a Palestinian flag is prominently displayed, waving in the breeze near the entrance. In one corner, a hidden Lego graffiti tag says ‘maxmorrison was here,’ blending into the surroundings. The atmosphere is lively and surreal, with unexpected pops of color and details like Lego trees, luggage, and cameras adding to the playful chaos. The scene should feel dynamic, with a sense of fun and eccentricity, all captured in a world made of Lego bricks.”
    A hauntingly beautiful, hungry, and dirty homeless female punk stands in a fog-filled alley, illuminated by the eerie glow of moonlight. Her sharp animal ears give her a werewolf-like look, and she is half-human, half-cyborg, with patches of metal glinting under her pale skin. Her short, curly red ringlets are tangled with cobwebs, catching the moonlight as it flickers above. She wears a torn knit sweater that barely covers her, exposing a bit of decayed cleavage, with the fabric stained with dirt and traces of dried blood. In her trembling hands, she clutches a worn Amazon box, its corners frayed and the tape peeling away, as if it has been discarded and repurposed for her own needs. Next to her, leaning against the wall, is a humorous cardboard sign written in acid orange, reading “DPI2 - fmorimas - buzz pls,” the bright color clashing with the dark surroundings and adding a bizarre splash of energy to the scene, as if it were a failed attempt at a marketing campaign or an inside joke only the moonlight could understand. Her oversized, cracked round glasses reflect the dim glow of flickering jack-o’-lanterns nearby. The moonlight casts eerie shadows along the alley walls, enhancing the chilling aura of her already unsettling presence, while the combination of the Amazon box and the quirky, vibrant sign adds an unexpected layer of absurdity to the haunting scene
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