null exaggerated features and

    Create a detailed and lively high-resolution photograph of two men in their 20s hanging out at a bus stop in an urban setting. The boys are wearing bl1ngfashion, worn-out jogging suits, sagging baggy sweatpants and oversized sweatshirts reflecting a casual and rugged street style. The man on the right wears bl1ngfashion sweatpants. Both are in a playful and slightly cocky mood, pointing at each other and laughing boisterously, their expressions full of exaggerated amusement. The scene captures a gritty but vibrant vibe, with the bus stop featuring peeling posters, graffiti on the walls, and a dented trash can nearby. Add subtle details like a few scattered soda cans, a torn bench cushion, and faint puddles on the concrete to enhance the realism of the urban backdrop. The lighting should evoke a cloudy afternoon, with muted tones that bring out the humor and camaraderie of the scene.
    A stylized character standing in a dimly lit room with warm sunlight streaming through a window. The character has a large, rounded head with big, expressive eyes that are slightly red and shadowed, giving a gothic or somber vibe. The spiky black hair and exaggerated features, including pointed ears, add a whimsical yet eerie tone. They wear a black, tailored outfit with intricate details, such as laced patterns, reminiscent of Victorian or gothic fashion. The setting is minimal, with warm, muted tones in the background that contrast with the character's dark attire, enhancing the focus on their distinct appearance.
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    rough textures, deep shadows, reflective surfaces catching desert sunlight, raw unrefined textures, surreal lighting, (flat colors:-1.4), recursive patterns, sharp lines, (low quality textures:-1.3), intense lighting contrasts, angular fragmented hull, jagged metallic surfaces, jagged surfaces, glowing accents, bold geometric spaceship, (blurry:-1.2), layered colors,surreal atmosphere, (disjointed anatomy:-1.4), (washed out:-1.2), (smooth surfaces:-1.5), clean edges, severe expressions, primal desert landscape, intricate geometry, (bad composition:-1.3), vivid gradients, (low contrast:-1.3), dynamic composition, multichromatic vibrant colors, dystopian vibe, (ugly:-1.2), (noisy:-1.1), harsh lighting, photorealistic detail, highly saturated hues, polygonal desert rocks, (oversimplified patterns:-1.3), fragmented shapes, harsh desert environment, desert horizon glowing with multicolored light, (lack of detail:-1.4), (muted colors:-1.3), (cartoonish:-1.1), futuristic design, (polished:-1.4), distorted anatomy, exaggerated features, surreal atmosphere, powerful stance, interlocking polygons, (unrealistic shading:-1.5), (soft lighting:-1.3), (overly ornate:-1.5), wind-swept dunes
    (extreme integrated LED body modification:1.5), (permanent LED makeup:1.6), (intense glowing accents beneath the skin:1.5), ((embedded LEDs:1.7)) illuminating cheekbones, jawline, brow, (hyper-intense projected makeup:1.7), (dynamic light patterns shifting with expressions:1.6), ((flawless radiant skin:1.8)), (futuristic elegance:1.6), ((bright LED glow defining every facial feature:1.8)), seamless tech-infused beauty, (vivid under-skin glow:1.7), (striking LED accents around lips and eyes:1.6), (ultra-futuristic body modification:1.7), (high-definition:1.6), (perfect anatomy:1.7), (radiant glassy skin with intense integrated lighting:1.7), permanent light contours, (powerful natural light projection:1.7), (hyper-realistic textures:1.8) blending LED with skin, extreme facial definition from internal light, (glowing accents sculpted into facial structure:1.8), (high-resolution:1.6), (cutting-edge beauty with advanced technology:1.7), LED glow replacing traditional makeup, ((razor-sharp lighting contours:1.9)), ultra-modern aesthetic, maximalist LED design, exaggerated luminescence, extreme facial highlights, surreal lighting
    Create a hyper-realistic, hyper-detailed depiction of a museum exhibit featuring a completely ordinary, generic mushroom behind a glass case. A sign next to the exhibit reads "Generic Mushroom" in plain, black letters. A tour guide stands next to the case, gesturing enthusiastically as he says "Be Amazed" to a group of people gathered around him. The group responds with a collective "Ooooh Ahhhh!", their faces filled with exaggerated expressions of wonder and awe. The mushroom itself is a dull, brown color, with no discernible features or characteristics that would make it stand out in any way. Style: hyper-realistic, detailed, satirical. Colors: brown, beige, glass. Highest-Quality, 4k, Masterpiece
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    This is a meticulously hand-painted tabletop miniature crafted by a highly talented artist, depicting a huge gigantic rectangular slime with expressive eyes in cubic shape, having engulfed a human skeleton, presented in an anatomical illustration style with vibrant color accents highlighting the skeletal structure. The slime, a translucent green cube, the slime is huge compared to the human, features two glossy, bulging eyes on its front face, giving it a sentient and mischievous appearance. The skeleton is fully encased within the slime, its form faintly visible as if swallowed whole, with a neutral expression frozen in time. The skeleton is painted in a muted gray, with its spine, ribs, and other bones sculpted and detailed in a slightly exaggerated style typical of anatomical art. It is positioned upright within the slime, with its legs bent and crossed, and its arms slightly extended, as if suspended in the gelatinous mass. The ribcage and spine are prominently displayed, with the sternum, vertebrae, and pelvis intricately shaped and faintly discernible through the slime’s surface. The head is shown in profile, with the skull bones expertly carved and painted, subtly visible beneath the green translucency. Each bone is marked with a subtle number, indicating specific anatomical landmarks. Scattered within the slime are medieval elements: a rusted sword, a dented shield, and fragments