null blinds

    A grand steampunk mansion, its facade transformed into a colossal, enchanted advent calendar. Each window, numbered at the lintel according to the advent calendar protocol, is a portal to a different world, and glows with a warm, inviting light. Tiny, intricate dioramas unfold behind the glass, depicting festive scenes from around the world. The last window number 24 at the bottom has its shutters closed but a blinding riot of multicolor light of a christmas tree is apparent in the gaps and edges of the shutter. A small young child, wide-eyed with wonder and standing on the snowy street, tried to peek into window 24. The air is filled with the scent of pine needles and freshly baked cookies, and the soft glow of candlelight casts a magical spell over the scene. The hyper-realistic image should capture the magic and wonder of the advent calendar mansion, with soft, warm lighting in metallic greens, metallic golds, metallic reds, and the colors of cast steel and aluminum with a focus on the intricate details of each scene. The overall style with a touch of steampunk flair and a hint of otherworldly magic.
    a cat having a nap in the bit of sun coming through the window blinds
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    One of the creature's raised hands holds a pulsating, radiant red orb, emitting a blinding glow that casts stark, fragmented shadows across the scene. Surrounding this imposing figure are several smaller, similar entities, their forms swirling and indistinct, as though emerging from the fiery substance. They encircle the central creature in chaotic, dynamic poses, heightening the sense of supernatural turmoil. The backdrop features dense, dark clouds interspersed with fiery bursts of orange and yellow, resembling an infernal storm. Smoky gradients fade unevenly into the fiery abyss, evoking an apocalyptic wasteland. To emulate the look of 90s Japanese amateur photography, incorporate era-specific qualities: visible film grain, slight overexposure in the orb's glow, muted reds and oranges blending subtly into the darker tones, and occasional lens flare artifacts. Ensure the overall mood conveys an eerie, overwhelming sense of chaos and impending doom.
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Sing me a song, you're a singer Do me a wrong, you're a bringer of evil The Devil is never a maker The less that you give, you're a taker So, it's on and on and on It's Heaven and Hell Oh, well, yeah The lover of life's not a sinner The ending is just a beginnin' The closer you get to the meaning The sooner you'll know that you're dreaming So, it's on and on and on Oh, it's on and on and on It goes on and on and on Heaven and Hell, I can tell Fool, fool Well, if it seems to be real, it's illusion For every moment of truth, there's confusion in life Love can be seen as the answer But nobody bleeds for the dancer And it's on and on, on and on and on And on and on and on and on and on... They say that life's a carousel Spinning fast, you gotta ride it well The world is full of Kings and Queens Who blind your eyes and steal your dreams It's Heaven and Hell, oh well And they'll tell you black is really white The moon is just the sun at night And when you walk in golden halls You get to keep the gold that falls It's Heaven and Hell, oh no Fool, fool You've got to bleed for the dancer Fool, fool Look for the answer Fool, fool, fool
    Breathtaking masterwork digital photo, sci-fi city, sleek organic rounded laminate architecture, heavy blinding rainstorm
    Behold our beloved revels In tragedy (in tragedy) Self-denying avarice for bloodshed Behold hypocrite Those who run will be burned Those who run will be burned Those who run will be burned Those who run will be burned Devoutly wished for blinded eyes This tragedy's like light to the flies This seems to suit you better Bleeding out the eyes Hope's left in chain suspension Holding onto lies, to make the truth
    Behold our beloved revels In tragedy (in tragedy) Self-denying avarice for bloodshed Behold hypocrite Those who run will be burned Those who run will be burned Those who run will be burned Those who run will be burned Devoutly wished for blinded eyes This tragedy's like light to the flies This seems to suit you better Bleeding out the eyes Hope's left in chain suspension Holding onto lies, to make the truth
    Unfortunately, hatred can blind people, and Taliban-like zeal often leads to sheer stupidity. The Tenth Legion was Julius Caesar’s most loyal legion and also served as his bodyguard. The brand of the hoodie was adopted by the Apulian company that produces it without any political intent or references. The factory owner, whose last name is Cutolo, has left-leaning sympathies and family ties. He commented, “I hope with my name they won’t accuse me of being associated with the Camorra…” A cardboard cutout nearby reads “pizza mafia mandolino,” adding an ironic touch to the scene.
    “A modern T-shirt design featuring a witty and ironic mix of text and imagery. On the front, bold, clean typography reads: ‘Unfortunately, hatred can blind people, and Taliban-like zeal often leads to sheer stupidity.’ On the back, a continuation of the text in a smaller font: ‘The Tenth Legion was Julius Caesar’s most loyal legion and his bodyguard. The hoodie brand was adopted by an Apulian company with no political intent. The factory owner, Cutolo, with left-leaning sympathies, joked, “I hope with my name they won’t accuse me of being in the Camorra.”’ On one sleeve, a small, humorous cardboard cutout with the words ‘pizza mafia mandolino.’ The overall style should be minimalist and modern, with monochrome or subtle colors that keep the focus on the text.”
