null exaggerated features and

    A stylized character standing in a dimly lit room with warm sunlight streaming through a window. The character has a large, rounded head with big, expressive eyes that are slightly red and shadowed, giving a gothic or somber vibe. The spiky black hair and exaggerated features, including pointed ears, add a whimsical yet eerie tone. They wear a black, tailored outfit with intricate details, such as laced patterns, reminiscent of Victorian or gothic fashion. The setting is minimal, with warm, muted tones in the background that contrast with the character's dark attire, enhancing the focus on their distinct appearance.
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    Posaman, played by Italian actor and comedian Lillo, stands on the lively set of a TV commercial, fully suited up in a humorous, over-the-top superhero costume. The costume features a bold color scheme—bright reds, blues, and yellows—designed to grab attention, with a huge, oversized letter ‘P’ emblazoned proudly on the chest. The ‘P’ is designed in a playful font, symbolizing Posaman’s exaggerated heroism. His outfit includes a tight-fitting suit, a flowing cape, clunky boots, and oversized gloves, all adding to the intentionally low-budget, comedic feel of the character. On the TV set, surrounded by bright studio lights, cameras, and a bustling crew, Posaman strikes exaggerated poses—arms crossed, pointing dramatically into the distance, or flexing muscles in an awkward, comical way. His expressions shift between serious heroism and playful absurdity, showing Lillo’s unique blend of charm and humor. The background features green screens and props for the commercial, creating an authentic behind-the-scenes atmosphere while Posaman remains the quirky, hilarious center of attention. The combination of a realistic TV commercial set and Posaman’s exaggerated costume and poses make for a humorous, yet visually striking scene
    Posaman, portrayed by the Italian actor and comedian Lillo, should reflect a realistic and grounded style while still emphasizing his quirky, exaggerated poses. The model should capture Lillo’s distinct features—his expressive face, short beard, and casual yet confident demeanor. Focus on realistic textures, including natural skin tones, detailed facial expressions, and lifelike clothing, while highlighting his humorous, larger-than-life poses. These can range from mock-superhero stances to awkward yet charismatic gestures that showcase his comedic flair. The goal is to blend realism with humor, creating a character that feels authentic while staying true to Lillo’s unique comedic style.
    femme fatale, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated seductive features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    A digital painting employing contrasting chiaroscuro lighting. Natural earth tones of browns and beiges are used, creating strong contrasts and deep shadows. The whimsical character designs feature exaggerated proportions, big expressive eyes, and stylized anatomy. The style blends gothic undertones, vibrant color palettes, and urban art aesthetics, creating a playful yet eerie atmosphere.
    Dynamic in motion, a whimsical character with blurred lines and action poses. Gothic undertones, big expressive eyes, spiky black hair, exaggerated features, pointed ears. Black tailored outfit with laced patterns, Victorian fashion. Eerie atmosphere, warm sunlight, muted background, minimalist setting, dramatic shadows, stylized and playful.
    recursive shapes, (emphasis on sharp geometric form:1.6), (cartoonish:-1.1), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3),angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Brick wall in an overgrown urban environment, surreal black-and-white mural spans the side of a building, featuring an imaginative creature with exaggerated, whimsical features. The central figure resembles a fantastical elephant-like beast, with elongated horns, drooping eyes, and a pipe-like trunk emitting smoke. A small house perches atop its head, with a person engaged in a curious activity involving a rope. Below, other humanoid figures appear to be operating a machine that connects to the creature, adding an industrial, mechanical vibe to the scene. The intricate crosshatching and detailed textures give the artwork a hand-drawn, storybook quality, blending fantasy and absurdity. The mural's quirky and dreamlike composition transforms the urban space into an intriguing narrative landscape. graffiti, mural, hyper-realistic, vibrant colors, bold letterforms, 3D design, urban art, intricate details, vivid gradients, sharp highlights, contrasting shadows, abstract influences, electric palette, sculptural effect
    Full-body contemporary abstract photograph of a elegant woman wearing a flowing turquoise cashmere shawl with delicate turquoise flame patterns, standing in a semi-surreal environment blending organic shapes and architectural elements. The background features dreamlike washes of ultramarine and silver, with subtle floating geometric motifs inspired by Ukiyo-e clouds. Lighting combines soft studio strobes with atmospheric glow, creating dimensional shadows that interact with the shawl's folds. Composition balances realistic human proportions with slightly exaggerated fabric movement, evoking a living oil painting. Texture details: fine wool fibers visible, slight film grain. Style fusion: Richard Avedon's fashion realism + Egon Schiele's expressive lines + niji's color vibrancy (but photorealistic).