of armor float alongside the skeleton, suspended as if trapped mid-digestion. Additionally, the partially digested form of a cat—its skeletal frame and patchy fur still recognizable—drifts near the bottom of the slime, adding a macabre yet whimsical touch. The slime is textured with air bubbles trapped within its gelatinous form, alongside gruesome remnants of flesh, scattered bones, and tufts of hair, enhancing its grotesque yet captivating detail. The base of the miniature is a solid dark gray, providing a stark contrast to the vibrant green slime with its eerie eyes and the muted tones of the engulfed skeleton and artifacts. The work blends a realistic anatomical representation with a fantastical, semi-cartoonish aesthetic, emphasizing the skeletal structure while introducing a playful narrative through the slime’s contents and lively expression. The overall style is both educational and artistic, designed to illustrate human anatomy in an engaging, imaginative, and darkly humorous way.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    Posaman, played by Italian actor and comedian Lillo, stands on the lively set of a TV commercial, fully suited up in a humorous, over-the-top superhero costume. The costume features a bold color scheme—bright reds, blues, and yellows—designed to grab attention, with a huge, oversized letter ‘P’ emblazoned proudly on the chest. The ‘P’ is designed in a playful font, symbolizing Posaman’s exaggerated heroism. His outfit includes a tight-fitting suit, a flowing cape, clunky boots, and oversized gloves, all adding to the intentionally low-budget, comedic feel of the character. On the TV set, surrounded by bright studio lights, cameras, and a bustling crew, Posaman strikes exaggerated poses—arms crossed, pointing dramatically into the distance, or flexing muscles in an awkward, comical way. His expressions shift between serious heroism and playful absurdity, showing Lillo’s unique blend of charm and humor. The background features green screens and props for the commercial, creating an authentic behind-the-scenes atmosphere while Posaman remains the quirky, hilarious center of attention. The combination of a realistic TV commercial set and Posaman’s exaggerated costume and poses make for a humorous, yet visually striking scene
    Posaman, portrayed by the Italian actor and comedian Lillo, should reflect a realistic and grounded style while still emphasizing his quirky, exaggerated poses. The model should capture Lillo’s distinct features—his expressive face, short beard, and casual yet confident demeanor. Focus on realistic textures, including natural skin tones, detailed facial expressions, and lifelike clothing, while highlighting his humorous, larger-than-life poses. These can range from mock-superhero stances to awkward yet charismatic gestures that showcase his comedic flair. The goal is to blend realism with humor, creating a character that feels authentic while staying true to Lillo’s unique comedic style.
    A high-angle, surreal caricature of an elderly, bald man with exaggerated features: prominent brows, deep-set eyes, elongated ears, and blemishes. His skin is subdued, showing subtle tattoo markings. He gazes downward, exuding wisdom and mischief. The whimsical scene features iridescent reflections and volumetric lighting, with muted blues and reds in the clothing. The style is realistic yet distorted, showcasing sharp awareness and weariness. The composition is visually striking, enhanced by exaggerated hands resting on a table.
    “Create a caricature-style book cover inspired by Uncle Tom’s Cabin, reimagined as La CAPATA dello Zio Tom. The design should blend humor and social commentary with bold, vibrant colors, evoking a 19th-century vintage book cover aesthetic. Uncle Tom is depicted as a larger-than-life, jovial character with a comically large bump on his head, symbolizing La Capata (the deposit). The bump should be exaggerated and almost cartoonish, drawing attention as the central, humorous feature of the image. He wears tattered yet colorful clothing, and holds an oversized contract or receipt labeled La Capata, with the bump humorously resembling the shape of the deposit. Around him, incorporate exaggerated caricatures of other key characters from the original novel, each adding their own satirical commentary. The plantation backdrop should be surreal, with playful and whimsical elements, like oversized cotton plants and an idyllic, exaggerated landscape. The title, La CAPATA dello Zio Tom, should be bold and prominent, with intricate, ornate typography blending classic 19th-century style with a lively, playful twist. Small humorous details, like hidden symbols or ironic elements, should complete the satirical tone while maintaining a respectful nod to the original themes of the book.”
    “Create a caricature-style book cover inspired by Uncle Tom’s Cabin, reimagined as La CAPATA dello Zio Tom. The design should blend humor and social commentary with bold, vibrant colors, evoking a 19th-century vintage book cover aesthetic. Uncle Tom is depicted as a larger-than-life, jovial character with a comically large bump on his head, symbolizing La Capata (the deposit). The bump should be exaggerated and almost cartoonish, drawing attention as the central, humorous feature of the image. He wears tattered yet colorful clothing, and holds an oversized contract or receipt labeled La Capata, with the bump humorously resembling the shape of the deposit. Around him, incorporate exaggerated caricatures of other key characters from the original novel, each adding their own satirical commentary. The plantation backdrop should be surreal, with playful and whimsical elements, like oversized cotton plants and an idyllic, exaggerated landscape. The title, La CAPATA dello Zio Tom, should be bold and prominent, with intricate, ornate typography blending classic 19th-century style with a lively, playful twist. Small humorous details, like hidden symbols or ironic elements, should complete the satirical tone while maintaining a respectful nod to the original themes of the book.”