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin trouser suit and stiletto heels, stands ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Unfortunately, hatred can blind people, and Taliban-like zeal often leads to sheer stupidity. The Tenth Legion was Julius Caesar’s most loyal legion and also served as his bodyguard. The brand of the hoodie was adopted by the Apulian company that produces it without any political intent or references. The factory owner, whose last name is Cutolo, has left-leaning sympathies and family ties. He commented, “I hope with my name they won’t accuse me of being associated with the Camorra…” A cardboard cutout nearby reads “pizza mafia mandolino,” adding an ironic touch to the scene.
    Retro noir-themed decor. Shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle shot with layered foreground. Cool-toned, moody lighting. A dim mid-century room with an old rotary phone beside an overflowing ashtray. The flicker of a CRT TV reflects off a glossy wooden table, casting rippled shadows. A neon clock hums, bathing the space in cool blue light. The faint crackle of a distant radio breaks the silence, interrupted by passing cars outside. Moonlight seeps through half-open blinds, striping dusty bookshelves with contrast. The dark ceiling absorbs most light, making neon accents pop. A blurred foreground features cigarettes and an old camera, framing a film-noir aesthetic. A half-drunk glass of whiskey rests on the windowsill beside an unopened letter, its edges curling. A detective novel with a cracked spine sits on a faded leather chair, abandoned mid-read. A trench coat hangs in the corner, still damp from rain. A half-empty scotch bottle stands beside a typewriter, its ribbon tangled, a thought cut off mid-sentence. The scent of old paper, dust, and stale smoke lingers. A dim desk lamp casts stretched shadows over a scattered deck of playing cards. The air feels thick, heavy with forgotten conversations and unsolved mysteries, frozen in a moment of quiet tension.
    (female leaning against wall:1.5), (sharp body definition:1.6), (sunlight through blinds:1.7), (sunlight casting shadows on body and wall:1.6), (warm sunlight:1.6), (dramatic sunlight:1.5), (slip:1.3), (golden tones:1.5), (sharp focus:1.4), (clear skin texture:1.5), (glowing skin:1.5), (soft warm shadows:1.4), (sun-kissed highlights:1.6), (shadows and light play:1.7), (crisp lines:1.4), (detailed textures:1.6), radiant, (chiaroscuro:1.4), cinematic, vibrant, (wall texture:1.3), soft reflections, (realistic lighting:1.5), moody atmosphere, (vintage film:1.2)
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining and ankle strap, totaly covered by giant macabre alien brainwashing machine dome. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining totaly covered by giant macabre alien brainwashing machine canopy. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel, at front view, head encased in giant macabre alien brainwashing machine ring. Restrained. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining, at front view, head encased in giant macabre alien brainwashing machine ring. Restrained. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining and ankle strap, head encased in giant macabre alien brainwashing machine hood. Restrained. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining totaly covered by giant macabre alien brainwashing machine canopy. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel, at front view, head encased in giant macabre alien brainwashing machine ring. Restrained. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    One of the creature's raised hands holds a pulsating, radiant red orb, emitting a blinding glow that casts stark, fragmented shadows across the scene. Surrounding this imposing figure are several smaller, similar entities, their forms swirling and indistinct, as though emerging from the fiery substance. They encircle the central creature in chaotic, dynamic poses, heightening the sense of supernatural turmoil. The backdrop features dense, dark clouds interspersed with fiery bursts of orange and yellow, resembling an infernal storm. Smoky gradients fade unevenly into the fiery abyss, evoking an apocalyptic wasteland. To emulate the look of 90s Japanese amateur photography, incorporate era-specific qualities: visible film grain, slight overexposure in the orb's glow, muted reds and oranges blending subtly into the darker tones, and occasional lens flare artifacts. Ensure the overall mood conveys an eerie, overwhelming sense of chaos and impending doom.
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    (detailed iris:1.1), Sony α7R IV, 1/320s, f/2.8, ISO 400, (enigmatic expression:1.2), (highlighted facial contours:1.1), (intimate portraiture:1.2), (visual rhythm:1.1), (intrinsic contrast:1.2). "A grand tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    a picture of gigantic statue of the lady of justice in front of justice department with blind folded eyes, She wields a balance in one hand and a sword in the other, a balance is weighed with nice and neat huge piles of money on both sides
    ultrarealistic UHD highly detailed 16K RAW photographic image of solar protuberance, the photograph captures a moment of celestial dance of fiery tendrils erupting from the Sun’s surface, towering arc of incandescent plasma rises from the Sun’s surface, graciously bent and curved in the Sun's magnetic field, the contrast between the sun’s blinding brilliance and the pitch-black backdrop amplifies the protuberance’s otherworldly beauty, the image captures the raw untamable force, a moment of cosmic poetry where light and shadow converge in a visual masterpiece
    AMELICART. masterpiece, best quality,high detailed. A digital drawing captures a sunny backyard with a tan boy wearing a blue hat, green shirt, and shorts, reading a small book. Surrounding him are potted flowers, a cat, an air conditioner, bamboo blind, and a wooden house with blue-tiled roof. The style is whimsical and colorful with a light summer atmosphere. "Akatsukian" signature is visible on the bottom left.
