null tiles

    A dimly lit underground lair, the stone walls of Orochimaru’s domain are damp and covered in a layer of black mold. The air is thick, heavy with the scent of decay, stale blood, and something metallic, like rusted iron. The flickering overhead lights cast an eerie glow, distorting the dark, cold hallway ahead.
Along the walls, there are faded and cracked inscriptions in a dark, almost illegible script, marking the boundaries of forbidden experiments. Cold steel doors line the corridor, some slightly ajar, revealing dark rooms beyond—each filled with the chilling remnants of unspeakable acts. Large glass tanks, distorted by grime and condensation, hold grotesque, malformed humanoid creatures—skeletal, serpentine, with flesh that seems to bubble unnaturally, as if still struggling to exist. The creatures’ eyes, empty and soulless, gaze into nothingness.
The floors are slick with a combination of water and something darker, something that clings to the shoes like tar. You can’t quite tell if it’s just dirt, or if it’s blood that has long since soaked into the stone, staining it permanently.
At the far end of the corridor, a room opens into a massive, sterile lab, starkly lit by harsh fluorescent lights that make the white tiles gleam uncomfortably. Tables are cluttered with surgical instruments—some clean, some stained. Papers filled with incomprehensible jutsu are scattered about, half burned or left in disarray.
    "A tiny, Lego-built Pikachu, its bright, yellow body composed of hundreds of intricately connected Lego bricks, stood proudly in a vibrant, Lego-built Pokémon world. The Pikachu's eyes, two shiny, black Lego tiles, sparkled with electricity, as if they were charged with the power of a thousand lightning bolts. The surrounding landscape, a sprawling, Lego-built metropolis, was filled with towering, Lego skyscrapers, bustling, Lego streets, and lush, Lego gardens. The Pikachu's iconic, red cheeks, made from Lego bricks, seemed to glow with an inner light, as if they were radiating a warm, electric energy. The overall effect was one of whimsical, nostalgic wonder, as if the Pikachu and its Lego-built world had leapt straight from the imagination of a child into vibrant, Technicolor life."
    The sun bathes the Tilya-Kori Madrasa in a warm, golden light, revealing the breathtaking beauty of its intricate facade. Vibrant blue tiles, meticulously arranged in geometric patterns, contrast with the warm hues of the brickwork, creating a dazzling spectacle of Islamic art. The ornate mosaics, depicting floral motifs and calligraphic inscriptions, tell stories of faith and artistry. Rendered in a photorealistic style, with meticulous attention to detail and historical accuracy, the image captures the grandeur and cultural significance of this architectural masterpiece, transporting the viewer to the heart of Samarkand's historic Registan Square.
    sheet metal floor tile overhead view, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead, flat 2D minimalist style, black and white monochrome
    A rolling countryside at golden hour. Endless fields of lavender stretch across the horizon, their purple hues blending with the warm, golden light of the setting sun. A small stone farmhouse with a red tile roof sits among the flowers, its windows glowing warmly. A dirt path lined with wildflowers leads towards distant rolling hills where the sky meets the land. Inspired by Fernando Amorsolo and Claude Monet, with impressionist brushstrokes and soft light.
    full body candid photograph of beautiful 30yo Senegalese woman taking a shower of pop corn, fluffy white popcorn covering her hair and body, she winks at the viewer, inside a warm, marble tile bathroom
    A liminal space in Konoha, the Hidden Leaf Village, from Naruto, captured in ultra-realistic 4K with high dynamic range lighting and subtle brilliance effects. The iconic wooden buildings with curved, tiled rooftops stretch along the deserted streets, their warm colors enhanced by the soft glow of the setting sun. Every detail—the cracks in the stone pathways, the gentle sway of banners, the faint reflections on the glass windows of empty shops—feels almost too vivid, as if the world is frozen in perfect clarity.
The Hokage Monument stands in the distance, its colossal faces illuminated by the golden hour, yet the village itself remains eerily still. The air carries a quiet warmth, but the silence is deep, as if time has momentarily stopped. The training grounds lie undisturbed, the swings at the playground unmoving, the paper lanterns glowing faintly in the absence of any footsteps. The entire scene is breathtakingly detailed yet unsettlingly empty, creating a paradox of beauty and solitude—a moment suspended in time, waiting for life to return.
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    petite brunette woman with long, thin black hair, styled in soft waves, is lounging comfortably on a sleek white leather sofa. She is dressed casually in a black tank top and cozy leggings. Her focus is on the TV mounted on the wall in front of her. The room has a modern, minimalist design, featuring a glass brick wall that allows soft, natural light to filter in, casting a warm glow throughout the space. The glossy white tiles on the floor reflect the clean, contemporary aesthetic. The woman appears relaxed, perhaps with a slight smile as she watches her favorite show, fully immersed in the moment. The overall atmosphere is cozy and inviting, perfect for a quiet evening at home.
    RAW photos,spanish style villa exterior view,the vills has red roof tiling arched windows,some stone walls and some stucco,the time is at dusk the purple hour ,beautiful landscape,nice pool, 8k uhd, dslr, soft lighting, high quality, film grain, Fujifilm XT3
    Create a photorealistic image of a photograph capturing an aerial view of an old European city.
The image shows a top-down bird’s-eye view of a historic city in Central Europe, displaying its urban layout. The cityscape features a variety of tiled rooftops, some with turrets, gables, and other architectural details. Narrow winding streets weave through the city, with some wider roads visible as well. Several town squares and old churches can be seen, along with a single town hall. A winding river flows through the city center, adding to its charm. Small parks and green spaces are scattered throughout.
The city is full of life, with bustling shops, people, and various modes of transport. Trams are visible on some streets. The terrain is slightly uneven, with gentle elevation changes. On a hill, a medieval fortress with towers and stone walls stands proudly, overlooking the city.
The season is autumn, with trees displaying vibrant yellow, orange, and deep red leaves. The lighting is soft and warm, indicating early evening but not yet twilight. The sun is low on the horizon but remains hidden behind a thin layer of clouds, casting a gentle, diffused glow over the city.
    A humorous and vibrant scene for a FLUX-generated image: A mischievous cartoon cat with a sly grin, holding a plastic knife menacingly toward a wide-eyed rubber duck. The setting is a bright, playful bathroom with colorful tiles and bubbles floating around. Above the cat, bold yellow plastic letters spell out, "If you don't pay BUZZ, he's done for!" The style is whimsical, with exaggerated expressions, vivid colors, and a glossy, toy-like aesthetic. Dramatic lighting adds a comedic, mock-threatening vibe.
    a overhead view of forest treetops, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead,  2D minimalist style, black and white monochrome color pallete, The overall design is square in shape
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    A liminal space in Konoha, the Hidden Leaf Village, exactly as seen in Naruto. The familiar wooden buildings with curved, tiled rooftops line the stone-paved streets. Red banners with the village symbol sway gently in the breeze. The massive Hokage Monument stands in the background, overlooking the quiet village.
The streets are completely empty—no villagers, no ninja, no movement. The ramen shop, the market stalls, and the training grounds remain untouched, as if frozen in time. Lanterns cast a warm glow, but there is no sound, no footsteps, only an eerie stillness. The village feels familiar yet strangely distant, as if Konoha exists in a dream, suspended between past and present.