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    (low quality:-1.2), recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures,apple tree, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), snow-covered mountain, intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    bo-neon, ArcaneFGTNR, a digital illustration in a vibrant, gothic style, it features a close-up of a young woman's face, open mouth, showing long toungue with striking, exaggerated features, black tanktop, her skin is a pale, almost translucent green, with patches of black and white, resembling a patchwork fabric, her eyes are large and vivid, with a striking, glowing yellow hue, and her lips are full and slightly parted, large breasts grabbing by her own hands, a playful, mischievous smile, she has dark, straight hair with pink highlights, styled in a high ponytail with a few loose strands framing her face, her makeup is bold and dramatic, with thick, black eyeliner and mascara accentuating her large, expressive eyes, she wears large, turquoise earrings with a cross pendant, and a black, high-collared top with a mix of fur and lace textures, the background is a solid, bright yellow, which contrasts sharply with her vivid colors, making her stand out vividly, the overall composition is dynamic, with the woman's expression and makeup drawing the viewer's attention, high quality, ultra detailed, colorful, grainy, cyberpunk fantasy<lora:ArcaneFGTNR.safetensors:1.0:1.0> <lora:Flux\boFLUX Neon Abyss.safetensors:1.0:1.0>
    infinite geometry of cubist roots, psychedelic tones, (blurry:-1.2), interlocking polygons, rigid structure, intricate fractal structures, neon glow of bioluminescent plants, (low quality:-1.2), fragmented strings, (soft lighting:-1.2), raw, fractal patterns in leaves, minimalist design, exaggerated features, (cartoonish:-1.1), (noisy:-1.1), (ugly:-1.3), intersecting planes of wood and foliage, (overloaded multichromatic colors:1.6), high resolution, saturated hues, multichromatic colors, vibrant, minimal details, (overly ornate:-1.5), primal aesthetic, recursive shapes, (disjointed anatomy:-1.3), unsettling, rainforest, stark jungle lighting, distorted natural shapes, (polished:-1.3), geometric forms, brutal edges, (bad composition:-1.3), sculptural appearance, dystopian vibe, photorealism, fractured geometry, (smooth surfaces:-1.4), violin
    A digital painting employing contrasting chiaroscuro lighting. Natural earth tones of browns and beiges are used, creating strong contrasts and deep shadows. The whimsical character designs feature exaggerated proportions, big expressive eyes, and stylized anatomy. The style blends gothic undertones, vibrant color palettes, and urban art aesthetics, creating a playful yet eerie atmosphere.
    A surreal and highly detailed caricature of an elderly man, featuring exaggerated facial features that blend realism with artistic distortion. His bald head is speckled with subtle textures and blemishes, while his prominent, furrowed brows and deeply set eyes convey a sense of weariness yet sharp awareness. His elongated ears and slightly exaggerated hands resting on the table in front of him add to the whimsical, almost fantastical quality. The muted color palette, with hints of blues and reds in his clothing and subtle tattoo-like markings on his skin, creates a subdued yet visually striking composition. The figure appears to be gazing directly at the viewer, his expression a mix of wisdom, mischief, and introspection.
    Precise architectural color photography in classic black and white. A surreal, highly detailed caricature of an elderly man with exaggerated features: bald head, speckled with textures and blemishes, furrowed brows, deep-set eyes, elongated ears, and exaggerated hands. Muted color palette with hints of blues and reds in his clothing and subtle skin markings. Timeless and elegant, sharp lines, detailed structures, wide angles.
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    A sleek, high-tech sailboat with a futuristic design is shown sinking into the turbulent waters near the coast of Palermo. The vessel, long and streamlined, features cutting-edge technology with glowing digital displays and advanced sails, now submerged at precarious angles as it battles against the overpowering waves. Above, the sky is dark and menacing, dominated by a colossal, sinister smile with sharp, exaggerated teeth, and a glowing Star of David at its center, casting an ominous glow over the scene. Floating amidst the debris in the water is a lifeboat, partially overturned, with a makeshift sign attached to it that reads "Sionism Effect" in bold, unsettling letters. The lifeboat, acting as a stark reminder of survival and struggle, contrasts with the high-tech sinking ship and the foreboding sky, creating a powerful and symbolic image.