    female subject, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    A pencil sketch with bold strokes. depicting a huge gigantic rectangular slime with expressive eyes in cubic shape and 3 times bigger than a human, having engulfed a human skeleton, presented in an anatomical illustration style with vibrant color accents highlighting the skeletal structure. The slime, a translucent green cube, the slime is huge compared to the human, features two glossy, bulging eyes on its front face, giving it a sentient and mischievous appearance. The skeleton is fully encased within the slime, its form faintly visible as if swallowed whole, with a neutral expression frozen in time. The skeleton is painted in a muted gray, with its spine, ribs, and other bones sculpted and detailed in a slightly exaggerated style typical of anatomical art. It is positioned upright within the slime, with its legs bent and crossed, and its arms slightly extended, as if suspended in the gelatinous mass. The ribcage and spine are prominently displayed, with the sternum, vertebrae, and pelvis intricately shaped and faintly discernible through the slime’s surface. The head is shown in profile, with the skull bones expertly carved and painted, subtly visible beneath the green translucency. Each bone is marked with a subtle number, indicating specific anatomical landmarks. Scattered within the slime are medieval elements: a rusted sword, a dented shield, and fragments of armor float alongside the skeleton, suspended as if trapped mid-digestion. Additionally, the partially digested form of a cat—its skeletal frame and patchy fur still recognizable—drifts near the bottom of the slime, adding a macabre yet whimsical touch. The slime is textured with air bubbles trapped within its gelatinous form, alongside gruesome remnants of flesh, scattered bones, and tufts of hair, enhancing its grotesque yet captivating detail. The base of the miniature is a solid dark gray, providing a stark contrast to the vibrant green slime with its eerie eyes and the muted tones of the engulfed skeleton and artifacts. The work blends a realistic anatomical representation with a fantastical, semi-cartoonish aesthetic, emphasizing the skeletal structure while introducing a playful narrative through the slime’s contents and lively expression. The overall style is both educational and artistic, designed to illustrate human anatomy in an engaging, imaginative, and darkly humorous way.
    femme fatale, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated seductive features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    A digital painting employing contrasting chiaroscuro lighting. Natural earth tones of browns and beiges are used, creating strong contrasts and deep shadows. The whimsical character designs feature exaggerated proportions, big expressive eyes, and stylized anatomy. The style blends gothic undertones, vibrant color palettes, and urban art aesthetics, creating a playful yet eerie atmosphere.
    Dynamic in motion, a whimsical character with blurred lines and action poses. Gothic undertones, big expressive eyes, spiky black hair, exaggerated features, pointed ears. Black tailored outfit with laced patterns, Victorian fashion. Eerie atmosphere, warm sunlight, muted background, minimalist setting, dramatic shadows, stylized and playful.
    recursive shapes, (emphasis on sharp geometric form:1.6), (cartoonish:-1.1), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3),angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Use a bold, minimalist color scheme of black and orange, with sharp contrasts to evoke the retro 1970s aesthetic. The title at the top should read Clockwork Apes in the same iconic font style, in bold orange. At the bottom, include the text ‘A Stanley Kubrick Production’ in black and orange. Ensure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters while maintaining their poses and attitudes.”
    Brick wall in an overgrown urban environment, surreal black-and-white mural spans the side of a building, featuring an imaginative creature with exaggerated, whimsical features. The central figure resembles a fantastical elephant-like beast, with elongated horns, drooping eyes, and a pipe-like trunk emitting smoke. A small house perches atop its head, with a person engaged in a curious activity involving a rope. Below, other humanoid figures appear to be operating a machine that connects to the creature, adding an industrial, mechanical vibe to the scene. The intricate crosshatching and detailed textures give the artwork a hand-drawn, storybook quality, blending fantasy and absurdity. The mural's quirky and dreamlike composition transforms the urban space into an intriguing narrative landscape. graffiti, mural, hyper-realistic, vibrant colors, bold letterforms, 3D design, urban art, intricate details, vivid gradients, sharp highlights, contrasting shadows, abstract influences, electric palette, sculptural effect
    Candid street photography: surreal caricature of an elderly man, intense dramatic weather. High-angle perspective, exaggerated features, bald head, subdued skin tones. Iridescent reflections, stormy skies, high tension. Urban scene, spontaneous candid moment, muted colors. Blues and reds in clothing.
    Full-body contemporary abstract photograph of a elegant woman wearing a flowing turquoise cashmere shawl with delicate turquoise flame patterns, standing in a semi-surreal environment blending organic shapes and architectural elements. The background features dreamlike washes of ultramarine and silver, with subtle floating geometric motifs inspired by Ukiyo-e clouds. Lighting combines soft studio strobes with atmospheric glow, creating dimensional shadows that interact with the shawl's folds. Composition balances realistic human proportions with slightly exaggerated fabric movement, evoking a living oil painting. Texture details: fine wool fibers visible, slight film grain. Style fusion: Richard Avedon's fashion realism + Egon Schiele's expressive lines + niji's color vibrancy (but photorealistic).
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    femme fatale, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated seductive features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    (low quality:-1.2), recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures,apple tree, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), snow-covered mountain, intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    bo-neon, ArcaneFGTNR, a digital illustration in a vibrant, gothic style, it features a close-up of a young woman's face, open mouth, showing long toungue with striking, exaggerated features, black tanktop, her skin is a pale, almost translucent green, with patches of black and white, resembling a patchwork fabric, her eyes are large and vivid, with a striking, glowing yellow hue, and her lips are full and slightly parted, large breasts grabbing by her own hands, a playful, mischievous smile, she has dark, straight hair with pink highlights, styled in a high ponytail with a few loose strands framing her face, her makeup is bold and dramatic, with thick, black eyeliner and mascara accentuating her large, expressive eyes, she wears large, turquoise earrings with a cross pendant, and a black, high-collared top with a mix of fur and lace textures, the background is a solid, bright yellow, which contrasts sharply with her vivid colors, making her stand out vividly, the overall composition is dynamic, with the woman's expression and makeup drawing the viewer's attention, high quality, ultra detailed, colorful, grainy, cyberpunk fantasy<lora:ArcaneFGTNR.safetensors:1.0:1.0> <lora:Flux\boFLUX Neon Abyss.safetensors:1.0:1.0>
    infinite geometry of cubist roots, psychedelic tones, (blurry:-1.2), interlocking polygons, rigid structure, intricate fractal structures, neon glow of bioluminescent plants, (low quality:-1.2), fragmented strings, (soft lighting:-1.2), raw, fractal patterns in leaves, minimalist design, exaggerated features, (cartoonish:-1.1), (noisy:-1.1), (ugly:-1.3), intersecting planes of wood and foliage, (overloaded multichromatic colors:1.6), high resolution, saturated hues, multichromatic colors, vibrant, minimal details, (overly ornate:-1.5), primal aesthetic, recursive shapes, (disjointed anatomy:-1.3), unsettling, rainforest, stark jungle lighting, distorted natural shapes, (polished:-1.3), geometric forms, brutal edges, (bad composition:-1.3), sculptural appearance, dystopian vibe, photorealism, fractured geometry, (smooth surfaces:-1.4), violin
    A digital painting employing contrasting chiaroscuro lighting. Natural earth tones of browns and beiges are used, creating strong contrasts and deep shadows. The whimsical character designs feature exaggerated proportions, big expressive eyes, and stylized anatomy. The style blends gothic undertones, vibrant color palettes, and urban art aesthetics, creating a playful yet eerie atmosphere.