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow,
blurred stripes background,
    High quality high resolution digital photograph depicting a medieval cityscape from an elevated viewpoint. The layout features a sprawling city with intricate stone buildings, towers, and bridges, nestled in a lush, mountainous landscape. The subject is a lone female figure with their back to the view, wearing a short green medieval tunic and black hose, leaning on a pillar overlooking the city. The city is characterized by its dense architecture, with red-tiled roofs, narrow streets, and a prominent castle with multiple towers. In the background, snow-capped mountains and a river winding through the valley add depth to the scene. The overall colour palette includes earthy tones, greens, and greys
    Cinematic shot. Masterpiece, professional, award-winning, hyperdetailed, 8k resolution, ultrarealistic, realistic depiction of the Japanese Edo period. The main background features traditional Japanese architecture, including samurai castles and wooden houses with tiled roofs, bathed in a neon afterglow. In the sky, a detailed electric dragon pattern creates a striking secondary background. The scene is viewed isometrically, with digital constructs subtly integrated. A Japanese girl in sleeveless samurai armor stands in the foreground, muscular, big biceps, hot, sexy, beautiful, angry, long hair, ((torso shot)), arms raised, holding weapon, exuding a powerful presence. Inspired by Alphonse Mucha, the image highlights feminine elegance and intricate detail, capturing the wonder of the scene. absurdres. Pheonix. colorful. wallpaper. huge filesize. RAW photo.
    Twilight, ashen lighting, omnipresent thick fog. Barely penetrating sunlight of the morning sun. Abandoned ancient elven city, drowning in fog and oblivion. Half-ruined terraces and passages between houses. Tiled roofs collapsed into the houses and crumbling towers. A feeling of oppression and fear. View from groond to up and ahead, style by Silent Hill, meticulous, intricate, entangled, intricately detailed
    Wide-angle view, a distant shot of a large 16th-century manor in France, located in Ariège, standing in front of the Pyrenees, which lie far behind it. The old manor overlooks a vast, heavily wooded valley, with a large, dark, snow-covered forest. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks an expansive, dark, and snow-covered forest that stretches all the way to the foothills of much farther mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing along the wall and a few roof tiles missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense, and everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from afar on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are beautiful and opulent, a bit retro, and very gothic—almost malevolent. He wears a tricorne and holds a saber in his hand.
The style of the image should be a blend of Miyazaki’s animations with beautiful, poetic colors and a poetic gothic atmosphere, predominantly in shades of orange, gold, gray, and blue.
    Up-close digital illustration of a woman's stylized face composed completely+++ of colorful mosaic+++ tiles, rendered from a portrait camera angle. The subject's blue+++ eyes+++ gaze directly at the viewer, with a subtle smile and slightly parted lips. Her neat, tidy hairdo frames her tranquil expression. A textured chipped and peeling stucco+++ wall with muted hues serves as the background, imbuing the scene with serenity. Grey, blue, orange, and white tiles blend together, creating a sense of depth and dimension to her face composed completely of colored mosaic tiles.
    Wide-angle view, a distant shot of a large 16th-century manor in France, located in Ariège, standing in front of the Pyrenees, which lie far behind it. The old manor overlooks a vast, heavily wooded valley, with a large, dark, snow-covered forest. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks an expansive, dark, and snow-covered forest that stretches all the way to the foothills of much farther mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing along the wall and a few roof tiles missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense, and everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from afar on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are beautiful and opulent, a bit retro, and very gothic—almost malevolent. He wears a tricorne and holds a saber in his hand.
The style of the image should be a blend of Miyazaki’s animations with beautiful, poetic colors and a poetic gothic atmosphere, predominantly in shades of orange, gold, gray, and blue.
    Wide-angle view, a distant shot of a large 16th-century manor in France, located in Ariège, standing in front of the Pyrenees, which lie far behind it. The old manor overlooks a vast, heavily wooded valley, with a large, dark, snow-covered forest. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks an expansive, dark, and snow-covered forest that stretches all the way to the foothills of much farther mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing along the wall and a few roof tiles missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense, and everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from afar on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are beautiful and opulent, a bit retro, and very gothic—almost malevolent. He wears a tricorne and holds a saber in his hand.
The style of the image should be a blend of Miyazaki’s animations with beautiful, poetic colors and a poetic gothic atmosphere, predominantly in shades of orange, gold, gray, and blue.
    "Epic Full-Body Detail: A victorious Coach King Giantrainer, dressed in vibrant red and blue, stands on an aged tile floor, holding a Cyber Shield and a Flaming Dragonswords. The setting is an Altar of the Bound Deity, which provides a neutral backdrop that highlights the Coach King Giantrainer. This 4K image boasts exceptional quality, dynamic composition, harmonious colors, and vivid details, including a super detailed face, eyes, clothes, and weapons. The image exudes a joyful and powerful energy, with a captivating use of light and shadow. Trending on Artstation HQ."
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection.
Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure.
Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials.
On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly.
(Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    ““An abandoned indoor swimming pool, dimly lit by flickering ceiling lights. The water is still, untouched, reflecting the pale blue tiles and broken windows above. Thick fog creeps along the floor, and dust floats in the quiet air. A single pool float drifts slowly across the water, creating gentle ripples in the silence. The scene is frozen in time — no people, no movement, just echoes of what once was. Soft, ambient hums mix with the distant creak of pipes. Cinematic 4K, 35mm film grain, desaturated colors, dreamlike, surreal atmosphere, heavy stillness.”
    Create a photorealistic image of a photograph capturing an aerial view of an old European city.
The image shows a top-down bird’s-eye view of a historic city in Central Europe, displaying its urban layout. The cityscape features a variety of tiled rooftops, some with turrets, gables, and other architectural details. Narrow winding streets weave through the city, with some wider roads visible as well. Several town squares and old churches can be seen, along with a single town hall. A winding river flows through the city center, adding to its charm. Small parks and green spaces are scattered throughout.
The city is full of life, with bustling shops, people, and various modes of transport. Trams are visible on some streets. The terrain is slightly uneven, with gentle elevation changes. On a hill, a medieval fortress with towers and stone walls stands proudly, overlooking the city.
The season is autumn, with trees displaying vibrant yellow, orange, and deep red leaves. The lighting is soft and warm, indicating early evening but not yet twilight. The sun is low on the horizon but remains hidden behind a thin layer of clouds, casting a gentle, diffused glow over the city.
    A haunting, abandoned corridor in an old building, dimly lit by flickering, malfunctioning lights. The walls are cracked, peeling, and stained with dark, uneven patches that give the impression of something decayed. The floor is covered with cracked tiles and faded, torn carpet, but some areas are unnervingly smooth, as though worn down by something unknown.
At the end of the corridor, a door stands ajar, revealing only darkness beyond, an oppressive void that seems to swallow up the light. Faint, distorted shadows seem to stretch unnaturally along the walls, casting eerie, warped shapes. The air is thick with an almost palpable tension, as if something might emerge from the darkness at any moment, yet there’s no sign of life.
A few abandoned objects—an overturned chair, a broken picture frame—lie scattered across the floor, abandoned carelessly, giving the room the feeling of a place left in haste. The atmosphere feels cold, suffocating, and wrong. There’s no noise, no movement, just an overwhelming sense of something being off, as though the space itself is alive, waiting.