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    A turtle with impossibly elastic features belts out a powerful aria while standing on a cracked marble pedestal surrounded by a surreal, mist-covered forest. Its body is twisted in an exaggerated pose, with limbs flailing like rubber, yet it wears a majestic renaissance cape adorned with gold thread and fantastical symbols. The turtle's shell glows faintly with ornate, mythical carvings, as if enchanted. Around it, luminous butterflies hover in slow motion, and falling petals drift through the air, rendered with soft-focus realism. The lighting is dreamy and theatrical, casting long shadows and golden highlights that lend an antique painting quality to the surreal performance. The whole composition feels like a collision of comedic elasticity and moody, baroque fantasy.
    This is a highly stylized digital artwork of a woman's face. The piece uses vibrant colors, primarily reds and blues, with black accents to create a striking contrast. The makeup, especially the eyeshadow and lipstick, are bold and exaggerated, contributing to a dramatic effect. The background features abstract lines and shapes that give an impression of movement or disarray. This chaotic backdrop contrasts sharply with the woman's serene expression. The image has a modern, almost cyberpunk aesthetic due to its use of sharp angles, neon-like hues, and digital effects such as grid patterns and drips. Overall, the composition conveys intensity and emotion through its dynamic visual elements.
    female subject, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    Full-body contemporary abstract photograph of a elegant woman wearing a flowing turquoise cashmere shawl with delicate turquoise flame patterns, standing in a semi-surreal environment blending organic shapes and architectural elements. The background features dreamlike washes of ultramarine and silver, with subtle floating geometric motifs inspired by Ukiyo-e clouds. Lighting combines soft studio strobes with atmospheric glow, creating dimensional shadows that interact with the shawl's folds. Composition balances realistic human proportions with slightly exaggerated fabric movement, evoking a living oil painting. Texture details: fine wool fibers visible, slight film grain. Style fusion: Richard Avedon's fashion realism + Egon Schiele's expressive lines + niji's color vibrancy (but photorealistic).
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    This is a highly stylized digital artwork of a woman's face. The piece uses vibrant colors, primarily reds and blues, with black accents to create a striking contrast. The makeup, especially the eyeshadow and lipstick, are bold and exaggerated, contributing to a dramatic effect. The background features abstract lines and shapes that give an impression of movement or disarray. This chaotic backdrop contrasts sharply with the woman's serene expression. The image has a modern, almost cyberpunk aesthetic due to its use of sharp angles, neon-like hues, and digital effects such as grid patterns and drips. Overall, the composition conveys intensity and emotion through its dynamic visual elements.
    A close-up image of a decorative door knocker shaped like a mythical creature's face, crafted in antique bronze. The face has exaggerated, expressive features with a large nose, curled horns, and a mischievous expression. It holds a thick metal ring in its mouth, which serves as the knocker. Intricate details, including swirling patterns around the creature’s head, add an ornate touch. A human hand reaches towards the ring, ready to knock. The background is a white door, providing contrast to the dark, weathered bronze finish of the knocker
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "soccorroo" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    A vibrant and whimsical cartoon scene featuring a round, chubby character dressed in a blue, polka-dotted cat costume. The character has big, bright eyes and a wide, toothy grin, with short, stubby limbs that add to its adorable and playful appearance. The character stands joyfully in a colorful, fantasy landscape filled with oversized flowers, a radiant sun, and a vivid rainbow arching across the sky. Butterflies with detailed, colorful wings flutter around, enhancing the cheerful atmosphere. The background includes fluffy clouds with light rain, contrasting the sunny side of the sky. The overall style is lighthearted and playful, with bold colors and exaggerated features, capturing the essence of a fun, childlike world.