    A surreal and highly detailed caricature of an elderly man, featuring exaggerated facial features that blend realism with artistic distortion. His bald head is speckled with subtle textures and blemishes, while his prominent, furrowed brows and deeply set eyes convey a sense of weariness yet sharp awareness. His elongated ears and slightly exaggerated hands resting on the table in front of him add to the whimsical, almost fantastical quality. The muted color palette, with hints of blues and reds in his clothing and subtle tattoo-like markings on his skin, creates a subdued yet visually striking composition. The figure appears to be gazing directly at the viewer, his expression a mix of wisdom, mischief, and introspection.
    Precise architectural color photography in classic black and white. A surreal, highly detailed caricature of an elderly man with exaggerated features: bald head, speckled with textures and blemishes, furrowed brows, deep-set eyes, elongated ears, and exaggerated hands. Muted color palette with hints of blues and reds in his clothing and subtle skin markings. Timeless and elegant, sharp lines, detailed structures, wide angles.
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    A sleek, high-tech sailboat with a futuristic design is shown sinking into the turbulent waters near the coast of Palermo. The vessel, long and streamlined, features cutting-edge technology with glowing digital displays and advanced sails, now submerged at precarious angles as it battles against the overpowering waves. Above, the sky is dark and menacing, dominated by a colossal, sinister smile with sharp, exaggerated teeth, and a glowing Star of David at its center, casting an ominous glow over the scene. Floating amidst the debris in the water is a lifeboat, partially overturned, with a makeshift sign attached to it that reads "Sionism Effect" in bold, unsettling letters. The lifeboat, acting as a stark reminder of survival and struggle, contrasts with the high-tech sinking ship and the foreboding sky, creating a powerful and symbolic image.
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    This is a highly stylized digital artwork of a woman's face. The piece uses vibrant colors, primarily reds and blues, with black accents to create a striking contrast. The makeup, especially the eyeshadow and lipstick, are bold and exaggerated, contributing to a dramatic effect. The background features abstract lines and shapes that give an impression of movement or disarray. This chaotic backdrop contrasts sharply with the woman's serene expression. The image has a modern, almost cyberpunk aesthetic due to its use of sharp angles, neon-like hues, and digital effects such as grid patterns and drips. Overall, the composition conveys intensity and emotion through its dynamic visual elements.
    Full-body contemporary abstract photograph of a elegant woman wearing a flowing turquoise cashmere shawl with delicate turquoise flame patterns, standing in a semi-surreal environment blending organic shapes and architectural elements. The background features dreamlike washes of ultramarine and silver, with subtle floating geometric motifs inspired by Ukiyo-e clouds. Lighting combines soft studio strobes with atmospheric glow, creating dimensional shadows that interact with the shawl's folds. Composition balances realistic human proportions with slightly exaggerated fabric movement, evoking a living oil painting. Texture details: fine wool fibers visible, slight film grain. Style fusion: Richard Avedon's fashion realism + Egon Schiele's expressive lines + niji's color vibrancy (but photorealistic).
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "soccorroo" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    infinite geometry in water reflections, brutal edges, fractal-like ripples, (smooth surfaces:-1.4), smooth yet angular surfaces,gemstone, flowing organic forms, (low quality:-1.2), (bad composition:-1.3), raw, sculptural appearance, (overloaded multichromatic colors:1.6), vibrant, intersecting planes of water, mud, (soft lighting:-1.2), fragmented glowing elements, psychedelic tones, stark swamp lighting, neon glow from bio-luminescent plants, exaggerated features, (blurry:-1.2), saturated hues, (noisy:-1.1), rigid root structures, high resolution, (cartoonish:-1.1), sharp and jagged reflections in murky water, and plants, recursive patterns in moss and water, (rubygemstone:1.5), interlocking vines, dystopian vibe, unsettling, primal aesthetic, minimal details, unrefined textures, flowing organic geometry, (polished:-1.3), (disjointed anatomy:-1.3), intricate fractal structures in vegetation, (overly ornate:-1.5), photorealism, multichromatic colors, swamp, (ugly:-1.3)
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    A simple doodle of a cartoon cdog, drawn in the style of a child with minimalistic lines and shapes. The character is designed to be cute but not complex or detailed. It should have exaggerated features like large eyes and ears typical for children's illustrations. Black ink on a white background. in the style of Gemma Correll, c 50,
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    fantastical sky, outer space background, stars, clouds, pink gradients, purple gradients, exaggerated explosion, cartoonish, colorful, brain fragments, eyeball fragments, green "GUSH" text, flying debris, whimsical flying pirate ship, cartoonish style, small scale, young adult, late teen, green hair, pigtails, fantasy outfit, short stature, angry, annoyed, unhinged, sarcastic, gripping ship's side, leaning forward, assertive stance, small fantastical creature, hovering, rounded body, playful aesthetic, neutral, concerned, observant, floating, passive, secondary presence, anthropomorphic star-shaped beings, mischievous expressions, glowing outlines, scattered scene, vivid lighting, dynamic lighting, glowing stars, bright highlights, chaotic, humorous, exaggerated destruction, absurd action, satirical fantasy, over-the-top violence, whimsical elements, cartoon surrealism, bold outlines, vibrant colors, contrasting colors, dynamic motion effects, exploding brain fragments, pirate ship, surreal space, large anthropomorphic moon, cracked surface, exaggerated facial features, shocked expression, wide-eyed, mouth agape, visible damage, cartoonishly crumbling, central scene, upper composition, reacting explosion, chaotic motion
    female subject, vibrant, overloaded colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    An adorable and cute woman, portrayed in a comic book style with intense lighting. The artwork features dynamic linework, intricate details, gritty textures, bold contrasts, and exaggerated but charming features, creating a high-contrast image with visual drama and action.