The entire scene is bathed in dull, muted tones, with dark corners that seem to swallow up the light, giving it an overwhelming sense of emptiness and a deeply unsettling feeling of being watched.
    A homeless man’s portrait on a subway station wall, with each tile making up his face revealing individual stories of struggle.
street art portraiture with grid-based abstraction, bold stenciled figures with high-contrast realism, fragmented mosaic textures blending into urban graffiti, socially charged and thought-provoking themes, hyper-detailed faces dissolving into pixelated street patterns, black-and-white stencils combined with colorful abstract grids, pop-art meets political satire, layered and textured city walls with deconstructed portraits, raw urban energy meets meticulous realism
    "From the bustling platform of a Tokyo Metro station, a weary Totoro is visible through the open doors of an overcrowded train, facing outward. His fur is slightly matted and sagging from exhaustion, an unlit cigarette dangling loosely from his mouth, its tip faintly stained from being chewed. He wears a disheveled Japanese salaryman suit—dark blue fabric wrinkled, white shirt untucked and crumpled, tie hanging crooked with a missing jacket button. His large, clawed paws clutch a scuffed leather briefcase, worn from years of use. Inside the train, passengers are jammed together—salarymen in stiff suits, students in crisp uniforms, and office workers gripping straps or phones—pressed shoulder-to-shoulder under harsh fluorescent lights. The air hums with muffled chatter and the distant screech of rails. Outside, a chaotic crowd of commuters surges toward the open doors, elbows jostling and briefcases swinging as they try to squeeze into the already packed carriage. A few platform onlookers—a young woman with wide eyes, an elderly man with a furrowed brow, and a child pointing excitedly—stare at Totoro in surprise, their faces caught in the station’s dim glow. Beyond the train, the station’s tiled walls are plastered with colorful ads, and a digital clock overhead ticks forward, while the distant rumble of another train echoes through the underground.
    A large 16th-century manor in France, located in Ariège, in front of the Pyrenees. The old manor is haunted, featuring a grand carriage entrance and two small corner towers. It overlooks a vast, dark, snow-covered forest that stretches all the way to the base of distant mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall and a few missing roof tiles.
The atmosphere is icy, with a strong cold wind blowing, the sky dark, and even a few snowflakes falling. Sheets of fog hover near the ground.
A character is seen in three-quarter view from afar in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His attire is elegant and classy, a bit retro and a bit gothic. He wears a tricorne and a combat cane.
Le style de l'image doit être très détaillé, comme un comics combiné a un anime. avec des encrages sombres et contrastés. Les couleurs dominantes de l'image, bleue, orange, blanc, noir, gris
    a building formed of metallic bubbles in the middle of a desert
its windows are circular and oval lit from withing by orange light
it's organic in shape and covered in hexagonal tiles
the metallic panels shine and glitter under the bright sun shining rays into the surrounding sand
    a building formed of metallic bubbles in the middle of a desert
its windows are circular and oval lit from withing by orange light
it's organic in shape and covered in hexagonal tiles
the metallic panels shine and glitter under the bright sun shining rays into the surrounding sand
    imagine a before and after commercial, the top tile has a fat king Louis XVI standing mighty and triumphant,  the bottom tile is a top down view of inside a weaved basket with the head of Louis XVI smiling at the viewer, with title "SLIM FAST"
    1girl, (portrait art stylized by Michael Shapcott:1.3) and (Nicolas Poussin:1.3) and (Frenchy:0.8) and (Keith Parkinson:0.9) , mundane Iznik Tiles of an intricate background, Deserted [Light:Alien:6] ([Kraken|Pebble]:1.3) , [Chinese:Ethiopian:8] background, lush street and Supernova remnant in background, Fall, Very wide view, Ultrarealistic, Light, Royalcore, broad lighting, pinhole lens, Kinemacolor, attractive, intricate, artstation, extremely beautiful
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection.
Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure.
Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials.
On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly.
(Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    RAW photos,Spanish style villa exterior view,the villa has red roof tiling arched windows,some stone walls and some stucco,the time is at dusk the purple hour ,beautiful landscape,nice pool, 8k uhd, dslr, soft lighting, high quality, film grain, Fujifilm XT3,good lighting
    a cute 23 y/o Ukrainian woman with long red hair,  in a small tiled room, dimly lit, teal theme, reflection in the tiled wall. 
text on her shirt that says " I ❤ pussy....cats"
    A liminal space in Konoha, the Hidden Leaf Village, exactly as seen in Naruto. The familiar wooden buildings with curved, tiled rooftops line the stone-paved streets. Red banners with the village symbol sway gently in the breeze. The massive Hokage Monument stands in the background, overlooking the quiet village.
The streets are completely empty—no villagers, no ninja, no movement. The ramen shop, the market stalls, and the training grounds remain untouched, as if frozen in time. Lanterns cast a warm glow, but there is no sound, no footsteps, only an eerie stillness. The village feels familiar yet strangely distant, as if Konoha exists in a dream, suspended between past and present.
    A liminal space in Konoha, the Hidden Leaf Village, exactly as seen in Naruto. The familiar wooden buildings with curved, tiled rooftops line the stone-paved streets. Red banners with the village symbol sway gently in the breeze. The massive Hokage Monument stands in the background, overlooking the quiet village.
The streets are completely empty—no villagers, no ninja, no movement. The ramen shop, the market stalls, and the training grounds remain untouched, as if frozen in time. Lanterns cast a warm glow, but there is no sound, no footsteps, only an eerie stillness. The village feels familiar yet strangely distant, as if Konoha exists in a dream, suspended between past and present.
    A Wabi Sabi + Indochine 3-body garden house, viewed from a high-angle bird’s eye perspective, showcases a traditional U-shaped structure with three distinct wings, forming an inviting courtyard at its center. The main body of the house is the largest section, housing the communal living space, with soft white and ivory walls accented by warm beige elements, creating a serene minimalist atmosphere. The roof features rich teak and dark walnut tiles, reflecting traditional Vietnamese architecture.
The two side wings are slightly smaller, with one designated for the kitchen and dining area, and the other serving as private quarters or guest spaces. Shaded walkways connect these wings to the main body, supported by warm beige wooden columns, emphasizing openness and a connection to nature. Each wing includes its own veranda furnished with bamboo seating for quiet outdoor relaxation.
In the courtyard, emerald green ferns and tropical plants add lushness, while indigo blue ceramic pots and brick red tiled pathways enhance the vibrant aesthetic. A central stone fountain serves as a focal point. Accents of burnt sienna and antique gold in decor elements, like lanterns and sculptures, bring warmth and cultural richness to the space.
This harmonious blend of modern Wabi Sabi simplicity and Indochine elegance creates a tranquil garden house that honors tradition while embracing contemporary design, fostering a peaceful retreat within its natural surroundings.
    A Wabi Sabi + Indochine 3-body garden house, viewed from a high-angle bird’s eye perspective, showcases a traditional U-shaped structure with three distinct wings, forming an inviting courtyard at its center. The main body of the house is the largest section, housing the communal living space, with soft white and ivory walls accented by warm beige elements, creating a serene minimalist atmosphere. The roof features rich teak and dark walnut tiles, reflecting traditional Vietnamese architecture.
