null completely unaware or

    "Hyper-realistic parody movie poster in the style of Marvel's Spiderman. Instead of the web-slinging superhero, a tiny and adorable pig is the main character. The pig is wearing a miniature version of the iconic Spiderman suit, complete with a cape and a confident expression. However, instead of webs or superpowers, the pig is using a jetpack to fly through the air. The jetpack is located on the pig's back, with flames and smoke billowing out as it propels him upwards. The pig is posed in a heroic stance, with his cape flowing behind him and a cityscape in the background. The title "The Amazing Spider-Pig" is emblazoned in bold, playful letters above the image, in a font reminiscent of the classic Marvel style. Style: extremely detailed, hyper-realistic, and humorously absurd, with a focus on capturing the comedic essence of the parody character and his ridiculous method of flight. The pig's facial expression should be a perfect blend of determination and cluelessness, as if he's convinced he's a real superhero, but also completely unaware of how ridiculous he looks with a jetpack on his back."
    In a dark urban landscape, a side on view of a woman crouching behind a man, holding a gleaming knife She prepares to stab him in the back. he faces away, focused on defending himself against oncoming evil looking street creatures. completely unaware of the imminent betrayal behind him. The scene is photorealistic, with the knife in gleams brightly against a monochrome background. photojournalist
    In a dark urban landscape,In a dark, eerie landscape, side view of a man and a woman single file. the woman with and expression of spite and anger, stealthily sneaking up behind the man to betray him in the back. She has a knife. The man is late middle age, tired, completely unaware, his back completely turned to the woman. The man seems to be trying to defend himself from a monster in front of him. The scene is photorealistic, with the knife in gleams brightly against a monochrome background. photojournalist
    End of a building, This street art features a playful and thought-provoking scene, blending the real-world environment with a painted illusion. The artwork shows a large claw, reminiscent of an arcade claw machine, painted on the wall above a bench. Two elderly women are seated below, engaged in conversation, completely unaware of the surreal implication that the claw might "pick" one of them. The juxtaposition of the everyday setting and the whimsical, yet slightly ominous, painted element invites viewers to reflect on themes of choice, randomness, and fate. The minimalist black-on-beige claw design contrasts with the natural textures of the wall and the subdued tones of the scene, amplifying the humor and subtle social commentary of the piece. graffiti, mural, hyper-realistic, vibrant colors, bold letterforms, 3D design, urban art, intricate details, vivid gradients, sharp highlights, contrasting shadows, abstract influences, electric palette, sculptural effect
    "Hyper-realistic parody movie poster in the style of Marvel's Spiderman. Instead of the web-slinging superhero, a tiny and adorable pig is the main character. The pig is wearing a miniature version of the iconic Spiderman suit, complete with a cape and a confident expression. However, instead of webs or superpowers, the pig is using a jetpack to fly through the air. The jetpack is located on the pig's back, with flames and smoke billowing out as it propels him upwards. The pig is posed in a heroic stance, with his cape flowing behind him and a cityscape in the background. The title "The Amazing Spider-Pig" is emblazoned in bold, playful letters above the image, in a font reminiscent of the classic Marvel style. Style: extremely detailed, hyper-realistic, and humorously absurd, with a focus on capturing the comedic essence of the parody character and his ridiculous method of flight. The pig's facial expression should be a perfect blend of determination and cluelessness, as if he's convinced he's a real superhero, but also completely unaware of how ridiculous he looks with a jetpack on his back."
    A grim, industrial facility where humans are herded like livestock, their final destination a massive meat processor looming in the background. Thin, pale figures, stripped of identity, shuffle down a blood-slicked metal ramp, their eyes glazed with the numb acceptance of their fate. Barcodes tattooed on their necks, they’re tagged for processing, packed shoulder-to-shoulder in steel cages. Overhead, a screen blares propaganda about “Soylent Solutions” and how they’ve saved the world from starvation, while sleek, soulless executives dine on gourmet dishes crafted from the very meat these humans are about to become. Mechanical arms extend, grabbing the next in line, hoisting them up like cattle, skin peeling against cold steel as they're fed into the whirring blades of the processor. The deafening hum of machinery drowns out muffled screams, while the world outside carries on, completely unaware or too broken to care that the solution to hunger is eating itself alive. A twisted cycle of life, where humanity’s final product is neatly packaged meat for the survivors who don’t yet realize they’re next.```

      FLUX

    • Schnell - flux_schnell.sft