    A young adult woman dressed with a bodysuit inspired by Japanese manga "Naruto", featuring bold, expressive lines, and vibrant colors. She is posed in a dynamic stance, typical of manga characters from "Naruto", with one arm extended forward and a determined look in her large, expressive eyes. Her body is adorned with intricate patterns and designs that reflect manga aesthetics, such as exaggerated features and stylized elements. The background wall is decorated with complementary "Naruto" manga-style illustrations, including speed lines, action effects, and graphic elements, creating a fully immersive environment. Her expression is intense as she looks directly into the camera. The composition is set in a 16:10 aspect ratio, capturing the energetic and vivid nature of the manga style
    A simple doodle of a cartoon cdog, drawn in the style of a child with minimalistic lines and shapes. The character is designed to be cute but not complex or detailed. It should have exaggerated features like large eyes and ears typical for children's illustrations. Black ink on a white background. in the style of Gemma Correll, c 50,
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    infinite geometry in water reflections, brutal edges, fractal-like ripples, (smooth surfaces:-1.4), smooth yet angular surfaces,gemstone, flowing organic forms, (low quality:-1.2), (bad composition:-1.3), raw, sculptural appearance, (overloaded multichromatic colors:1.6), vibrant, intersecting planes of water, mud, (soft lighting:-1.2), fragmented glowing elements, psychedelic tones, stark swamp lighting, neon glow from bio-luminescent plants, exaggerated features, (blurry:-1.2), saturated hues, (noisy:-1.1), rigid root structures, high resolution, (cartoonish:-1.1), sharp and jagged reflections in murky water, and plants, recursive patterns in moss and water, (rubygemstone:1.5), interlocking vines, dystopian vibe, unsettling, primal aesthetic, minimal details, unrefined textures, flowing organic geometry, (polished:-1.3), (disjointed anatomy:-1.3), intricate fractal structures in vegetation, (overly ornate:-1.5), photorealism, multichromatic colors, swamp, (ugly:-1.3)
    Create a hyper-realistic, hyper-detailed depiction of a museum exhibit featuring a completely ordinary, generic mushroom behind a glass case. A sign next to the exhibit reads "Generic Mushroom" in plain, black letters. A tour guide stands next to the case, gesturing enthusiastically as he says "Be Amazed" to a group of people gathered around him. The group responds with a collective "Ooooh Ahhhh!", their faces filled with exaggerated expressions of wonder and awe. The mushroom itself is a dull, brown color, with no discernible features or characteristics that would make it stand out in any way. Style: hyper-realistic, detailed, satirical. Colors: brown, beige, glass. Highest-Quality, 4k, Masterpiece
    fantastical sky, outer space background, stars, clouds, pink gradients, purple gradients, exaggerated explosion, cartoonish, colorful, brain fragments, eyeball fragments, green "GUSH" text, flying debris, whimsical flying pirate ship, cartoonish style, small scale, young adult, late teen, green hair, pigtails, fantasy outfit, short stature, angry, annoyed, unhinged, sarcastic, gripping ship's side, leaning forward, assertive stance, small fantastical creature, hovering, rounded body, playful aesthetic, neutral, concerned, observant, floating, passive, secondary presence, anthropomorphic star-shaped beings, mischievous expressions, glowing outlines, scattered scene, vivid lighting, dynamic lighting, glowing stars, bright highlights, chaotic, humorous, exaggerated destruction, absurd action, satirical fantasy, over-the-top violence, whimsical elements, cartoon surrealism, bold outlines, vibrant colors, contrasting colors, dynamic motion effects, exploding brain fragments, pirate ship, surreal space, large anthropomorphic moon, cracked surface, exaggerated facial features, shocked expression, wide-eyed, mouth agape, visible damage, cartoonishly crumbling, central scene, upper composition, reacting explosion, chaotic motion
    female subject, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    An adorable and cute woman, portrayed in a comic book style with intense lighting. The artwork features dynamic linework, intricate details, gritty textures, bold contrasts, and exaggerated but charming features, creating a high-contrast image with visual drama and action.
    "A maintenance worker in a dimly lit server room, opening the case of a GPU server. Dense smoke fills the air, creating an eerie atmosphere. A comically scary alien bug with exaggerated features crawls out of the server, over bugs head is a speech bubble that reads "No WorkY", its body reminiscent of H.R. Giger's biomechanical style. The scene blends dark humor with surreal, Gothic aesthetic. Intricate mechanical details, tubes, and organic forms inspired by Giger's art style. High contrast lighting emphasizes the smoke and alien creature. A speech bubble over the worker's head contains the text 'This is New!' in bold, stylized letters that match the overall aesthetic."
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four American Staffordshire terriers bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four American Staffordshire terriers bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Incorporate sharp, bold triangles and striking orange tones, keeping the retro 1970s vibe. The title at the top should read Clockwork Apes in the same iconic font style. Make sure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters but maintaining their poses and attitudes.
    a concept for the movie poster: Title: Whirling Dervish Whirls Again Tagline: "Spinning out of control never looked so fun!" Concept: Genre: Comedy Setting: A quirky, chaotic city with an unexpected twist on everyday life. Main Character: A clumsy yet lovable dervish who can’t stop spinning, often creating havoc wherever he goes. Mood: Lighthearted, fun, and filled with slapstick comedy moments. For the poster, the main character will be front and center, mid-spin, with arms flailing in a funny yet dynamic pose. He’s accidentally knocking over things around him like street signs, food carts, and maybe even people! The background could feature a busy, exaggerated cityscape, with bright, playful colors. Above him, the title Whirling Dervish Whirls Again is displayed in bold, wavy text, hinting at the motion and energy of the film.