The two side wings are slightly smaller, with one designated for the kitchen and dining area, and the other serving as private quarters or guest spaces. Shaded walkways connect these wings to the main body, supported by warm beige wooden columns, emphasizing openness and a connection to nature. Each wing includes its own veranda furnished with bamboo seating for quiet outdoor relaxation.
In the courtyard, emerald green ferns and tropical plants add lushness, while indigo blue ceramic pots and brick red tiled pathways enhance the vibrant aesthetic. A central stone fountain serves as a focal point. Accents of burnt sienna and antique gold in decor elements, like lanterns and sculptures, bring warmth and cultural richness to the space.
This harmonious blend of modern Wabi Sabi simplicity and Indochine elegance creates a tranquil garden house that honors tradition while embracing contemporary design, fostering a peaceful retreat within its natural surroundings.
    AMELICART. masterpiece, best quality,high detailed. A digital drawing captures a sunny backyard with a tan boy wearing a blue hat, green shirt, and shorts, reading a small book. Surrounding him are potted flowers, a cat, an air conditioner, bamboo blind, and a wooden house with blue-tiled roof. The style is whimsical and colorful with a light summer atmosphere. "Akatsukian" signature is visible on the bottom left.
    A haunting, abandoned corridor in an old building, dimly lit by flickering, malfunctioning lights. The walls are cracked, peeling, and stained with dark, uneven patches that give the impression of something decayed. The floor is covered with cracked tiles and faded, torn carpet, but some areas are unnervingly smooth, as though worn down by something unknown.
At the end of the corridor, a door stands ajar, revealing only darkness beyond, an oppressive void that seems to swallow up the light. Faint, distorted shadows seem to stretch unnaturally along the walls, casting eerie, warped shapes. The air is thick with an almost palpable tension, as if something might emerge from the darkness at any moment, yet there’s no sign of life.
A few abandoned objects—an overturned chair, a broken picture frame—lie scattered across the floor, abandoned carelessly, giving the room the feeling of a place left in haste. The atmosphere feels cold, suffocating, and wrong. There’s no noise, no movement, just an overwhelming sense of something being off, as though the space itself is alive, waiting.
The entire scene is bathed in dull, muted tones, with dark corners that seem to swallow up the light, giving it an overwhelming sense of emptiness and a deeply unsettling feeling of being watched.
    score_9, score_8_up, score_8_up, 8k, absurdres, photorealistic, hospital hallway, flickering lighting, creepy, green fluorescent lighting, paint peeling from walls, tiled floor with smears of blood, black oil oozing from walls, multiple surgeons with very long fingers and blood on their scrubs, surgeons have lotus pods where eyes should be, surgeons are smiling towards camera, black oily skin, creepy, pov shot, wide angle, stretcher, looking up at doctor, first person view
    Wide-angle view, a distant shot of a large 16th-century manor in France, located in Ariège, standing in front of the Pyrenees, which lie far behind it. The old manor overlooks a vast, heavily wooded valley, with a large, dark, snow-covered forest. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks an expansive, dark, and snow-covered forest that stretches all the way to the foothills of much farther mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing along the wall and a few roof tiles missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense, and everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from afar on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are beautiful and opulent, a bit retro, and very gothic—almost malevolent. He wears a tricorne and holds a saber in his hand.
The style of the image should be a blend of Miyazaki’s animations with beautiful, poetic colors and a poetic gothic atmosphere, predominantly in shades of orange, gold, gray, and blue.
    score_9, score_8_up, score_8_up, 8k, photorealistic, creepy, dim red lighting, disturbing, unsettling, dead mall, peeling paint, garbage scattered around, atmospheric, oil seeping out of floor tiles and walls, abandoned stores in distance, being chased a large black millipede, very long fingers for legs, the head of millipede is a asian girl with matted hair and skin covered in jet black oil, smiling at camera, pov, first person, long lens
    digital illustration, highest quality, highly detailed, masterpiece, best quality,art by Donato Giancola ,ADDBASE, scenery, outdoors, day, ((Spanish style villa exterior)),the villa has red roof tiling arched windows,stone walls and  stucco,afternoon time ,beautiful landscape,nice pool , family and their puppy enjoying the pool in the sunny day, soft lighting, high quality,close up shot
    “Create an image of a beautiful smiling blonde lady, her features softly blending with a female bee. The scene takes place in a rundown Italian hotel room from the 1970s, with the woman and bee lounging together on a worn red leather sofa. The room exudes a sense of decay with faded wallpaper, cracked tiles, and cobwebs in the corners. A piece of rotten cardboard on the floor reads ‘buzz buzz’ in worn-out, faded letters. The atmosphere should feel nostalgic yet eerie, capturing a mix of beauty and decay.”
    Brick wall in an overgrown urban environment, 
mural depicts a high-energy, black-and-white portrait of a rock musician mid-performance, positioned on a tiled wall next to a bold blue door. The figure is portrayed in a dynamic pose, gripping a microphone with intense emotion, exuding the raw passion of a live performance. The artist has carefully detailed the flannel shirt, long hair, and sturdy boots, adding depth and texture to the artwork. The use of grayscale shading contrasts effectively against the vibrant orange brickwork and the vivid blue of the adjacent door, creating a striking urban composition. The mural captures the spirit of rock and roll, blending seamlessly into the gritty street setting.
graffiti, mural, hyper-realistic, vibrant colors, bold letterforms, 3D design, urban art, intricate details, vivid gradients, sharp highlights, contrasting shadows, abstract influences, electric palette, sculptural effect
    The image shows a woman sitting at a kitchen table in a brightly colored, retro-inspired setting. She has long, wavy blonde hair and wears a pink dress with puffed sleeves and a matching pink headband. Her expression is somewhat vacant, with a gaze that seems distant or contemplative. In one hand, she holds a yellow coffee mug, raised slightly as if about to drink. In her other hand, she holds a magazine titled “Gossip,” with a partially visible cover featuring a celebrity photo.
The table is covered with a polka-dot tablecloth and has a neatly arranged breakfast setup: a glass of orange juice, a small dessert with pink frosting, and a milk carton that prominently displays a “Missing” child ad. Behind her is a window with teal framing, through which we can see a suburban street scene, with a couple walking and classic cars parked. The kitchen’s pink tiled walls and various vintage elements contribute to the retro, slightly surreal atmosphere. The room also features jars, flowers, and other decorative items on a counter in the background, adding to the domestic feel of the scene.
    A Wabi Sabi + Indochine 3-body garden house, viewed from a high-angle bird’s eye perspective, showcases a traditional U-shaped structure with three distinct wings, forming an inviting courtyard at its center. The main body of the house is the largest section, housing the communal living space, with soft white and ivory walls accented by warm beige elements, creating a serene minimalist atmosphere. The roof features rich teak and dark walnut tiles, reflecting traditional Vietnamese architecture.
The two side wings are slightly smaller, with one designated for the kitchen and dining area, and the other serving as private quarters or guest spaces. Shaded walkways connect these wings to the main body, supported by warm beige wooden columns, emphasizing openness and a connection to nature. Each wing includes its own veranda furnished with bamboo seating for quiet outdoor relaxation.
In the courtyard, emerald green ferns and tropical plants add lushness, while indigo blue ceramic pots and brick red tiled pathways enhance the vibrant aesthetic. A central stone fountain serves as a focal point. Accents of burnt sienna and antique gold in decor elements, like lanterns and sculptures, bring warmth and cultural richness to the space.