    ultrarealistic UHD highly detailed 16K RAW photographic image of solar protuberance, the photograph captures a moment of celestial dance of fiery tendrils erupting from the Sun’s surface, towering arc of incandescent plasma rises from the Sun’s surface, graciously bent and curved in the Sun's magnetic field, the contrast between the sun’s blinding brilliance and the pitch-black backdrop amplifies the protuberance’s otherworldly beauty, the image captures the raw untamable force, a moment of cosmic poetry where light and shadow converge in a visual masterpiece
    A digital painting in a realistic, cinematic, retro-futuristic sci-fi style. Interior of a military radio transmission and observation tower. A female operator leans forward over a rugged wooden-and-metal desk, gripping a vintage tabletop microphone with one hand and holding professional over-ear headphones to her ear with the other. She wears informal, survivor-style military gear: a sleeveless, loose-fitting crop top and worn tactical pants, with scuffed combat boots. Her silver-gray hair falls to the side, and she's seen in profile, focused intently on the transmission. The room is cluttered with analog military radio gear, softly glowing radar screens, tactical maps, binoculars, firearms, and a slow-spinning metal desk fan. A rugged military backpack lies nearby. Behind her, a reinforced window with rusted metal framing reveals the exterior: the base’s infrastructure with hangars, marching soldiers, and armored vehicles, all under a harsh sun. Beyond the base, endless desert dunes stretch out with sparse desert vegetation—scrub bushes, dry grasses, and isolated cactus-like plants. A distant oasis shimmers on the horizon. Warm interior lighting contrasts with the blinding heat and brightness of the outside. The atmosphere is dusty, tactical, cinematic, and filled with quiet intensity.
    Breathtaking masterwork digital photo, sci-fi city, sleek organic rounded laminate architecture, heavy blinding rainstorm
    happenstance is a luxury of the temporally blind
    “A modern T-shirt design featuring a witty and ironic mix of text and imagery. On the front, bold, clean typography reads: ‘Unfortunately, hatred can blind people, and Taliban-like zeal often leads to sheer stupidity.’ On the back, a continuation of the text in a smaller font: ‘The Tenth Legion was Julius Caesar’s most loyal legion and his bodyguard. The hoodie brand was adopted by an Apulian company with no political intent. The factory owner, Cutolo, with left-leaning sympathies, joked, “I hope with my name they won’t accuse me of being in the Camorra.”’ On one sleeve, a small, humorous cardboard cutout with the words ‘pizza mafia mandolino.’ The overall style should be minimalist and modern, with monochrome or subtle colors that keep the focus on the text.”
    End of passion play, crumbling away I'm your source of self-destruction Veins that pump with fear, sucking darkest clear Leading on your deaths construction Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Needlework the way, never you betray life of death becoming clearer Pain monopoly, ritual misery chop your breakfast on a mirror Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Master, Master, Where's the dreams that I've been after? Master, Master, You promised only lies Laughter, Laughter, All I hear or see is laughter Laughter, Laughter, laughing at my cries Hell is worth all that, natural habitat just a rhyme without a reason Neverending maze, drift on numbered days now your life is out of season I will occupy I will help you die I will run through you Now I rule you too
    a picture of gigantic statue of the lady of justice in front of justice department with blind folded eyes, She wields a balance in one hand and a sword in the other, a balance is weighed with nice and neat huge piles of money on both sides
    medium shot of a beautiful cute creature, dead blind eyes, victorian black dress, white background studio
    A scene set in the primordial void, before the dawn of creation. The Earth, barren and devastated, lies shrouded in absolute darkness, its surface fractured and scarred, with deep chasms and fissures glowing with the fiery red and molten orange of flowing magma. Above, the sky is a swirling vortex of black and crimson, where the elements of creation—fire, water, earth, and air—clash in a chaotic, undefined space. Streams of electric blue lightning crackle through the dark clouds, illuminating patches of the sky with brief, blinding light. Hints of deep purple and inky black swirl around, representing the nascent forces of water and air, clashing with the vibrant yellows and ochres of elemental earth. This primordial chaos fills the void, an abyss of swirling energies and unformed matter, where nothing yet has order. The scene is further colored by the eerie green glow emanating from the depths of the abyss, giving the environment an otherworldly, almost toxic appearance. The atmosphere is heavy with the anticipation of a world yet to be born, a sense of untamed potential lingering in the darkness. The scene should evoke a sense of awe and primordial power, with the elements of chaos teetering on the edge of creation, waiting to be shaped into the world as we know it.
