null sitting on carpet

    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    King of Death wearing a golden crown, sits atop his golden throne. Ruler of all, ruler of nothing. Dynamic view from the side. Deaths skin and flesh have rotten away, pieces of it still clinging and draped off his brittle bones. His body slumped toward the camera, his head hangs listlessly over his right shoulder. His legs dangle haphazardly on the ground. The tarnished crown is askew atop his thin wispy hair and exposed skull. The throne is worn looking, dried blood caked into the crevices amongst the jeweled decor. The throne room is covered in a faded carpet the stretches out. Scattered about the room are piles of bones and blood of the fallen victims of Death. The style of the image is of a vintage oil painting from one of the great masters.
    Cyber-retro-themed decor. Shot on a Sony A7R V, neon exposure, ISO 320. 24mm f/1.8 lens. High-angle shot with layered reflections. Electric atmosphere with vibrant hues and deep shadows. A neon-drenched retro-futuristic living space merges past aesthetics with modern tech. Holographic displays hover above a retro CRT TV, broadcasting static. Retro-futuristic posters glow under blue and magenta neon strips, casting a surreal ambiance. A vintage arcade cabinet hums in the corner, its pixelated glow reflecting on sleek furniture. The black ceiling amplifies neon highlights. A worn joystick and VHS tape rest in the foreground, capturing futuristic nostalgia. A cassette deck sits beside a glowing tablet, blending analog and digital. A robotic cat lounges on a shag carpet, its tail flicking as soft synth music hums in the background. Neon signs flicker with cryptic, glitchy messages. Floating control panels hover, responding to unseen inputs. A tangled headset lies beside an open magazine of long-forgotten tech predictions. Electric currents hum through the walls, amplifying the cybernetic aesthetic. A flickering digital diary on an aged laptop displays half-written thoughts of someone lost in time. The room pulses with nostalgia and a vision of the future imagined from the past.
    King of Death wearing a golden crown, sits atop his golden throne. Ruler of all, ruler of nothing. Dynamic view from the side. Deaths skin and flesh have rotten away, pieces of it still clinging and draped off his brittle bones. His body slumped toward the camera, his head hangs listlessly over his right shoulder. His legs dangle haphazardly on the ground. The tarnished crown is askew atop his thin wispy hair and exposed skull. The throne is worn looking, dried blood caked into the crevices amongst the jeweled decor. The throne room is covered in a faded carpet the stretches out. Scattered about the room are piles of bones and blood of the fallen victims of Death. The style of the image is of a vintage oil painting from one of the great masters.
    Cyber-retro-themed decor. Shot on a Sony A7R V, neon exposure, ISO 320. 24mm f/1.8 lens. High-angle shot with layered reflections. Electric atmosphere with vibrant hues and deep shadows. A neon-drenched retro-futuristic living space merges past aesthetics with modern tech. Holographic displays hover above a retro CRT TV, broadcasting static. Retro-futuristic posters glow under blue and magenta neon strips, casting a surreal ambiance. A vintage arcade cabinet hums in the corner, its pixelated glow reflecting on sleek furniture. The black ceiling amplifies neon highlights. A worn joystick and VHS tape rest in the foreground, capturing futuristic nostalgia. A cassette deck sits beside a glowing tablet, blending analog and digital. A robotic cat lounges on a shag carpet, its tail flicking as soft synth music hums in the background. Neon signs flicker with cryptic, glitchy messages. Floating control panels hover, responding to unseen inputs. A tangled headset lies beside an open magazine of long-forgotten tech predictions. Electric currents hum through the walls, amplifying the cybernetic aesthetic. A flickering digital diary on an aged laptop displays half-written thoughts of someone lost in time. The room pulses with nostalgia and a vision of the future imagined from the past.
    A vivid anime illustration of a sun-drenched Moroccan marketplace, a charismatic snake charmer sits cross-legged on a richly woven carpet, the intricate patterns of which blend harmoniously with the vibrant colors of the surrounding fabrics and wares. He is of Middle Eastern descent, with warm olive skin that glistens in the gentle sunlight, and his dark, curling hair is adorned with a colorful turban that pops against the earthy tones of the scene. His expression exudes joy and playfulness, with wide, sparkling brown eyes and a broad smile that reveals the excitement of his enchanting performance. In his hands, he expertly maneuvers a bamboo flute, its slender body shimmering with the flares of light while he casts captivating glances at the audience. Beside him, a lively green and gold snake, sleek and glistening, sways from side to side, emerging gracefully from a beautifully woven basket lined with vibrant fabric. Its scales reflect the hazy, soft focus of the late afternoon sun, creating a dreamy effect that envelops the scene. The surrounding atmosphere is saturated with lively energy, accentuated by warm, golden light spilling from above, creating soft shadows that dance across the market stalls. The sun casts a diffused glow, reminiscent of a Wes Anderson film, bringing a whimsical charm to the composition. Color grading enhances the character's expressive features, adding a subtle warmth to the palette that evokes feelings of wonder and amusement. A slight film grain adds texture, reminiscent of vintage travel photography, completing this inviting tableau of culture and joyous spirits as the snake charmer leans forward slightly, laughing heartily, as the snake loops around his arm, both engaging in a delightful exchange that captures the hearts of onlookers.
    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    a rugged Caucasian male 25yo, flannel shirt, jeans, sneakers, sits smiling on a large flying carpet, the carpet clearly floats above the road, the carpet acts as a means of transport in a crowded city, numerous cars visible, traffic jam.
    Cyber-retro-themed decor. Shot on a Sony A7R V, neon exposure, ISO 320. 24mm f/1.8 lens. High-angle shot with layered reflections. Electric atmosphere with vibrant hues and deep shadows. A neon-drenched retro-futuristic living space merges past aesthetics with modern tech. Holographic displays hover above a retro CRT TV, broadcasting static. Retro-futuristic posters glow under blue and magenta neon strips, casting a surreal ambiance. A vintage arcade cabinet hums in the corner, its pixelated glow reflecting on sleek furniture. The black ceiling amplifies neon highlights. A worn joystick and VHS tape rest in the foreground, capturing futuristic nostalgia. A cassette deck sits beside a glowing tablet, blending analog and digital. A robotic cat lounges on a shag carpet, its tail flicking as soft synth music hums in the background. Neon signs flicker with cryptic, glitchy messages. Floating control panels hover, responding to unseen inputs. A tangled headset lies beside an open magazine of long-forgotten tech predictions. Electric currents hum through the walls, amplifying the cybernetic aesthetic. A flickering digital diary on an aged laptop displays half-written thoughts of someone lost in time. The room pulses with nostalgia and a vision of the future imagined from the past.
    On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see zuko on the ground struggling,while fire lord ozai charges a fire ball, The background is made of scorch earth, smoke and a tree is on fire
    Source from avatar the last Airbender: On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see two man fighting. The first one is zuko, he is on the ground struggling. The second is fire lord ozai he is standing over zuko and charges a fire ball, The background is made of scorched earth, smoke and a tree is on fire.
    On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see zuko on the ground struggling,while fire lord ozai charges a fire ball, The background is made of scorch earth, smoke and a tree is on fire
    On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see zuko on the ground struggling,while fire lord ozai charges a fire ball, The background is made of scorch earth, smoke and a tree is on fire
    On the front we can see uncle iroh savouring a cup of tea and sitting on carpet on a patch of green grass. He has is eyes closed with a face of delight. In the background we can see zuko on the ground struggling,while fire lord ozai charges a fire ball, The background is made of scorch earth, smoke and a tree is on fire

      FLUX

    • Schnell - flux_schnell.sft