    (low quality:-1.2), dragon, abandoned factory, recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    A single, central Gladiator Beast Dimacari, monstrous and predominantly green, full-body form/armor. Dynamic, assertive stance, arms bent, fists clenched, ready for battle. Large, menacing face with exaggerated features, prominent nose, wide angry eyes. Dark, defocused background with dramatic, captivating cinematic lighting. Photorealistic, 8k, intricate details, Octane Render, Unreal Engine 5, Splash Ink Illustration, CGSociety, Artstation trending, Golden Ratio composition.
    plumber, desert, recursive shapes, (emphasis on sharp geometric form:1.6), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3), angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    bo-neon, ArcaneFGTNR, a digital illustration in a vibrant, gothic style, it features a close-up of a young woman's face, with striking, exaggerated features, her skin is a pale, almost translucent green, with patches of black and white, resembling a patchwork fabric, her eyes are large and vivid, with a striking, glowing yellow hue, and her lips are full and slightly parted, revealing a playful, mischievous smile, she has dark, straight hair with pink highlights, styled in a high ponytail with a few loose strands framing her face, her makeup is bold and dramatic, with thick, black eyeliner and mascara accentuating her large, expressive eyes, she wears large, turquoise earrings with a cross pendant, and a black, high-collared top with a mix of fur and lace textures, the background is a solid, bright yellow, which contrasts sharply with her vivid colors, making her stand out vividly, the overall composition is dynamic, with the woman's expression and makeup drawing the viewer's attention, high quality, ultra detailed, colorful, grainy, cyberpunk fantasy<lora:ArcaneFGTNR.safetensors:1.0:1.0> <lora:Flux\boFLUX Neon Abyss.safetensors:1.0:1.0>
    A vast, moonlit landscape, softly focused with a hazy background, features a solitary figure with a surreal, exaggerated expression, rendered with smooth gradient transitions.
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    bo-neon, ArcaneFGTNR, a digital illustration in a vibrant, gothic style, it features a close-up of a young woman's face, with striking, exaggerated features, her skin is a pale, almost translucent green, with patches of black and white, resembling a patchwork fabric, her eyes are large and vivid, with a striking, glowing yellow hue, and her lips are full and slightly parted, revealing a playful, mischievous smile, she has dark, straight hair with pink highlights, styled in a high ponytail with a few loose strands framing her face, her makeup is bold and dramatic, with thick, black eyeliner and mascara accentuating her large, expressive eyes, she wears large, turquoise earrings with a cross pendant, and a black, high-collared top with a mix of fur and lace textures, the background is a solid, bright yellow, which contrasts sharply with her vivid colors, making her stand out vividly, the overall composition is dynamic, with the woman's expression and makeup drawing the viewer's attention, high quality, ultra detailed, colorful, grainy, cyberpunk fantasy<lora:ArcaneFGTNR.safetensors:1.0:1.0> <lora:Flux\boFLUX Neon Abyss.safetensors:1.0:1.0>
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    setting: dark, surreal atmosphere, blurred forest and cosmic chaos,dramatic contrasts, shadows, masks: floating, white, multiple different expressions suspended by thin golden strings resembling liquid mask details: smooth texture, glowing softly, ethereal and haunting character: adult, faceless head, pale skin, flowing black hair swept elegant black suit with gold embroidery and a dramatic cape expression: no facial features, body language conveys calm authority and control, subtly interacting with masks pose: standing tall, one hand raised toward masks in a controlling gesture, other hand relaxed at the side, confident and composed lighting: soft glow on masks, golden highlights on outfit, dim ambient light creating a mysterious tone, surreal moonlight accenting the scene mood: eerie, surreal, enigmatic, theatrical, blending gothic and cosmic humor theme: identity, control, manipulation, blending fantasy, gothic, and absurd elements moon: large, anthropomorphic, cracked surface with exaggerated facial features, shocked wide-eyed look, mouth agape in comedic reaction moon details: visibly damaged, cartoonishly crumbling with flying debris, softly glowing moon position: central and dominant, interacting with chaotic energy and golden threads art style: hyper-detailed, realistic textures with painterly strokes, surreal contrasts visual focus: commanding faceless character, floating masks, anthropomorphic moon, intricate details tying elements together
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    A dramatic black and white comic-style sketch of a Subaru WRX STI (civilian version, no rally livery) drifting through a tight turn in a modern city street at night. The car has exaggerated features: wide stance, flared fenders, aggressive front bumper, massive rear wing, and deep dish wheels. The scene captures the car mid-drift, back tires smoking, front wheels counter-steering, with intense motion lines and urban debris flying. The driver is not visible — focus is entirely on the car’s graceful yet powerful motion. The city background is sketched with tall buildings, blurry neon signs, and wet pavement reflecting the car’s silhouette. Style is loose, expressive ink — strong black and white contrast, with bold shadows, heavy lines, dynamic crosshatching, and sketchy speed effects. Emphasize exaggerated motion: tire smoke like storm clouds, sparks from the side skirts scraping, and dramatic lighting contrasts. Think of it as a scene from a graphic novel — cinematic, cool, and intense. No logos, no racing decals — this is a clean street version of the WRX STI, captured in full sideways glory. Scene must feel controlled yet legendary, like a street samurai unleashing power only when needed. Add comic-style energy lines and ink splashes to heighten the motion. No color, just black and white intensity.
