Visualize a rugged Old West scene depicting a towering miner named Big John, standing six foot six and weighing 245 pounds, his imposing figure contrasted against a dusty, sunlit mining site. His broad shoulders and narrow hips, clad in worn mining gear, make him a notable figure among the workers. The image captures his strength and silent authority. One fateful day, as a timber cracked and chaos erupted at the mine's depths, Big John’s heroic act unfolds. The scene shows him bracing against the rubble, his powerful frame pushing against the debris. Amidst the smoke and cries of his fellow miners, Big John is the lone beacon of hope. A miner’s shout reveals a glimmer of light, signifying John's successful effort to save 20 trapped men from what seemed to be their final moments. The scene shifts to a somber moment as the miners, with jacks and timbers, descend again. The rumble and explosion of gas and smoke signify the mine’s final, destructive collapse. The grim reality sets in: Big John’s sacrifice is final. In memory of his heroism, a marble stand marks the site. Inscribed with "At the bottom of this mine lies a big, big man, Big John," it stands as a tribute to the man whose bravery and sacrifice became the stuff of legend in this Old West tale.

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    The image depicts a cinematic moment in a vibrant and chaotic server room. A man with a warm, golden-brown Caucasian complexion and hazel eyes stands at the center. He wears a fitted, olive-green jumpsuit with a subtle sheen, embroidered on the back with "CIVIT Maintenance" in bold, white letters. His expression blends concern and fascination as he looks at the robot beside him.
The robot, a small, spherical device with a sparkling silver surface, has bright blue, pupil-less eyes and a small, curved beak. It is holding the man’s hand with a slightly stiff, mechanical grip. [Above the robot’s head is a speech bubble that reads, "Look what I did,"] in a clean, sans-serif font.
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The lighting combines warm LED strips and overhead halogen lamps, casting long shadows and enhancing the rich, earthy color grading. The scene mixes nostalgia with a sense of playful chaos, emphasizing the total failure of the servers and the humorous predicament of the man and the robot.
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The composition melds surreal detail with photorealistic precision, evoking the styles of Minjae Lee, Carne Griffiths, and Emily Kell. Cosmic depth reminiscent of Geoffroy Thoorens and Jordan Grimmer frames the scene, while Steve McCurry-like realism grounds it. Fine borders encapsulate this seamless fusion of fantasy and reality—a masterful blend of the cosmic and mechanical, suffused with an otherworldly radiance and muted color palette.
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    From behind, a lone gunslinger stands at the edge of a vast field of blood-red roses, facing an impossibly tall, menacing black tower that pierces the roiling storm clouds above. His weathered duster billows slightly in an unnatural wind. The tower's base is wider than its peak, tapering to a sinister point that seems to tear at the sky. Lightning flashes silently, illuminating the gunslinger's silhouette and glinting off the ancient revolver at his hip. The roses sway ominously, their crimson petals a stark contrast to the desolate landscape. An overwhelming sense of dread and finality permeates the scene as the gunslinger contemplates the final steps of his long journey."
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    A stormy sea churns beneath a hazy moon. A colossal kraken emerges, its iridescent tentacles wrapping around a three-mast sailboat. The creature's maw glows with ethereal moonlight, exuding malevolence.
Massive appendages threaten to crush the hull or drag it under. Tattered sails flap wildly as tentacles slither across the deck. The boat lists dangerously, creaking under the assault.
Water crashes over the railings as the kraken tightens its grip. The ship seems doomed, yet a glimmer of defiance shines. Unseen crew members shout defiantly against the tempest.
The scene, bathed in ashen hues, captures a moment frozen in time – the kraken's power versus human resilience. Despite the onslaught, the ship struggles to stay afloat, locked in an epic battle between monster and vessel.
The kraken's alien eyes reflect the chaos as waves batter the straining wood. Yet the prey refuses to yield, rising and falling with each massive wave in a desperate fight for survival.
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Paying special attention to spelling of text
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In the background, a waterfall tumbles down jagged rocks, each droplet of water captured in stunning clarity, glistening under the moonlight. The rocky cliffs are textured with ancient carvings, suggesting a long-forgotten history. Thick, swirling clouds hang heavy in the sky, dark and turbulent, as if an evil presence watches from above. Moonlight filters through the clouds in beams, casting an otherworldly glow over the landscape, making every shadow seem alive with dark magic.