This harmonious blend of modern Wabi Sabi simplicity and Indochine elegance creates a tranquil garden house that honors tradition while embracing contemporary design, fostering a peaceful retreat within its natural surroundings.
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection.
Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure.
Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials.
On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly.
(Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    A modern Wabi Sabi + Tropical garden house, seen from a high-angle bird’s eye view, embraces serenity and natural beauty. The exterior features a harmonious blend of austere black and deep brown, grounding the house within its lush green surroundings. The minimalist dark walls evoke the Wabi Sabi philosophy of subtle elegance and natural imperfection.
Warm wood accents line the beams and window frames, adding texture and warmth. Large, dark-framed glass sliding doors connect the indoors to the outdoors, leading to a spacious veranda wrapped in natural beige and muted stone. This veranda extends seamlessly into a tropical garden, where vibrant greenery contrasts with the minimalist structure.
Textured grey stone pathways wind through the garden, lined with clusters of dark green ferns and palms, complementing the structure’s simplicity. The roof, covered in deep brown tiles, aligns with the house’s organic materials.
On the veranda, muted earth-toned ceramics and decor pieces subtly enhance the Wabi Sabi aesthetic. A bamboo furniture set sits on a large open balcony shaded by a pergola, while a hammock between two trees invites relaxation. The raw materials, unrefined textures, and tropical plants create a peaceful atmosphere where nature and architecture flow together effortlessly.
(Ultra-realistic, 32k, Masterpiece, High Quality, Detailed Realistic Background, Official Art, Realistic Lighting, filmfotos, film grain, reversal film photography)
    A perfectly accurate, ultra-realistic 4K depiction of Konoha, the Hidden Leaf Village from Naruto. The traditional wooden buildings with curved, tiled rooftops line the stone-paved streets. Red banners with the village symbol gently sway in the breeze. The massive Hokage Monument towers in the background, bathed in the soft glow of the setting sun. The ramen shop, the market stalls, the training grounds—everything is exactly as seen in the anime, but the village is completely empty.
There are no people, no movement, no sound—only stillness. The warm light from windows and lanterns flickers softly, casting long shadows, yet there is no sign of life. The sky transitions from deep orange to a soft purple hue, reflecting on the rooftops. The village feels frozen in time, familiar yet unsettlingly quiet, as if Konoha exists in a moment between reality and memory.
    imagine a four tile comic strip, the top left tile has a man raising his arm asking in a text bubble "What do we WANT?", the top right tile has a crowd chanting "BUZZ", the bottom left tile has a man raising his harm ask in a text bubble "How many?", the bottom right tile has a crowd chanting "YES"
    imagine a four tile comic strip, the top left tile has a man raising his arm asking in a text bubble "What do we WANT?", the top right tile has a crowd chanting "BUZZ", the bottom left tile has a man raising his harm ask in a text bubble "How many?", the bottom right tile has a crowd chanting "YES"
    an simple illustration consisting of two tiles, on the left a frame with flat style drawn sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside, arrow chart points down, text below "losedow",
blurred stripes background,
    A large 16th-century manor in France, located in Ariège, stands before the Pyrenees, which lie much further away. The old manor overlooks a heavily wooded valley. The house is haunted, featuring a grand carriage entrance and two small corner towers. It overlooks a vast, dark, snow-covered forest that stretches all the way to the foothills of distant mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall and a few missing roof tiles.
The atmosphere is icy; the cold wind blows fiercely, the sky is dark, and a few snowflakes are falling. Sheets of fog hover near the ground. The forest is dense and all around.
A character is seen in three-quarter view from a distance on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His attire is elegant and refined, with a somewhat retro and gothic flair. He wears a tricorne hat and carries a combat cane resting on his shoulder.
The style of the image should be a blend of Miyazaki-style anime and a gothic ambiance, with colors predominantly orange, gold, gray, and blue.
    A large 16th-century manor in France, located in Ariège, in front of the Pyrenees. The old manor is haunted, featuring a grand carriage entrance and two small corner towers. It overlooks a vast, dark, snow-covered forest that stretches all the way to the base of distant mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall and a few missing roof tiles.
The atmosphere is icy, with a strong cold wind blowing, the sky dark, and even a few snowflakes falling. Sheets of fog hover near the ground.
A character is seen in three-quarter view from afar in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His attire is elegant and classy, a bit retro and a bit gothic. He wears a tricorne and a combat cane.
Le style de l'image doit être très détaillé, comme un comics combiné a un anime. avec des encrages sombres et contrastés. Les couleurs dominantes de l'image, bleue, orange, blanc, noir, gris
    "A flat, two-dimensional face is composed entirely of dominoes, each one precisely placed to form the features of a serene and enigmatic visage. The dominoes are arranged in a mosaic pattern, with each tile bearing a subtle gradient of shading to create a sense of depth and dimension. The face's expression is calm and introspective, with a hint of mystery. The dominoes are so intricately arranged that the face appears almost lifelike, as if it might topple or change expression at any moment. Style: detailed, intricate, and mesmerizing, with a focus on capturing the unique texture and pattern of the dominoes."
    a overhead view of forest treetops, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead,  2D minimalist style, black and white monochrome color pallete, The overall design is square in shape
    High quality high resolution digital photograph depicting a medieval cityscape from an elevated viewpoint. The layout features a sprawling city with intricate stone buildings, towers, and bridges, nestled in a lush, mountainous landscape. The subject is a lone figure with their back to the viewer, wearing a detailed, red hooded cloak and medieval armor, standing on a stone ledge overlooking the city. The city is characterized by its dense architecture, with red-tiled roofs, narrow streets, and a prominent castle with multiple towers. In the background, snow-capped mountains and a river winding through the valley add depth to the scene. The overall color palette includes earthy tones, greens, and grays, with the red cloak providing a striking contrast.
    (captivating gaze:1.1), (contrast of light and texture:1.2), artistic interplay, (sharp luminous streaks:1.1), (detailed iris:1.1), Sony α7R IV, 1/320s, f/2.8, ISO 400, (enigmatic expression:1.2), (highlighted facial contours:1.1), (intimate portraiture:1.2), RAW file format, (visual rhythm:1.1), (intrinsic contrast:1.2)."An open-concept living and dining room combining Wabi Sabi and Modern Tropical styles. The space features high ceilings with exposed beams, grounded in deep browns and austere blacks for a natural, earthy feel. Soft green and light beige accents soften the look, while rich textures like rattan and linen enhance the organic feel. A traditional dark wood dining table seats 8-12, centered by a column wrapped in textured clay. Terracotta and emerald green decor add warmth and tropical vibrancy through vases, pillows, and wall art. A bamboo tea table for two sits near large windows that flood the room with light, balancing the darker tones. A minimalist bar with sandy beige tiles connects the kitchen, serving as a cozy drinks spot. Navy blue ceramic pieces punctuate the space, offering a subtle contrast. Woven pendant lights provide soft, ambient lighting, completing the tranquil yet sophisticated atmosphere that blends simplicity with natural luxury."
