null rough textures of

    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red light inside ship
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp on spaceship, soldier in dark armored spacesuit standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting, jumping out, one soldier on ground
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust, lifeless
    ultra high resolution, masterpiece, best quality, large rectangular angled glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the well lit entrance,
    At the top of the scene, carefully spelled in yellow text, it reads **(IT PUTS THE BUZZ IN THE BUCKET)**. A dark, chilling scene from the perspective of a scared young woman trapped at the bottom of a deep, dirt-dug well. The earthen walls are rough, uneven, and claustrophobic, with roots and dirt clinging to the sides. Above, at the opening of the well, a man holds a rope tied to a rusty, old bucket, slowly lowering it down toward the woman. The bucket sways slightly as it descends, casting unsettling shadows on the dirt walls. The atmosphere is thick with tension, capturing the horror of the moment as she looks up with wide, desperate eyes, the light from above highlighting her fear-stricken face. The scene is drenched in darkness, with only the faint light and the shadowy figure above visible, creating a sense of helplessness and terror. The hyper-realistic style brings out every detail of the grimy well, the rough texture of the dirt, and the stark contrast between the light above and the oppressive darkness below.
    (nubile young woman:1.3), wearing (spirograph-patterned skirt:1.5), (flowing geometric patterns:1.2), (delicate fabric movement:1.3), soft pose, (stylish top:1.2), (minimal accessories), (elegant posture:1.1), (urban background), (vivid color palette:1.2), (soft lighting), (dynamic fabric physics:1.2), (subtle wind effect), (sophisticated fashion aesthetic), (high-resolution pixel detailing:1.2), (realism:-1.3), (photorealism:-1.3), (rough textures:-1.1), (mutated anatomy:-1.4), (blurry details:-1.2), (flat lighting:-1.1), (oversaturated colors:-1.2)
    (nubile young woman:1.3), wearing (spirograph-patterned skirt:1.5), (flowing geometric patterns:1.2), (delicate fabric movement:1.3), soft pose, (stylish top:1.2), (minimal accessories), (elegant posture:1.1), (urban background), (vivid color palette:1.2), (soft lighting), (dynamic fabric physics:1.2), (subtle wind effect), (sophisticated fashion aesthetic), (high-resolution pixel detailing:1.2), (realism:-1.3), (photorealism:-1.3), (rough textures:-1.1), (mutated anatomy:-1.4), (blurry details:-1.2), (flat lighting:-1.1), (oversaturated colors:-1.2)
    ultra high resolution, masterpiece, best quality, large rectangular glossy gray spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    Classic oil painting style. High-detail creepy mixed-media photography, Andreas Lie, Richard Anderson, Gris Grimly, Stephen Gammell, Shintaro Kago style. Oil on canvas, fine art, rough texture, visible brushstrokes, sinister, white ink details. Rich textures.
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the well lit entrance,
    Hand-drawn sketch, extreme macro close-up, rough textured pencil strokes, white background, small detailed 3D character, enigmatic cinematic portrait, long exposure, emotional storytelling.
    "Person sleeping peacefully in their bed, surrounded by soft, warm light and gentle shadows. Above their head, a thought bubble floats, filled with a surreal and enigmatic dreamscape. In the dream, a large, rustic burlap sack dominates the scene, its rough texture and earthy tones contrasting with a bright, golden yellow thunderbolt sticker emblazoned on its center. The sack is overflowing with tiny, shimmering golden thunderbolts, spilling out onto the surrounding ground like a treasure trove of miniature lightning bolts. The dreamer's face is serene and calm, their peaceful slumber a stark contrast to the vibrant, electrifying imagery of their subconscious. Style: soft, dreamy, and slightly surreal, with a focus on capturing the quiet intensity of the dreamer's vision."