    A tight close-up of a woman in a comic book style, emphasizing detailed focus on her face and features. Intense dramatic lighting, dynamic linework, intricate details, and exaggerated anatomy create a dark fantasy superhero scene. Gritty textures and bold contrasts increase the visual drama and tension.
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    female subject, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    “A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four pitbulls bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four American Staffordshire terriers bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four American Staffordshire terriers bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    A surreal dance scene featuring a pale blue mantis elegantly twirling with a greenish mouse under ethereal moonlight. Around them, four American Staffordshire terriers bark hysterically, their expressions exaggerated and full of energy, adding a sense of chaotic excitement. The background is abstract, with swirling neon colors and soft fog blending to create an otherworldly atmosphere. Light and shadow play dramatically across the mantis and mouse, highlighting their unusual textures and color tones. The scene captures a balance between chaos and grace, as if in a dreamlike Flux-inspired universe.”
    a concept for the movie poster: Title: Whirling Dervish Whirls Again Tagline: "Spinning out of control never looked so fun!" Concept: Genre: Comedy Setting: A quirky, chaotic city with an unexpected twist on everyday life. Main Character: A clumsy yet lovable dervish who can’t stop spinning, often creating havoc wherever he goes. Mood: Lighthearted, fun, and filled with slapstick comedy moments. For the poster, the main character will be front and center, mid-spin, with arms flailing in a funny yet dynamic pose. He’s accidentally knocking over things around him like street signs, food carts, and maybe even people! The background could feature a busy, exaggerated cityscape, with bright, playful colors. Above him, the title Whirling Dervish Whirls Again is displayed in bold, wavy text, hinting at the motion and energy of the film.
    (low quality:-1.2), dragon, abandoned factory, recursive shapes, multichromatic colors, (disjointed anatomy:-1.3), (bad composition:-1.3), stark lighting, rigid structure, (overloaded multichromatic colors:1.6), (overly ornate:-1.5), saturated hues, diverse color palette, (smooth surfaces:-1.4), (soft lighting:-1.2), (noisy:-1.1), infinite geometry, minimalist design, intricate fractal structures, exaggerated features, psychedelic tones, (blurry:-1.2), sculptural appearance, vibrant, (polished:-1.3), (ugly:-1.3), intersecting planes, photorealism, minimal details, unsettling, (emphasis on sharp geometric form:1.6), fractured geometry, unrefined textures, neon glow, sharp and jagged geometric patterns, angular geometric forms, high resolution, primal aesthetic
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    plumber, desert, recursive shapes, (emphasis on sharp geometric form:1.6), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3), angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    A single, central Gladiator Beast Dimacari, monstrous and predominantly green, full-body form/armor. Dynamic, assertive stance, arms bent, fists clenched, ready for battle. Large, menacing face with exaggerated features, prominent nose, wide angry eyes. Dark, defocused background with dramatic, captivating cinematic lighting. Photorealistic, 8k, intricate details, Octane Render, Unreal Engine 5, Splash Ink Illustration, CGSociety, Artstation trending, Golden Ratio composition.
    A vast, moonlit landscape, softly focused with a hazy background, features a solitary figure with a surreal, exaggerated expression, rendered with smooth gradient transitions.
    A hyper-realistic, surreal portrait of a burgundy bull standing in a vibrant, techno-infused natural setting. The bull’s tail is a mesmerizing fusion of nature and raw elemental power, made entirely of molten magma that glows with fiery intensity and crackling edges. The eyespots on the tail are represented by swirling, glowing orbs of lava, radiating heat and pulsing with digital light patterns, adding a futuristic and menacing vibe. The bull’s deep burgundy hide is interlaced with metallic sheens and circuitry patterns, blurring the line between organic and synthetic. From the ground, whimsical, cartoonish curved salami slices sprout like twisted, playful plants, each one featuring exaggerated, bright colors and a soft, rounded look, contrasting with the realistic and intense surroundings. In the background, a cardboard sign hangs from a nearby branch with the words ‘Cairo Vattene!’ scrawled in bold, graffiti-style text, providing a surreal contrast to the elemental chaos. The environment is a chaotic mix of lush greenery and digital glitch effects, with pixelated leaves and flickering lights. The image captures a wild, dystopian mockery of nature, with hyper-detailed textures and dramatic lighting that accentuates the bizarre fusion of the natural, elemental, and technological elements.