    A grand steampunk mansion, its facade transformed into a colossal, enchanted advent calendar. Each window, numbered at the lintel according to the advent calendar protocol, is a portal to a different world, and glows with a warm, inviting light. Tiny, intricate dioramas unfold behind the glass, depicting festive scenes from around the world. The last window number 24 at the bottom has its shutters closed but a blinding riot of multicolor light of a christmas tree is apparent in the gaps and edges of the shutter. A small young child, wide-eyed with wonder and standing on the snowy street, tried to peek into window 24. The air is filled with the scent of pine needles and freshly baked cookies, and the soft glow of candlelight casts a magical spell over the scene. The hyper-realistic image should capture the magic and wonder of the advent calendar mansion, with soft, warm lighting in metallic greens, metallic golds, metallic reds, and the colors of cast steel and aluminum with a focus on the intricate details of each scene. The overall style with a touch of steampunk flair and a hint of otherworldly magic.
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel with red glossy lining and ankle strap, totaly covered by giant macabre alien brainwashing machine dome. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.
    A dynamic comic panel in soft pastel colors depicts an ethereal, spiritual battlefield in a futuristic metropolis. A lone figure emits a blinding energy blast, skyscrapers tilt, glass glitters. The scene is rendered in high contrast black and white, with a light aura and mystical feeling. The style is classic cartoon with clean lines and expressive characters.
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Create a photo-realistic side-view shot of a 33-year old beautiful woman with a fair complexion and a slightly tanned undertone. She has an oval-shaped face. She has brown eyes that exude depth and intensity. Her long, voluminous hair is styled with loose waves framing the face. The hair color is dark blonde with many blonde highlights. Her mouth features thin lips, with the upper lip slightly thinner than the lower. The professional makeup featuring pink lipstick results in a stunning overall look. She boasts an athletic figure with firm large breasts, a narrow waist, rounded hips and her arms are toned with visible muscle definition. She wears a fine knitwear top with several horizontal black and white stripes that are spaced evenly across the top. The top has a deep V-neckline, allowing a significant amount of cleavage. The slightly puffed short sleeves are black at the cuffs, contrasting with the black and white stripes of the body. The top is form-fitting and accentuates her figure, ending just above the hips. She pairs this with tight, black leggings decorated with buttons on the cuffs at the ankles. Her footwear consists of glossy, black high-heeled pumps, boosting her height and elegance. Her nails are painted red. She stands in a suggestive pose with a friendly open smile. Setting is a room with dark brown furniture, dark red walls with wooden blinds, showcasing a balanced mix of warm and cool tones, with a dominant brown and black color scheme.
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin trouser suit and stiletto heels, stands ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    (detailed iris:1.1), Sony α7R IV, 1/320s, f/2.8, ISO 400, (enigmatic expression:1.2), (highlighted facial contours:1.1), (intimate portraiture:1.2), (visual rhythm:1.1), (intrinsic contrast:1.2). "A grand tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    (detailed iris:1.1), Sony α7R IV, 1/320s, f/2.8, ISO 400, (enigmatic expression:1.2), (highlighted facial contours:1.1), (intimate portraiture:1.2), (visual rhythm:1.1), (intrinsic contrast:1.2). "A grand tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    (detailed iris:1.1), Sony α7R IV, 1/320s, f/2.8, ISO 400, (enigmatic expression:1.2), (highlighted facial contours:1.1), (intimate portraiture:1.2), (visual rhythm:1.1), (intrinsic contrast:1.2). "A grand tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Breathtaking masterwork digital photo, sci-fi city, sleek organic rounded laminate architecture, heavy blinding rainstorm
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    Retro noir-themed decor. Photo shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle perspective with a layered foreground. Cool-toned atmosphere with moody lighting. A dimly lit mid-century room with an old rotary phone resting beside an overflowing ashtray. The soft flicker of a CRT television reflects off the glossy wooden table, casting rippled shadows across the walls. A neon clock hums faintly, bathing the space in a cool blue glow. Moonlight seeps through partially opened blinds, striping the dusty bookshelves with dramatic contrast. The dark ceiling absorbs most of the light, making the neon accents pop. A blurred foreground features a pack of cigarettes and an old camera, framing the shot with a film-noir aesthetic. A half-drunk glass of whiskey sits on the windowsill, next to an unopened letter, its edges curling from time. The air feels thick, the weight of forgotten conversations lingering in the dim light.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian socialite wearing stunning black lace trouser suite and high heels, laying at reclined steel foil bed, head restrained in surrounding sci-fi brainwashing machine ring, hand cuffed to the bed, ankles cuffed to the bed. Restrained. Bonded. Forced. Struggling. Eeire fog from the floor. A coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding black bridal ball-gowns. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.