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    A hyper-stylistic, extremely detailed image depicts a large boulder standing alone in the middle of a vast, flat plains. The boulder is adorned with a saddle, complete with intricate, tooled leather and a gleaming silver buckle. A sign next to the boulder reads "The Pioneers used to ride these for miles" in bold, weathered letters. The boulder itself is a rugged, granite mass, with a rough, textured surface that seems to defy the idea of riding. Every detail of the image is meticulously crafted, from the intricate, laced patterns on the saddle to the delicate, nuanced textures on the boulder's surface. The overall effect is one of humorous, anachronistic wonder, as if the viewer has stumbled upon a bizarre, Wild West relic that challenges the laws of physics and common sense. highest-Quality, intricate details, visually stunning, Masterpiece
    ultra high resolution, masterpiece, best quality, large angular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    A small glossy black rough textured square angular space craft being serviced in a cluttered hangar bay, the space craft has side hatches and maintenance panels open, lots of wires and cables visible, tools, dramatic warm and cool lighting, highlights and shadows,
    ultra high resolution, masterpiece, best quality, angular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance door at the lower edge of spacecraft, soldier in dark armored spacesuit standing in brightly lit entrance,
    End of a building, This iconic street art piece, titled "Girl with a Balloon," features a young girl reaching out towards a red, heart-shaped balloon that appears to drift away. Stenciled onto a concrete wall, the monochromatic figure of the girl contrasts sharply with the vibrant red of the balloon, creating an emotional focal point. The simple text "THERE IS ALWAYS HOPE" etched into the wall nearby adds a poignant layer of meaning, emphasizing themes of loss, longing, and resilience. The rough texture of the wall and the adjacent staircase create a stark, urban backdrop that highlights the artwork’s subtle yet powerful commentary. graffiti, mural, hyper-realistic, vibrant colors, bold letterforms, 3D design, urban art, intricate details, vivid gradients, sharp highlights, contrasting shadows, abstract influences, electric palette, sculptural effect
    A superhero mid-battle, partially silhouetted by a dramatic explosion, where painterly lighting effects and rough, textured chaos merge with strong, heroic anatomy and dynamic motion., whimsical pop-surrealist figures infused with grand baroque compositions, dynamic theatrical movement with dramatic chiaroscuro lighting, intricate ukiyo-e inspired textures blending with ornate architectural elements, rich luxurious color palettes with glowing celestial highlights
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "CAIRO VATTENE!" in a mix of futuristic and handwritten fonts. The sign also features a burgundy-colored, raging bull in the corner, snorting aggressively, and the ancient multicolor Apple logo in another corner, adding both a fierce and nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    A photograph captures a beautiful white woman leaning against a concrete railing, positioned centrally in the frame. She is wearing a sleeveless t-shirt, and sports shorts with a band of colour around the edges. Her hair is styled in braided pigtails with small hair accessories. The woman looks directly at the camera with a serious, intense expression, leaning slightly forward with her arms resting on the railing. Her hands are visible, gripping the edge. The concrete railing has a rough, textured surface with visible marks, lines, and imperfections, adding an urban feel to the composition. The background features an out-of-focus urban landscape with buildings and foliage, creating a shallow depth of field that highlights the subject. The lighting is natural, coming from the upper left side, casting soft shadows and illuminating her face and upper body while maintaining high contrast between the subject and the background. The photograph has a balanced gamma and medium luminance, giving it a timeless and introspective mood. The overall composition is centered and symmetrical, with a medium depth of field, keeping the focus on the subject while providing a sense of place in an urban setting.
