null but she refused

    an abandoned garabage dump, large piles of trash and refuse can be seen extending as far as the eye can see, the scene is a photo realistic, large pieces of industrial machinery and shipping containers and industrial liquid storage vats can be seen amongst the mounds. The style is post apocalyptic
    A front view of a giant hermit crab on top of its shell is an hapazard piled assortment of items including metal junk, plastic junk, and textile junk, the back of the hermit crab has pile of garbage full of metal items and refuse. The hermit crab has a dynamic pose and looks ready to fight the viewer
    A weary private detective sits hunched over a cluttered desk in a dimly lit office, cigarette smoke curling through the stale air. His face is lined with exhaustion, but his sharp eyes remain fixed on a bulletin board covered in photos, maps, and newspaper clippings—each string connecting a relentless investigation. A half-empty whiskey glass reflects the glow of a flickering desk lamp. Outside the rain-slicked window, neon signs cast fractured light onto the damp streets, where shadowy figures move with purpose. The detective’s trench coat is draped over his chair, his revolver resting nearby—always within reach. Every detail suggests an unwavering obsession, a mind that refuses to rest until the case is solved.
    an abandoned garabage dump, large piles of trash and refuse can be seen extending as far as the eye can see, the scene is a photo realistic, large pieces of industrial machinery and shipping containers and industrial liquid storage vats can be seen amongst the mounds. The style is post apocalyptic
    Fujii, the desperate rebel who never raised the flag of rebellion | Taiwanese liberals at the end of the Kuomintang-Communist Civil War (1947-1950) Character Setting Real name: Hayashi Fujii (pen name "Fujii" comes from the Japanese name registration during the Japanese occupation period, deliberately retained to express the refusal to be Sinicized) Born in Dadaocheng, Taipei. His father was a middle school teacher during the Japanese occupation. In 1946, he was arrested and disappeared by the Security Headquarters on the grounds of being "suspected of being pro-Japanese". Age: He was 27 years old during the February 28 Incident in 1947. He was studying at the Department of Literature and History of the Taiwan Provincial Normal College and was one of the founders of the underground academic journal "Free Wind". Personality: Disbelief in authority, extremely vigilant, independent-minded, believes in liberalism and international human rights values, and distrusts both the Kuomintang and the Communist Party. FHD, Rich in details, masterpiece.
    an abandoned garabage dump, large piles of trash and refuse can be seen extending as far as the eye can see, the scene is a photo realistic, large pieces of industrial machinery and shipping containers and industrial liquid storage vats can be seen amongst the mounds. The style is post apocalyptic
    Hyper realistic comedy scene where the Joker tries to feed Batman some soup, the said in a speech balloon: ’Eat you Buzz Batman’, but batman refused with extremely disgusting expression and turning his face away
    A stormy sea churns beneath a hazy moon. A colossal kraken emerges, its iridescent tentacles wrapping around a three-mast sailboat. The creature's maw glows with ethereal moonlight, exuding malevolence. Massive appendages threaten to crush the hull or drag it under. Tattered sails flap wildly as tentacles slither across the deck. The boat lists dangerously, creaking under the assault. Water crashes over the railings as the kraken tightens its grip. The ship seems doomed, yet a glimmer of defiance shines. Unseen crew members shout defiantly against the tempest. The scene, bathed in ashen hues, captures a moment frozen in time – the kraken's power versus human resilience. Despite the onslaught, the ship struggles to stay afloat, locked in an epic battle between monster and vessel. The kraken's alien eyes reflect the chaos as waves batter the straining wood. Yet the prey refuses to yield, rising and falling with each massive wave in a desperate fight for survival.
    A front view of a giant hermit crab on top of its shell is an hapazard piled assortment of items including metal junk, plastic junk, and textile junk, the back of the hermit crab has pile of garbage full of metal items and refuse. The hermit crab has a dynamic pose and looks ready to fight the viewer
    A stormy sea churns beneath a hazy moon. A colossal kraken emerges, its iridescent tentacles wrapping around a three-mast sailboat. The creature's maw glows with ethereal moonlight, exuding malevolence. Massive appendages threaten to crush the hull or drag it under. Tattered sails flap wildly as tentacles slither across the deck. The boat lists dangerously, creaking under the assault. Water crashes over the railings as the kraken tightens its grip. The ship seems doomed, yet a glimmer of defiance shines. Unseen crew members shout defiantly against the tempest. The scene, bathed in ashen hues, captures a moment frozen in time – the kraken's power versus human resilience. Despite the onslaught, the ship struggles to stay afloat, locked in an epic battle between monster and vessel. The kraken's alien eyes reflect the chaos as waves batter the straining wood. Yet the prey refuses to yield, rising and falling with each massive wave in a desperate fight for survival.