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    Full-body contemporary abstract photograph of a elegant woman wearing a flowing crimson cashmere shawl with delicate golden flame patterns, standing in a semi-surreal environment blending organic shapes and architectural elements. The background features dreamlike washes of indigo and burnt orange, with subtle floating geometric motifs inspired by Ukiyo-e clouds. Lighting combines soft studio strobes with atmospheric glow, creating dimensional shadows that interact with the shawl's folds. Composition balances realistic human proportions with slightly exaggerated fabric movement, evoking a living oil painting. Texture details: fine wool fibers visible, slight film grain. Style fusion: Richard Avedon's fashion realism + Egon Schiele's expressive lines + niji's color vibrancy (but photorealistic).
    Wednesday Addams in the style of Tim Burton’s stop-motion films, with exaggerated, hauntingly beautiful features. Her large, expressive eyes are shadowed by dark circles, and her pale skin contrasts against her intricate gothic attire. She stands in a surreal, twisted landscape with spiraling trees and eerie glowing mushrooms. The atmosphere is haunting yet strangely whimsical, with a vintage horror aesthetic. Dark fantasy, Burtonesque, intricate textures, high detail.
    “Create a satirical advertising poster featuring Adolf Hitler standing in a busy, colorful vegetable market, depicted in full figure. He is holding a small plate of vegetables and eating from it in an almost promotional manner. The market around him is crowded with people, stalls overflowing with various fresh vegetables, like carrots, lettuce, and tomatoes. In the background, a prominent billboard catches the eye with the bold slogan ‘VEGET-ARIAN’ displayed in stylized, playful typography. The tone of the poster should be humorous, blending historical satire with a vibrant, lively market setting, with exaggerated expressions from the people around him as they notice the unlikely sight.”
    Wednesday Addams in the style of Tim Burton’s stop-motion films, with exaggerated, hauntingly beautiful features. Her large, expressive eyes are shadowed by dark circles, and her pale skin contrasts against her intricate gothic attire. She stands in a surreal, twisted landscape with spiraling trees and eerie glowing mushrooms. The atmosphere is haunting yet strangely whimsical, with a vintage horror aesthetic. Dark fantasy, Burtonesque, intricate textures, high detail.
    Whimsical Concept Art. Medium shot. A comedic monster plays drums on a colorful beach. Low-angle shot. Vibrant oil painting with triadic colors. Exaggerated facial features. Bright beach balls surrounding the monster. Palm trees swaying in the ocean breeze. Warm, sunny lighting with long shadows. Best quality, 8k resolution, incredibly detailed, cartoonish, fantastical, humorous, tropical, fun, playful, joyful, carefree, วด entertaining, amusing.
    A moody, dimly lit interior where a solitary figure stares at an unseen object, their posture distorted slightly by expressionist brushstrokes, but the softness of the light evokes an almost photographic fragility.expressionist portraiture infused with soft melancholic photography, earthy muted colors blending with grainy black-and-white textures, exaggerated emotional features dissolving into quiet nostalgic shadows, raw painterly brushstrokes with intimate poetic lighting, introspective storytelling infused with quiet vulnerability
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    **“A captivating and surreal movie poster for A Fish Called Ruanda, a futuristic B-movie thriller with a girly, campy twist. The scene is viewed through the exaggerated distortion of a fish-eye 12mm cinema prime lens, pulling the viewer into the chaotic, neon-soaked dystopian cityscape. Front and center is the main actress, Katarina Pesceallegro, a striking redhead with a mix of glamour and danger in her expression. Floating ominously nearby is a grotesque, decaying fish, symbolizing the ‘very rotten climax.’ The poster includes bold, retro-futuristic typography for the title A Fish Called Ruanda, with the subtitle in Polish beneath it. The credits at the bottom feature: • Directed by: Max Morrison • Director of Photography: Diego Dalla Luce • Edited by: JOE “FINAL CUT” Switcho • Main Actress: Katarina Pesceallegro • Co-Starring: JOE FISH • With the Cameo of: STEWEN SEAGULL The design blends neon tones, gritty textures, and campy B-movie flair, making it a trendsetting cinematic experience that teases its quirky, action-packed storyline.”**
    (bad composition:-1.3), unsettling, sculptural appearance, (soft lighting:-1.2), (disjointed anatomy:-1.3), intricate fractal structures, diverse color palette, (emphasis on sharp geometric forms:1.6), unrefined textures, intersecting planes of glass and steel, (smooth surfaces:-1.4),tarantula, infinite geometry in cityscape, brutal edges, (ugly:-1.3), (blurry:-1.2), (overloaded multichromatic colors:1.6), stark city lighting, rigid structure, distorted urban shapes, (overly ornate:-1.5), saturated hues, urban skyscraper, harsh and angular architecture, multichromatic colors, interlocking steel beams, exaggerated features, neon glow from city lights, recursive shapes, (polished:-1.3), sharp and jagged glass patterns, (noisy:-1.1), photorealism, dystopian vibe, high resolution, geometric forms, minimal details, (low quality:-1.2), psychedelic tones, fragmented concrete, vibrant, (cartoonish:-1.1), fractal patterns in web, fractured geometry, raw, primal aesthetic
    A high-angle, surreal caricature of an elderly, bald man with exaggerated features: prominent brows, deep-set eyes, elongated ears, and blemishes. His skin is subdued, showing subtle tattoo markings. He gazes downward, exuding wisdom and mischief. The whimsical scene features iridescent reflections and volumetric lighting, with muted blues and reds in the clothing. The style is realistic yet distorted, showcasing sharp awareness and weariness. The composition is visually striking, enhanced by exaggerated hands resting on a table.
    Whimsical Concept Art. Medium shot. A comedic monster plays drums on a colorful beach. Low-angle shot. Vibrant oil painting with triadic colors. Exaggerated facial features. Bright beach balls surrounding the monster. Palm trees swaying in the ocean breeze. Warm, sunny lighting with long shadows. Best quality, 8k resolution, incredibly detailed, cartoonish, fantastical, humorous, tropical, fun, playful, joyful, carefree, วด entertaining, amusing.