    Black leather couch against white wall, brown door on the left side of the couch and a window with the blinds folded, movie poster, poster title "THE COUCH", "BUZZBROS" logo as credits
    a cat having a nap in the bit of sun coming through the window blinds
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    Photorealistic closeup of an extremely bright luminous being, its skin gives off white light so blindingly bright only its blue eyes are visible, white background, intricate design, photorealistic, hyperrealistic, high definition, extremely detailed, cinematic, UHD, HDR, 32k, ultra hd, realistic, vivid colors, highly detailed, perfect composition, beautiful detailed intricate insanely detailed octane render, trending on artstation, artistic photography, concept art, close-up, hyper detailed
    Retro noir-themed decor. Shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle shot with layered foreground. Cool-toned, moody lighting. A dim mid-century room with an old rotary phone beside an overflowing ashtray. The flicker of a CRT TV reflects off a glossy wooden table, casting rippled shadows. A neon clock hums, bathing the space in cool blue light. The faint crackle of a distant radio breaks the silence, interrupted by passing cars outside. Moonlight seeps through half-open blinds, striping dusty bookshelves with contrast. The dark ceiling absorbs most light, making neon accents pop. A blurred foreground features cigarettes and an old camera, framing a film-noir aesthetic. A half-drunk glass of whiskey rests on the windowsill beside an unopened letter, its edges curling. A detective novel with a cracked spine sits on a faded leather chair, abandoned mid-read. A trench coat hangs in the corner, still damp from rain. A half-empty scotch bottle stands beside a typewriter, its ribbon tangled, a thought cut off mid-sentence. The scent of old paper, dust, and stale smoke lingers. A dim desk lamp casts stretched shadows over a scattered deck of playing cards. The air feels thick, heavy with forgotten conversations and unsolved mysteries, frozen in a moment of quiet tension.
    happenstance is a luxury of the temporally blind
    (female leaning against wall:1.5), (sharp body definition:1.6), (sunlight through blinds:1.7), (sunlight casting shadows on body and wall:1.6), (warm sunlight:1.6), (dramatic sunlight:1.5), (slip:1.3), (golden tones:1.5), (sharp focus:1.4), (clear skin texture:1.5), (glowing skin:1.5), (soft warm shadows:1.4), (sun-kissed highlights:1.6), (shadows and light play:1.7), (crisp lines:1.4), (detailed textures:1.6), radiant, (chiaroscuro:1.4), cinematic, vibrant, (wall texture:1.3), soft reflections, (realistic lighting:1.5), moody atmosphere, (vintage film:1.2)
    Retro noir-themed decor. Photo shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle perspective with a layered foreground. Cool-toned atmosphere with moody lighting. A dimly lit mid-century room with an old rotary phone resting beside an overflowing ashtray. The soft flicker of a CRT television reflects off the glossy wooden table, casting rippled shadows across the walls. A neon clock hums faintly, bathing the space in a cool blue glow. Moonlight seeps through partially opened blinds, striping the dusty bookshelves with dramatic contrast. The dark ceiling absorbs most of the light, making the neon accents pop. A blurred foreground features a pack of cigarettes and an old camera, framing the shot with a film-noir aesthetic. A half-drunk glass of whiskey sits on the windowsill, next to an unopened letter, its edges curling from time. The air feels thick, the weight of forgotten conversations lingering in the dim light.
