More prompts from rolldemption432

    In the great forest A translucent root spouting out of the wet soil and brought to life with a refreshed look on its big humanoid translucent green face. stretching straight up with its newly formed leafy arms into the sun. You can see very tiny prickles on the plant in the sun. Big eyes and a closed mouth smile up at the sun as it enters the new world.  You can see the veins throughout its whole being giving life to photosynthesis building stronger
    The front view of A young man with a ski mask on his face riding a scooter at full speed in Manhattan. He is excited with a crazy look in his eye.  He holds a purse out with one arm that is fluttering in the wind.  Behind him you can see a worried woman chasing him because he what was hers.  There is the feeling of speed and excitement in the scene.  A lot of the scene is slightly blurry except for him on the scooter and the woman chasing him.  The image has a surreal look to it.  This was professionally oil painted by Frank Frazetta and Norman Rockwell
    20 Wheeler Street. Constructed as six units for Mr. Littlefield in 1899,
this dwelling is a fascinating and rare variation of the common tripledecker. Typically rectangular in form with three tiers of porches at both
the front and back of the building, this house has a three-story porch
nestled in the corner, from the north and west wings, that are each three
stories in height. The slender columns of the first and second story
porches, window frames, broad string courses, and molded cornices all
demonstrate the Colonial Revival style.
The triple-decker was introduced to both Boston and Worcester
around 1880 and was instantly recognized by developers as a fast
and efficient way to house the less affluent. This building type
recommended interior features such as Colonial Revival style
mantelpieces and built-in china cupboards. The popularity of the
triple-decker rose exponentially after the introduction of the
electric trolley to Boston neighborhoods, circa 1890, and it
proliferated in areas such as Dorchester and South Boston. The
triple-decker persisted in popularity until 1915, and in some
areas even later, such as Jamaica Plain where this multi-family
housing type was still being built as late as 1930. In Somerville,
triple-deckers are primarily found in the eastern portion of the
City, while two-family dwellings remained more common in
western Somerville. The noteworthy exception to this rule is the
 States Avenues section of East Somerville.
    An Alley Cat high on crack singing on a city fence because he is in heat. The moon is full and keeping the scene bright.  The cat is all fucked up and drunk. his fur is matted and he has rips cut out in his ears from fighting.  His whiskers are all uneven and bent.
    The five identical houses were built c. 1880 on land formerly part of a brickyard owned by George Wyatt, whose own house stands across the street. The facade of each house is divide vertically into two sections: the left one is flat, and is topped by a square turret roof, with a single story portico sheltering double entrance doors, and the right sight is a polygonal project bay rising the full three stories. The shallow roof cornices are studded with brackets. The bricks are multicolored with intricate design.  There is a small child riding her bike out front.
    A gigantic plane shaped like a dragon fly with actual working dragonfly wings on top that are buzzing. Plane port windows in a row on the tail for the passengers. A big bug head for the front of the plane that is actually all glass for the pilots.  A door on the side that has one stairwell to the ground that is very functional where people with luggage wait in a single line to board. The plane is very funky and futuristic but still is half alive bug which is very happy and capable of flying all these people very safely. There are no wheels only lean muscle bug legs holding the plane up. The paint is psychedelic and very shiny. On the side of the plane is written in bold letters "Dragon Air" ((masterpiece:1.2)), ((best quality:1.2)), ((intricate detailed)), ((Hyper realistic)), absurd res, perspective, dynamic angle, highly detailed, extreme focus
    A gigantic plane shaped like a dragon fly with actual working dragonfly wings on top that are buzzing. Plane port windows in a row on the tail for the passengers. A big bug head for the front of the plane that is actually all glass for the pilots.  A door on the side that has one stairwell to the ground that is very functional where people with luggage wait in a single line to board. The plane is very funky and futuristic but still is half alive bug which is very happy and capable of flying all these people very safely. There are no wheels only lean muscle bug legs holding the plane up. The paint is psychedelic and very shiny. On the side of the plane is written in bold letters "Dragon Air" ((masterpiece:1.2)), ((best quality:1.2)), ((intricate detailed)), ((Hyper realistic)), absurd res, perspective, dynamic angle, highly detailed, extreme focus
    In the great forest A translucent root spouting out of the wet soil and brought to life with a refreshed look on its big humanoid translucent green face. stretching straight up with its newly formed leafy arms into the sun. You can see very tiny prickles on the plant in the sun. Big eyes and a closed mouth smile up at the sun as it enters the new world.  You can see the veins throughout its whole being giving life to photosynthesis building stronger
    A gigantic aero plane shaped like a dragon fly with huge bug wings and plane port windows in a row on the tail. A door on the side has one stairwell to the ground where people with luggage wait in a single line to board. The plane is very funky and futuristic but still is half alive bug which is very happy.  The paint is psychedelic and very shiny. On the side of the plane is written in bold letters "Dragon Air"      ((masterpiece:1.2)), ((best quality:1.2)), ((intricate detailed)), ((Hyper realistic)), absurd res, perspective, dynamic angle, highly detailed, extreme focus
    The five identical houses were built c. 1880 on land formerly part of a brickyard owned by George Wyatt, whose own house stands across the street. The facade of each house is divide vertically into two sections: the left one is flat, and is topped by a square turret roof, with a single story portico sheltering double entrance doors, and the right sight is a polygonal project bay rising the full three stories. The shallow roof cornices are studded with brackets. The bricks are multicolored with intricate design.  There is a small child riding her bike out front.
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