    “Illustrate a caricature-style book cover inspired by Uncle Tom’s Cabin, reimagined as La CAPARRA dello Zio Tom. The scene should feature exaggerated, satirical elements with bold, dynamic colors that evoke the vintage aesthetic of 19th-century illustrated book covers. Uncle Tom is portrayed as a humorous, larger-than-life character, dressed in tattered yet vibrant clothing, holding a contract or receipt symbolizing ‘la caparra’ (the deposit). Surround him with symbolic elements representing social commentary, such as exaggerated caricatures of other characters from the original novel, set in a plantation backdrop with surreal and whimsical tones. The title, La CAPARRA dello Zio Tom, should be prominently displayed in bold, ornate lettering that blends classic typography with a playful twist. Include smaller details that highlight the satirical nature of this cover while staying respectful to the original themes of the book.”
    “A decayed, vintage-style poster from 1957, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    Posaman, played by Italian actor and comedian Lillo, stands on the lively set of a TV commercial, fully suited up in a humorous, over-the-top superhero costume. The costume features a bold color scheme—bright reds, blues, and yellows—designed to grab attention, with a huge, oversized letter ‘P’ emblazoned proudly on the chest. The ‘P’ is designed in a playful font, symbolizing Posaman’s exaggerated heroism. His outfit includes a tight-fitting suit, a flowing cape, clunky boots, and oversized gloves, all adding to the intentionally low-budget, comedic feel of the character. On the TV set, surrounded by bright studio lights, cameras, and a bustling crew, Posaman strikes exaggerated poses—arms crossed, pointing dramatically into the distance, or flexing muscles in an awkward, comical way. His expressions shift between serious heroism and playful absurdity, showing Lillo’s unique blend of charm and humor. The background features green screens and props for the commercial, creating an authentic behind-the-scenes atmosphere while Posaman remains the quirky, hilarious center of attention. The combination of a realistic TV commercial set and Posaman’s exaggerated costume and poses make for a humorous, yet visually striking scene
    plumber, desert, recursive shapes, (emphasis on sharp geometric form:1.6), primal aesthetic, (low quality:-1.2), vibrant, stark lighting, (ugly:-1.3), (overloaded multichromatic colors:1.6), unsettling, unrefined textures, (polished:-1.3), (overly ornate:-1.5), neon glow, diverse color palette, intricate fractal structures, high resolution, minimalist design, (bad composition:-1.3), angular geometric forms, (blurry:-1.2), dystopian vibe, saturated hues, fractured geometry, photorealism, (noisy:-1.1), (smooth surfaces:-1.4), psychedelic tones, exaggerated features, sculptural appearance, (disjointed anatomy:-1.3), (soft lighting:-1.2), rigid structure, intersecting planes, infinite geometry, minimal details, multichromatic colors, sharp and jagged geometric patterns
    infinite geometry of roots shaped out of platonic solids, psychedelic tones, (blurry:-1.2), interlocking polygons, rigid structure, intricate fractal structures, neon glow of bioluminescent plants, (low quality:-1.2), fragmented strings, (soft lighting:-1.2), raw, fractal patterns in leaves, minimalist design, exaggerated features, (cartoonish:-1.1), (noisy:-1.1), (ugly:-1.3), intersecting planes of wood and foliage, (overloaded multichromatic colors:1.6), high resolution, saturated hues, multichromatic colors, vibrant, minimal details, (overly ornate:-1.5), primal aesthetic, recursive shapes, (disjointed anatomy:-1.3), unsettling, rainforest, stark jungle lighting, distorted natural shapes, (polished:-1.3), geometric forms, brutal edges, (bad composition:-1.3), sculptural appearance, dystopian vibe, photorealism, fractured geometry, (smooth surfaces:-1.4), violin
    “A decayed, vintage-style poster from 2024, weathered and torn, depicting a surreal and apocalyptic scene. The faded image shows a pair of aliens—one an imposing, tall figure (the father), and the other a smaller, childlike alien (the son). The father holds the son’s hand with one hand, while making an exaggerated ‘OK’ sign with his other hand, both with unsettling, alien features. The father’s wide, mad smile radiates an eerie, otherworldly charm. In the far background, a massive nuclear mushroom cloud dominates the sky, with fiery orange fireballs at its base and visible blast waves rippling through the landscape. The poster’s bold text, ‘SOVIET NUKE?’ across the upper section and ‘SMILE WITH US’ in the lower section, is faded, smeared, and inked with scribbles and stains. The paper appears rotten, with tears, creases, and discolored edges, adding to the haunting, apocalyptic atmosphere of the piece.”
    A colorful digital illustration in the distinctive style of The Simpsons, featuring Lady Liberty as an overweight character with yellow skin and bulging eyes. She's holding a comically large, blue-swirled ice cream cone dripping down her arm, replacing her iconic torch. In her other hand, she clutches a thick, unmarked book. Viewed from a slight low angle, emphasizing her round belly and exaggerated proportions. Lady Liberty sports a sheepish grin with her large overbite, raised eyebrows, and a slight bead of sweat on her forehead - classic Simpsons expressions of embarrassment mixed with satisfaction. Her crown sits askew on her tall, blue beehive hairdo. The robe is a vibrant teal, stretching comically across her midsection with simplified folds and creases typical of the Simpsons art style. The background is a simple gradient sky in pastel colors, possibly with the silhouette of Springfield in the distance. Outlines are bold and black, with flat, bright colors filling the shapes - no shading, true to the Simpsons style. The overall effect is humorous and ironic, capturing the Simpsons' knack for satirizing cultural icons while exploring themes of freedom, temptation, and personal responsibility.