    A stormy sea churns beneath a hazy moon. A colossal kraken emerges, its iridescent tentacles wrapping around a three-mast sailboat. The creature's maw glows with ethereal moonlight, exuding malevolence. Massive appendages threaten to crush the hull or drag it under. Tattered sails flap wildly as tentacles slither across the deck. The boat lists dangerously, creaking under the assault. Water crashes over the railings as the kraken tightens its grip. The ship seems doomed, yet a glimmer of defiance shines. Unseen crew members shout defiantly against the tempest. The scene, bathed in ashen hues, captures a moment frozen in time – the kraken's power versus human resilience. Despite the onslaught, the ship struggles to stay afloat, locked in an epic battle between monster and vessel. The kraken's alien eyes reflect the chaos as waves batter the straining wood. Yet the prey refuses to yield, rising and falling with each massive wave in a desperate fight for survival.
    There was a veteran who participated in the Vietnam War. He was captured by a female Vietcong. Because the female Vietcong treated him very well during his captivity, he fell in love with her. Later, the United States and Vietnam exchanged prisoners of war. Before he was exchanged, he mustered up the courage to propose to her, but she refused. Years later, the veteran returned to Vietnam to see her, and she had become a grandmother. FHD, Rich in details, masterpiece.
    There was a veteran who participated in the Vietnam War. He was captured by a female Vietcong. Because the female Vietcong treated him very well during his captivity, he fell in love with her. Later, the United States and Vietnam exchanged prisoners of war. Before he was exchanged, he mustered up the courage to propose to her, but she refused. Years later, the veteran returned to Vietnam to see her, and she had become a grandmother. FHD, Rich in details, masterpiece.
    Fujii, the desperate rebel who never raised the flag of rebellion | Taiwanese liberals at the end of the Kuomintang-Communist Civil War (1947-1950) Character Setting Real name: Hayashi Fujii (pen name "Fujii" comes from the Japanese name registration during the Japanese occupation period, deliberately retained to express the refusal to be Sinicized) Born in Dadaocheng, Taipei. His father was a middle school teacher during the Japanese occupation. In 1946, he was arrested and disappeared by the Security Headquarters on the grounds of being "suspected of being pro-Japanese". Age: He was 27 years old during the February 28 Incident in 1947. He was studying at the Department of Literature and History of the Taiwan Provincial Normal College and was one of the founders of the underground academic journal "Free Wind". Personality: Disbelief in authority, extremely vigilant, independent-minded, believes in liberalism and international human rights values, and distrusts both the Kuomintang and the Communist Party. FHD, Rich in details, masterpiece.
    an abandoned garabage dump, large piles of trash and refuse can be seen extending as far as the eye can see, the scene is a photo realistic, large pieces of industrial machinery and shipping containers and industrial liquid storage vats can be seen amongst the mounds. The style is post apocalyptic
    A front view of a giant hermit crab on top of its shell is an hapazard piled assortment of items including metal junk, plastic junk, and textile junk, the back of the hermit crab has pile of garbage full of metal items and refuse. The hermit crab has a dynamic pose and looks ready to fight the viewer
    There was a veteran who participated in the Vietnam War. He was captured by a female Vietcong. Because the female Vietcong treated him very well during his captivity, he fell in love with her. Later, the United States and Vietnam exchanged prisoners of war. Before he was exchanged, he mustered up the courage to propose to her, but she refused. Years later, the veteran returned to Vietnam to see her, and she had become a grandmother. FHD, Rich in details, masterpiece.
    There was a veteran who participated in the Vietnam War. He was captured by a female Vietcong. Because the female Vietcong treated him very well during his captivity, he fell in love with her. Later, the United States and Vietnam exchanged prisoners of war. Before he was exchanged, he mustered up the courage to propose to her, but she refused. Years later, the veteran returned to Vietnam to see her, and she had become a grandmother. FHD, Rich in details, masterpiece.
    Fujii, the desperate rebel who never raised the flag of rebellion | Taiwanese liberals at the end of the Kuomintang-Communist Civil War (1947-1950) Character Setting Real name: Hayashi Fujii (pen name "Fujii" comes from the Japanese name registration during the Japanese occupation period, deliberately retained to express the refusal to be Sinicized) Born in Dadaocheng, Taipei. His father was a middle school teacher during the Japanese occupation. In 1946, he was arrested and disappeared by the Security Headquarters on the grounds of being "suspected of being pro-Japanese". Age: He was 27 years old during the February 28 Incident in 1947. He was studying at the Department of Literature and History of the Taiwan Provincial Normal College and was one of the founders of the underground academic journal "Free Wind". Personality: Disbelief in authority, extremely vigilant, independent-minded, believes in liberalism and international human rights values, and distrusts both the Kuomintang and the Communist Party. FHD, Rich in details, masterpiece.

      FLUX

    • Schnell - flux_schnell.sft