    The Fortune Teller’s Omen , a veiled woman reading tarot cards in deep shadows, the candlelight reflecting in her intense, exaggerated eyes, a glowing mist forming symbols above the table chiaroscuro lighting, deep expressive shadows, bold angular figures, exaggerated facial expressions, intense psychological tension, rich deep reds and muted blues, thick expressive brushstrokes, symbolic storytelling, theatrical composition, warm golden highlights, rough textured surfaces
    The "Run to the Hills"" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied Flag. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the brightly lit entrance,
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting, jumping out, one soldier on ground
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "Buzz or Apple?" in a mix of futuristic and handwritten fonts. The sign also features the ancient multicolor Apple logo in one corner, adding a nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "Buzz or Apple?" in a mix of futuristic and handwritten fonts. The sign also features the ancient multicolor Apple logo in one corner, adding a nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    A hyper-stylistic, extremely detailed image depicts a large boulder standing alone in the middle of a vast, flat plains. The boulder is adorned with a saddle, complete with intricate, tooled leather and a gleaming silver buckle. A sign next to the boulder reads "The Pioneers used to ride these for miles" in bold, weathered letters. The boulder itself is a rugged, granite mass, with a rough, textured surface that seems to defy the idea of riding. Every detail of the image is meticulously crafted, from the intricate, laced patterns on the saddle to the delicate, nuanced textures on the boulder's surface. The overall effect is one of humorous, anachronistic wonder, as if the viewer has stumbled upon a bizarre, Wild West relic that challenges the laws of physics and common sense. highest-Quality, intricate details, visually stunning, Masterpiece
    A small personal spacecraft for one person, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    A small personal spacecraft for one person, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "Buzz or Apple?" in a mix of futuristic and handwritten fonts. The sign also features the ancient multicolor Apple logo in one corner, adding a nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    ultra high resolution, masterpiece, best quality, large rectangular glossy gray spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    Words at the top of the scene, At the top of the scene carefully spelled, in yellow text is written **(IT PUTS THE BUZZ IN THE BUCKET)**. A dark, chilling scene from the perspective below looking up to the opening of the well a scared young woman trapped at the bottom of a deep, dirt-dug well. The earthen walls are rough, uneven, and claustrophobic, with roots and dirt clinging to the sides. At the top of the well a man holds a rope tied to a rusty, old bucket, slowly lowering it down toward the woman. The bucket sways slightly as it descends, casting unsettling shadows on the dirt walls. The atmosphere is thick with tension, capturing the horror of the moment as she looks up with wide, desperate eyes, the light from above highlighting her fear-stricken face. The scene is drenched in darkness, with only the faint light and the shadowy figure above visible, creating a sense of helplessness and terror. The hyper-realistic style brings out every detail of the grimy well, the rough texture of the dirt, and the stark contrast between the light above and the oppressive darkness below. --ar 16:9 --v 5 --style realistic --quality 5
    ultra high resolution, masterpiece, best quality, large rectangular glossy gray spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance door at the lower edge of spacecraft, soldier in dark armored spacesuit standing in brightly lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the brightly lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the brightly lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, broken down wind turbines
    A hyper-stylistic, extremely detailed image depicts a large boulder standing alone in the middle of a vast, flat plains. The boulder is adorned with a saddle, complete with intricate, tooled leather and a gleaming silver buckle. A sign next to the boulder reads "The Pioneers used to ride these for miles" in bold, weathered letters. The boulder itself is a rugged, granite mass, with a rough, textured surface that seems to defy the idea of riding. Every detail of the image is meticulously crafted, from the intricate, laced patterns on the saddle to the delicate, nuanced textures on the boulder's surface. The overall effect is one of humorous, anachronistic wonder, as if the viewer has stumbled upon a bizarre, Wild West relic that challenges the laws of physics and common sense. highest-Quality, intricate details, visually stunning, Masterpiece
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, broken down wind turbines
    The "Killers" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied axe. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    The "Killers" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied axe. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    A delicate watercolor painting depicts an ethereal ghostly figure with elongated forms and rough textures. The image uses minimalist forms and a muted color palette in a stark composition. Translucent washes and fluid brushstrokes create a soft background and a dreamlike atmosphere.
    /imagine prompt: At the top of the scene, carefully spelled in yellow text, it reads **(IT PUTS THE BUZZ IN THE BUCKET)**. A dark, chilling scene from the perspective of a scared young woman trapped at the bottom of a deep, dirt-dug well. The earthen walls are rough, uneven, and claustrophobic, with roots and dirt clinging to the sides. Above, at the opening of the well, a man holds a rope tied to a rusty, old bucket, slowly lowering it down toward the woman. The bucket sways slightly as it descends, casting unsettling shadows on the dirt walls. The atmosphere is thick with tension, capturing the horror of the moment as she looks up with wide, desperate eyes, the light from above highlighting her fear-stricken face. The scene is drenched in darkness, with only the faint light and the shadowy figure above visible, creating a sense of helplessness and terror. The hyper-realistic style brings out every detail of the grimy well, the rough texture of the dirt, and the stark contrast between the light above and the oppressive darkness below. --ar 16:9 --v 5 --style realistic --quality 5
    A small personal spacecraft for one person, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    Imagine a dreamscape where natural beauty and surreal elements blend seamlessly. Boiling rivers carve their way through a rugged landscape, their surfaces shimmering with heat. The fog, thick and heavy, rises from the earth and merges with the low-hanging clouds, creating a mysterious, almost mystical atmosphere. Towering rock spires, weathered by time, stretch towards the sky, their jagged forms seemingly supporting a glowing, full moon. These ancient pillars, rooted deeply in the earth, give the scene a sense of timelessness and natural grandeur. The colors are rich yet grounded, with the deep blues of the night sky contrasting against the warm, earthy tones of the landscape. Every detail is meticulously rendered, from the delicate patterns of steam rising from the rivers to the rough textures of the spires. The overall effect is one of surreal realism, where the natural world is imbued with a dreamlike quality, blending the boundaries between what is real and what is imagined.