    Twilight, ashen lighting, omnipresent thick fog. Barely penetrating sunlight of the morning sun. Abandoned ancient elven city, drowning in fog and oblivion. Half-ruined terraces and passages between houses. Tiled roofs collapsed into the houses and crumbling towers. A feeling of oppression and fear. View from groond to up and ahead, style by Silent Hill, meticulous, intricate, entangled, intricately detailed
    a overhead view of stylized line art forest canopy, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead,  2D minimalist style, black and white two tone color pallete, The overall design is square in shape
    a overhead view of a piece of a large trashheap, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead, flat 2D minimalist style, black and white monochrome color pallete, The overall design is square in shape
    a cute 23 y/o Ukrainian woman with long red hair,  in a small tiled room, dimly lit, teal theme, reflection in the tiled wall. amber lights rtx.
text on her shirt that says " I ❤ Gingers"
    A large 16th-century manor in France, located in Ariège, stands before the Pyrenees, which lie much further away. The old manor overlooks a heavily wooded valley. The house is haunted, featuring a grand carriage entrance and two small corner towers. It overlooks a vast, dark, snow-covered forest that stretches all the way to the foothills of distant mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall and a few missing roof tiles.
The atmosphere is icy; the cold wind blows fiercely, the sky is dark, and a few snowflakes are falling. Sheets of fog hover near the ground. The forest is dense and all around.
A character is seen in three-quarter view from a distance on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His attire is elegant and refined, with a somewhat retro and gothic flair. He wears a tricorne hat and carries a combat cane resting on his shoulder.
The style of the image should be a blend of Miyazaki-style anime and a gothic ambiance, with colors predominantly orange, gold, gray, and blue.
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle.
Then, in the background, something is there. Watching. Waiting.
Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave.
The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier.
You shouldn’t be here.
But now… he knows you are.
    A large 16th-century manor in France, located in Ariège, in front of the Pyrenees. The old manor is haunted, featuring a grand carriage entrance and two small corner towers. It overlooks a vast, dark, snow-covered forest that stretches all the way to the base of distant mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall and a few missing roof tiles.
The atmosphere is icy, with a strong cold wind blowing, the sky dark, and even a few snowflakes falling. Sheets of fog hover near the ground.
A character is seen in three-quarter view from afar in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His attire is elegant and classy, a bit retro and a bit gothic. He wears a tricorne and a combat cane.
Le style de l'image doit être très détaillé, comme un comics combiné a un anime. avec des encrages sombres et contrastés. Les couleurs dominantes de l'image, bleue, orange, blanc, noir, gris
    RAW photos,spanish style villa exterior view,the vills has red roof tiling arched windows,some stone walls and some stucco,the time is at dusk the purple hour ,beautiful landscape,nice pool, 8k uhd, dslr, soft lighting, high quality, film grain, Fujifilm XT3
    A dimly lit underground lair, the stone walls of Orochimaru’s domain are damp and covered in a layer of black mold. The air is thick, heavy with the scent of decay, stale blood, and something metallic, like rusted iron. The flickering overhead lights cast an eerie glow, distorting the dark, cold hallway ahead.
Along the walls, there are faded and cracked inscriptions in a dark, almost illegible script, marking the boundaries of forbidden experiments. Cold steel doors line the corridor, some slightly ajar, revealing dark rooms beyond—each filled with the chilling remnants of unspeakable acts. Large glass tanks, distorted by grime and condensation, hold grotesque, malformed humanoid creatures—skeletal, serpentine, with flesh that seems to bubble unnaturally, as if still struggling to exist. The creatures’ eyes, empty and soulless, gaze into nothingness.
The floors are slick with a combination of water and something darker, something that clings to the shoes like tar. You can’t quite tell if it’s just dirt, or if it’s blood that has long since soaked into the stone, staining it permanently.
At the far end of the corridor, a room opens into a massive, sterile lab, starkly lit by harsh fluorescent lights that make the white tiles gleam uncomfortably. Tables are cluttered with surgical instruments—some clean, some stained. Papers filled with incomprehensible jutsu are scattered about, half burned or left in disarray.
    a seamless tiling panorama view, very detailed, vivid colors, anime-style, of a sky with few clouds and a coastal landscape below
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle.
Then, in the background, something is there. Watching. Waiting.
Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave.
The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier.
You shouldn’t be here.
But now… he knows you are.
    Cinematic shot. Masterpiece, professional, award-winning, hyperdetailed, 8k resolution, ultrarealistic, realistic depiction of the Japanese Edo period. The main background features traditional Japanese architecture, including samurai castles and wooden houses with tiled roofs, bathed in a neon afterglow. In the sky, a detailed electric dragon pattern creates a striking secondary background. The scene is viewed isometrically, with digital constructs subtly integrated. A Japanese girl in sleeveless samurai armor stands in the foreground, muscular, big biceps, hot, sexy, beautiful, angry, long hair, yazuka tattoos, ((torso shot)), arms raised, holding weapon, exuding a powerful presence. Inspired by Alphonse Mucha, the image highlights feminine elegance and intricate detail, capturing the wonder of the scene. absurdres. Pheonix. colorful. wallpaper. huge filesize. RAW photo.
    A liminal space inside a nearly pitch-dark supermarket, its long aisles stretching into an eerie, endless void. The dim, flickering overhead lights barely illuminate the cold tile floor, casting elongated shadows that shift unnaturally. The shelves are still stocked, but something feels off—products are misaligned, some labels are faded as if they’ve been here for decades. The soft hum of the refrigeration units is the only sound, blending with the distant crackle of an old speaker playing a distorted, barely-audible supermarket jingle.
Then, in the background, something is there. Watching. Waiting.
Between the aisles, beyond the last flickering light, stands a tall, shadowy figure. Slenderman. Motionless. His featureless face is barely visible through the darkness, yet you feel his gaze pressing down on you. His unnaturally long limbs seem to stretch with each blink, shifting, closing the distance ever so slightly whenever you look away. The atmosphere is suffocating—something is wrong, but you can’t leave.
The automatic doors stand still, locked in place. The checkouts are empty, yet the scanner beeps randomly, as if something unseen is purchasing items in the void. Your pulse quickens. The fluorescent lights buzz louder. The air grows heavier.
You shouldn’t be here.
But now… he knows you are.
    a overhead view of a piece of a large trashheap, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead,  2D minimalist style, black and white monochrome color pallete, The overall design is square in shape
    a overhead view of forest treetops, in a black and white lineart style as a tile from a video game tileset, viewed directly from overhead,  2D minimalist style, black and white monochrome color pallete, The overall design is square in shape
    A hyper-stylized anime zombie, blending the opulent, geometric patterns of Art Deco with the fragmented, multi-angled forms of Cubism. The zombie's body is broken into multiple, overlapping planes, with each fragment rendered in bold, Cubist shapes and Art Deco-inspired patterns. The skin is a mosaic of geometric tiles, with each tile featuring a different Art Deco motif, from chevrons to zigzags. The eyes are two gleaming, gemstone-like orbs, surrounded by intricate, Art Deco-inspired filigree. The background is a swirling, Cubist-inspired vortex of colors and patterns, with Art Deco motifs woven throughout. The overall effect is one of eerie, unsettling glamour, as if the viewer is gazing into a fractured, nightmarish world. The zombie's limbs are depicted in a stylized, fragmented manner, with each joint rendered as a separate, geometric shape, adding to the sense of disjointed, Cubist chaos. highest-Quality, intricate details, visually stunning, Masterpiece
    A sleek humanoid android with polished chrome and matte black body panels, glowing blue circuit patterns visible beneath translucent skin sections, sitting at a red vinyl booth in a classic 1950s American diner. The android has an elegant feminine form with articulated joints, LED strip accents along the limbs, and softly glowing cyan eyes. Subtle holographic displays project from forearm panels. Classic diner interior with checkered black and white floor tiles, red vinyl booths and chrome-trimmed stools, curved chrome counter with glass pie cases. Retro jukebox in corner with colorful lights. Vibrant neon lighting casting pink, blue, and purple glows throughout the space. Neon signs on walls reading "COSMIC CAFÉ" and "OPEN 24/7" in retro cursive fonts. Atmospheric haze and light rays cutting through smoky air. Warm tungsten lighting from vintage pendant lamps mixed with cool neon colors. Holographic menu displays floating above tables, digital rain effects on windows, subtle glitch artifacts in reflections, chrome surfaces reflecting neon colors, futuristic modifications to classic diner equipment with LED accents and digital displays. Cyberpunk atmosphere, cinematic composition, dramatic lighting, high contrast, photorealistic rendering, detailed textures, 8K quality, professional photography style, slight film grain, color grading with cyan and magenta tones, retro-futuristic aesthetic.