    Wednesday Addams in the style of Tim Burton’s stop-motion films, with exaggerated, hauntingly beautiful features. Her large, expressive eyes are shadowed by dark circles, and her pale skin contrasts against her intricate gothic attire. She stands in a surreal, twisted landscape with spiraling trees and eerie glowing mushrooms. The atmosphere is haunting yet strangely whimsical, with a vintage horror aesthetic. Dark fantasy, Burtonesque, intricate textures, high detail.
    Whimsical Concept Art. Medium shot. A comedic monster plays drums on a colorful beach. Low-angle shot. Vibrant oil painting with triadic colors. Exaggerated facial features. Bright beach balls surrounding the monster. Palm trees swaying in the ocean breeze. Warm, sunny lighting with long shadows. Best quality, 8k resolution, incredibly detailed, cartoonish, fantastical, humorous, tropical, fun, playful, joyful, carefree, วด entertaining, amusing.
    A moody, dimly lit interior where a solitary figure stares at an unseen object, their posture distorted slightly by expressionist brushstrokes, but the softness of the light evokes an almost photographic fragility.expressionist portraiture infused with soft melancholic photography, earthy muted colors blending with grainy black-and-white textures, exaggerated emotional features dissolving into quiet nostalgic shadows, raw painterly brushstrokes with intimate poetic lighting, introspective storytelling infused with quiet vulnerability
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    Whimsical Concept Art. Medium shot. A comedic monster plays drums on a colorful beach. Low-angle shot. Vibrant oil painting with triadic colors. Exaggerated facial features. Bright beach balls surrounding the monster. Palm trees swaying in the ocean breeze. Warm, sunny lighting with long shadows. Best quality, 8k resolution, incredibly detailed, cartoonish, fantastical, humorous, tropical, fun, playful, joyful, carefree, วด entertaining, amusing.
    Wednesday Addams in the style of Tim Burton’s stop-motion films, with exaggerated, hauntingly beautiful features. Her large, expressive eyes are shadowed by dark circles, and her pale skin contrasts against her intricate gothic attire. She stands in a surreal, twisted landscape with spiraling trees and eerie glowing mushrooms. The atmosphere is haunting yet strangely whimsical, with a vintage horror aesthetic. Dark fantasy, Burtonesque, intricate textures, high detail.
    “Illustrate a caricature-style book cover inspired by Uncle Tom’s Cabin, reimagined as La CAPARRA dello Zio Tom. The scene should feature exaggerated, satirical elements with bold, dynamic colors that evoke the vintage aesthetic of 19th-century illustrated book covers. Uncle Tom is portrayed as a humorous, larger-than-life character, dressed in tattered yet vibrant clothing, holding a contract or receipt symbolizing ‘la caparra’ (the deposit). Surround him with symbolic elements representing social commentary, such as exaggerated caricatures of other characters from the original novel, set in a plantation backdrop with surreal and whimsical tones. The title, La CAPARRA dello Zio Tom, should be prominently displayed in bold, ornate lettering that blends classic typography with a playful twist. Include smaller details that highlight the satirical nature of this cover while staying respectful to the original themes of the book.”