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp on spaceship, soldier in dark armored spacesuit standing in the well lit entrance,
    A highly detailed mugshot of a man resembling Steve Jobs, shown from the shoulders up. The man has a sad, contemplative expression with slightly downturned eyes and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. The background is plain, and he is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "CAIRO VATTENE!" in a mix of futuristic and handwritten fonts. The sign also features a burgundy-colored, raging bull in the corner, snorting aggressively, and the ancient multicolor Apple logo in another corner, adding both a fierce and nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of his skin, his iconic round glasses, and the simplicity of his black turtleneck shirt.
    At the top of the scene in text is written **IT PUTS THE BUZZ IN THE BUCKET**A dark, chilling scene from the perspective below looking up to the opening of the well a young woman trapped at the bottom of a deep, dirt-dug well. The earthen walls are rough, uneven, and claustrophobic, with roots and dirt clinging to the sides. At the top of the well a man holds a rope tied to a rusty, old bucket, slowly lowering it down toward the woman. The bucket sways slightly as it descends, casting unsettling shadows on the dirt walls. The atmosphere is thick with tension, capturing the horror of the moment as she looks up with wide, desperate eyes, the light from above highlighting her fear-stricken face. The scene is drenched in darkness, with only the faint light and the shadowy figure above visible, creating a sense of helplessness and terror. The hyper-realistic style brings out every detail of the grimy well, the rough texture of the dirt, and the stark contrast between the light above and the oppressive darkness below. --ar 16:9 --v 5 --style realistic --quality 5
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp on spaceship, soldier in dark armored spacesuit standing in the well lit entrance,
    A logo inspired by strong hard light: a delicate watercolor painting depicting an ethereal ghostly figure with elongated forms and rough textures. Geometric shapes and clean lines form the base of the design which emphasizes balance, symmetry and visual clarity. The color palette is dark and moody with dramatic lighting and harsh shadows, conveying realism and emotional intensity.
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting, jumping out, one soldier on ground
    The "Run to the Hills"" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied Flag. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    The "Run to the Hills"" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied Flag. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting, jumping out, one soldier on ground
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red light inside ship
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, large rectangular glossy black spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    (nubile young woman:1.3), wearing (spirograph-patterned skirt:1.5), (flowing geometric patterns:1.2), (delicate fabric movement:1.3), soft pose, (stylish top:1.2), (minimal accessories), (elegant posture:1.1), (urban background), (vivid color palette:1.2), (soft lighting), (dynamic fabric physics:1.2), (subtle wind effect), (sophisticated fashion aesthetic), (high-resolution pixel detailing:1.2), (realism:-1.3), (photorealism:-1.3), (rough textures:-1.1), (mutated anatomy:-1.4), (blurry details:-1.2), (flat lighting:-1.1), (oversaturated colors:-1.2)
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance door at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    A small glossy black rough textured square angular space craft being serviced in a cluttered hangar bay, the space craft has side hatches and maintenance panels open, lots of wires and cables visible, tools, dramatic warm and cool lighting, highlights and shadows,
    A small glossy black rough textured square angular space craft being serviced in a cluttered hangar bay, the space craft has side hatches and maintenance panels open, lots of wires and cables visible, tools, dramatic warm and cool lighting, highlights and shadows,
    Surreal infrared tones. High-detailed creepy mixed-media textured photography in the style of Andreas Lie, Richard Anderson, Gris Grimly, Stephen Gammell, and Shintaro Kago. Oil on canvas, fine art, rough texture and brushstrokes, creepy, sinister, white ink, mystic enchanting environment, gentle color contrasts, dreamlike atmosphere, otherworldly ethereal quality, infrared spectrum.