    (female leaning against wall:1.5), (sharp body definition:1.6), (sunlight through blinds:1.7), (sunlight casting shadows on body and wall:1.6), (warm sunlight:1.6), (dramatic sunlight:1.5), (slip:1.3), (golden tones:1.5), (sharp focus:1.4), (clear skin texture:1.5), (glowing skin:1.5), (soft warm shadows:1.4), (sun-kissed highlights:1.6), (shadows and light play:1.7), (crisp lines:1.4), (detailed textures:1.6), radiant, (chiaroscuro:1.4), cinematic, vibrant, (wall texture:1.3), soft reflections, (realistic lighting:1.5), moody atmosphere, (vintage film:1.2)
    Ethereal, raven-haired Norwegian socialite, clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy ring satin pillow, ensnared within a gargantuan, crystalline jelly dome, its translucent walls glistening with an otherworldly sheen, as if infused with an extraterrestrial essence. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    a group of blind and silly wizard rats, gathered around the dark souls bonfire, white eyeballs, {detailed black and brown zen and buddhist habit or clothing or robe}, labyrinth world, in an {{alchemy room with potions}}, whimsical, {wide angle shot, high fov}, gothic, sci-fi themed, colorful iridescent
    Behold our beloved revels In tragedy (in tragedy) Self-denying avarice for bloodshed Behold hypocrite Those who run will be burned Those who run will be burned Those who run will be burned Those who run will be burned Devoutly wished for blinded eyes This tragedy's like light to the flies This seems to suit you better Bleeding out the eyes Hope's left in chain suspension Holding onto lies, to make the truth
    End of passion play, crumbling away I'm your source of self-destruction Veins that pump with fear, sucking darkest clear Leading on your deaths construction Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Needlework the way, never you betray life of death becoming clearer Pain monopoly, ritual misery chop your breakfast on a mirror Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Master, Master, Where's the dreams that I've been after? Master, Master, You promised only lies Laughter, Laughter, All I hear or see is laughter Laughter, Laughter, laughing at my cries Hell is worth all that, natural habitat just a rhyme without a reason Neverending maze, drift on numbered days now your life is out of season I will occupy I will help you die I will run through you Now I rule you too
    Behold our beloved revels In tragedy (in tragedy) Self-denying avarice for bloodshed Behold hypocrite Those who run will be burned Those who run will be burned Those who run will be burned Those who run will be burned Devoutly wished for blinded eyes This tragedy's like light to the flies This seems to suit you better Bleeding out the eyes Hope's left in chain suspension Holding onto lies, to make the truth
    One of the creature's raised hands holds a pulsating, radiant red orb, emitting a blinding glow that casts stark, fragmented shadows across the scene. Surrounding this imposing figure are several smaller, similar entities, their forms swirling and indistinct, as though emerging from the fiery substance. They encircle the central creature in chaotic, dynamic poses, heightening the sense of supernatural turmoil. The backdrop features dense, dark clouds interspersed with fiery bursts of orange and yellow, resembling an infernal storm. Smoky gradients fade unevenly into the fiery abyss, evoking an apocalyptic wasteland. To emulate the look of 90s Japanese amateur photography, incorporate era-specific qualities: visible film grain, slight overexposure in the orb's glow, muted reds and oranges blending subtly into the darker tones, and occasional lens flare artifacts. Ensure the overall mood conveys an eerie, overwhelming sense of chaos and impending doom.
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    The fire... Coveter of the throne... I am Vendrick, ruler of Drangleic. Seeker of fire... deliverer of crowns... What do you see in the flames? Find the crowns, and your own answers. The crowns hold the strength of lords from times long past. Seek adversity. As befits you, seeker of fire, coveter of the throne. I'm no king. I am more fit to be a jester. I was unaware of my own blindness. We are feeble vessels, with feebler souls. We would cast aside the prop of life, only to face greater hardship. Are you another such fool? Or something more? I fail to see your design, young moth. I fail to see your design, wee moth. But I see very little these days.
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian clad in a sumptuous, silk satin wedding gown and stiletto heels, laying in giant black glossy high heel, at front view, head encased in giant macabre alien brainwashing machine ring. Restrained. Red lips. lipstick. makeup. Looking to the camera. Tentacles, like ghostly fingers, wrap around her lithe form, emerging from the depths of a fog-shrouded abyss, while a coterie of black, Victorian-era mannequins, draped in tattered, luxurious ball-gowns, stand as silent witnesses, frozen in a tableau of macabre elegance. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, which seems to stretch on forever, like a catwalk into the very abyss of madness. The atmosphere is heavy with foreboding, as if the very fabric of reality is about to unravel, revealing the dark, labyrinthine recesses of a long-abandoned, cosmic horror. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott, this haunting, live-action film still is a testament to the transcendent power of cinematic art, with its meticulously crafted, 35mm film aesthetic, replete with subtle, film grain textures, and a rich, color graded palette, evoking the very essence of a bygone era, lost in the depths of space and time.
    happenstance is a luxury of the temporally blind
    Realistic poster of a blind prophet, holding a staff, wearing a robe. standing on a cliff in the underworld, glowing green water, spirits of the dead flying around him. Pointing finger at viewer. Text at the top of the image "I see a man who gets to make it home alive" and at the bottom "But it's no longer you"
    Unfortunately, hatred can blind people, and Taliban-like zeal often leads to sheer stupidity. The Tenth Legion was Julius Caesar’s most loyal legion and also served as his bodyguard. The brand of the hoodie was adopted by the Apulian company that produces it without any political intent or references. The factory owner, whose last name is Cutolo, has left-leaning sympathies and family ties. He commented, “I hope with my name they won’t accuse me of being associated with the Camorra…” A cardboard cutout nearby reads “pizza mafia mandolino,” adding an ironic touch to the scene.