    digital illustration, highest quality, highly detailed, masterpiece, best quality,art by Donato Giancola ,ADDBASE, scenery, outdoors, day, ((Spanish style villa exterior)),the villa has red roof tiling arched windows,stone walls and  stucco,afternoon time ,beautiful landscape,nice pool , family and their puppy enjoying the pool in the sunny day, soft lighting, high quality,close up shot
    From the bustling platform of a Tokyo Metro station, a weary Totoro is visible through the open doors of an overcrowded train, facing outward. His fur is slightly matted and sagging from exhaustion, his expression softened by fatigue after a long day. He wears a disheveled Japanese salaryman suit—dark blue fabric wrinkled, white shirt untucked and crumpled, tie hanging crooked with a missing jacket button. His large, clawed paws clutch a scuffed leather briefcase, worn from years of use. Inside the train, passengers are jammed together—salarymen in stiff suits, students in crisp uniforms, and office workers gripping straps or phones—pressed shoulder-to-shoulder under harsh fluorescent lights. The air hums with muffled chatter and the distant screech of rails. Outside, a chaotic crowd of commuters surges toward the open doors, elbows jostling and briefcases swinging as they try to squeeze into the already packed carriage. A few platform onlookers—a young woman with wide eyes, an elderly man with a furrowed brow, and a small child in a bright red coat pointing excitedly—stare at Totoro in surprise, their faces caught in the station’s dim glow. Totoro, despite his weariness, offers a gentle, lopsided smile to the pointing child, his round eyes crinkling warmly. Beyond the train, the station’s tiled walls are plastered with colorful ads, and a digital clock overhead ticks forward, while the distant rumble of another train echoes through the underground.
    A liminal space in Konoha, the Hidden Leaf Village, exactly as seen in Naruto. The familiar wooden buildings with curved, tiled rooftops line the stone-paved streets. Red banners with the village symbol sway gently in the breeze. The massive Hokage Monument stands in the background, overlooking the quiet village.
The streets are completely empty—no villagers, no ninja, no movement. The ramen shop, the market stalls, and the training grounds remain untouched, as if frozen in time. Lanterns cast a warm glow, but there is no sound, no footsteps, only an eerie stillness. The village feels familiar yet strangely distant, as if Konoha exists in a dream, suspended between past and present.
    The sun bathes the Tilya-Kori Madrasa in a warm, golden light, revealing the breathtaking beauty of its intricate facade. Vibrant blue tiles, meticulously arranged in geometric patterns, contrast with the warm hues of the brickwork, creating a dazzling spectacle of Islamic art. The ornate mosaics, depicting floral motifs and calligraphic inscriptions, tell stories of faith and artistry. Rendered in a photorealistic style, with meticulous attention to detail and historical accuracy, the image captures the grandeur and cultural significance of this architectural masterpiece, transporting the viewer to the heart of Samarkand's historic Registan Square.
    The sun bathes the Tilya-Kori Madrasa in a warm, golden light, revealing the breathtaking beauty of its intricate facade. Vibrant blue tiles, meticulously arranged in geometric patterns, contrast with the warm hues of the brickwork, creating a dazzling spectacle of Islamic art. The ornate mosaics, depicting floral motifs and calligraphic inscriptions, tell stories of faith and artistry. Rendered in a photorealistic style, with meticulous attention to detail and historical accuracy, the image captures the grandeur and cultural significance of this architectural masterpiece, transporting the viewer to the heart of Samarkand's historic Registan Square.
    Death of a beautiful humanoid female,  close up of a broken android, digital art, cracked porcelain face, futuristic look,  captivating, close-up, skull, fragile, emotional, shatter into fragments,  shattered glass,  shattered pieces of a woman body, made of porcelain, broken, destroyed, abstract patterns, tile art,  roses, portrait photography, cinematic, white and light gray, shallow depth of field
    In the distance two moons are rising over a tranquil ocean at twilight. The twilight sky is filled with stars. In the foreground is a tranquil pre-industrial town nescilled in a valley. Small hills rise on either side of the town with a small stream winding through the center of town. The houses and shops in the town are reminiscent of feudal Japan, constructed of wood with dark terracotta tiles. The small streets are lite by hanging paper lanterns of red, yellow, and orange. The streets are alive with people out strolling in the narrow streets on an Autumn evening. The image is framed by the dark silhouettes trees on either side and a couple sitting on a bench watching the scene
    This is a vibrant photograph capturing a bustling street scene in London, England, during sunset. The focal point is the iconic red telephone booth on the left side of the image, its bright red color contrasting sharply with the beige and cream-colored stone buildings in the background. The telephone booth is positioned slightly to the left, with a traditional black lamppost next to it. 
Dominating the background is the towering Big Ben clock tower, bathed in warm, golden hues from the setting sun, which casts a soft glow on the building's intricate Gothic architecture. The clock face is visible, showing the time as 4:00. To the right of Big Ben, a modern glass and steel building is visible, contrasting with the historical structures.
The street is paved with large, rectangular stone tiles, reflecting the light from the streetlamps and the setting sun. Several pedestrians, dressed in winter coats and scarves, walk along the street, some heading towards the camera, while others are walking away. The sky above is a mix of soft orange, pink, and blue, with scattered clouds. The overall atmosphere is vibrant, historic, and bustling, capturing the essence of London's iconic architecture and daily life.
    A Wabi Sabi + Indochine 3-body garden house, viewed from a high-angle bird’s eye perspective, showcases a traditional U-shaped structure with three distinct wings, forming an inviting courtyard at its center. The main body of the house is the largest section, housing the communal living space, with soft white and ivory walls accented by warm beige elements, creating a serene minimalist atmosphere. The roof features rich teak and dark walnut tiles, reflecting traditional Vietnamese architecture.
The two side wings are slightly smaller, with one designated for the kitchen and dining area, and the other serving as private quarters or guest spaces. Shaded walkways connect these wings to the main body, supported by warm beige wooden columns, emphasizing openness and a connection to nature. Each wing includes its own veranda furnished with bamboo seating for quiet outdoor relaxation.
