Picture a massive sign, intricately sculpted from layers of bird guano, with the text boldly spelling out in Korean: “칼날로만 악명 높은 베냐민 네타냐후! 보르게티 두 개를 들고 들판에서 기다리겠습니다!” (Infamously sharp Benjamin Netanyahu! I’ll be waiting in the field with two Borgettis!). The letters are raised and slightly uneven, reflecting the organic, crusty texture of the guano. Surrounding the sign, flocks of seagulls circle in the sky, squawking and swooping down, occasionally perching on the top edge. The field is vast and desolate, stretching to the horizon, with the occasional patch of dry grass and scattered rocks. The sky above is a pale, washed-out blue with a faint haze on the horizon. In the distance, you can see a figure holding two footballs (a nod to Borgetti’s famous goals), standing at attention as if waiting for someone to arrive. The scene is captured in crisp, vibrant detail using Panavision lenses, with the wide-angle view amplifying the emptiness of the landscape, while the subtle motion of seagulls adds dynamic elements to the otherwise still, surreal atmosphere. The lighting is natural, with soft sunlight filtering through thin clouds, casting long shadows across the ground, emphasizing the texture of the sign and the arid, almost dreamlike environment. It feels like a cross between a bizarre art installation and a symbolic protest scene, full of strange energy and unexpected contrasts.