    "Oh, God of Earth and Altar Bow down and hear our cry Our earthly rulers falter Our people drift and die The walls of gold entomb us The swords of scorn divide Take not thy thunder from us Take away our pride" Just a babe in a black abyss No reason for a place like this The walls are cold and souls cry out in pain An easy way for the blind to go A clever path for the fools who know The secret of the Hanged Man, the smile on his lips The light of the blind You'll see The venom tears my spine The Eyes of the Nile are opening You'll see She came to me with a serpent's kiss As the Eye of the Sun rose on her lips Moonlight catches silver tears I cry So we lay in a black embrace And the seed is sown in a holy place And I watched, and I waited for the dawn The light of the blind You'll see The venom that tears my spine The Eyes of the Nile are opening You'll see Go Bind all of us together Ablaze with hope and free No storm or heavy weather Will rock the boat you'll see The time has come to close your eyes And still the wind and rain For the one who will be king Is the watcher in the ring It is You, oh It is You
    medium shot of a beautiful creature, dead blind eyes, victorian gothic black dress, white background studio
    medium shot of a beautiful cute creature, white blind eyes, victorian black dress, white background studio
    Retro noir-themed decor. Photo shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle perspective with a layered foreground. Cool-toned atmosphere with moody lighting. A dimly lit mid-century room with an old rotary phone resting beside an overflowing ashtray. The soft flicker of a CRT television reflects off the glossy wooden table, casting rippled shadows across the walls. A neon clock hums faintly, bathing the space in a cool blue glow. Moonlight seeps through partially opened blinds, striping the dusty bookshelves with dramatic contrast. The dark ceiling absorbs most of the light, making the neon accents pop. A blurred foreground features a pack of cigarettes and an old camera, framing the shot with a film-noir aesthetic. A half-drunk glass of whiskey sits on the windowsill, next to an unopened letter, its edges curling from time. The air feels thick, the weight of forgotten conversations lingering in the dim light.
    Retro noir-themed decor. Photo shot on a Leica M11, deep contrast, cinematic shadows, ISO 200. Summilux-M 35mm f/1.4 lens. Low-angle perspective with a layered foreground. Cool-toned atmosphere with moody lighting. A dimly lit mid-century room with an old rotary phone resting beside an overflowing ashtray. The soft flicker of a CRT television reflects off the glossy wooden table, casting rippled shadows across the walls. A neon clock hums faintly, bathing the space in a cool blue glow. Moonlight seeps through partially opened blinds, striping the dusty bookshelves with dramatic contrast. The dark ceiling absorbs most of the light, making the neon accents pop. A blurred foreground features a pack of cigarettes and an old camera, framing the shot with a film-noir aesthetic. A half-drunk glass of whiskey sits on the windowsill, next to an unopened letter, its edges curling from time. The air feels thick, the weight of forgotten conversations lingering in the dim light.
    happenstance is a luxury of the temporally blind
    A grand steampunk mansion, its facade transformed into a colossal, enchanted advent calendar. Each window, numbered at the lintel according to the advent calendar protocol, is a portal to a different world, and glows with a warm, inviting light. Tiny, intricate dioramas unfold behind the glass, depicting festive scenes from around the world. The last window number 24 at the bottom has its shutters closed but a blinding riot of multicolor light of a christmas tree is apparent in the gaps and edges of the shutter. A small young child, wide-eyed with wonder and standing on the snowy street, tried to peek into window 24. The air is filled with the scent of pine needles and freshly baked cookies, and the soft glow of candlelight casts a magical spell over the scene. The hyper-realistic image should capture the magic and wonder of the advent calendar mansion, with soft, warm lighting in metallic greens, metallic golds, metallic reds, and the colors of cast steel and aluminum with a focus on the intricate details of each scene. The overall style with a touch of steampunk flair and a hint of otherworldly magic.