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, broken down wind turbines
    And you could have it all. My empire of dirt. I will let you down. I will make you hurt. If I could start again, a million miles away, I would keep myself. I would find a way. high detailed creepy mixed-media textured photography by Andreas Lie, richard anderson, Gris Grimly, Stephen Gammell, Shintaro Kago, masterpiece, oil on canvas, fine art, rough texture and brush strokes, creepy, sinister, white ink high detailed creepy mixed-media textured photography by Andreas Lie, richard anderson, Gris Grimly, Stephen Gammell, Shintaro Kago, masterpiece, oil on canvas, fine art, rough texture and brush strokes, creepy, sinister, white ink
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, broken down wind turbines
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations
    ultra high resolution, masterpiece, best quality, large rectangular glossy gray spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, large rectangular gray spacecraft with an extremely rough textured surface, hovering low to the ground, underneath the spacecraft are cables, hoses, and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance, red interior lighting
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance hatch on spaceship, soldier in dark armored spacesuit, helmet, standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the well lit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance door at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance door at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, small open entrance ramp at the lower edge of spacecraft, soldier in dark armored spacesuit debarking from brightly backlit entrance,
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    ultra high resolution, masterpiece, best quality, small featureless angular glossy black spacecraft with a rough textured surface hovering low to the ground, underneath the spacecraft are cables hoses and wires, antennas on top, cables hanging from below, rectangular in shape, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.3)) anti gravity, in the atmosphere, sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers, concrete foundations, open entrance ramp, soldier in dark armored spacesuit standing in the brightly lit entrance,
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust, lifeless
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    A small personal spacecraft for one person, (flat black) extremely rough textured exterior surface, short antennas, flying low to the ground, dead trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust blowing, lifeless surroundings
    Generate an image of a small, scruffy mixed-breed dog sitting on the Iron Throne. The dog has a wiry, light brown and white coat with a slightly rough texture. It has a slender build with medium-length legs, a curled tail, and pointed ears that flop slightly at the tips. The dog’s face is expressive, with dark eyes and a black nose, showing a curious and gentle expression as it looks upward. The Iron Throne should be detailed, with its iconic swords forming the backrest, and the scene should have a dramatic, regal atmosphere, emphasizing the contrast between the dog and the imposing throne. On the top of the image, text reads "JUSTICE FOR CHEESE".
    The "Run to the Hills"" album cover features Eddie, Iron Maiden's mascot, in a dark alley at night. Eddie has wild, spiky blonde hair, a skeletal face, and glowing eyes. He stands aggressively, holding a bloodied Flag. A streetlamp casts eerie shadows on his decayed skin. The gritty urban background includes crumbling buildings and graffiti. The color scheme is dominated by reds, blacks, and greys, with yellow highlights from Eddie’s eyes and the streetlamp. In claymation-style, Eddie’s hair would be spiked clay, and his skin would have rough textures, while the background is made from blocky clay shapes with carved details.
    A highly detailed mugshot featuring a man resembling Steve Jobs, shown from the shoulders up, with a sad, contemplative expression, slightly downturned eyes, and a subtle frown. The lighting is well-done, illuminating his face clearly without harsh shadows. Standing beside him is a man resembling Pelé, the legendary Brazilian footballer, with a neutral or concerned expression. The background is plain, and Steve Jobs is holding a piece of cardboard in front of him. The cardboard is weathered with a rough texture, edges slightly torn, and it has bold, stylish lettering that reads "CAIRO VATTENE!" in a mix of futuristic and handwritten fonts. The sign also features a burgundy-colored, raging bull in one corner, snorting aggressively, and the ancient multicolor Apple logo in another corner, adding both a fierce and nostalgic touch. The cardboard has a few doodles and small symbols around the text, making it look unique and cool. The image should be realistic, capturing a somber mood with attention to the texture of their skin, Steve's iconic round glasses, and the simplicity of his black turtleneck shirt. Pelé is dressed casually, complementing the scene's overall tone.
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, flying low to the ground, trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust
    A small personal spacecraft for one person, cylindrical in shape, (flat black) extremely rough textured exterior surface, flying low to the ground, trees, dry brown grass, low fences and small cinderblock buildings, high sun, bleached colors, dust

      FLUX

    • Schnell - flux_schnell.sft