Visualize a gargantuan, biomechanical dreamcatcher suspended in a dark, surreal void, melding Claudio Aboy’s vibrant palette with H. R. Giger’s nightmarish intricacy. The dreamcatcher is constructed from alien, ribbed exoskeletons and sinuous, metallic tendrils, adorned with intricate, darkly organic patterns. Luminous, iridescent threads in electric blues, toxic greens, and blood reds weave through the structure, emitting a pulsating, eerie glow. At the center, a grotesque, opal sphere radiates beams of neon light, casting a sickly, phosphorescent hue across the surroundings. Beneath, an endless expanse of viscous, reflective liquid, swirling in deep indigos and unsettling purples, mirrors the biomechanical nightmare above. The sky is a macabre expanse of distorted, shadowy clouds in muted metallic tones, dotted with unsettling, glowing constellations and fragmented biomechanical shapes. From the dreamcatcher, a stream of pulsating, alien particles drifts downward, weaving through the oppressive, dark atmosphere