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    Posaman, played by Italian actor and comedian Lillo, stands on the lively set of a TV commercial, fully suited up in a humorous, over-the-top superhero costume. The costume features a bold color scheme—bright reds, blues, and yellows—designed to grab attention, with a huge, oversized letter ‘P’ emblazoned proudly on the chest. The ‘P’ is designed in a playful font, symbolizing Posaman’s exaggerated heroism. His outfit includes a tight-fitting suit, a flowing cape, clunky boots, and oversized gloves, all adding to the intentionally low-budget, comedic feel of the character. On the TV set, surrounded by bright studio lights, cameras, and a bustling crew, Posaman strikes exaggerated poses—arms crossed, pointing dramatically into the distance, or flexing muscles in an awkward, comical way. His expressions shift between serious heroism and playful absurdity, showing Lillo’s unique blend of charm and humor. The background features green screens and props for the commercial, creating an authentic behind-the-scenes atmosphere while Posaman remains the quirky, hilarious center of attention. The combination of a realistic TV commercial set and Posaman’s exaggerated costume and poses make for a humorous, yet visually striking scene
    plumber, desert, recursive shapes, (emphasis on sharp geometric form:1.6), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3), angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    infinite geometry of roots shaped out of platonic solids, psychedelic tones, (blurry:-1.2), interlocking polygons, rigid structure, intricate fractal structures, neon glow of bioluminescent plants, (low quality:-1.2), fragmented strings, (soft lighting:-1.2), raw, fractal patterns in leaves, minimalist design, exaggerated features, (cartoonish:-1.1), (noisy:-1.1), (ugly:-1.3), intersecting planes of wood and foliage, (overloaded multichromatic colors:1.6), high resolution, saturated hues, multichromatic colors, vibrant, minimal details, (overly ornate:-1.5), primal aesthetic, recursive shapes, (disjointed anatomy:-1.3), unsettling, rainforest, stark jungle lighting, distorted natural shapes, (polished:-1.3), geometric forms, brutal edges, (bad composition:-1.3), sculptural appearance, dystopian vibe, photorealism, fractured geometry, (smooth surfaces:-1.4), violin
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    A colorful digital illustration in the distinctive style of The Simpsons, featuring Lady Liberty as an overweight character with yellow skin and bulging eyes. She's holding a comically large, blue-swirled ice cream cone dripping down her arm, replacing her iconic torch. In her other hand, she clutches a thick, unmarked book. Viewed from a slight low angle, emphasizing her round belly and exaggerated proportions. Lady Liberty sports a sheepish grin with her large overbite, raised eyebrows, and a slight bead of sweat on her forehead - classic Simpsons expressions of embarrassment mixed with satisfaction. Her crown sits askew on her tall, blue beehive hairdo. The robe is a vibrant teal, stretching comically across her midsection with simplified folds and creases typical of the Simpsons art style. The background is a simple gradient sky in pastel colors, possibly with the silhouette of Springfield in the distance. Outlines are bold and black, with flat, bright colors filling the shapes - no shading, true to the Simpsons style. The overall effect is humorous and ironic, capturing the Simpsons' knack for satirizing cultural icons while exploring themes of freedom, temptation, and personal responsibility.
    A colorful digital illustration in the distinctive style of The Simpsons, featuring Lady Liberty as an overweight character with yellow skin and bulging eyes. She's holding a comically large, blue-swirled ice cream cone dripping down her arm, replacing her iconic torch. In her other hand, she clutches a thick, unmarked book. Viewed from a slight low angle, emphasizing her round belly and exaggerated proportions. Lady Liberty sports a sheepish grin with her large overbite, raised eyebrows, and a slight bead of sweat on her forehead - classic Simpsons expressions of embarrassment mixed with satisfaction. Her crown sits askew on her tall, blue beehive hairdo. The robe is a vibrant teal, stretching comically across her midsection with simplified folds and creases typical of the Simpsons art style. The background is a simple gradient sky in pastel colors, possibly with the silhouette of Springfield in the distance. Outlines are bold and black, with flat, bright colors filling the shapes - no shading, true to the Simpsons style. The overall effect is humorous and ironic, capturing the Simpsons' knack for satirizing cultural icons while exploring themes of freedom, temptation, and personal responsibility.
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    female subject, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    IHateFairylandStyle, This is a vibrant, digital drawing with a cartoon style, featuring a grotesque, exaggerated creature with a long, wide open mouth filled with sharp, jagged teeth. The creature's face is green with exaggerated, cartoonishly large, round eyes that are bright yellow with black pupils, giving it an unsettling appearance. It has two large, curved horns on top of its head, and a small, spiky tuft of hair on top. The creature's face is surrounded by a psychedelic, kaleidoscope-like pattern in neon colors of blue, pink, green, and yellow, creating a dizzying, surreal background., ihatefairylandstyle, vibrant, cartoonish, dynamic, exaggerated, whimsical, surreal, colorful, comic-book, playful, bold lines, expressive characters, detailed backgrounds,, sharp teeth, teeth, , horns, monster, bow, no humans, red bow, saliva, open mouth
    “A wealthy sheikh, clad in opulent traditional attire, kneels in dramatic desperation on the desert sands. In his hands, he clutches a decayed, rotting cardboard sign that reads, ‘Gimme Buzz 4 Oil, Infidel Yankee,’ scrawled in uneven, childlike handwriting. His indifferent, lavishly dressed harem lounges around him on extravagant cushions, sipping from golden goblets. The background showcases a stark contrast of industrial might: colossal oil pumping stations silhouetted against a fiery, polluted sunset. Captured through Panavision Prime Cine Optics with a fisheye lens, the scene features exaggerated perspective, ultra-realistic cinematic details, vibrant textures, and satirical undertones.”