A falling star streaks across the sky, leaving a trail of shimmering light that hints at ancient secrets. The night air feels dense with power, as if the landscape itself harbors hidden forces. As daylight begins to break, a surreal brightness floods the scene, illuminating the boat and the surrounding scenery with a golden, ethereal glow. The transition between night and day paints the landscape in romantic, dreamlike tones—rich with the style of Thomas Kinkade and Greg Rutkowski—blurring the lines between reality and fantasy, transforming the eerie into something hauntingly beautiful.
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BREAK
One technician, wearing a "CIVITAI MAINTENANCE" t-shirt backwards, accidentally knocks over a tower of energy drink cans onto a keyboard. 
BREAK
A prominently displayed lone monitor displays a giant error message: 'SERVER MELTDOWN IMMINENT'.  
BREAK
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BREAK
Tangled cables everywhere
Pay close attention to spelling of words
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Leaves of deep indigo sag, forming viscous droplets that shimmer with internal radiance. The dusky sky bleeds into the horizon, while phosphorescent clouds streak down like glowing strands. Mountains dissolve into rivers of dim, flowing light.
Bio-mechanical entities drift through shadows. These otherworldly amalgams of flesh and metal propel themselves with silent energy fields. Their bodies, a mesh of dark organic matter and gleaming chrome, are studded with glowing sensors and pulsing data nodes. Luminous tendrils trail behind, leaving fleeting patterns in the gloom.
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The image melds dark anime aesthetics with surrealist and biomechanical elements, creating an unsettling yet mesmerizing nocturnal dreamscape.
    From behind, a lone gunslinger stands at the edge of a vast field of blood-red roses, facing an impossibly tall, menacing black tower that pierces the roiling storm clouds above. His weathered duster billows slightly in an unnatural wind. The tower's base is wider than its peak, tapering to a sinister point that seems to tear at the sky. Lightning flashes silently, illuminating the gunslinger's silhouette and glinting off the ancient revolver he holds in his 3 fingered hand. The roses sway ominously, their crimson petals a stark contrast to the desolate landscape. An overwhelming sense of dread and finality permeates the scene as the gunslinger contemplates the final steps of his long journey."
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    A high-energy digital illustration of a person recklessly sticking a metal fork into an electrical socket and getting violently shocked. The moment of impact is captured with bright, jagged blue and white electricity surging from the socket, engulfing their hand and traveling up their arm. Their body tenses with the force of the shock, hair standing on end as if caught in an electrical surge. Their face is frozen in a mix of shock and regret, eyes wide and mouth slightly agape. The background is a simple indoor setting, with a standard wall outlet near the floor on a neutral-colored wall. The lighting in the room remains normal, except for the intense glow of the electrical discharge, which casts sharp, flickering shadows, emphasizing the chaotic energy of the moment.
    Ev'ry mornin' at the mine you could see him arrive
He stood six foot six and weighed 245
Kinda broad at the shoulder and narrow at the hip
And everybody knew, ya didn't give no lip to Big John
Then came the day at the bottom of the mine
When a timber cracked and men started cryin'
Miners were prayin' and hearts beat fast
And everybody thought that they'd breathed their last, 'cept John
And with all of his strength he gave a mighty shove
Then a miner yelled out, "There's a light up above"
And 20 men scrambled from a would-be grave
Now there's only one left down there to save, Big John
With jacks and timbers they started back down
Then came that rumble way down in the ground
And then smoke and gas belched out of that mine
Everybody knew it was the end of the line for Big John
Now they never reopened that worthless pit
They just placed a marble stand in front of it
These few words are written on that stand
"At the bottom of this mine lies a big, big man, Big John"
    Imagine a dramatic Old West scene where seven ethereal figures, resembling ghostly figures of the past, stand at the altar of a blazing sun. This sun casts a fierce, almost supernatural light over a rugged landscape. In the foreground, a cowboy in worn leather and a wide-brimmed hat gazes into his lover’s brown eyes. His voice is grave as he says, "Say a prayer for me." She, in a flowing dress with lace accents and a bonnet, embraces him tightly, whispering, "God will keep us free."
The air is tense with the sound of approaching riders. The cowboy, with resolve in his eyes, declares, "This is my last fight. If they take me back to Texas, they won’t take me back alive." As the smoke of battle clears, the scene shows the figures of angels or spectral beings guiding a new soul away from the turmoil. The stark, sunlit landscape, combined with the detailed Western attire, sets a poignant backdrop for this moment of sacrifice and defiance.
This scene merges Old West grit with a touch of spectral mysticism, capturing a powerful blend of final resolve and enduring love.
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