    Duckaditty Duck the king of music hall, tap dancing under the blinding head light of a broadway show
    Ethereal, slender, ultra thin waist, tall, raven-haired Norwegian socialite wearing stunning black lace trouser suite and high heels, laying at reclined steel foil bed, head restrained in surrounding sci-fi brainwashing machine ring, hand cuffed to the bed, ankles cuffed to the bed. Restrained. Bonded. Forced. Struggling. Eeire fog from the floor. A coterie of black, Victorian-era mannequins, draped in tattered, luxurious wedding black bridal ball-gowns. Above, a blindingly intense light beam illuminates the scene, casting an eerie glow upon the polished steel floor, cosmic horror of alien emperor bed-chamber. Inspired by the surreal, biomechanical visions of H.R. Giger, the eerie, atmospheric lighting of Roger Dean, and the masterful, cinematic storytelling of Ridley Scott
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    End of passion play, crumbling away I'm your source of self-destruction Veins that pump with fear, sucking darkest clear Leading on your deaths construction Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Needlework the way, never you betray life of death becoming clearer Pain monopoly, ritual misery chop your breakfast on a mirror Taste me you will see more is all you need you're dedicated to how I'm killing you Come crawling faster obey your Master your life burns faster obey your Master Master Master of Puppets I'm pulling your strings twisting your mind and smashing your dreams Blinded by me, you can't see a thing Just call my name, 'cause I'll hear you scream Master Just call my name, 'cause I'll hear you scream Master Master, Master, Where's the dreams that I've been after? Master, Master, You promised only lies Laughter, Laughter, All I hear or see is laughter Laughter, Laughter, laughing at my cries Hell is worth all that, natural habitat just a rhyme without a reason Neverending maze, drift on numbered days now your life is out of season I will occupy I will help you die I will run through you Now I rule you too
    dark fantasy comic, scifi anime, cinematic movie, extremely sharp image, high details, hard shadows, filmgrain, scifi synthwave atmosphere, night photography, low light, character in shadows, very dark, dark hard shadows, strong contrast. zoomed in, orthographic, camera zoom, telelens, dynamic action camera angle closeup of face seen from the side above, seen from the front. Speedlines, motionblur, extreme speed, Tall thin person wearing a black fullbody suite with golden stripes. Combat boots, black robotic hands. serious look on face. white misty milky eyes, white pupils, blind. Thin face. Shadows on face, character in darkness, Cybernetic pauldrons, cyborg shoulder plates, Long dark hair waving in the wind. Duplicating dark blue silhoutte illusion, shadowy dark purple trace, extreme speed, slowmotion. mystic purple illusion aura, electricity surrounding body. Running on a gigantic tall and wide bridge. Abysall void below. Dark background, Nighttime. Megastructure, industrial design, Brutalist architecture. Huge wide and infinite corridor. Wires, cables, pipes, analogue mechanical buttons, metal grating, concrete walls.
    "A tranquil ritual room blending Japandi + Tropical styles with light wood and earth tones as the primary palette. At its center is a traditional dark wood dining table for 8-12, placed behind a rich wood altar adorned with handcrafted incense holders, candles, and fresh offerings, reflecting Japandi's spiritual minimalism. The walls, painted soft beige with light grey accents, create a serene atmosphere. Lush green plants in terracotta pots add tropical vibrancy near the altar. Large windows, framed with bamboo blinds, allow natural light to diffuse gently, enhancing the open, airy feeling central to Japandi design. Seating around the table includes light wood benches with cushions in soft green and beige, adding warmth and comfort. A woven rug in muted earth tones grounds the space, maintaining Japandi’s balance of simplicity and functionality while introducing the natural richness of Tropical decor. Navy blue textiles as subtle accents—such as table runners—add depth, while woven baskets and ceramics enhance the natural materials throughout, bringing together the organic warmth of Tropical and the minimalist elegance of Japandi in a cohesive, harmonious design."
    A digital painting in a realistic, cinematic, retro-futuristic sci-fi style. Interior of a military radio transmission and observation tower. A female operator leans forward over a rugged wooden-and-metal desk, gripping a vintage tabletop microphone with one hand and holding professional over-ear headphones to her ear with the other. She wears informal, survivor-style military gear: a sleeveless, loose-fitting crop top and worn tactical pants, with scuffed combat boots. Her silver-gray hair falls to the side, and she's seen in profile, focused intently on the transmission. The room is cluttered with analog military radio gear, softly glowing radar screens, tactical maps, binoculars, firearms, and a slow-spinning metal desk fan. A rugged military backpack lies nearby. Behind her, a reinforced window with rusted metal framing reveals the exterior: the base’s infrastructure with hangars, marching soldiers, and armored vehicles, all under a harsh sun. Beyond the base, endless desert dunes stretch out with sparse desert vegetation—scrub bushes, dry grasses, and isolated cactus-like plants. A distant oasis shimmers on the horizon. Warm interior lighting contrasts with the blinding heat and brightness of the outside. The atmosphere is dusty, tactical, cinematic, and filled with quiet intensity.
    a cat having a nap in the bit of sun coming through the window blinds
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.
    A towering, futuristic panopticon structure at the center of a sprawling dystopian city under a dim, smoky orange sky. The panopticon is made of dark, gleaming steel, with hundreds of glowing surveillance eyes scanning the chaotic streets below. The city is a maze of crowded, decaying high-rises, holographic advertisements flickering with propaganda, and winding alleys teeming with shadowy figures. Neon lights cast an eerie glow over the wet, reflective streets. People wear grimy, tattered clothing and augmented reality visors, their faces displaying hopeless expressions. Overhead, drones patrol with blinding spotlights. A sense of oppression and technological dominance permeates the scene, with a single beam of cold, sterile light shining from the top of the panopticon into the clouds. The atmosphere is gritty, intense, and foreboding.

      FLUX

    • Schnell - flux_schnell.sft