    A dramatic black and white comic-style sketch of a Subaru WRX STI (civilian version, no rally livery) drifting through a tight turn in a modern city street at night. The car has exaggerated features: wide stance, flared fenders, aggressive front bumper, massive rear wing, and deep dish wheels. The scene captures the car mid-drift, back tires smoking, front wheels counter-steering, with intense motion lines and urban debris flying. The driver is not visible — focus is entirely on the car’s graceful yet powerful motion. The city background is sketched with tall buildings, blurry neon signs, and wet pavement reflecting the car’s silhouette. Style is loose, expressive ink — strong black and white contrast, with bold shadows, heavy lines, dynamic crosshatching, and sketchy speed effects. Emphasize exaggerated motion: tire smoke like storm clouds, sparks from the side skirts scraping, and dramatic lighting contrasts. Think of it as a scene from a graphic novel — cinematic, cool, and intense. No logos, no racing decals — this is a clean street version of the WRX STI, captured in full sideways glory. Scene must feel controlled yet legendary, like a street samurai unleashing power only when needed. Add comic-style energy lines and ink splashes to heighten the motion. No color, just black and white intensity.
    A colorful digital illustration in the distinctive style of The Simpsons, featuring Lady Liberty as an overweight character with yellow skin and bulging eyes. She's holding a comically large, blue-swirled ice cream cone dripping down her arm, replacing her iconic torch. In her other hand, she clutches a thick, unmarked book. Viewed from a slight low angle, emphasizing her round belly and exaggerated proportions. Lady Liberty sports a sheepish grin with her large overbite, raised eyebrows, and a slight bead of sweat on her forehead - classic Simpsons expressions of embarrassment mixed with satisfaction. Her crown sits askew on her tall, blue beehive hairdo. The robe is a vibrant teal, stretching comically across her midsection with simplified folds and creases typical of the Simpsons art style. The background is a simple gradient sky in pastel colors, possibly with the silhouette of Springfield in the distance. Outlines are bold and black, with flat, bright colors filling the shapes - no shading, true to the Simpsons style. The overall effect is humorous and ironic, capturing the Simpsons' knack for satirizing cultural icons while exploring themes of freedom, temptation, and personal responsibility.
    A humorous illustration of chaotic Forklift warehouse workers moving recklessly in different directions, looking disorganized and exaggeratedly clumsy. In the background, a terrified pedestrian flees with a comically exaggerated expression of fear. Bublle say "Molina" The scene is set in a bright warehouse environment, drawn in a colorful, cartoonish style, emphasizing exaggerated features and comic elements."
    female subject, vibrant, multichromatic colors, raw, unrefined textures, harsh and angular geometric forms, distorted body shapes, minimalist design, sharp and jagged geometric patterns, interlocking polygons, fragmented figure, brutal edges, primal aesthetic, exaggerated features, fractal patterns, recursive shapes, infinite geometry, intricate fractal structures, neon glow, diverse color palette, saturated hues, stark lighting, psychedelic tones, dystopian vibe, sculptural appearance, unsettling, high resolution, photorealism, (severe expression:1.3), (overloaded multichromatic colors:1.6), (emphasis on sharp geometric form:1.6), minimal details, intersecting planes, fractured geometry, rigid structure, (blurry:-1.2), (ugly:-1.3), (cartoonish:-1.1), (smooth surfaces:-1.4), (polished:-1.3), (low quality:-1.2), (overly ornate:-1.5), (disjointed anatomy:-1.3), (soft lighting:-1.2), (noisy:-1.1), (bad composition:-1.3)
    IHateFairylandStyle, This is a vibrant, digital drawing with a cartoon style, featuring a grotesque, exaggerated creature with a long, wide open mouth filled with sharp, jagged teeth. The creature's face is green with exaggerated, cartoonishly large, round eyes that are bright yellow with black pupils, giving it an unsettling appearance. It has two large, curved horns on top of its head, and a small, spiky tuft of hair on top. The creature's face is surrounded by a psychedelic, kaleidoscope-like pattern in neon colors of blue, pink, green, and yellow, creating a dizzying, surreal background., ihatefairylandstyle, vibrant, cartoonish, dynamic, exaggerated, whimsical, surreal, colorful, comic-book, playful, bold lines, expressive characters, detailed backgrounds,, sharp teeth, teeth, , horns, monster, bow, no humans, red bow, saliva, open mouth
    “A wealthy sheikh, clad in opulent traditional attire, kneels in dramatic desperation on the desert sands. In his hands, he clutches a decayed, rotting cardboard sign that reads, ‘Gimme Buzz 4 Oil, Infidel Yankee,’ scrawled in uneven, childlike handwriting. His indifferent, lavishly dressed harem lounges around him on extravagant cushions, sipping from golden goblets. The background showcases a stark contrast of industrial might: colossal oil pumping stations silhouetted against a fiery, polluted sunset. Captured through Panavision Prime Cine Optics with a fisheye lens, the scene features exaggerated perspective, ultra-realistic cinematic details, vibrant textures, and satirical undertones.”
    Create a movie poster inspired by the iconic A Clockwork Orange design, but featuring monkeys as the main characters. Replace the human figures with stylized apes in the same iconic positions and roles. The central figure should be a menacing ape, wearing a bowler hat and holding a cane, with one eye exaggerated in the classic style (eyelash design). Incorporate sharp, bold triangles and striking orange tones, keeping the retro 1970s vibe. The title at the top should read Clockwork Apes in the same iconic font style. Make sure the composition feels energetic, mischievous, and surreal, with the apes replacing the original characters but maintaining their poses and attitudes.

      FLUX

    • Schnell - flux_schnell.sft