    “Create a high-energy video of a sleek, modern sports car speeding through the winding, cobbled streets of Rome, filmed using cinema lenses with a prime fisheye 12mm for dramatic, ultra-wide perspectives. The exaggerated curvature of the lens amplifies the dynamic energy of the car’s movements, making the streets appear narrower and the landmarks more towering and immersive. The vibrant red sports car with futuristic lines weaves through iconic locations like the Colosseum, the Trevi Fountain, and Piazza Navona, with the lens capturing the entire scene in bold, distorted glory. The sun sets in the background, casting golden light on the ancient architecture, while the exaggerated wide angles create a surreal, dreamlike quality. As the car roars past, ‘BUZZ 4 WROOOM!’ appears sporadically in a decayed, graffiti-style font, warped to match the lens distortion, as though it’s painted on walls, etched into street signs, or glowing on flickering neon billboards throughout the city. The soundtrack features pulsing beats and the guttural growl of the engine, syncing with the chaotic yet mesmerizing visuals.”
    stark swamp lighting, (low quality:-1.2), (smooth surfaces:-1.4), (emphasis on sharp geometric forms:1.6), (overloaded multichromatic colors:1.6), dystopian vibe, (noisy:-1.1), brutal edges, (bad composition:-1.3), psychedelic tones, infinite geometry in foliage, fractured geometry, recursive shapes in the landscape, (disjointed anatomy:-1.3), (polished:-1.3), photorealism, (cartoonish:-1.1), rigid structure, saturated hues, (overly ornate:-1.5), intricate fractal structures, fractal patterns in moss, sculptural appearance, (blurry:-1.2), neon glow from bio-luminescent plants, (ugly:-1.3), unsettling, primal aesthetic, fragmented reflections in water, high resolution, interlocking vines, minimal details,angular shapes, (soft lighting:-1.2), intersecting planes of water and plants, exaggerated features
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Incorporate sharp, bold triangles and striking orange tones, keeping the retro 1970s vibe. The title at the top should read Clockwork Apes in the same iconic font style. Make sure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters but maintaining their poses and attitudes.
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    (low quality:-1.2), dragon, abandoned factory, sharp and jagged geometric patterns, recursive shapes, angular geometric forms, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, high resolution, primal aesthetic
    A high-angle, surreal caricature of an elderly, bald man with exaggerated features: prominent brows, deep-set eyes, elongated ears, and blemishes. His skin is subdued, showing subtle tattoo markings. He gazes downward, exuding wisdom and mischief. The whimsical scene features iridescent reflections and volumetric lighting, with muted blues and reds in the clothing. The style is realistic yet distorted, showcasing sharp awareness and weariness. The composition is visually striking, enhanced by exaggerated hands resting on a table.
    infinite geometry in water reflections, brutal edges, fractal-like ripples, (smooth surfaces:-1.4), smooth yet angular surfaces,a gemstone, flowing organic forms, (low quality:-1.2), (bad composition:-1.3), raw, sculptural appearance, (overloaded multichromatic colors:1.6), vibrant, intersecting planes of water, mud, (soft lighting:-1.2), fragmented glowing elements, psychedelic tones, stark swamp lighting, neon glow from bio-luminescent plants, exaggerated features, (blurry:-1.2), saturated hues, (noisy:-1.1), rigid root structures, high resolution, (cartoonish:-1.1), sharp and jagged reflections in murky water, and plants, recursive patterns in moss and water, (a ruby:1.5), interlocking vines, dystopian vibe, unsettling, primal aesthetic, minimal details, unrefined textures, flowing organic geometry, (polished:-1.3), (disjointed anatomy:-1.3), intricate fractal structures in vegetation, (overly ornate:-1.5), photorealism, multichromatic colors, swamp, (ugly:-1.3)
    (low quality:-1.2), dragon, abandoned factory, recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    (low quality:-1.2), recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures,apple tree, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), snow-covered mountain, intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes

      FLUX

    • Schnell - flux_schnell.sft