In the courtyard, emerald green ferns and tropical plants add lushness, while indigo blue ceramic pots and brick red tiled pathways enhance the vibrant aesthetic. A central stone fountain serves as a focal point. Accents of burnt sienna and antique gold in decor elements, like lanterns and sculptures, bring warmth and cultural richness to the space.
This harmonious blend of modern Wabi Sabi simplicity and Indochine elegance creates a tranquil garden house that honors tradition while embracing contemporary design, fostering a peaceful retreat within its natural surroundings.
    portrait of a millionaire in 1927, smoking a cigar in a dimly lit gentleman club. The air is heavy with smoke that forms a cloud under the ceiling. The man is wearing a black tie tuxedo, sitting at a table. Walls are tiled with carved hard wood bas-relief sculptures. The portrait is soft and gentle with an intimate lighting.
    Wide-angle view, a distant shot of a large 16th-century manor in France, located in Ariège, standing in front of the Pyrenees, which lie far behind it. The old manor overlooks a vast, heavily wooded valley, with a large, dark, snow-covered forest. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks an expansive, dark, and snow-covered forest that stretches all the way to the foothills of much farther mountains. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing along the wall and a few roof tiles missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense, and everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from afar on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are beautiful and opulent, a bit retro, and very gothic—almost malevolent. He wears a tricorne and holds a saber in his hand.
The style of the image should be a blend of Miyazaki’s animations with beautiful, poetic colors and a poetic gothic atmosphere, predominantly in shades of orange, gold, gray, and blue.
    A liminal space in Konoha, the Hidden Leaf Village, from Naruto, captured in ultra-realistic 4K with high dynamic range lighting and subtle brilliance effects. The iconic wooden buildings with curved, tiled rooftops stretch along the deserted streets, their warm colors enhanced by the soft glow of the setting sun. Every detail—the cracks in the stone pathways, the gentle sway of banners, the faint reflections on the glass windows of empty shops—feels almost too vivid, as if the world is frozen in perfect clarity.
The Hokage Monument stands in the distance, its colossal faces illuminated by the golden hour, yet the village itself remains eerily still. The air carries a quiet warmth, but the silence is deep, as if time has momentarily stopped. The training grounds lie undisturbed, the swings at the playground unmoving, the paper lanterns glowing faintly in the absence of any footsteps. The entire scene is breathtakingly detailed yet unsettlingly empty, creating a paradox of beauty and solitude—a moment suspended in time, waiting for life to return.
    a comic illustration consisting of two tiles, on the left a frame with flat style drawn smiling sun and blue sky like looking outside through a window, text below "window", on the right the similar frame with a (falling market chart) inside on graph paper, text below "losedow", on both sides white text with black outlines, good contrast, text shadow,
blurred stripes background,
    From a high-angle view, the Minimalism + Indochine garden house showcases a fusion of modern simplicity and cultural richness. The exterior, in soft white and ivory, presents a clean, minimal aesthetic with large windows framed in rich teak or dark walnut, inviting natural light. A wide veranda wraps around the house with warm beige stone tiles, complementing the wood accents.
The roof, with its traditional dark walnut tone, reflects the Indochine style while maintaining a minimalist structure. The veranda opens to a tropical garden featuring lush greenery, with decorative touches of indigo blue and emerald green in planters and accents.
Subtle antique gold lanterns and sculptures add elegance, while brick red and burnt sienna tones in ceramic vases and outdoor cushions bring warmth. A bamboo tea table beneath a tree creates a peaceful retreat, blending with the minimalist design.
Natural materials and a serene garden setting ensure the house seamlessly merges modern minimalism with Indochine charm, creating a tranquil, elegant living space.
    Twilight, ashen lighting, omnipresent thick fog. Barely penetrating sunlight of the morning sun. Abandoned ancient elven city, drowning in fog and oblivion. Half-ruined terraces and passages between houses. Tiled roofs collapsed into the houses and crumbling towers. A feeling of oppression and fear. View from groond to up and ahead, style by Silent Hill, meticulous, intricate, entangled, intricately detailed
    "Epic Full-Body Detail: A victorious Coach King Giantrainer, dressed in vibrant red and blue, stands on an aged tile floor, holding a Cyber Shield and a Flaming Dragonswords. The setting is an Altar of the Bound Deity, which provides a neutral backdrop that highlights the Coach King Giantrainer. This 4K image boasts exceptional quality, dynamic composition, harmonious colors, and vivid details, including a super detailed face, eyes, clothes, and weapons. The image exudes a joyful and powerful energy, with a captivating use of light and shadow. Trending on Artstation HQ."
    1girl, (portrait art stylized by Michael Shapcott:1.3) and (Nicolas Poussin:1.3) and (Frenchy:0.8) and (Keith Parkinson:0.9) , mundane Iznik Tiles of an intricate background, Deserted [Light:Alien:6] ([Kraken|Pebble]:1.3) , [Chinese:Ethiopian:8] background, lush street and Supernova remnant in background, Fall, Very wide view, Ultrarealistic, Light, Royalcore, broad lighting, pinhole lens, Kinemacolor, attractive, intricate, artstation, extremely beautiful
    A large 16th-century manor in France, located in Ariège, stands before the Pyrenees, which lie much further back behind it. The old manor overlooks a vast, heavily wooded valley, and the forest is large, dark, and snow-covered. The house is haunted, featuring a grand carriage entrance and two small corner towers. The manor overlooks a vast, dark, snow-covered forest that stretches all the way to the foothills of mountains that are much further away. In front of the first-floor windows, there is a charming little balcony. The building appears to have been abandoned for several years, with some ivy growing on the wall, and some roof tiles are missing. The manor seems to have been abandoned for a long time.
The atmosphere is icy—a cold wind blows fiercely, the sky is dark, and even a few snowflakes are falling along the path. Sheets of fog hover near the ground. The forest is dense and, everywhere, it appears to be inhabited by spirits.
A character is seen in three-quarter view from a distance on horseback, positioned in front of the manor’s carriage entrance. He is a 19th-century bourgeois, dressed like Sherlock Holmes. His clothes are elegant and opulent, a bit retro and very gothic. He wears a tricorne and carries a combat cane resting on his shoulder.
The style of the image should be a blend of Miyazaki’s anime with beautiful colors and a gothic atmosphere, predominantly featuring orange, gold, gray, and blue.
    An abandoned children's playroom, illuminated only by the dim, flickering light of broken overhead bulbs. The walls are painted with faded, peeling murals of cartoon animals and playful shapes, now warped and distorted with time. The floor is covered in old, cracked foam tiles, some pieces missing, leaving jagged gaps in the colorful pattern. A thick layer of dust settles on everything, but there is something unsettling about the emptiness—it feels like this room has been abandoned in a hurry, as if something left without a trace.
The toys, once vibrant and inviting, are now neglected and broken. A deflated ball lies in one corner, partially hidden by a pile of decaying stuffed animals, their eyes sewn shut with thread that looks like it’s been torn out. A wooden rocking horse sits in the middle of the room, its paint chipped and peeling, the motionless frame casting long, strange shadows that distort across the walls.
The silence is oppressive, heavy. Every creak of the building as it shifts under its own weight seems unnaturally loud in this dead space. The door to the room is slightly ajar, but beyond it, there is nothing but more empty corridors, endless and unreachable. No sound, no movement—only the stillness, and the deep unease that the room evokes

      FLUX

    • Schnell - flux_schnell.sft